Chapter 37

As a matter of fact, Morange had been carried away as by a storm, and, walking straight before him, had once more found himself on the Grenelle bridge, where Denis had one day saved him from the fascination of the water. And some force, some impulse had carried him again to the very same spot, and made him lean over the same parapet, gazing, in the same way as previously, at the flowing river. Ever since the previous evening he had been repeating the same words, words which he stammered in an undertone, and which haunted and tortured him. "Would he allow that fresh crime to be committed without shouting aloud what he knew?" No doubt it was those words, of which he could not rid himself, that had made him forget to put on his slippers in the morning, and that had just now again dazed him to the point of preventing him from returning to the factory, as if he no longer recognized the entrance as he passed it. And if he were at present leaning over that water, had he not been impelled thither by an unconscious desire to have done with all his troubles, an instinctive hope of drowning the torment into which he was thrown by those stubbornly recurring words? Down below, at the bottom of the river, those words would at last cease; he would no longer repeat them; he would no longer hear them urging him to an act of energy for which he could not find sufficient strength. And the call of the water was very gentle, and it would be so pleasant to have to struggle no longer, to yield to destiny, like a poor soft-hearted weakling who has lived too long.

Morange leant forward more and more, and in fancy could already feel the sonorous river seizing him, when a gay young voice in the rear recalled him to reality.

"What are you looking at, Monsieur Morange? Are there any big fishes there?"

It was Hortense, looking extremely pretty, and tall already for her ten years, whom a maid was conducting on a visit to some little friends at Auteuil. And when the distracted accountant turned round, he remained for a moment with trembling hands, and eyes moist with tears, at the sight of that apparition, that dear angel, who had recalled him from so far.

"What! is it you, my pet!" he exclaimed. "No, no, there are no big fishes. I think that they hide at the bottom because the water is so cold in winter. Are you going on a visit? You look quite beautiful in that fur-trimmed cloak!"

The little girl began to laugh, well pleased at being flattered and loved, for her old friend's voice quivered with adoration.

"Yes, yes, I am very happy; there are to be some private theatricals where I'm going. Oh! it is amusing to feel happy!"

She spoke those words like his own Reine might formerly have spoken them, and he could have gone down on his knees to kiss her little hands like an idol's.

"But it is necessary that you should always be happy," he replied. "You look so beautiful, I must really kiss you."

"Oh! you may, Monsieur Morange, I'm quite willing. Ah! you know the doll you gave me; her name's Margot, and you have no idea how good she is. Come to see her some day."

He had kissed her; and with glowing heart, ready for martyrdom, he watched her as she went off in the pale light of winter. What he had thought of would be too cowardly: besides, that child must be happy!

He slowly quitted the bridge, while within him the haunting words rang out with decisive distinctness, demanding a reply: "Would he allow that fresh crime to be committed without shouting aloud what he knew?" No, no! It was impossible: he would speak, he would act. Nevertheless, his mind remained clouded, befogged. How could he speak, how could he act?

Then, to crown his extravagant conduct, utterly breaking away from the habits of forty years, he no sooner returned to the office than, instead of immediately plunging into his everlasting additions, he began to write a long letter. This letter, which was addressed to Mathieu, recounted the whole affair--Alexandre's resurrection, Constance's plans, and the service which he himself had promised to render her. These things were set down simply as his impulse dictated, like a kind of confession by which he relieved his feelings. He had not yet come to any positive decision as to how he should play the part of a justiciar, which seemed so heavy to his shoulders. His one purpose was to warn Mathieu in order that there might be two of them to decide and act. And he simply finished by asking the other to come to see him on the following evening, though not before six o'clock, as he desired to see Alexandre and learn how the interview passed off, and what Constance might require of the young man.

The ensuing night, the ensuing day, must have been full of abominable torment for Morange. The doorkeeper's wife recounted, later on, that the fourth-floor tenant had heard the old gentleman walking about overhead all through the night. Doors were slammed, and furniture was dragged about as if for a removal. It was even thought that one could detect cries, sobs, and the monologues of a madman addressing phantoms, some mysterious rendering of worship to the dead who haunted him. And at the works during the day which followed Morange gave alarming signs of distress, of the final sinking of his mind into a flood of gloom. Ever darting troubled glances around him, he was tortured by internal combats, which, without the slightest motive, made him descend the stairs a dozen times, linger before the machinery in motion, and then return to his additions up above, with the bewildered, distracted air of one who could not find what he sought so painfully. When the darkness fell, about four o'clock on that gloomy winter day, the two clerks whom he had with him in his office noticed that he altogether ceased working. From that moment, indeed, he waited with his eyes fixed upon the clock. And when five o'clock struck he once more made sure that a certain total was correct, then rose and went out, leaving the ledger open, as if he meant to return to check the next addition.

