Part 20

A boom! the lighthouse gun! How its echo rolls and rolls! ’Tis to warn home-bound ships Off the shoals. See, a rocket cleaves the sky-- From the fort, a shaft of light! See, it fades, and, fading, leaves Golden furrows on the night! What makes Mabel’s cheek so pale? What makes Mabel’s lips so white? Did she see the helpless sail That, tossing here and there Like a feather in the air, Went down and out of sight-- Down, down, and out of sight? Oh, watch no more, no more, With face against the pane; You cannot see the men that drown By the Beacon in the rain!

From a shoal of richest rubies Breaks the morning clear and cold; And the angel of the village spire, Frost-touched, is bright as gold. Four ancient fishermen In the pleasant autumn air, Come toiling up the sands With something in their hands,-- Two bodies stark and white, Ah! so ghastly in the light, With sea-weed in their hair.

Oh, ancient fishermen, Go up to yonder cot! You’ll find a little child With face against the pane, Who looks towards the beach, And, looking, sees it not. She will never watch again! Never watch and weep at night! For those pretty, saintly eyes Look beyond the stormy skies, And they see the Beacon Light. --THOMAS BAILEY ALDRICH.

_By permission of Houghton, Mifflin & Company._

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This above all: to thine own self be true, And it must follow, as the night the day, Thou canst not then be false to any man.

THE CARRONADE

A frightful thing had just happened; one of the carronades of the battery, a twenty-four pound cannon, had become loose.

This is perhaps the most dreadful thing that can take place at sea. Nothing more terrible can happen to a man-of-war under full sail. A cannon that breaks loose from its fastenings is suddenly transformed into a supernatural beast. It is a monster developed from a machine. This mass rolls along on its wheels as easily as a billiard ball; it rolls with the rolling, pitches with the pitching, comes and goes, stops and seems to meditate, begins anew, darts like an arrow from one end of the ship to the other, whirls around, turns aside, evades, rears, hits out, crushes, kills, exterminates.

It has the air of having lost its patience, and of taking a mysterious, dull revenge. The mad mass leaps like a panther; it has the weight of an elephant, the agility of a mouse, the obstinacy of an axe; it takes one by surprise like the surge of the sea; it flashes like lightning; it is deaf as the tomb; it weighs ten thousand pounds, and it bounds like a child’s ball. How can one guard against these terrible movements?

The ship had within its depths, so to speak, imprisoned lightning struggling to escape; something like the rumbling of thunder during an earthquake. In an instant the crew were on their feet. Brave men though they were, they paused, silent, pale, and undecided, looking down at the gun deck. Some one pushed them aside with his elbow and descended. It was their passenger, the peasant, the man about whom they had been talking a minute ago.

Having reached the foot of the ladder he halted. The cannon was rolling to and fro on the gun deck. A dim wavering of lights and shadows was added to this spectacle by the marine lantern swinging under the deck. The outlines of the cannon were becoming indistinguishable by reason of the rapidity of its motion; sometimes it looked black when the light shone upon it, then again it would cast pale, glimmering reflections in the darkness.

It was still pursuing its work of destruction. It had already shattered four other pieces, and made two breaches in the ship’s side, fortunately above the water line. It rushed frantically against the timbers; the stout riders resisted,--curved timbers have great strength; but one could hear them crack under this tremendous assault. The whole ship was filled with the tumult.

The captain, who had rapidly recovered his self-possession, had given orders to throw down the hatchway all that could abate the rage and check the mad onslaught of this infuriated gun,--mattresses, hammocks, spare sails, coils of rope, and bales of paper. But what availed these rags? No one dared to go down to arrange them, and in a few moments they were reduced to lint. Meanwhile the havoc increased. The mizzenmast was split and even the mainmast was damaged by the convulsive blows of the cannon. The fractures in the side grew larger and the ship began to leak.

