did. In these council schules what they has now there bain't no beating,

but love ye, Peter, in the old village schules us used to whack the lads every day--aye, and the maids tu. There be many a dame about here and Lydford whose buttocks I warmed when her was a maid. Them was brave times, Peter, sure 'nuff."

"Better volks tu. Us had Dartmoor to ourselves them days," said Peter, anxious to propitiate the old man.

"Mun spell all the words proper when I writes to Jackie. He'm vull o' education," Master went on. "T-u-r-double-n, turnn, n-u-p-s, nups, turnnups. Aw, Peter, yew ain't forgot what I larnt ye."

He put down his pen, assumed the mantle of Nestor, and asked: "Can I oblige ye, Peter?"

The little man replied that he could, to the extent of twopence.

Master became grave and sorrowful, wagged his head, and behaved generally as people will when the integrity of their purse is threatened.

"Anything else, Peter--advice, sympathy, loving-kindness, you'm welcome," he answered. "I be a poor man. I was never treated as I deserved, yew mind. If I lends two pennies they don't come back. I be an old man, and I've a-larnt that. They be like little birds, what come to my window in winter for crumbs, and don't come back 'cept for more crumbs. I be advising yew, Peter; don't ye borrow money, I ses. And I be advising myself; don't ye lend it, I ses."

This was all very wise, only Peter could not appreciate it. Wisdom slakes no man's thirst. He replied that he had come to the village for sugar, and Mother Cobley at the shop refused to serve him without the money, which he had unfortunately forgotten. He added an opinion of Mother Cobley which was not charitable.

Master recited other verses from his book of wisdom. To succeed in trade it was necessary to be severe when people came buying without money. He admitted that Mother Cobley practised severity to the point of ruthlessness, he was not prepared to deny that Mother Cobley would rather permit her closest relations to walk in darkness than advance them one tallow candle to walk by on credit, but he impressed upon Peter the fact that Mother Cobley was a "poor lone widdie" who had to protect herself against the wiles of customers. To sum up the matter: "If yew buys her sugar her wants your twopence. It bain't no profit to she if yew has her sugar and she don't ha' your twopence. It gives she what us calls book-debts, and they be muddlesome and contrairy things."

With the ethics of business Peter was not concerned while the thirst was spreading through his body. So far it had been confined to the tongue and throat, but while Master talked it extended its ravages throughout the whole of his system. Peter began to be afraid he would not be able to walk home without liquid assistance. Not the smallest copper coin of the realm could be hoped for from Master; but Peter was something of a strategist, he comprehended there were more ways than one out of his present difficulties, just as there are more ways than one into a house, and an enemy can be attacked from the rear as well as in front. Master certainly refused to advance him twopence, but he could hardly in common charity refuse him what the twopence would have purchased, if he was convinced that the need was urgent. So Peter put a hand to his throat, and made strange noises, and said it was coming on again.

"What be the matter?" asked Master.

"Hot vuzzy kind o' prickiness all over like. Starts in the throat, and goes all through. I be main cruel sick, Master."

"My dear life, but that be serious," cried Master. "What du'ye tak' for 'en, Peter?"

"Something cooling. Water will du. Beer be better though."

"I ain't got any beer, but I ha' cider, I'll fetch ye some in a mug," said Master.

He trotted off, while Peter sat and chuckled, and felt much better. He was not wasting his time after all; neither was he spending any money. When Master returned with a froth-topped cloam Peter adopted something of the reverential attitude of Sir Galahad in the presence of the Sangreal, drank deeply, and when he could see the bottom of the mug declared that the dangerous symptoms had departed from him for a season. Having nothing else to detain him he rose to go, and was at the door when Master called him back.

"Purty nigh forgot to tell ye," he said, pointing to a goose-quill erect in a flower-pot upon the window-seat. "Put that feather there to mind me to tell Mary or yew, if so be I saw yew go by. There be volks stopping wi' Betty Middleweek, artist volks, and they'm got a gurt ugly spaniel dog what's been and killed a stray goosie. Betty ses 'tis Mary's Old Sal, and I was to tell ye. Betty ha' got the goosie in her linny. Mary had best go and look at 'en."

