Part 3

After a while two sweet-faced ladies dressed in mourning appeared. As they passed down the street he was standing on the sidewalk, and there must have been something in his face to attract the attention of one of them, for she paused, and in the gentlest manner said:

"My little man, how did you like the wax figures and the picture?"

"Oh, madam," he replied, his eyes filling, "I have not seen them!"

"But you will see them, I hope," she said, moving away, but bestowing on him the lingering smile of bereft motherhood.

The twilight fell, and still he lingered, until, with a sudden remorseful thought of his mother, he turned away and passed up the dark street. His tongue was parched, there was a lump in his throat, and a numb pain about his heart. Far up the street he paused and looked back. A lantern had been swung out over the entrance of the museum, and the people were still passing in.

VI.

A happy man was the Reverend James Moore the next morning. The lottery had been a complete success, and he would henceforth have a comfortable church, in which the better to save the souls of his fellow-creatures. The leading vestry-man had drawn the capital prize, and while the other members who had drawn blanks were not exactly satisfied, on the whole the result seemed as good as providential. As he walked down town at an early hour, he was conscious of suffering from a dangerous elation of spirit; and more than once his silent prayer had been: "Lord, let me not be puffed up this day! Let me not be blinded with happiness! Keep the eyes of my soul clear, that I overlook no duty! What have I, unworthy servant, done that I should be so fortunate?"

Now and then, as he passed along, a church member would wring his hand and offer congratulations. After about fifteen years of a more or less stranded condition a magnificent incoming tide of prosperity now seemed to lift him off his very feet.

From wandering rather blindly about the streets for a while, he started for the new church, remembering that he had an engagement with a committee of ladies, who had taken in charge the furnishing of it. But when he reached there, no one had arrived but the widow Babcock. She was very beautiful; and looking at womankind from behind his veil of unfamiliarity, the parson, despite his logic, had always felt a desire to lift that veil when standing in her presence. The intoxication of his mood was not now lessened by coming upon her so unexpectedly alone.

"My dear Mrs. Babcock," he said, offering her his hand in his beautiful manner, "it seems peculiarly fitting that you should be the first of the ladies to reach the spot; for it would have pained me to think you less zealous than the others. The vestry needs not only your taste in furniture, but the influence of your presence."

The widow dropped her eyes, the gallantry of the speech being so unusual. "I came early on purpose," she replied, in a voice singularly low and tremulous. "I wanted to see you alone. Oh, Mr. Moore, the ladies of this town owe you such a debt of gratitude! You have been such a comfort to those who are sad, such a support to those who needed strengthening! And who has needed these things as much as I?"

As she spoke, the parson, with a slight look of apprehension, had put his back against the wall, as was apt to be his way when talking with ladies.

"Who has needed these things as I have?" continued the widow, taking a step forward, and with increasing agitation. "Oh, Mr. Moore, I should be an ungrateful woman if I did not mingle my congratulations with the others. And I want to do this now with my whole soul. May God bless you, and crown the labors of your life with every desire of your heart!" And saying this, the widow laid the soft tips of one hand on one of the parson's shoulders, and raising herself slightly on tiptoe, kissed him.

"Oh, Mrs. Babcock!" cried the dismayed logician, "what have you done?" But the next moment, the logician giving place to the man, he grasped one of her hands, and murmuring, "May God bless _you_ for _that_!" seized his hat, and hurried out into the street.

The most careless observer might have been interested in watching his movements as he walked away.

He carried his hat in his hand, forgetting to put it on. Several persons spoke to him on the street, but he did not hear them. He strode a block or two in one direction, and then a block or two in another.

"If she does it again," he muttered to himself--"if she does it again, I'll marry her!... Old?... I could run a mile in a minute!"

As he was passing the music-store, the dealer called out to him:

"Come in, parson. I've got a present for you."

"A--present--for--_me_?" repeated the parson, blank with amazement. In his life the little music-dealer had never made him a present.

