Gargoyles

Part 8

Chapter 84,178 wordsPublic domain

When they were alone Ramsey became a different man. He talked to her usually about people he had met in her house. At such times he was master of caricature. Their absurdities, pompousness, banalities, hypocricies took grotesque outline in his words. His method was unvarying. It was based upon a crude, vicious skepticism, inspired in turn by a fanatic resentment of success in others. He seemed determined always to prove to his own and her satisfaction that despite their pretentions people were no more successful than he. His nature seemed unable to tolerate the thought of superiors. At the same time people he encountered, particularly in the Basine home, managed always to override him, to reduce him to silence, to deflate him.

He would retire into himself, protesting viciously at the injustice of this phenomenon. And while he sat in silence he would seek to wipe out the consciousness of his own inferiority by attacking with contempt the people around him. He would sit belittling and ridiculing the company to himself until he had hypnotized himself with a conviction of their general worthlessness and inferiority. Bolstered up by this treacherous conviction, he would come suddenly to life with a grotesque sense of magnitude in his mind. He was a giant among pigmies, a Socrates among clowns! Who were these numbskulls and fourflushers that they thought they were better than he was! He would show them! He would step forth and by a single gesture, a scintillant phrase, reduce them to their proper place.

And the company would find itself staring for an instant at a thin, little man with a wild look in his eyes and a snarling quiver in his voice, saying something not quite intelligible--usually an involved pun or a tardy comment on some issue under discussion. The intensity of the sullen-faced little man with the patrician nose embarrassed them for the moment. Not as much as it did Mrs. Basine whose heart would almost break at the spectacle, but enough to make them feel it were best to ignore this curious Mr. Ramsey and not let on what a fool he somehow made of himself.

Ramsey's indignation toward people, his sour skepticism of their values, was his futile way of reassuring himself of his own worth. Futile, because he had no conviction of this worth. When he sat denouncing in silence the talkers around him, ridiculing and belittling them, it was merely a less painful outlet for the contempt he had of himself.

He had been since his youth ridden by this inner feeling that he was a fool, a weakling, not quite a man. It had started in his boyhood when the nickname "Sissy" had been attached to him. His high-pitched voice, his thin body and his unboyish modesty had earned him the name. As he had grown older the fact that he did not care for girls as other youths did, and that he sometimes played with them as if he were a girl himself, had not escaped the keen, cruel eyes of his companions. The name "Sis" Ramsey had stuck.

In order to convince these companions of his masculinity he had thrown himself with violence into their roughest games. In high school he had sought to establish himself as a hardened sinner--a drinker and tough citizen. Despite his slight body he had developed into a creditable athlete. More than that he had become known as a fellow who would fight at the drop of a hat. His fiery temper became a byword.

But all these masculine, or seemingly masculine attributes were part of his effort to prove that, despite his somewhat odd voice and his equally odd indifference toward girls, he was a man. When he left high school and started in the offices of the Mackay Advertising Company, the name "Sissy" had dropped from him. He had no longer to contend with the keen, cruel eyes of boy companions. Men were content to accept him at whatever value he chose to place on himself, as far as his character was concerned.

The struggle instead of abating, however, only increased. It removed itself from the external combat of his boyhood to an internal complication, and became the basis of the feeling of inferiority which shaped his life.

This inner knowledge he cherished, that he was inferior to people, was founded on the conviction that he was impotent; or at least nearly impotent; that he could never marry and have children like other men. His mind refused to acknowledge this fact and thus instead of finding the comparatively harmless exit of regret, it permeated his entire thought with the word--inferior ... inferior.

Ramsey kept himself desperately blind to the cause of this permeation. He concentrated on the detached word "inferior" and belabored it with untiring fury. There was another secret, one that went deeper than the hidden conviction of impotency.

In the indignation which continually filled his mind, the hideous secret that lived almost within grasp of his understanding was conveniently clouded. It was the secret that his lack of vigor--a fact in itself that he sometimes contemplated--was caused by a still deeper thing--a thing that never reached any clearer articulation than a shudder.

