Part 6

The traditionary name of this well-remembered character on the Tamar-side is Black John. He lived from the commencement to the middle of the eighteenth century in the household of an honoured name, Arscott of Tetcott,[56] an ancestor of one of the distinguished families of Cornwall; and as his master was wellnigh the last of the jovial open-housed squires of the West of England, so was Black John the last of the jesters or makers of mirth. When the feast was over, and the “wrath of hunger”[57] had been assuaged, while the hare’s or fox’s head, the festive drinking-cup of silver, went round with the nectar of the Georgian era, “strong punch for strong heads,” the jester was called in to contribute by merry antic and jocose saying to the loud enjoyment of the guests. Such were the functions sustained by my pictured and storied dwarf, and many an anecdote still survives around us in hearth and hall of the feats and stories of the “Tetcott merry-man.” Two of his usual after-dinner achievements were better suited to the rude jollity and coarse mirth of our forefathers than to the refinements of our own time; although they are said to exist here and there, among the “underground men” and miners of Western Cornwall, even to this day. These were “sparrow-mumbling” and swallowing living mice, which were tethered to a string to ensure their safe return to light and life. In the first of these accomplishments, a sparrow, alive, was fastened to the teeth of the artist with a cord, and he was expected to mumble off the feathers from the fluttering and astonished bird, with his lips alone, until he was plucked quite bare without the assistance or touch of finger or hand. A couple of projecting tusks or fangs, such as are called by the Italians Bourbon teeth, were of singular value as sparrow-holders to Black John; but these were one day drawn by violence from his mouth by an exasperated blacksmith, whose kitten had been slain, and who had been persuaded by a wretch, who was himself the actual assassin, that it was the jester who had guillotined the poor creature with his formidable jaws. The passage of the mouse was accomplished very often, amid roars of rude applause, down and up the gullet of the dwarf.

A tale is told of him, that one day, after he had for some time amused the guests, and had drank his full share of the ale, he fell, or seemed to fall, asleep. On a sudden he started up with a loud and terrified cry. Questioned as to the cause of his alarm, he answered, “O sir,” to his master, “I was in a sog [sleep], and I had such a dreadful dream! I thought I was dead, and I went where the wicked people go!”

“Ha, John,” said Arscott of Tetcott, in his grim voice, wide awake for a jest or a tale, “then tell us all about what you heard and saw.”

“Well, master, nothing particular.”

“Indeed, John!”

“No, sir; things was going on just as they do upon airth--here in Tetcott Hall--the gentlefolks nearest the fire.”

His master’s house was surrounded with all kinds of tame animals and birds so bold and confiding, from long safety and intercourse, that the rooks would come down at a call and pick up food like pigeons at the very feet of a man. Among the familiar creatures of the Hall were two enormous toads: these were especial favourites with Mr. Arscott, who was a very Chinese in his fondness for the bat and the toad, and who used to feed them very often with his own hands. One morning the family were aroused by sounds near the porch, of battle and fight. A guest from a distant town, who had arrived the night before on a visit, was discovered prone upon the grass, and over him stood as conqueror Black John, belabouring him with his staff. His story was, when rescued and set upon his feet, that on going out to breathe the morning air he had encountered and slain a fierce and venomous reptile--a big bloated creature that came towards him with open mouth. It turned out to be one of the enormous toads, an old and especial pet of master and man, who had heard a sound of feet, and came as usual to be fed, and was ruthlessly put to death; not, however, unavenged, for a wild man of the woods (so the townsman averred) had rushed upon him and knocked him down. When Mr. Arscott had heard the story, he turned on his heel, and never greeted his guest[58] with one farewell word. Black John sobbed and muttered vengeance in his den for many a day for the death of “Old Dawty”--the household name of the toad.

