Part 1

Transcriber’s Note: Italic text is enclosed in _underscores_. Other notes will be found near the end of this eBook.

FLORENTINE PALACES AND THEIR STORIES

BY

JANET ROSS

[_All Rights Reserved_]

FLORENTINE PALACES & THEIR STORIES

BY JANET ROSS

WITH MANY ILLUSTRATIONS BY ADELAIDE MARCHI

1905 LONDON J. M. DENT & CO. 29 & 30 BEDFORD STREET, W. C. NEW YORK: E. P. DUTTON & CO.

RICHARD CLAY & SONS, LIMITED, BREAD STREET HILL, E. C., AND BUNGAY, SUFFOLK.

Dedication

To Cavaliere Angelo Bruschi, Librarian of the Biblioteca Marucelliana, this book of the Palaces of his native city is dedicated in memory of much kindness and ever-ready help by

JANET ROSS.

LIST OF PALACES

PAGE PALAZZO ACCIAIUOLI 1

„ ALBERTI 9

„ ALBIZZI 17

„ ALESSANDRI 20

CASTELLO D’ALTAFRONTE 22

PALAZZO ALTOVITI 25

„ ANTELLA, DELL’ 32

„ ANTINORI 37

„ BARDI 39

„ BARTOLINI SALIMBENI 43

„ BARTOLOMMEI 47

„ BORGHESE 52

„ BOUTURLIN 53

„ BUONDELMONTI 54

„ BUONTALENTI, DEL (OR CASINO DI S. MARCO) 60

„ CANACCI 62

„ CANIGIANI 64

„ CAPPONI 70

„ CAPPONI (DELLE ROVINATE) 74

„ CERCHI 75

„ COCCHI 76

„ CORSI SALVIATI 77

„ CORSINI 81

„ DAVANZATI 87

„ DONATI 92

„ FERONI 98

„ RICASOLI FIRIDOLFI 99

„ FOSSI 105

„ FRESCOBALDI 105

„ GHERADESCA 108

„ GIANFIGLIAZZI 108

„ GINORI 110

„ GINORI CONTI 112

„ GINORI-VENTURI 113

„ GIUGNI 115

„ GONDI 116

„ GRIFFONI 121

„ GUADAGNI 123

„ GUICCIARDINI 129

„ LARDEREL 133

„ LEONETTI 135

„ MANNELLI 137

„ MARTELLI 142

„ MONALDI 144

„ MONTALVO, RAMIREZ DI 146

„ MOZZI 151

„ NERLI 155

„ NONFINITO 159

„ PANCIATICHI 160

„ PANDOLFINI 163

„ PAZZI 167

„ PERUZZI 175

„ PICCOLELIS 180

„ PITTI 182

„ PODESTÀ, DEL (BARGELLO) 208

„ PUCCI 234

„ RICCARDI 238

„ RIDOLFI 270

„ RONDINELLI 272

„ RUCELLAI 275

„ SALVIATI 293

„ SAN CLEMENTE 297

„ SERRISTORI 304

„ SODERINI 305

„ SPINI 307

„ STROZZI 316

„ STROZZINO, DELLO 341

„ STUFA, DELLA 342

„ TORRIGIANI 345

„ UGUCCIONE 349

„ VAI 351

„ VECCHIETTI 352

„ VECCHIO 355

„ VITALI 396

„ VIVIANI 397

„ XIMENES D’ARAGONA 398

LIST OF ILLUSTRATIONS

PAGE PALAZZO ANTINORI _Frontispiece._

TOWER OF THE ALBERTI 8

PALAZZO BARTOLINI SALIMBENI. PALAZZO BUONDELMONTI. CORNER OF PALAZZO SPINI 45

TOWERS OF THE GIROLAMI AND OF THE GHERARDINI 49

COURTYARD OF PALAZZO CANIGIANI 65

COURTYARD OF PALAZZO DAVANZATI 89

TOWER OF THE DONATI 93

DOORWAY OF PALAZZO FRESCOBALDI 104

DOORWAY OF PALAZZO GIUGNI 115

COURTYARD OF PALAZZO GONDI 117

DOORWAY OF PALAZZO GRIFFONI 122

PALAZZO GUADAGNI 125

DOORWAY OF PALAZZO LARDEREL 134

TOWER OF THE MANNELLI 139

PALAZZO MONTALVO 148

WINDOW OF PALAZZO NERLI 155

CORNER OF PALAZZO NONFINITO, WITH COAT OF ARMS OF THE STROZZI 158

PALAZZO PANDOLFINI 165

COURTYARD OF PALAZZO PAZZI 169

PIAZZA AND ARCO DE’ PERUZZI 177

PALAZZO PITTI 183

PALAZZO DEL PODESTÀ (THE BARGELLO) 209

WINDOW OF PALAZZO PUCCI 235

PALAZZI RICCARDI 239

PALAZZI RUCELLAI 277

PALAZZI SAN CLEMENTE 296

PALAZZI SPINI 309

PALAZZI STROZZI 317

PALAZZI UGUCCIONE 348

COURTYARD OF PALAZZO VECCHIO 354

FLORENTINE PALACES

PALAZZO ACCIAIUOLI

_Lung’Arno Acciaiuoli. No. 4._