"Yes, a present," repeated the fortunate vestry-man, whose dry heart, like a small seed-pod, the wind of good-fortune had opened, so that a few rattling germs of generosity dropped out. Opening a drawer behind his counter, he now took out a roll of music. "Here's some new music for your flute," he said. "Accept it with my compliments."

New music for his flute! The parson turned it over dreamily, and it seemed that the last element of disorder had come to derange his faculties.

"And Mrs. Leuba sends her compliments, and would like to have you to dinner," added the shopkeeper, looking across the counter with some amusement at the expression of the parson, who now appeared as much shocked as though his whole nervous system had been suddenly put in connection with a galvanic battery of politeness.

It was a very gay dinner, having been gotten up to celebrate the drawing of the prize. The entire company were to go in the afternoon to see the waxworks, and some of the ladies wore especial toilets, with a view to having their profiles taken.

"Have you been to see the waxworks, Mr. Moore?" inquired a spinster roguishly, wiping a drop of soup from her underlip.

The unusual dinner, the merriment, the sense of many ladies present, mellowed the parson like old wine.

"No, madam," he replied, giddily; "but I shall go this very afternoon. I find it impossible any longer to deny myself the pleasure of beholding the great American Coquette and the Sleeping Beauty. I must take my black sheep," he continued, with expanding warmth. "I must drive my entire flock of soiled lambs into the favored and refining presence of Miss Julia Granby."

Keeping to this resolution, as soon as dinner was over he made his excuses to the company, and set off to collect a certain class of boys which he had scraped together by hook and crook from the by-ways of the town, and about an hour later he might have been seen driving them before him towards the entrance of the museum. There he shouldered his way cheerfully up to the door, and shoved each of the lads good-naturedly in, finally passing in himself, with a general glance at the by-standers, as if to say, "Was there ever another man as happy in this world?"

But he soon came out, leaving his wild lambs to browse at will in those fresh pastures, and took his way up street homeward. He seemed to be under some necessity of shaking them off in order to enjoy the solitude of his thoughts.

"If she does it again!... If she does it again!... _Whee! whee! whee!--whee! whee! whee!_" and he began to whistle for his flute with a nameless longing.

It was soon after this that the two women heard him playing the reel, and watched him perform certain later incredible evolutions. For whether one event, or all events combined, had betrayed him into this outbreak, henceforth he was quite beside himself.

Is it possible that on this day the Reverend James Moore had driven the ancient, rusty, creaky chariot of his faculties too near the sun of love?

VII.

A sad day it had been meantime for the poor lad.

He had gotten up in the morning listless and dull and sick at the sight of his breakfast. But he had feigned to be quite well that he might have permission to set off down-town. There was no chance of his being able to get into the museum, but he was drawn irresistibly thither for the mere pleasure of standing around and watching the people, and hoping that something--_something_ would turn up. He was still there when his dinner-hour came, but he never thought of this. Once, when the door-keeper was at leisure, he had hobbled up and said to him, with a desperate effort to smile, "Sir, if I were rich, I'd live in your museum for about five years."

But the door-keeper had pushed him rudely back, telling him to be off and not obstruct the sidewalk.

He was still standing near the entrance when the parson came down the street driving his flock of boys. Ah, if he had only joined that class, as time after time he had been asked to do! All at once his face lit up with a fortunate inspiration, and pushing his way to the very side of the door-keeper, he placed himself there that the parson might see him and take him with the others; for had he not said that _he_ must be sure to go? But when the parson came up, this purpose had failed him, and he had apparently shrunk to half his size behind the bulk of the door-keeper, fearing most of all things that the parson would discover him and know why he was there.

He was still lingering outside when the parson reappeared and started homeward; and he sat down and watched him out of sight. He seemed cruelly hurt, and his eyes filled with tears.

"_I'd_ have taken _him_ in the very first one," he said, choking down a sob; and then, as if he felt this to be unjust, he murmured over and over: "Maybe he forgot me; maybe he didn't mean it; maybe he forgot me."