Peter rubbed his hands and became very convalescent. The heavens were showering favours upon him. Artist folks could afford to pay heavy damages. "I'll go and tell Mary to wance," he said. "Us will mak' 'em pay. Old Sal be worth a sight o' money. Us wouldn't ha' lost she for fifty pound. Thank ye kindly, Master."

"Nothing's no trouble, Peter. Hope you'll be better to-morrow," said the kindly old man.

Peter brought on another thirst by the haste with which he hurried back to inform his sister that her Old Sal had been destroyed "by artist volks stopping wi' Betty Middleweek, at least not by they, but by a gurt big ugly Spanish dog what belongs to 'em."

Mary wasted no time. She did not trouble to attire herself suitably, but merely took a great stick "as big as two years and a dag," as she described it, and set off for the village; while Peter, who had "got the taste," as he described it, determined to help himself from Mary's money-box and follow her later on with a view to continuing the treatment which had benefited him so greatly in Master's cottage.

The artists were having their evening meal when Mary arrived and beat heavily upon the door. They were summoned, the body of the goose was brought from the linhay, Mary became coroner and sat upon the defunct with due solemnity. There was no question about its identity. The name of the bird which had been done to death by the dangerous dog was Old Sal beyond all argument.

"Aw now, bain't it a pity, a cruel pity, poor Old Sal!" wailed Mary, and would not be comforted until the artist produced his purse and said he was willing to pay, while his wife hovered in attendance to see that he did not pay too much. "He was a booty, the best mother on Dartmoor, and he laid eggs, my dear. Aw ees, a butiful lot o' eggs. He was always a-laying of 'em. And now he'm dead, and wun't lay no more, and wun't never be a mother again. Hurts I cruel to see him lying there. Would rather see Peter lying there than him."

"I understand the market price of geese is eightpence a pound," said the artist nervously, awed by the gaunt presence of Mary and her patriarchal staff. "If you will have the bird weighed I will pay you, as I cannot deny that my dog killed it."

At that Mary gave an exceeding bitter cry. Eightpence a pound for Old Sal! That was the market price, she admitted, but Old Sal had been unique, a paragon among web-footed creatures, a model for other geese to imitate if they could, the original goose of which all others were indifferent copies, the very excellence and quintessence of ganders. It was impossible to estimate the value of Old Sal in mere cash, although she was willing to make that attempt. It was the perfection of Old Sal's moral character and domestic attainments that Mary dwelt upon. He had been all that a mother and an egg-layer should be. He was---- Words were wanting to express what. He had been the leader of the flock, the guiding star of the young, and the restraining influence of the foolish. The loss was irreparable. Such geese appeared possibly once in a century, and Mary would not live to see the like of her Old Sal again. Then there were the mental and moral damages to be considered. Money could not mend the evil which had been done, although money should certainly be allowed to try. Mary suggested that the experiment might commence with the transfer of five pounds.

"This bird is in very poor condition. It is quite thin," said the artist's wife.

"Thin!" shouted Mary. "Aw, my dear, du'ye go under avore yew be struck wi' lightning. He'm vull o' meat. Look at 'en, not a bone anywheres. He'm as soft wi' fat as a bog be o' moss, and so cruel heavy I can't hardly lift 'en. Yew don't know a goosie when yew sees one, my dear. Never killed one in your life, I reckon. Aw now, never killed a goosie, and ses Old Sal be thin! He was as good a mother as yew, my dear, and when it comes to laying eggs--"

The artist's wife thought it was time to "go under," or at all events to disappear, as Mary was getting excited.

At that point Betty Middleweek appeared and whispered to Mary; and at the same time a little boy in quaint costume, with a head two sizes too large, shuffled up the garden path, and stood staring at the defunct goose with large vacant eyes. "He bain't your Old Sal after all," said Betty. "He belongs to Mary Shakerley, and her little Charlie ha' come for him. He saw the dog go after 'en, and he ran away mazed like to tell his mother, but her had gone to Tavistock market, and ha' just come home."