They had called him "Sissy" as a boy and he had not changed with age. He had been able to repress the impulses that sought to turn him toward men instead of women for companionship. He had repressed them by the ruse of convincing himself he was an ascetic.

It was, moreover, an attitude which could find outlet. He could devote himself to the continual denunciation of others, developing into a sour, cynical choleric man of fifty. A vindictive, unpleasing personality.

Mrs. Basine herded her guests into the dining room. Ramsey's presence preoccupied her. She found herself watching him as a mother might look after a sickly child.

The intimacy that had grown between her and her dead husband's friend had been too gradual to trace. It had started when Mrs. Basine had sat one evening in the midst of a company similar to this and thought, "Poor man. He jumps around like that and acts queerly because he's ashamed of himself. He's ashamed of not being what he wants to be."

She did not quite understand what this meant but she felt herself suddenly close to the man after having thought it. He began to seek her company alone and more and more to use her as an audience for his ruse of transferring his self-rage into a critical indignation of others.

A realization of Ramsey's character had stirred a pity in her and out of this pity she was careful not to let him see it. She went to the extreme of pretending a blindness toward his shortcomings and of accepting him for the thing he tried to make himself out to be--a giant among pygmies.

She would agree with him in his attacks upon others, second his vicious caricaturing and appear always impressed by his desperate skepticism. Ramsey as a result had come to regard her as the one person with whom he had ever felt at ease during his life. Mrs Basine was a woman who understood him, that is, one who was completely deceived by him. In her presence the creature he struggled unsuccessfully to become, the masquerade of magnificence which his inferiority sought futilely to assume--in her presence these became realities. He would swagger before her, deride her, browbeat her and the rage which bubbled everlastingly in him would have respite. His mind seemed to uncloud and his talk would grow actually clever, some of his caricatures bringing an authentic laugh from her.

But the widow as a rule would sit listening to him, watching his swagger, her heart lacerated by the poignant things it sensed. It was as if he were a little boy dressed up in an Indian suit and emitting war whoops and she must sit by and pretend real horror of his juvenile make-believe; as if he were someone who would drop dead with anguish in the midst of his laughter if she were to say aloud what was in her mind, "Oh you poor man, I'm sorry for you. I'm so ashamed for you."

She did not understand why, despite these things, she felt a thrill of pleasure when she found herself alone with him. Her pity for the man seemed a pleasant excitement. It gave her a sense of intimacy toward him. She admitted this to herself but wondered about it.

There had been one evening that remained confusedly in her mind. He had seemed unusually buoyant, she recalled, after it was over. His cleverness had actually diverted her--his caricatures of Judge Smith and Mrs. Gilchrist and even her own son. She had felt a certain truth in the distorted descriptions he gave of her friends.

Then without warning he had grown violently excited. She had watched him with a fear in her heart--a warning to her that he was going to say something. She remembered him walking up and down the room saying, "The trouble with you, like with most people, my dear lady, is that you don't understand things. You look at things through a fog. You don't see through the pretences of people. Your brain isn't active. It's merely receptive. It doesn't question. And what's the result?"

His voice had become high-pitched.

"You live your lives among lies. That's what you do. Lies, lies--you thrive on lies. Your friends are lies. Your thoughts, everything. Take me.... Now take me ... my case.... I'll tell you something you don't understand ... just by the way of proof.... I'll tell you something...."

His voice had broken off, overcome by excitement. He was walking up and down in front of her, his eyes staring wildly. He was going to say something, something about himself. And for a moment she had sat cringing inside. Why had she been afraid? Perhaps because he had looked so wildly around him, like someone trying to escape. But he had grown silent and dropped exhausted into a chair.

She tried not to look at him because he was trembling and he had gone away ten minutes later. He had kept away for two weeks and then returned and their relations had resumed as if nothing had happened. Her mind tingled with curiosity but a fear restrained her. She somehow had not dared ask the question, "What were you going to tell me about yourself."