Perhaps an hour later, slowly and with many pauses, he drew near the door of the parson's home. There he lifted his hand three times before he could knock.

"The parson's not at home," the widow Spurlock had called sharply down to him.

With this the last hope had died out of his bosom; for having dwelt long on the parson's kindness to him--upon all the parson's tireless efforts to befriend him--he had summoned the courage at last to go and ask him to lend him a quarter.

With little thought of whither he went, he now turned back down-town, but some time later he was still standing at the entrance of the museum.

He looked up the street again. All the Leubas were coming, Tom walking, with a very haughty air, a few feet ahead.

"Why don't you go in?" he said, loudly, walking up to David and jingling the silver in his pockets. "What are you standing out here for? If you _want_ to go in, why don't you _go_ in?"

"Oh, Tom!" cried David, in a whisper of eager confidence, his utterance choked with a sob, "I haven't got any money."

"I'd hate to be as poor as _you_ are," said Tom, contemptuously. "I'm going this evening, and to-night, and as often as I want," and he turned gayly away to join the others.

He was left alone again, and his cup of bitterness, which had been filling drop by drop, now ran over.

Several groups came up just at that moment. There was a pressure and a jostling of the throng. As Mr. Leuba, who had made his way up to the door-keeper, drew a handful of silver from his pocket, some one accidentally struck his elbow, and several pieces fell to the pavement. Then there was laughter and a scrambling as these were picked up and returned. But out through the legs of the crowd one bright silver quarter rolled unseen down the sloping sidewalk towards the spot where David was standing.

It was all done in an instant. He saw it coming; the little crutch was set forward a pace, the little body was swung silently forward, and as the quarter fell over on its shining side, the dirty sole of a brown foot covered it.

The next minute, with a sense of triumph and bounding joy, the poverty-tortured, friendless little thief had crossed the threshold of the museum, and stood face to face with the Redeemer of the world; for the picture was so hung as to catch the eye upon entering, and it arrested his quick, roving glance and held it in awe-stricken fascination. Unconscious of his own movements, he drew nearer and nearer, until he stood a few feet in front of the arc of spectators, with his breathing all but suspended, and one hand crushing the old blue cloth cap against his naked bosom.

It was a strange meeting. The large rude painting possessed no claim to art. But to him it was an overwhelming revelation, for he had never seen any pictures, and he was gifted with an untutored love of painting. Over him, therefore, it exercised an inthralling influence, and it was as though he stood in the visible presence of One whom he knew that the parson preached of and his mother worshipped.

Forgetful of his surroundings, long he stood and gazed. Whether it may have been the thought of the stolen quarter that brought him to himself, at length he drew a deep breath, and looked quickly around with a frightened air. From across the room he saw Mr. Leuba watching him gravely, as it seemed to his guilty conscience, with fearful sternness. A burning flush dyed his face, and he shrank back, concealing himself among the crowd. The next moment, without ever having seen or so much as thought of anything else in the museum, he slipped out into the street.

There the eyes of everybody seemed turned upon him. Where should he go? Not home. Not to Mr. Leuba's music-store. No; he could never look into Mr. Leuba's face again. And Tom? He could hear Tom crying out, wherever he should meet him, "You stole a quarter from father."

In utter terror and shame, he hurried away out to the southern end of the town, where there was an abandoned rope-walk.

It was a neglected place, damp and unhealthy. In the farthest corner of it he lay down and hid himself in a clump of iron-weeds. Slowly the moments dragged themselves along. Of what was he thinking? Of his mother? Of the parson? Of the violin that would now never be his? Of that wonderful sorrowful face which he had seen in the painting? The few noises of the little town grew very faint, the droning of the bumblebee on the purple tufts of the weed overhead very loud, and louder still the beating of his heart against the green grass as he lay on his side, with his head on his blue cap and his cheek in his hand. And then he fell asleep.