The old passenger, who had descended to the gun deck, looked like one carved in stone, as he stood motionless at the foot of the ladder. Suddenly, as the escaped cannon was tossing from side to side, a man appeared, grasping an iron bar. It was the chief gunner, whose criminal negligence was the cause of the catastrophe. Having brought about the evil, he now intended to repair it. Holding a handspike in one hand, and in the other a rope with a noose in it, he had jumped through the hatchway to the deck below.

Then began a terrible struggle; a contest between mind and matter; a duel between man and the inanimate. The man stood in one corner holding in his hands the bar and the rope; calm, livid, and tragic, he stood firmly on his legs that were like two pillars of steel. He was waiting for the cannon to approach him. The gunner knew his piece, and he felt as if it must know him. They had lived together a long time. How often had he put his hand into its mouth! He began to talk to it as he would to a dog. “Come,” said he. Possibly he loved it.

When, in the act of accepting this awful hand-to-hand struggle, the gunner approached to challenge the cannon, it happened that the surging sea held the gun motionless for an instant, as if stupefied. “Come on!” said the man. It seemed to listen. Suddenly it leaped towards him. The man dodged. Then the struggle began,--a contest unheard of; the human warrior attacking the brazen beast; blind force on one side, soul on the other. It was as if a gigantic insect of iron was endowed with the will of a demon. Now and then this colossal grasshopper would strike the low ceiling of the gun deck, then falling back on its four wheels, like a tiger on all fours, would rush upon the man. He--supple, agile, adroit--writhed like a serpent before these lightning movements.

A piece of broken chain remained attached to the carronade; one end was fastened to the gun carriage; the other end thrashed wildly around, aggravating the danger with every bound of the cannon. The screw held it as in a clenched hand, and this chain, multiplying the strokes of the battering ram by those of the thong, made a terrible whirlwind around the gun,--a lash of iron in a fist of brass. The chain complicated the combat.

Despite all this, the man fought. Suddenly the cannon seemed to say to itself: “Now, then, there must be an end to this.” And it stopped. A crisis was felt to be at hand. All at once it hurled itself upon the gunner, who sprang aside with a laugh as the cannon passed him. Then, as though blind and beside itself, it turned from the man and rolled from stern to stem, splintering the latter and causing a breach in the walls of the prow.

The gunner took refuge at the foot of the ladder, a short distance from the old man, who stood watching. Without taking the trouble to turn, the cannon rushed backwards on the man, as swift as the blow of an axe. The gunner, if driven against the side of the ship, would be lost. A cry arose from the crew.

The old passenger, who until this moment had stood motionless, sprang forwards more swiftly than all those mad whirls. He had seized a bale of paper, and at the risk of being crushed succeeded in throwing it between the wheels of the carronade.

The bale had the effect of a plug. The carronade stumbled, and the gunner thrust his iron bar between the spokes of the back wheels. Pitching forwards, the cannon stopped; and the man, using his bar for a lever, rocked it backwards and forwards. The heavy mass upset, with the resonant sound of a bell that crashes in its fall. The man flung himself upon it, and passed the slip noose round the neck of the defeated monster.

The combat was ended. The man had conquered. The ant had overcome the mastodon; the pigmy had imprisoned the thunderbolt.

--_From the French of_ VICTOR HUGO.

THE VISION OF MIRZA

On the fifth day of the moon, which, according to the custom of my forefathers, I always keep holy, after having offered up my morning devotions, I ascended to the high hills of Bagdad, in order to pass the rest of the day in meditation and prayer. As I was here airing myself on the tops of the mountains, I fell into a profound contemplation on the vanity of human life; and passing from one thought to another, “Surely,” said I, “man is but a shadow, and life a dream.” Whilst I was thus musing, I cast my eyes towards the summit of a rock that was not far from me, where I discovered one in the habit of a shepherd, with a little musical instrument in his hand. As I looked upon him, he applied it to his lips, and began to play upon it. The sound of it was exceeding sweet, and wrought into a variety of tunes that were inexpressibly melodious, and altogether different from anything I had ever heard. My heart melted away in secret raptures.