In 1109 Guigliarello Acciaiuoli came from Brescia, where his family had made a fortune by working in steel (acciaio)--hence their name. He bought many houses in Borgo S.S. Apostoli and a domain in the Val di Pesa, where he built a tower which was still standing in 1588 when Giovambattista Ubaldini wrote the _Origine della Famiglia Acciaiuoli_. True to the Guelph traditions the family brought with them from Brescia, Leone Acciaiuoli was forced to fly from Florence after the Ghibelline victory at Montaperti in 1260 and his palace was destroyed. On the return to power of the White, or Guelph, party, Dardano Acciaiuoli became Gonfalonier of Justice, and was afterwards sent with full powers from the Signoria of Florence, “considering his great prudence and legal knowledge,” as Captain of the People to rule Pistoja. When in 1282 the government of Florence was changed and the Priors were instituted, Riccomanni degl’Acciaiuoli, doctor of law, was elected Prior of his _Sesto_ of the city. He founded a great bank, or commercial company, with branches in many parts of Italy, in France, England, Greece, Africa and Asia, and sent Acciaiuolo Acciaiuoli to manage the branch at Naples. There he became the trusted friend and counsellor of King Robert, who made him a Baron, gave him great estates in Apulia and the lordship of Prato in Tuscany with the title of royal Vicario. His far more famous son Niccola, was born in 1310 at Monte Guffoni in the Val di Pesa, and married before he was eighteen. Three years later he took his father’s place at Naples, and being remarkable for personal beauty, dignified in manner and gifted with a brilliant intelligence, he soon attained such favour at court that when the Prince of Taranto died in 1332, his widow appointed him, by the advice of her brother-in-law King Robert, guardian of her three young sons and of the principality. Evil tongues whispered that his good looks had much to do with this nomination. Six years later Niccola went to Greece, taking Louis, the eldest of Catherine’s sons, with him and succeeded in making him the real, instead of only the titular, Prince of Acchaia. On the death of King Robert, leaving the Kingdom to his niece Joan, married to the coarse and illiterate Andrew of Hungary, Niccola and Prince Louis returned to Naples. Joan fell in love with her young cousin, and one morning Andrew was found strangled in his bed. Acciaiuoli, who was supposed to have aided in the murder, became all-powerful when the Queen married Louis of Taranto, and was created Grand Seneschal of the Kingdom, Count of Melfi, etc. He acquired very large possessions in Apulia, Sicily and Greece, and was made Count of Malta and Gozzo, a title he ceded to his son Angiolo during his lifetime. On the occasion of his going to Avignon as ambassador, Pope Innocent VI. gave him the Golden Rose (the first time a private person had been thus honoured), created him a Senator of Rome, Count of the Campagna and Rector of the ecclesiastical patrimony. He next sent him as envoy to Bernabo Visconti at Milan to claim the restitution of Bologna. Finding Bernabo obdurate, Acciaiuoli led the Papal troops against Bologna and installed the Legate there in triumph. He did not forget his own country, for it is to him that we owe the magnificent convent of the Certosa near Florence, where his eldest son, Lorenzo, as handsome and as gifted as his father, was buried in great state in 1354. He also built the villa of Monte Guffone, of which only the shell remains showing how beautiful it once was,[1] and the great Acciaiuoli palace on the Lung’Arno of the same name, adjoining those of other members of the family. As Orcagna was the architect employed at the Certosa he may also have designed Niccola’s fine town house. A cousin of his, Messer Dardano Acciaiuoli, built the church of S. Niccolò in Via della Scala and commissioned Spinello, who, as Vasari tells us, was then (1334) beginning to be known as a good painter, to fresco the whole church with stories from the life of S. Niccolò of Bari. The church was demolished but some of the frescoes are still to be seen in the pharmacy of Sta. Maria Novella.