When he awoke he started up bewildered. The sun had set, and the heavy dews of twilight were falling. A chill ran through him; and then the recollection of what had happened came over him with a feeling of desolation. When it was quite dark he left his hiding-place and started back up-town.

He could reach home in several ways, but a certain fear drew him into the street which led past the music-store. If he could only see Mr. Leuba, he felt sure that he could tell by the expression of his face whether he had missed the quarter. At some distance off he saw by the light of the windows Mr. Leuba standing in front of his shop talking to a group of men. Noiselessly he drew near, noiselessly he was passing without the courage to look up.

"Stop, David. Come in here a moment. I want to talk to you."

As Mr. Leuba spoke, he apologized to the gentlemen for leaving, and turned back into the rear of the shop. Faint, and trembling so that he could scarcely stand, his face of a deadly whiteness, the boy followed.

"David," said Mr. Leuba--in his whole life he had never spoken so kindly; perhaps his heart had been touched by some belated feeling, as he had studied the boy's face before the picture in the museum, and certainly it had been singularly opened by his good-fortune--"David," he said, "I promised when I got rich enough I'd give Tom a new violin, and give you his old one. Well, I gave him a new one to-day; so here's yours," and going to a corner of the room, he took up the box, brought it back, and would have laid it on the boy's arm, only there was no arm extended to receive it.

"Take it! It's yours!"

"Oh, Mr. Leuba!"

It was all he could say. He had expected to be charged with stealing the quarter, and instead there was held out to him the one treasure in the world--the violin of which he had dreamed so long, for which he had served so faithfully.

"Oh, Mr. Leuba!"

There was a pitiful note in the cry, but the dealer was not the man to hear it, or to notice the look of angelic contrition on the upturned face. He merely took the lad's arm, bent it around the violin, patted the ragged cap, and said, a little impatiently:

"Come, come! they're waiting for me at the door. To-morrow you can come down and run some more errands for me," and he led the way to the front of the shop and resumed his conversation.

Slowly along the dark street the lad toiled homeward with his treasure. At any other time he would have sat down on the first curb-stone, opened the box, and in ecstatic joy have lifted out that peerless instrument; or he would have sped home with it to his mother, flying along on his one crutch as if on the winds of heaven. But now he could not look at it, and something clogged his gait so that he loitered and faltered and sometimes stood still irresolute.

But at last he approached the log-cabin which was his home. A rude fence enclosed the yard, and inside this fence there grew a hedge of lilacs. When he was within a few feet of the gate he paused, and did what he had never done before--he put his face close to the panels of the fence, and with a look of guilt and sorrow peeped through the lilacs at the face of his mother, who was sitting in the light of the open door-way.

She was thinking of him. He knew that by the patient sweetness of her smile. All the heart went out of him at the sight, and hurrying forward, he put the violin down at her feet, and threw his arms around her neck, and buried his head on her bosom.

VIII.

After he had made his confession, a restless and feverish night he had of it, often springing up from his troubled dreams and calling to her in the darkness. But the next morning he insisted upon getting up for a while.

Towards the afternoon he grew worse again, and took to his bed, the yellow head tossing to and fro, the eyes bright and restless, and his face burning. At length he looked up and said to his mother, in the manner of one who forms a difficult resolution: "Send for the parson. Tell him I am sick and want to see him."

It was this summons that the widow Spurlock had delivered on the Sunday afternoon when the parson had quitted the house with such a cry of distress. He had not so much as thought of the boy since the Friday morning previous.

"How is it possible," he exclaimed, as he hurried on--"how is it _possible_ that I _could_ have forgotten _him?_"

The boy's mother met him outside the house and drew him into an adjoining room, silently, for her tears were falling. He sank into the first chair.

"Is he so ill?" he asked, under his trembling breath.

"I'm afraid he's going to be very ill. And to see him in so much trouble--"

"What is the matter? In God's name, has anything happened to him?"