"He've only got one eye," piped little Charlie in evidence.

Mary examined the dead body. It was that of a one-eyed goose.

"Aw now," she said in a disappointed fashion, "I reckon he bain't my Old Sal after all."

"I am willing to pay some one. Who is it to be?" asked the artist, who wanted to get back to his food.

"Please to pay little Charlie, sir," said Betty Middleweek. "Charlie, come up to the gentleman."

"Well, my lad, how much do you want for your goose? Eightpence a pound, is it?"

"Dear life!" cried Mary. "He hain't worth eightpence a pound. Look at 'en! He'm a proper old goosie, wi'out a bit o' meat on his bones, and the feathers fair dropping out o' his skin wi' age. He'd ha' scared the dog off if he'd been a young bird, or got away from 'en. My Old Sal would ha' tored any dog to pieces. Don't ye pay eightpence a pound. He hain't worth it. He never laid no eggs, I reckon, and he warn't no good for a mother. He'd ha' died purty soon if that dog o' yours hadn't killed 'en."

"You seem to have altered your opinions rather suddenly," said the artist.

"Well, I bain't a one-eyed old gander," said Mary. "I knows what goosies ought to be to fetch eightpence a pound, and I can see he ain't got enough meat on him to feed a heckimal. Aw, my dear life, if I can't tell a goosie when I sees him who can?" And off went Mary, striking her big stick noisily on the ground, wiping her nose on the back of her hand, and muttering an epitaph upon the still missing Old Sal, who, she supposed, had been carried off by some evil beast and devoured in the secret places of the moor.

It was dark by this time, and the Ebenezer love-feast was over, so far as the eating and drinking and prayer-meeting were concerned. The god of good cheer had been worshipped, and now the goddess of common wayside love was receiving incense. Autumn invariably discovers those hardy perennials of the hedges and ditches--lovers--leaning against gates as if they were tied there. The fields and the moor are too wet to sprawl on, so at the end of October the gate season sets in, and continues until spring dries the grass. The gates are nothing like so damp as the hedges, and are much softer than boundary walls, although the latter are not without their patrons. Lovers are orthodox folk, who never depart from their true religion, or seek to subtract any clause from their creed. The young girl knows that her mother was courted against a gate, and that her grandmother was courted against a gate, so she is quite ready to be courted against a gate. It must be difficult to feel the necessary ardour, when several degrees of frost are nipping their noses, and a regular Dartmoor wind whirls up and down the lanes; but these gate-leaners manage it somehow.

Peter was having a pleasant day. He had followed up his success at Master's expense with a little bout at Mary's, and it was with a feeling of unalloyed satisfaction with himself that he started for home, returning thanks after his own manner to the god who presides over beer-houses. The benign influence of malted liquors was over him, stimulating his progress, rendering him heedless of the dark, and impervious to the cold. It was an unpleasant night, not frosty, but choked with clouds, and filled with raw mist. Peter had passed several gates, most of them occupied by couples finishing the day in a devout fashion, but he had said nothing, not even the customary "good-night," because it was not lawful to speak to people when thus privily engaged. Couples are supposed to be invisible while courting, and with the full knowledge of this point of etiquette they usually conduct themselves as if they were. Peter got up upon the moor, where the wind twisted his beard about as if it had been a furze-bush, and made his way beside one of the boundary walls which denoted some commoner's field. It was the usual Dartmoor wall, composed of blocks of granite placed one above the other in an irregular pattern without mud or method, each stone kept in place by the weight of those above it; a wall which a boy could have pulled down quickly one stone at a time, but if unmolested would stand and defy the storms for ever. It was a long wall, and there were three gates in it, but no lovers against them; at least not against the first two. But as Peter approached the last, which was well out on the moor where nobody but himself would be likely to pass that night, he heard voices, or rather one voice, speaking loudly, either in anger or in passion, and he recognised that it was Pendoggat who was speaking.