Black John’s lair was a rude hut, which he had wattled for a snug abode, close to the kennel. He loved to retire to it, and sleep near his chosen companions, the hounds. When they were unkennelled, he accompanied and ran with them afoot, and so sinewy and so swift was his stunted form that he was very often in their midst at the death. Then, with the brush of the fox elaborately disposed as the crest of his felt hat, John would make his appearance on the following Sunday at church, where it was displayed, and pompously hung up above his accustomed seat, to his own great delight and the envy of many among the congregation. When the pack found the fox, and the huntsman’s ear was gladdened by their shrill and sudden burst into full cry, Black John’s shout would be heard in the field, with his standing jest, “There they go! there they go! like our missus at home in one of her storms!” As he grew older, and less equal to the exertion of his strong and youthful days, John took to wandering, gipsy-fashion, about the country-side; and he found food and welcome at every cottage and farmhouse. His usual couch was among the reeds or fern of some sheltering brake or wood, and he slept, as he himself used to express it, “rolled up, as warm as a hedgeboar, round his own nose.” One day, in bitter snowy weather, he was found wanting from his accustomed haunts--“one morn they missed him on the usual hill”--and after long search he was discovered shrouded in snow, cold, stiffened, and to all outward appearance dead. He was carried home, and in due course was coffined and borne towards the grave. But there, just as the clergyman[59] who read the service had reached the solemn words which commit the body to the ground, a loud thumping noise was heard within the coffin. The bystanders rent open the lid in hot haste, and up started Black John alive, in amazement, and in furious wrath. He had been in a long _deliquium_, or death-trance,[60] from cold, and had been restored to life by the motion and warmth of his own funeral ride. As he told the astonished mourners, “He heard the words ‘dust to dust,’ and then,” said he, “I thought it was high time to bumpy.” His words passed into a proverb; and to this very day, when Cornish men in these parts are placed in some sudden extremity, and it becomes necessary to take strong and immediate measures for extrication, the saying is, “It is time to bumpy, as Black John said.” In his anger and mental confusion, Black John ever after attributed his attempted burial to the conspiracy and ill-will of the clergyman, whose words he had interrupted by his sudden resurrection. More than once the reverend gentleman was suddenly assaulted in his walks by a stone hurled at him from a hedge, followed by an angry outcry, in a well-known voice, of “Ha! old Dust-to-dust; here I be, alive and kicking!”

It may be easily believed that Black John was a very refractory subject for clerical interference and admonition. The result of frequent clerical attempts to reform his habits, was a rooted dislike on his part of the black coat and white neckcloth in all its shades and denominations. The visit of the first field-preacher to the precincts of the Hall was signalised by an exhibition of this feeling. John waylaid the poor unsuspecting man, and offered to guide him on his road by a short cut across the park, which, John alleged, would save him a “considerable bit of way.” The treacherous guide led him along a narrow path into a paddock, wherein was shut up for safety Mr. Arscott’s perilous favourite bull. This animal had grown up from calf-hood the wanton but docile companion of Black John, whose wonderful skill in taming all manner of wild animals had made the “sire of the herd” so familiar with his strange warder, that he would follow him and obey his signals and voice like a dog. What took place between the bull and the preacher could only be guessed at.[61] A rush was heard by a passer-by, and a yell; then the rustling of the branches of a tree, and finally a dead thud upon the grass. From the paddock gate some little time after emerged Black John with a fragment of a white cravat in his hand, and this was all, so he steadfastly averred, that ever he could find of “the preacher’s body.” Actually, it was the sole relic of his arrival and existence that survived in those wild parts. He was never heard of more in that region. And although there were rural sceptics who doubted that the bull could have made such quick work of a full-grown man, the story was fearful enough to scare away all wandering preachers from that district while the dwarf lived. On the Sunday following the terrific interview between the preacher and the bull, John took his usual place in church, but, to the astonishment of those who were not in the secret, instead of the usual fox’s brush, a jaunty pennon of white rag floated as the crest of the well-known felt hat.

Black John was long and fondly cherished by his generous master. Mr. Arscott lived like Adam in the garden, surrounded by his animals and pets, each with its familiar and household name; and no man ever more fully realised the truth of the saying that “love makes love,” and that the surest way to kindle kindness is to be kind. Accurately has it been said of him--

“Oh, for the Squire! that shook at break of morn Dew from the trees with echo of his horn! The gathering scene, where Arscott’s lightest word Went, like a trumpet, to the hearts that heard; The dogs, that knew the meaning of his voice, From the grim foxhound to my lady’s choice: The steed that waited till his hand caressed: And old Black John that gave and bare the jest!”[62]

None, high or low, during the lifetime of the squire, were allowed with impunity to injure or harass his cross-grained jester, and many a mischievous escapade was hushed up, and the sufferer soothed or pacified by money or influence. When gout and old age had imprisoned Mr. Arscott in his easy-chair, Black John snoozed among the ashes of the vast wood fires of the hearth, or lay coiled upon his rug like some faithful mastiff, watching every look and gesture of his master; starting up to fill the pipe or the tankard of old ale, and then crouching again.