She turned her face away to hide her grief. "He said he would tell you himself. Oh, if I've been too hard with him! But I did it for the best. I didn't know until the doctor came that he was going to be ill, or I would have waited. Do anything you can to quiet him--anything he should ask you to do," she implored, and pointed towards the door of the room in which the boy lay.

Conscience-stricken and speechless, the parson opened it and entered.

The small white bed stood against the wall beneath an open window, and one bright-headed sunflower, growing against the house outside, leaned in and fixed its kind face anxiously upon the sufferer's.

The figure of the boy was stretched along the edge of the bed, his cheek on one hand and his eyes turned steadfastly towards the middle of the room, where, on a table, the violin lay exposed to view.

He looked quickly towards the door as the parson entered, and an expression of relief passed over his face.

"Why, David," said the parson, chidingly, and crossing to the bed with a bright smile. "Sick? This will never do;" and he sat down, imprisoning one of the burning palms in his own.

The boy said nothing, but looked at him searchingly, as though needing to lay aside masks and disguises and penetrate at once to the bottom truth. Then he asked, "Are you mad at me?"

"My poor boy!" said the parson, his lips trembling a little as he tightened his pressure--"my poor boy! why should _I_ be mad at _you_?"

"You never could do anything with me."

"Never mind that now," said the parson, soothingly, but adding, with bitterness, "it was all my fault--all my fault."

"It wasn't your fault," said the boy. "It was mine."

A change had come over him in his treatment of the parson. Shyness had disappeared, as is apt to be the case with the sick.

"I want to ask you something," he added, confidentially.

"Anything--anything! Ask me anything!"

"Do you remember the wax figures?"

"Oh yes, I remember them very well," said the parson, quickly, uneasily.

"I wanted to see 'em, and I didn't have any money, and I stole a quarter from Mr. Leuba."

Despite himself a cry escaped the parson's lips, and dropping the boy's hand, he started from his chair and walked rapidly to and fro across the room, with the fangs of remorse fixed deep in his conscience.

"Why didn't you come to me?" he asked at length, in a tone of helpless entreaty. "Why didn't you come to me? Oh, if you had only come to me!"

"I did come to you," replied the boy.

"When?" asked the parson, coming back to the bedside.

"About three o'clock yesterday."

About three o'clock yesterday! And what was he doing at that time? He bent his head over to his very knees, hiding his face in his hands.

"But why didn't you let me know it? Why didn't you come in?"

"Mrs. Spurlock told me you were at work on a sermon."

"God forgive me!" murmured the parson, with a groan.

"I thought you'd lend me a quarter," said the boy, simply. "You took the other boys, and you told me _I_ must be certain to go. I thought you'd lend me a quarter till I could pay you back."

"Oh, David!" cried the parson, getting down on his knees by the bedside, and putting his arms around the boy's neck, "I would have lent you--I would have given you--anything I have in this poor world!"

The boy threw his arms around the parson's neck and clasped him close. "Forgive me!"

"Oh, boy! boy! can you forgive _me_?" Sobs stifled the parson's utterance, and he went to a window on the opposite side of the room.

When he turned his face inward again, he saw the boy's gaze fixed once more intently upon the violin.

"There's something I want you to do for me," he said. "Mr. Leuba gave me a violin last night, and mamma says I ought to sell it and pay him back. Mamma says it will be a good lesson for me." The words seemed wrung from his heart's core. "I thought I'd ask _you_ to sell it for me. The doctor says I may be sick a long time, and it worries me." He began to grow excited, and tossed from side to side.

"Don't worry," said the parson, "I'll sell it for you."

The boy looked at the violin again. To him it was priceless, and his eyes grew heavy with love for it. Then he said, cautiously: "I thought _you'd_ get a good price for it. I don't think I could take less than a hundred dollars. It's worth more than that, but if I have to sell it, I don't think I _could_ take less than a hundred dollars," and he fixed his burning eyes on the parson's.

"Don't worry! I'll sell it for you. Oh yes, you can easily get a hundred dollars for it. I'll bring you a hundred dollars for it by to-morrow morning."