He followed the gallery which led to the passage connecting the workshops with the private house. The whole factory was at that hour lighted up, electric lamps cast the brightness of daylight over it, while the stir of work ascended and the walls shook amid the rumbling of machinery. And all at once, before reaching the passage, Morange perceived the lift, the terrible cavity, the abyss of murder in which Blaise had met his death fourteen years previously. Subsequent to that catastrophe, and in order to prevent the like of it from ever occurring again, the trap had been surrounded by a balustrade with a gate, in such wise that a fall became impossible unless one should open the gate expressly to take a plunge. At that moment the trap was lowered and the gate was closed, and Morange, yielding to some superior force, bent over the cavity, shuddering. The whole scene of long ago rose up before him; he was again in the depths of that frightful void; he could see the crushed corpse; and he could feel the gust of terror chilling him in the presence of murder, accepted and concealed. Since he suffered so dreadfully, since he could no longer sleep, since he had promised his dear dead ones that he would join them, why should he not make an end of himself? Two days previously, while leaning over the parapet of the Grenelle bridge, a desire to do so had taken possession of him. He merely had to lose his equilibrium and he would be liberated, laid to rest in the peaceful earth between his wife and his daughter. And, all at once, as if the abyss itself suggested to him the frightful solution for which he had been vainly groping, in his growing madness, for two days past, he thought that he could hear a voice calling him from below, the voice of Blaise, which cried: "Come with the other one! Come with the other one!"

He started violently and drew himself erect; decision had fallen on him in a lightning flash. Insane as he was, that appeared to him to be the one sole logical, mathematical, sensible solution, which would settle everything. It seemed to him so simple, too, that he was astonished that he had sought it so long. And from that moment this poor soft-hearted weakling, whose wretched brain was unhinged, gave proof of iron will and sovereign heroism, assisted by the clearest reasoning, the most subtle craft.

In the first place he prepared everything, set the catch to prevent the trap from being sent up again in his absence, and also assured himself that the balustrade door opened and closed easily. He came and went with a light, aerial step, as if carried off his feet, with his eyes ever on the alert, anxious as he was to be neither seen nor heard. At last he extinguished the three electric lamps and plunged the gallery into darkness. From below, through the gaping cavity the stir of the working factory, the rumbling of the machinery ever ascended. And it was only then, everything being ready, that Morange turned into the passage to betake himself to the little drawing room of the mansion.

Constance was there waiting for him with Alexandre. She had given instructions for the latter to call half-an-hour earlier, for she wished to confess him while as yet telling him nothing of the real position which she meant him to take in the house. She was not disposed to place herself all at once at his mercy, and had therefore simply expressed her willingness to give him employment in accordance with the recommendation of her relative, the Baroness de Lowicz. Nevertheless, she studied him with restrained ardor, and was well pleased to find that he was strong, sturdy, and resolute, with a hard face lighted by terrible eyes, which promised her an avenger. She would finish polishing him up, and then he would suit her perfectly. For his part, without plainly understanding the truth, he scented something, divined that his fortune was at hand, and was quite ready to wait awhile for the certain feast, like a young wolf who consents to be domesticated in order that he may, later on, devour the whole flock at his ease.

When Morange went in only one thing struck him, Alexandre's resemblance to Beauchêne, that extraordinary resemblance which had already upset Constance, and which now sent an icy chill through the old accountant as if in purposing to carry out his idea he had condemned his old master.

"I was waiting for you, my friend; you are late, you who are so punctual as a rule," said Constance.

"Yes, there was a little work which I wished to finish."

But she had merely been jesting, she felt so happy. And she immediately settled everything: "Well, here is the gentleman whom I spoke about," she said. "You will begin by taking him with you and making him acquainted with the business, even if in the first instance you can merely send him about on commissions for you. It is understood, is it not?"

"Quite so, dear madame, I will take him with me; you may rely on me."

Then, as she gave Alexandre his dismissal, saying that he might come on the morrow, Morange offered to show him out by way of his office and the workshops, which were still open.

"In that way he will form an acquaintance with the works, and can come straight to me to-morrow."

Constance laughed again, so fully did the accountant's obligingness reassure her.

"That is a good idea, my friend," she said. "Thank you. And _au revoir_, monsieur; we will take charge of your future if you behave sensibly."

At this moment, however, she was thunderstruck by an extravagant and seemingly senseless incident. Morange, having shown Alexandre out of the little _salon_, in advance of himself, turned round towards her with the sudden grimace of a madman, revealing his insanity by the distortion of his countenance. And in a low, familiar, sneering voice, he stammered in her face: "Ha! ha! Blaise at the bottom of the hole! He speaks, he has spoken to me! Ha! ha! the somersault! you would have the somersault! And you shall have it again, the somersault, the somersault!"