“This lasted long; it fain would last Till autumn rustled on the blast,”[63]

and the good old squire, in the language of the Tamar-side, “passed out of it.” At his death and funeral, the agony of his misshapen retainer was unappeasable. He had to be removed by force from the door of the vault, and then he utterly refused to depart from the neighbourhood of the grave. He made himself another lair, near the churchyard wall, and there he sobbed away the brief remnant of his days, in honest and unavailing grief for the protector whom he had so loved in life, and from whom in death he would not be divided. Thus and there, not long after, he died, as the old men of the parish used to relate, for the “second and last time.” He had what is called in those parts a decent funeral, for his master had bequeathed to him an ample allowance for life and death in his last will. The mourners ate of the fat and drank of the strong, as their Celtic impulses would suggest; and although some among them, who remembered John’s former funeral, may have listened again for a token or sign, poor Black John, alas for him! had no master to come back to now, and declined “to bumpy” any more.

A singular and striking circumstance attended the final funeral of Black John. An aged crone, bent and tottering, “worn Nature’s mournful monument,” was observed following the bier, and the people heard her muttering ever and anon, “Oh, is he really dead? He came to life again once you know, and lived long after.” When assured that all indeed was over, even her wild hope, she cried with a great sob, “O poor dear Johnny! he was so good-looking and so steady till they spoilt him up at the Hall!” Her words recalled her to the memory of some old men who were there, and they knew her as a certain Aunty Bridget, who had been teased and worried, long years agone, at markets and fairs, as “Black John’s sweetheart.”

FOOTNOTES:

[55] From _All the Year Round_, vol. xiii. pp. 454-456. 1865.

[56] See Appendix C.

[57] Compare Hawker’s fine description of the feast at Dundagel in “The Quest of the Sangraal”--

“Strong men for meat, and warriors at the wine, They wreak the wrath of hunger on the beeves, They rend rich morsels from the savoury deer, And quench the flagon like Brun-guillie dew!”

[58] Another version of the story says that he was a shoemaker come on business, and that he never made boots for Mr. Arscott again. For the fate of the other toad, see end of Appendix C.

[59] The Rev. Robert Martyn, then Vicar of Stratton.

[60] On another occasion Black John awoke from a less serious trance. The parson in his sermon was speaking of “that blessedness which on earth it is impossible to find,” when a well-known voice from the gallery shouted, “Not find! Us be sartain to find un to-morrow in Swannacott Wood!”

[61] In another version of the tale, Black John said to the preacher, “Only just take your hat off and say two words of gospel to ’im, and her won’t touch ’ee.”

[62] This is one stanza from Hawker’s own poem, “Tetcott, 1831; in which year Sir William Molesworth caused the old house to be taken down, and a new one built.” (See Appendix C.)

[63] These lines are from Hawker’s poem, “A Legend of the Hive.”

DANIEL GUMB’S ROCK[64]

There is no part of our native country of England so little known, no region so seldom trodden by the feet of the tourist or the traveller, as the middle moorland of old Cornwall. A stretch of wild heath and stunted gorse, dotted with swelling hills, and interspersed with rugged rocks, either of native granite or rough-hewn pillar, the rude memorial of ancient art, spreads from the Severn Sea on the west to the tall ridge of Carradon on the east, and from Warbstow Barrow on the north to the southern civilisation of Bodmin and Liskeard. Throughout this district there is, even in these days, but very scanty sign of settled habitation. Two or three recent and solitary roads traverse the boundaries; here and there the shafts and machinery of a mine announce the existence of underground life; a few clustered cottages, or huts, for the shepherds, are sprinkled along the waste; but the vast and uncultured surface of the soil is suggestive of the bleak steppes of Tartary or the far wilds of Australia, and that in the very heart of modern England. Yet is there no scenery that can be sought by the antiquary or the artist that will so kindle the imagination or requite the eye or the mind of the wanderer as this Cornish solitude. If he travel from our storied Dundagel, eastward, Rowter,[65] the Red Tor, so named from its purple tapestry of heather and heath, and Brunguillie,[66] the Golden Hill, crested with yellow gorse like a crown, will win his approach and reward, with their majestic horizon, the first efforts of his pilgrimage. The summits and sides of these mountains of the west are studded with many a logan-rock[67] or shuddering-stone of the old superstition. This was the pillar of ordeal in Druid times, so poised that while it shook at the slight faint touch of the innocent finger, it firmly withstood the assailing strength of the guilty man.

