Category: Art

From Grieg to Brahms: Studies of Some Modern Composers and Their Art

«Music may be hard to understand, but musicians are men;» so remarked a friend of mine when I was first planning these essays. The sentence sums up very happily a truth I have constantly had in mind in writing them. As all music, no matter what its complexity on the technical...

Chapters

1. Part 1

«Music may be hard to understand, but musicians are men;» so remarked a friend of mine when I was first planning these essays. The sentence sums up very happily a truth I have c...

2. Part 2

Probably every one who has listened to the whistling of factories in a large city at noon has had the curious experience of suddenly hearing amid the meaningless din a pair of t...

3. Part 3

If expression depends thus in part upon the moral and temperamental qualities of the listener, form in equal measure depends upon his mental alertness. «Form,» says Dr. Santayan...

4. Part 4

On the other hand, Grieg is never large or heroic; he never wears the buskin. He has neither the depth of passion nor the intellectual grasp needed to make music in the grand st...

5. Part 5

After his graduation from the Organ School in 1860 his situation, both practical and musical, slowly ameliorated. From Smetana, who gave him a position in the orchestra of the I...

6. Part 6

The surprising energy and versatility shown at the opening of Saint-Saëns's career have proved, in the course of time, to be the salient traits of his typically Gallic nature. H...

7. Part 7

When we turn from the brilliant Parisian we have been studying to that obscure and saintly man, César Franck, the only French contemporary of Saint-Saëns who is worthy to be ran...

8. Part 8

Yet César Franck is inclined either to ignore these tendencies or to shift them into unexpected and circuitous channels. The dissonant chords, though they occur often in his wor...

9. Part 9

He never, in fact, wholly outgrew certain peculiarities which are direct results of his emotional instability, his slavery to mood. His persistent use of minor keys, for example...

10. Part 10

A just conception of this broad scheme of Brahms's ideal and of his thoroughness in working it out is necessary, we must insist, not only to appreciation of the man himself, but...

11. Part 11

Religion, then, man's final means of reading rationality in the countenance of an irrational world, is the culmination toward which the other three naturally tend. It is the nat...