Then he disappeared, following Alexandre.

She had listened to him agape with wonder. It was all so unforeseen, so idiotic, that at first she did not understand it. But afterwards what a flash of light came to her! That which Morange had referred to was the murder yonder--the thing to which they had never referred, the monstrous thing which they had kept buried for fourteen years past, which their glances only had confessed, but which, all of a sudden, he had cast in her teeth with the grimace of a madman. What was the meaning of the poor fool's diabolical rebellion, the dim threat which she had felt passing like a gust from an abyss? She turned frightfully pale, she intuitively foresaw some frightful revenge of destiny, that destiny which, only a moment previously, she had believed to be her minion. Yes, it was surely that. And she felt herself carried fourteen years backward, and she remained standing, quivering, icy cold, listening to the sounds which arose from the works, waiting for the awful thud of the fall, even as on the distant day when she had listened and waited for the other to be crushed and killed.

Meantime Morange, with his discreet, short step, was leading Alexandre away, and speaking to him in a quiet, good-natured voice.

"I must ask your pardon for going first, but I have to show you the way. Oh! this is a very intricate place, with stairs and passages whose turns and twists never end. The passage now turns to the left, you see."

Then, on reaching the gallery where the darkness was complete, he affected anger in the most natural manner possible.

"Ah! well, that is just their way. They haven't yet lighted up this part. The switch is at the other end. Fortunately I know where to step, for I have been going backwards and forwards here for the last forty years. Mind follow me carefully."

Thereupon, at each successive step, he warned the other what he ought to do, guiding him along in his obliging way without the faintest tremor in his voice.

"Don't let go of me, turn to the left.--Now we merely have to go straight ahead.--Only, wait a moment, a barrier intersects the gallery, and there is a gate.--There we are! I'm opening the gate, you hear?--Follow me, I'll go first."

Morange quietly stepped into the void, amid the darkness. And, without a cry, he fell. Alexandre who was close in the rear, almost touching him so as not to lose him, certainly detected the void and the gust which followed the fall, as with sudden horror the flooring failed beneath them; but force of motion carried him on, he stepped forward in his turn, howled and likewise fell, head over heels. Both were smashed below, both killed at once. True, Morange still breathed for a few seconds. Alexandre, for his part, lay with his skull broken to pieces and his brains scattered on the very spot where Blaise had been picked up.

Horrible was the stupefaction when those bodies were found there. Nobody could explain the catastrophe. Morange carried off his secret, the reason for that savage act of justice which he had accomplished according to the chance suggestions of his dementia. Perhaps he had wished to punish Constance, perhaps he had desired to repair the old wrong: Denis long since stricken in the person of his brother, and now saved for the sake of his daughter Hortense, who would live happily with Margot, the pretty doll who was so good. By suppressing the criminal instrument the old accountant had indeed averted the possibility of a fresh crime. Swayed by his fixed idea, however, he had doubtless never reasoned that cataclysmic deed of justice, which was above reason, and which passed by with the impassive savagery of a death-dealing hurricane.

At the works there was but one opinion, Morange had assuredly been mad; and he alone could have caused the accident, particularly as it was impossible to account, otherwise than by an act of madness, for the extinguishing of the lights, the opening of the balustrade-door, and the plunge into the cavity which he knew to be there, and into which had followed him the unfortunate young man his companion. Moreover, the accountant's madness was no longer doubted by anybody a few days later, when the doorkeeper of his house related his final eccentricities, and a commissary of police went to search his rooms. He had been mad, mad enough to be placed in confinement.

To begin, nobody had ever seen a flat in such an extraordinary condition, the kitchen a perfect stable, the drawing-room in a state of utter abandonment with its Louis XIV. furniture gray with dust, and the dining-room all topsy-turvy, the old oak tables and chairs being piled up against the window as if to shut out every ray of light, though nobody could tell why. The only properly kept room was that in which Reine had formerly slept, which was as clean as a sanctuary, with its pitch-pine furniture as bright as if it had been polished every day. But the apartment in which Morange's madness became unmistakably manifest was his own bedchamber, which he had turned into a museum of souvenirs, covering its walls with photographs of his wife and daughter. Above a table there, the wall facing the window quite disappeared from view, for a sort of little chapel had been set up, decked with a multitude of portraits. In the centre were photographs of Valérie and Reine, both of them at twenty years of age, so that they looked like twin sisters; while symmetrically disposed all around was an extraordinary number of other portraits, again showing Valérie and Reine, now as children, now as girls, and now as women, in every sort of position, too, and every kind of toilet. And below them on the table, like an offering on an altar, was found more than one hundred thousand francs, in gold, and silver, and even copper; indeed, the whole fortune which Morange had been saving up for several years by eating only dry bread, like a pauper.