I had been often told that the rock before me was the haunt of a genius, and that several had been entertained with that music who had passed by it, but never heard that the musician had before made himself visible. When he had raised my thoughts by those transporting airs which he played to taste the pleasures of his conversation, as I looked upon him like one astonished, he beckoned to me, and by the waving of his hand, directed me to approach to the place where he sat. I drew near with that reverence which is due to a superior nature; and as my heart was entirely subdued by the captivating strains I had heard, I fell down at his feet and wept. The genius smiled upon me with a look of compassion that familiarized him to my imagination, and at once dispelled all the fears with which I approached him. He lifted me from the ground, and taking me by the hand, “Mirza,” said he, “I have heard thee in thy soliloquies; follow me.”

He then led me to the highest pinnacle of the rock, and placing me on the top of it. “Cast thy eyes eastward,” said he, “and tell me what thou seest.”--“I see,” said I, “a huge valley, and a prodigious tide of water rolling through it.” “The valley that thou seest,” said he, “is the vale of Misery; and the tide of water that thou seest is part of the great tide of Eternity.” “What is the reason,” said I, “that the tide I see rises out of a thick mist at one end, and again loses itself in a thick mist at the other?” “What thou seest,” said he, “is that portion of Eternity which is called Time, measured out by the sun, and reaching from the beginning of the world to its consummation.”

“Examine now,” said he, “this sea that is bounded with darkness at both ends, and tell me what thou discoverest in it.” “I see a bridge,” said I, “standing in the midst of the tide.” “The bridge thou seest,” said he, “is Human life; consider it attentively.” Upon a more leisurely survey of it, I found that it consisted of threescore and ten entire arches, with several broken arches, which, added to those that were entire, made up the number to about an hundred. As I was counting the arches, the genius told me that this bridge first consisted of a thousand arches; but that a great flood swept away the rest, and left the bridge in the ruinous condition I now beheld it.

“But tell me further,” said he, “what thou discoverest on it.” “I see multitudes of people passing over it,” said I, “and a black cloud hanging on each end of it.” As I looked more attentively, I saw several of the passengers dropping through the bridge into the great tide that flowed underneath it; and upon further examination, perceived there were innumerable trap-doors that lay concealed in the bridge, which the passengers no sooner trod upon but they fell through them into the tide, and immediately disappeared. These hidden pitfalls were set very thick at the entrance of the bridge, so that throngs of people no sooner broke through the cloud but many of them fell into them. They grew thinner towards the middle, but multiplied and lay closer together towards the end of the arches that were entire. There were, indeed, some persons, but their number was very small, that continued a kind of hobbling march on the broken arches, but fell through, one after another, being quite tired and spent with so long a walk.

I passed some time in the contemplation of this wonderful structure, and the great variety of objects which it presented. My heart was filled with a deep melancholy, to see several dropping unexpectedly in the midst of mirth and jollity, and catching at everything that stood by them to save themselves; some were looking up towards the heavens in a thoughtful posture, and in the midst of a speculation stumbled and fell out of sight; multitudes were busy in the pursuit of bubbles, that glittered in their eyes, and danced before them, but often when they thought themselves within the reach of them, their footing failed, and down they sank. In this confusion of objects I observed some with scimiters in their hands, who ran to and fro upon the bridge, thrusting several persons upon trap-doors which did not seem to lie in their way, and which they might have escaped had they not been thus forced upon them.

The genius seeing me indulge myself in this melancholy prospect, told me I had dwelt long enough upon it. “Take thine eyes off the bridge,” said he, “and tell me if thou seest any thing that thou dost not comprehend.” Upon looking up, “What mean,” said I, “those great flocks of birds that are perpetually hovering about the bridge, and settling upon it from time to time? I see vultures, harpies, ravens, cormorants, and, among many other feathered creatures, several little winged boys, that perch in great numbers upon the middle arches.” “These,” said the genius, “are Envy, Avarice, Superstition, Despair, Love, with the like cares and passions that infest human life.”