But she remembered that it had seemed for a moment as if he were going to escape, that he had looked like a man on the verge of ridding himself of an incubus.

Her guests were getting along famously. Everyone seemed pleased, happy. They were chattering and laughing for hardly no reason at all. Mrs. Basine had no liking for the people at her table. She despised Mrs. Gilchrist, resented Aubrey. The judge gave her a faint feeling of repulsion. Henrietta was a simpleton. Fanny irritated her with her continual blushes and sensitive innocence. Doris was too silent and always brooding. And even George--he somehow failed to convince her although she desired to be convinced.

But all of them together were nice, like a pleasing combination of colors. People belonged together. Alone they had faults. But when they came together and forgot themselves they were nice. She felt proud of having them at her table, because there were so many of them. They were nice people when they were like this--just talking, not arguing or saying things that convinced her somehow that they were wrong things.

Under the table the little comedies of the day were playing a furtive sequel. Henrietta sitting next to Basine was shyly pressing her knee against his. Fanny had reached out her foot until it rested against an ankle she fancied belonged to Aubrey. For a few minutes she failed to connect the attentiveness of Judge Smith, his paternal banter, with her activity under the table. But the suspicion slowly arrived. Her eyes calculated the position of the judge's legs and, blushing, she withdrew her foot. She noticed that Aubrey sought her face when she wasn't looking and that Keegan was talking with a blurred politeness to Mrs. Gilchrist.

Doris sitting next to Mr. Ramsey felt annoyed. He was continually asking her what she wanted, passing her salt-shakers and bread-plates and conducting himself as if she were a helpless child under his care. Mrs. Gilchrist, as the first conversational flush inspired by the food subsided, launched into a detailed description of the plans for the coming fĂȘte, talking in a precise, emotionless voice.

"I was saying," Basine's voice emerged in a silence that followed Mrs. Gilchrist's talk, "I was saying that people are easy to get along with if you understand them and they understand you. I had a case in court the other day where a woman was suing a man for breach of promise. He had proposed marriage to her and then without reason broke his pledge. The woman was my client."

Murmurs of "how awful"; "that must have been interesting" arose. Basine nodded sagely. He had without knowing why started improvising the narrative, inventing its details with a creditable dramatic and legal talent. There had been no such case, client or denouement but he continued unconscious of this fact in his desire to tell the story. "The man of course was a rascal. An unscrupulous rascal. The girl--my client--a charming, innocent young thing--had believed him. He had courted her passionately,--er, I should say--assiduously. I couldn't understand how any man after giving his word and asking a girl to marry him could possibly be rogue enough to do what he had done. So during a recess in the case I sought the fellow out. His name was Jones. We had quite a talk."

Basine paused.

"What happened?" Fanny exclaimed. "I wish you'd tell us more about your work than you do, George. It's so interesting."

"Yes, go on," Mrs. Gilchrist commanded.

Basine hesitated. His improvisation seemed to have come to an end. He was, mysteriously, at a loss as to how to make the lie turn out. But inspired by the attention of the table he resumed:

"Well, of course a lawyer must be first of all faithful to his client."

He paused again. He had almost decided to end the fiction by explaining that on investigation he had found the man to be right and that the defense the man had given him privately of his actions had caused him to withdraw from the case. But this would sound quixotic, unreal. There would have to be explanations. Why had he started the lie? To give it that ending so that.... He smiled a sudden appreciation of what he was doing--trying to excuse his jilting of Henrietta--an event not far off if she persisted in holding him to the thingumabob foolishness. But he went on:

"This sometimes prejudices an attorney against his opponent. But I found this time that all prejudice was warranted. The man was a thorough rascal. It had been his practise to propose marriage to girls--innocent girls of course, and he had several times managed to take advantage of their faith in him and--ruin them."