At last, then, one knew what he had done with his savings; he had given them to his dead wife and daughter, who had remained his will, passion, and ambition. Haunted by remorse at having killed them while dreaming of making them rich, he reserved for them that money which they had so keenly desired, and which they would have spent with so much ardor. It was still and ever for them that he earned it, and he took it to them, lavished it upon them, never devoting even a tithe of it to any egotistical pleasure, absorbed as he was in his vision-fraught worship and eager to pacify and cheer their spirits. And the whole neighborhood gossiped endlessly about the old mad gentleman who had let himself die of wretchedness by the side of a perfect treasure, piled coin by coin upon a table, and for twenty years past tendered to the portraits of his wife and daughter, even as flowers might have been offered to their memory.

About six o'clock, when Mathieu reached the works, he found the place terrified by the catastrophe. Ever since the morning he had been rendered anxious by Morange's letter, which had greatly surprised and worried him with that extraordinary story of Alexandre turning up once more, being welcomed by Constance, and introduced by her into the establishment. Plain as was the greater part of the letter, it contained some singularly incoherent passages, and darted from one point to another with incomprehensible suddenness. Mathieu had read it three times, indulging on each occasion in fresh hypotheses of a gloomier and gloomier nature; for the more he reflected, the more did the affair seem to him to be fraught with menace. Then, on reaching the rendezvous appointed by Morange, he found himself in presence of those bleeding bodies which Victor Moineaud had just picked up and laid out side by side! Silent, chilled to his bones, Mathieu listened to his son, Denis, who had hastened up to tell him of the unexplainable misfortune, the two men falling one atop of the other, first the old mad accountant, and then the young fellow whom nobody knew and who seemed to have dropped from heaven.

Mathieu, for his part, had immediately recognized Alexandre, and if, pale and terrified, he kept silent on the subject, it was because he desired to take nobody, not even his son, into his confidence, given the fresh suppositions, the frightful suppositions, which now arose in his mind from out of all the darkness. He listened with growing anxiety to the enumeration of the few points which were certain: the extinguishing of the electric lights in the gallery and the opening of the balustrade door, which was always kept closed and could only have been opened by some _habitué_, since, to turn the handle, one had to press a secret spring which kept it from moving. And, all at once, as Victor Moineaud pointed out that the old man had certainly been the first to fall, since one of the young man's legs had been stretched across his stomach, Mathieu was carried fourteen years backward. He remembered old Moineaud picking up Blaise on the very spot where Victor, the son, had just picked up Morange and Alexandre. Blaise! At the thought of his dead boy fresh light came to Mathieu, a frightful suspicion blazed up amid the terrible obscurity in which he had been groping and doubting. And, thereupon, leaving Denis to settle everything down below, he decided to see Constance.

Up above, however, when Mathieu was on the point of turning into the communicating passage, he paused once more, this time near the lift. It was there, fourteen years previously, that Morange, finding the trap open, had gone down to warn and chide the workmen, while Constance, according to her own account, had quietly returned into the house, at the very moment when Blaise, coming from the other end of the dim gallery, plunged into the gulf. Everybody had eventually accepted that narrative as being accurate, but Mathieu now felt that it was mendacious. He could recall various glances, various words, various spells of silence; and sudden certainty came upon him, a certainty based on all the petty things which he had not then understood, but which now assumed the most frightful significance. Yes, it was certain, even though round it there hovered the monstrous vagueness of silent crimes, cowardly crimes, over which a shadow of horrible mystery always lurks. Moreover, it explained the sequel, those two bodies lying below, as far, that is, as logical reasoning can explain a madman's action with all its gaps and mysteriousness. Nevertheless, Mathieu still strove to doubt; before anything else he wished to see Constance.

Showing a waxy pallor, she had remained erect, motionless, in the middle of her little drawing-room. The waiting of fourteen years previously had begun once more, lasting on and on, and filling her with such anxiety that she held her breath the better to listen. Nothing, no stir, no sound of footsteps, had yet ascended from the works. What could be happening then? Was the hateful thing, the dreaded thing, merely a nightmare after all? Yet Morange had really sneered in her face, she had fully understood him. Had not a howl, the thud of a fall, just reached her ears? And now, had not the rumbling of the machinery ceased? It was death, the factory silent, chilled and lost for her. All at once her heart ceased beating as she detected a sound of footsteps drawing nearer and nearer with increased rapidity. The door opened, and it was Mathieu who came in.

She recoiled, livid, as at the sight of a ghost. He, O God! Why he? How was it he was there? Of all the messengers of misfortune he was the one whom she had least expected. Had the dead son risen before her she would not have shuddered more dreadfully than she did at this apparition of the father.

She did not speak. He simply said: "They made the plunge, they are both dead--like Blaise."