I here fetched a deep sigh: “Alas,” said I, “man was made in vain! how is he given away to misery and mortality, tortured in life, and swallowed up in death!” The genius being moved with compassion towards me, bid me quit so uncomfortable a prospect. “Look no more,” said he, “on man in the first stage of his existence, in his setting out for eternity, but cast thine eye on that thick mist into which the tide bears the several generations of mortals that fall into it.” I directed my sight as I was ordered, and I saw the valley opening at the farther end, and spreading into an immense ocean, that had a huge rock of adamant running through the midst of it, and dividing it into two equal parts. The clouds still rested on one half of it, insomuch that I could discover nothing in it; but the other appeared to me a vast ocean, planted with innumerable islands that were covered with fruits and flowers, and interwoven with a thousand little shining seas that rang among them. I could see persons dressed in glorious habits, with garlands upon their heads, passing among the trees, lying down by the side of fountains, or resting on beds of flowers, and could hear a confused harmony of singing birds, falling waters, human voices, and musical instruments.

Gladness grew in me at the discovery of so delightful a scene. I wished for the wings of an eagle, that I might fly away to those happy seats; but the genius told me there was no passage to them, except through the gates of death that I saw opening every moment upon the bridge. “The islands,” said he, “that lie so fresh and green before thee, and with which the whole face of the ocean appears spotted, as far as thou canst see, are more in number than the sand on the sea-shore: there are myriads of islands behind those which thou here discoverest, reaching farther than thine eye, or even thine imagination, can extend itself. These are the mansions of good men after death, who, according to the degree and kinds of virtue in which they excelled, are distributed among these several islands, which abound with pleasures of different kinds and degrees, suitable to the relishes and perfections of those who are settled in them; every island is a paradise, accommodated to its respective inhabitants. Are not these, O Mirza, habitations worth contending for? Does life appear miserable, that gives thee opportunities of earning such a reward? Is death to be feared, that will convey thee to so happy an existence? Think not man was made in vain, who has such an eternity reserved for him.”

I gazed with inexpressible pleasure on these happy islands. At length said I, “Show me now, I beseech thee, the secrets that lie hid under those dark clouds which cover the ocean, on the other side of the rock of adamant.” The genius making me no answer, I turned about to address myself to him a second time, but I found he had left me. I then turned again to the vision I had been so long contemplating; but instead of the rolling tide, the arched bridge, and the happy islands, I saw nothing but the long, hollow valley of Bagdad, with oxen, sheep, and camels grazing upon the sides of it.--JOSEPH ADDISON.

THE PRAIRIES

These are the gardens of the desert, these The unshorn fields, boundless and beautiful, For which the speech of England has no name-- The Prairies. I behold them for the first, And my heart swells, while the dilated sight Takes in the encircling vastness. Lo! they stretch In airy undulations, far away, As if the ocean, in his gentlest swell, Stood still, with all his rounded billows fixed, And motionless forever. Motionless?-- No--they are all unchained again. The clouds Sweep over with their shadows, and, beneath, The surface rolls and fluctuates to the eye; Dark hollows seem to glide along, and chase The sunny ridges. Breezes of the South! Who toss the golden and the flame-like flowers, And pass the prairie-hawk that, poised on high, Flaps his broad wings, yet moves not,--ye have played Among the palms of Mexico and vines Of Texas, and have crisped the limpid brooks That from the fountains of Sonora glide Into the calm Pacific--have ye fanned A nobler or a lovelier scene than this? Man hath no part in all this glorious work: The Hand that built the firmament hath heaved And smoothed these verdant swells, and sown their slopes With herbage, planted them with island groves, And hedged them round with forests. Fitting floor For this magnificent temple of the sky-- With flowers whose glory and whose multitude Rival the constellations! The great heavens Seem to stoop down upon the scene in love,-- A nearer vault, and of a tenderer blue, Than that which bends above our Eastern hills.