Passing onward, the traveller will pause amid a winding outline of unhewn granite pillars, and he will gradually discover that these are set up to represent the coils of a gigantic serpent, traced, as it were, in stone. This is a memorial of the dragon-crest of a Viking, or the demon-idol and shrine of an older antiquity. Not far off there gleams a moorland lake or mimic sea, with its rippling laugh of waters--the Dozmere Pool[68] of many an antique legend and tale, the mystic scene[69] of the shadowy vessel and the Mort d’Arthur of our living bard. A sheep-track--for no other visible path will render guidance along the moor--leads on to Kilmarth Tor, from the brow of which lofty crag the eye can embrace the expanse of the two seas which are the boundaries of Cornwall on the right and left. There, too, looms in the distance rocky Carradon, with the valley of the Hurlers at its foot. These tall shapes of granite, grim and grotesque, were once, as local legends say, nine bold upstanding Cornish men who disdained the Sabbath-day; and as they pursued their daring pastime and “put the stone” in spite of the warning of the priest, they were changed, by a sudden doom, where they stood up to play, and so were fixed for ever in monumental rock. Above them lowers the Devil’s Wring, a pile of granite masses, lifted, as though by giant or demon strength, one upon another; but the upper rocks vast and unwieldy, and the lower gradually lessening downward, until they rest, poised, on a pivot of stone so slender and small that it seems as though the wind sweeping over the moor would overtopple it with a breath; and yet centuries many and long have rolled over the heath, and still it stands unshaken and unswerved. Its name is derived from the similitude of the rocky structure to the press wherein the ancient housewives of rude Cornwall were accustomed to “wring” out the milk from their cheese.

Not far off from this singular monument of “ages long ago” there is found to this day a rough and rude assemblage of moorstone slabs, some cast down and others erect, but manifestly brought together and arranged by human hands and skill. There is still traceable amid the fragments the outline of a human habitation, once divided into cells, and this was the origin and purpose of this solitary abode. It was the work and the home of a remarkable man--an eccentric and original character among the worthies of the west--and the place has borne ever since the early years of the last century the name of Daniel Gumb’s Rock. He was a native Cornishman, born in a cottage that bordered on the moor, and in the lowlier ranks of labouring life. In his father’s household he was always accounted a strange and unsocial boy. In his childhood he kept aloof from all pastime and play, and while his companions resorted to their youthful amusements and sports, Daniel was usually seen alone with a book or a slate whereon he worked, at a very early age, the axioms of algebra or the diagrams of Euclid. He had mastered with marvellous rapidity all the books of the country-side, and he had even exhausted the instructions of the schoolmaster of the neighbouring town. Then it became his chosen delight to wander on the moors with some favourite volume in his hand, and a crust from his mother’s loaf in his bag; with his inseparable tools, also, the chisel and the mallet, wherewithal to chip and gather the geological specimens of his own district. Often he would be absent whole nights, and when he was questioned as to his place of shelter, he would reply, “Where John the Baptist slept,” or “At Roche, in the hermit’s bed;” for the ruined cell of a Christian anchorite stood, and yet stands, above the scenery of the wanderings of that solitary boy.

But Daniel’s principal ambition was to know and name the planets and the stars. It was at the time when the discoveries of foreign astronomers had peopled the heavens with fresh imagery, and our own Newton had given to the ethereal phenomena of the sky a “local habitation and a name.” It is very striking to discover when the minds of any nation are flooded with new ideas and original trains of thought, how soon the strange tidings will reach the very skirts of the population, and borne, how we know not, will thrill the hamlet and the village with the wonders that have roused and instructed the far-off and civilised city. Thus even Daniel’s distant district became aware of the novel science of the stars, and this intelligence failed not to excite and foster the faculties of his original mind. Local legends still record and identify the tall and craggy places where the youthful “scholar” was wont to ascend and to rest all night with his face turned upward to the sky, “learning the customs of the stars,” and “finding out by the planets things to come.” Nor were his studies unassisted and alone. A master-mind of those days, Cookworthy[70] of Plymouth, a learned and scientific man, still famous in the west, found out and fostered the genius of the intelligent youth. He gave him access to his library, and allowed him to visit his orrery and other scientific instruments; and the result of this kindness was shown in the tastes and future peculiarities of the mind of Gumb. The stern necessities of life demanded, in the course of time, that Daniel should fulfil the destiny of his birth, and win his bread by the sweat of his brow; for the meagre resources of his cottage-home had to be augmented by his youthful labour. In the choice of an occupation his early habits were not without their influence. He selected the craft of a hewer of stone, a very common calling on the surrounding moors; and there he toiled for several years of his succeeding life, amid the cyclopean models of the early ages. The pillared rocks of that wild domain were the monoliths of Celtic history, and the vast piles of the native moor were the heaped and unhewn pyramids of an ancient and nameless people. All these surrounding scenes acted on his tastes and impulses. “So the foundations of his mind were laid!” His father died, and Daniel became his own master, and had to hew his way through the rugged world by what the Cornish call “the pith of his bones.” That he did so his future history will attest; but it was not unsoothed nor alone; nor was it without the usual incident of human existence. No man ever yet became happily great or joyfully distinguished without that kindling strength, the affectionate presence of a woman.

“He who Joy would win, Must share it: Happiness was born a twin.”