Peter crept up stealthily, keeping close beside the wall, which was just about the height of his nose. When near the gate he went on his hands and knees. The voice had ceased, but he heard kisses, and various other sounds which suggested that if Pendoggat was upon the other side of the wall there was probably a woman with him. Peter crawled closer, lifted himself, placed the grimy tips of his fingers upon the top stones, which were loose and rocking, and peeped over. There was a certain amount of light upon the high moor, enough of a weird ghostly sort of phosphorescence for him to see the guilty couple, Pendoggat and Thomasine. They were quite near, upon the peat, beside one of the granite gate-posts, and directly underneath Peter's nose. The little man grinned to see such sport. The moral side of the affair did not present itself before his barbaric mind. It was the spectacular part which appealed to him. He decided to remain there, and play the part of Peeping Tom.

Had Pendoggat been sensible, which was not possible, as sense and passion do not run together, he must have known that the discovery of his liaison with Thomasine could only be a matter of time. The greatest genius that ever lived would find it beyond him to conduct an illicit love-affair in a Dartmoor parish without being found out in the long run. He had employed every ordinary caution. It was not in the least likely that any one would be crossing beside that wall after dark; but the least likely things are those which happen, not only in Dartmoor parishes, but elsewhere.

Peter had not stood there long when very ordinary things occurred, all of them unfortunate for him. To begin with, he developed a violent attack of hiccups which could not be restrained. Then the stone to which he was holding kept on rocking and giving forth grating noises. The wind was also blowing pretty strongly; and what with the wind externally and the hiccups within Peter was soon in a bad way. He made up his mind to beat a retreat, but his decision came rather too late. He felt a hiccup approaching more violent than its predecessors; he compressed his lips and held his breath, hoping to strangle it; but Nature was not to be cheated; his lips were forced asunder, the hiccup came, its sound went out into the moor, and at the same moment Peter slipped, grabbed at the stone, and sent it bowling upon the peat on the other side of the wall. He gave a squeal like a frightened rabbit, and with another parting hiccup turned and ran.

He did not get far before Pendoggat caught him. Peter was a stumpy little creature with no idea of running; and he was captured at the end of the wall, and received a blow upon the head which nearly stunned him. Pendoggat stood over him, half mad with fury, striking at him again and again; while Peter made quaint noises, half passion and half pain.

Suddenly the clouds parted westward, and Pendoggat could see Ger Tor outlined against a liverish patch of night sky. By the same light he saw Peter; and his madness departed, and he became a coward, when he caught a glimpse of the little man's malignant eyes. Peter was his enemy for ever, and he knew it.

Neither of them had spoken a word. Pendoggat had growled and spluttered; Peter had choked and mumbled; the river far beneath roared because it was full of rain. These were all incoherent noises. Pendoggat began to slink away, as if he had received the beating, shivering and looking back, but seeing nothing except a dull little heap beside the wall, which seemed to have many hands, all of them scrabbling in the dirt. Peter panted hard, as if he had been hunted across the moor by the whist hounds, and had come there to take shelter; but all the time he went on scraping up the clay, gathering it into a ball, spitting on it, moulding it, and muttering madly from time to time: "You'm him! You'm him!"

During those first few moments, after leaving that horrible little man beneath the wall scrabbling with his hands, Pendoggat swore solemnly that he would make Thomasine his wife, swore it to himself, to the God that he believed in, and to her, if only nothing happened.

Presently Peter went on towards his home; and in his arms was a fantastic little thing of clay, a thing forked and armed like a human being, a sort of doll. When he got back he cleared the hearthstone, blew the peat into a red smoulder with his mouth, then took the doll, spoke to it solemnly, placed it upon the hottest part of the hearth, and piled the red embers round it. When Mary came in to call him to supper she found Peter sitting in a kind of trance before the hearthstone, and following his gaze she saw the quaint clay doll sitting upright in the centre of the fire, with the red peat gathered into a fiery little hell around it on every side.

"Aw, Peter!" she gasped in a tremulous whisper, falling on her knees at his side. "Who be the mommet, Peter? Who be the mommet?"

"Varmer Pendoggat," said Peter.