As o’er the verdant waste I guide my steed, Among the high, rank grass that sweeps his sides, The hollow beating of his footstep seems A sacrilegious sound. I think of those Upon whose rest he tramples. Are they here-- The dead of other days?--and did the dust Of these fair solitudes once stir with life, And burn with passion? Let the mighty mounds That overlook the rivers, or that rise In the dim forest crowded with old oaks,-- Answer. A race, that long has passed away, Built them;--a disciplined and populous race Heaped with long toil, the earth, while yet the Greek Was hewing the Pentelicus to forms Of symmetry, and rearing on its rock The glittering Parthenon. These ample fields Nourished their harvests, here their herds were fed, When haply by their stalls the bison lowed, And bowed his manèd shoulder to the yoke. All day this desert murmured with their toils, Till twilight blushed, and lovers walked, and wooed In a forgotten language, and old tunes, From instruments of unremembered form, Gave to soft winds a voice. The red man came-- The roaming hunter tribes, warlike and fierce, And the mound-builders vanished from the earth. The solitude of centuries untold Has settled where they dwelt. The prairie-wolf Hunts in their meadows, and his fresh-dug den Yawns by my path. The gopher mines the ground Where stood their swarming cities. All is gone; All,--save the piles of earth that hold their bones, The platforms where they worshipped unknown gods, The barriers which they builded from the soil To keep the foe at bay, till o’er the walls The wild beleaguerers broke, and, one by one, The strongholds of the plain were forced, and heaped With corpses. The brown vultures of the wood Flocked to those vast uncovered sepulchres, And sat, unscared and silent, at their feast. Haply, some solitary fugitive, Lurking in marsh and forest, till the sense Of desolation and of fear became Bitterer than death, yielded himself to die. Man’s better nature triumphed then; kind words Welcomed and soothed him; the rude conquerors Seated the captive with their chiefs; he chose A bride among their maidens, and at length Seemed to forget--yet ne’er forgot--the wife Of his first love, and her sweet little ones, Butchered, amid their shrieks, with all his race.

Thus change the forms of being. Thus arise Races of living things, glorious in strength, And perish, as the quickening breath of God Fills them, or is withdrawn. The red man, too, Has left the blooming wilds he ranged so long, And, nearer to the Rocky Mountains, sought A wider hunting-ground. The beaver builds No longer by these streams, but far away On waters whose blue surface ne’er gave back The white man’s face--among Missouri’s springs, And pools whose issues swell the Oregon, He rears his little Venice. In the plains The bison feeds no more. Twice twenty leagues Beyond remotest smoke of hunter’s camp, Roams the majestic brute, in herds that shake The earth with thundering steps;--yet here I meet His ancient footprints stamped beside the pool.

Still this great solitude is quick with life. Myriads of insects, gaudy as the flowers They flutter over, gentle quadrupeds, And birds, that scarce have learned the fear of man, Are here, and sliding reptiles of the ground, Startlingly beautiful. The graceful deer Bounds to the woods at my approach. The bee, A more adventurous colonist than man, With whom he came across the Eastern deep, Fills the savannas with his murmurings, And hides his sweets, as in the golden age, Within the hollow oak. I listen long To his domestic hum, and think I hear The sound of that advancing multitude Which soon shall fill these deserts. From the ground Comes up the laugh of children, the soft voice Of maidens, and the sweet and solemn hymn Of Sabbath worshippers. The low of herds Blends with the rustling of the heavy grain Over the dark-brown furrows. All at once A fresher wind sweeps by, and breaks my dream, And I am in the wilderness alone. --WILLIAM CULLEN BRYANT.

THE GREAT STONE FACE

One afternoon, when the sun was going down, a mother and her little boy sat at the door of their cottage in a fertile and populous valley, talking about the Great Stone Face. They had but to lift their eyes, and there it was plainly to be seen, though miles away, with the sunshine brightening all its features.