Fanny averted her eyes. Mrs. Gilchrist stared with an uncomprehending frown at the talker. The judge permitted a grimace of distaste to pass over his face as he murmured, "The cad. Yes sir, men are cads."

"My client won," resumed Basine with modesty, "and was awarded five thousand dollars by the jury. But the law could not give her back the happiness this scoundrel had snatched from her...."

"Had he ... had he accomplished his purpose with her?" Aubrey inquired, aloofly interested in the plot details of the narrative.

"No, fortunately," Basine answered. "But look at him now. Free, although found guilty, free to continue his tactics."

He paused confused. Henrietta was beaming at him, her eyes wide with admiration. He felt he should have given it the other ending and cursed himself silently for what he had done. He had only made it worse when he had meant to tell a story that would help matters and make her understand....

Mrs. Basine regarded her son unhappily. She was convinced he was lying because he usually mentioned the big cases he had and he had never before referred to any Jones suit. But she was unable to understand why anyone should lie without cause and after a moment of doubt her son's stern face and positive manner managed to convince her again. He wasn't lying.

Basine, as the others took up the discussion of the narrative, dropped his hand to his side and furtively pressed it against Henrietta's knee. At this sensation of physical contact a feeling of relief came to him. In the sensual thrill this contact aroused he buried the discomfort of the words running through his head--"she thinks I'm going to marry her. Damn it ... damn it...."

He was startled when, glancing at her in the midst of his daring excursion under the table, he noticed her smiling coolly and primly at Aubrey who was talking.

"Will you have some of this?" Mr. Ramsey's voice protruded through the silence. Several eyes turned toward him as if he were about to take up the burden of the talk. Mrs. Basine interrupted quickly.

"What was that book you told me about, Mr. Gilchrist, last month?" she asked. Aubrey looked up inquiringly. "I mean your father."

The elder Gilchrist blinked and seemed to peer into the depths of his memory.

"I don't remember," he said clearing his throat. They were the first words he had spoken since he had said, "Thank you ... thank you...." and sat down in a corner of the Basine library. His wife stared at him as if he were a phenomenon unexpectedly revealed to her gaze.

"It must have been," stammered Mr. Gilchrist, "Suetonius, I think. Or ... or the Chevalier de Boufflers...."

"I'm sure that was it," Mrs. Basine agreed. "I must get that to read."

The judge frowned disapprovingly upon the elder Gilchrist. He resented readers. Culture was a state of soul acquired by being a gentleman, not by reading books. He resented also the impression Aubrey had left during the Annexation discussion.

As a matter of fact he felt sleepy, the result of the food he had eaten. And he was automatically seeking for some occasion which would warrant an expression of dignity or resentment or anything in which he might hide his heaviness of spirit.

The sight of his daughter regarding Aubrey with a sweet, prim attentiveness supplied him with what he desired. The idea of Henrietta marrying that fool was annoying. Old Gilchrist was a sly dog and his wife a difficult woman. He would forbid the thing. It might hurt Henrietta for a time but he knew what was good for her. A mere story writer had no real standing in the community, no future. Whereas--Basine.... He lowered his eyes and glowered at his plate.... Nice young man. Honorable. And full of promise ... promise....

9

"Love the stars. Love people's faces. Buildings and faces. What do I know about 'em? God knows. Rotten streets.... Life's a great harlot that men keep chasing. That gives herself to men--all men, everybody. I want her. I want her."

He walked angrily, a cap on his head, a pipe clenched between his teeth. He was thinking as he walked. Emotions came out of his heart and burst crests of words in his mind. Angry emotions. There was an anger in him. He was overcoming a feeling of futility as he walked.

The street was a carnival fringe. Cheap burlesque theatres, arcades, museums, saloons. This was blurred. He saw no lithographs. One side of the street followed along at his elbow--a slant of pinwheel lights. On the other side across the street, pin points. But he saw nothing. Things passed unresistingly through his eyes.

He remembered now a mile of walking. The business section asleep on Sunday evening. He had walked through that. Darkened windows, ghastly inanimations. Why was he angry?

"Aw huh!" he snarled. He was cursing something. He asked questions and answered them. This got him nowhere. Stars, buildings, faces--he wanted to knock them over. That was inside him, a wish to knock 'em over. More than a wish. A necessity. But he could only walk. The world scratched at his elbow. He could bite on his pipe. This thing hurt him.

People, rotten people. Crazy jellyfish with jellyfish hearts, jellyfish brains. He could swear at 'em like that. But why? He didn't know. Only this thing in him made him blow up.

It was easier when he worked. His father calmed him. His father stood over the bench planning the fine-grained wood. A great man because he loved the wood he cut and carved into pieces of furniture. But jellyfish sat in the chairs they made in his father's shop. Damn 'em.

"Love people. Say something. What? Say something. Get it out. Aw, the dirty, filthy swine."

That was the way he thought as he walked. A long furious mumble in him, this man walked and saw nothing but light slants, spinning windows. He was young and he wore a cap.

He would get it out of him ... Show 'em! Ah, a nip to the air. Spring blowing his heart up like a balloon. All they wanted was women. And all women wanted was to be wanted. No. That was wrong. Damn! Always wrong! His feet talked better than his head. Clap, clap on the pavement. Where were the others going?

He didn't hate them. Someday it would all come out like swans swimming. Very majestic. He would talk easy and smooth. But now people kept him from putting it over. They wrapped him up. Ideas wrapped up his words and killed them. Streets, buildings, stars chewed at him. He must knock 'em over and get himself free. Put his hands on things and knock Hell out of 'em.

"Love 'em. Love 'em. How the Hell ... why the Hell? Lindstrum! Lindstrum! That's my name.... I got a name. I'm the greatest man in the world. The world's greatest all-around individual on two legs walking, smoking. Damn...."

But what could he do? Saw wood, smear varnish on wood, monkey around with wood. That didn't get it out. When he wrote it came out. But rotten. He wrote rotten, crazy rotten. If he was the greatest man why in God's name! He'd show 'em.

A long breath brought the night into him like a sponge. It drained something out of him. He could grin. A very evil grin at a saloon window. He could look around and notice. That's what eyes were for. Look--people walking. Poor, sad, broken people. So sad.... Ah, tired eyes in the street that looked for lights outside themselves.

"I'm going nuts. That's what--nuts."

But the mumble went on. Questions and answers in a circle, biting their own tails. God forgive them, all these people. He must do something. Arms around them whispering to their hearts something that would say, "Yes, yes. I know it all about you. How you think one way and feel another. And how everything ends. How everything ends in a little cry that goes up."

Love their faces. Damn it! Love 'em.... He'd show 'em. He'd talk to the lights in the street. Why not?

"Do you know what? Do you know? It's all a humpty dumpty. Egg-heads falling off a wall and smashing. But I know what. I got your number. Wait...."

There was something to say. Why? Damn it ... not that way. Hit poor, sad ones on the head. Better the dirty swine in the City Hall. Aw huh! Wring their necks. What for? Wrong. Something else. They were like him. Brothers, everybody. You could kill the whole of them and there would be something left behind that was good--Life. But a better way than that.... Don't hit. Arms around them, lips to their hearts and talk like that. Make the hyenas sigh. Make the jellyfish weep softly. Make the stars dance in their idiot thoughts. Sing them songs. If only the songs came out.

It was evening, spring evening in a dirty lighted street, and he walked biting his pipe. He said to himself, "What's there to this thing? Let us study it. Many people in many houses and many streets. And each of them a known thing. But when you take all of them together, that's an unknown thing. If you know me, if you know one--what then? Nothing. It remains only one known. There is still everything else to know. One man multiplied by a million isn't a million men but an infinitude of millions."

He would get the hang of them all though, all the millions. He would think it out, get his fingers on something that didn't exist for fingers to touch. That was art. It was easy when you figured it that way.