The Grand Seneschal Niccola Acciaiuoli is described by Matteo Palmieri as being “of more than the ordinary height, lithe, strong, of noble and pleasing presence, with a certain vivacity and gaiety which rendered him a most agreeable companion. His hair was auburn, his eyes large and brilliant, his aspect kindly and smiling; broad in the chest and well made, he used his left hand as dexterously as his right. He dressed well, and when attending any solemn function always wore silk or brocade and had a large following, not, as he was wont to say, for himself, but for the honour of his King. A great lover of arms and of horses, of which he sought to have the best that could be procured, he would, after breaking them in, give them as presents, with magnificent saddles and bridles, to the great personages of the Kingdom. Naturally inclined towards good and noble deeds he was liberal even to prodigality. Many times he risked, not only his patrimony, but his own and his son’s lives in the service of the King. He pardoned far oftener than he avenged evil done to himself. He was sober in eating and drinking, but his table was magnificently furnished for his friends and when he gave public entertainments, as often happened when he returned to visit his own country, where he was received with the highest honours and would give balls, games and other festivals. He led a pure and religious life, observing the fasts ordained by the Church so strictly that on fast days he only ate one piece of dry bread and drank pure water.... His life was a prosperous one, and though he worked hard and suffered infinite privations both by day and by night, he was seldom ill. He died at Naples on November 8, 1365, being fifty-six years of age.”

Of his fine palace there is a delightful description in, I should think, one of the first guide-books written about Florence:--

“In Borgo S.S. Apostoli in the houses of the Acciaiuoli are many statues and many pictures of the greatest beauty by famous artists; more especially in the house of Alessandro are there many things of rare worth. For there is a writing-room adorned with pictures and fine statues, and among them are the twelve Emperors by Giambologna, of such beauty that they are admired beyond measure by artificers who can appreciate them. Besides this there is a garden on strong arches about fifteen braccia high, in a street close to the Arno and looking due south, where the air is soft and pleasant. There in pots and on espaliers are such delightful greenery and fruits, such as lemons and pomegranates, that although the space is not really large, yet the delight it gives is so great that it appears so. Above this, and behind, rising yet higher, is another terrace filled with similar trees; it is marvellous to see the quantity of fruit produced and what good condition it is in. Above, and still farther back is yet another terrace, more than thirty braccia from the ground and the view thence is so beautiful that the soul is rejoiced; wherever a man turns he enjoys the sweet air, full of the perfume of fruit and of flowers which are ever abundant according to their season. Water is lifted by ingenious devices from below up to the third floor garden, so that the moisture when dried up by the heat can be quickly restored. In the lower garden is a beautiful fountain of Carrara marble ornamented with lovely statues. A room, of large dimensions, opens on to this garden, with a fine ceiling and more than thirty portraits of the principal ladies of our city who are famed for their beauty. The pictures, by well-known artists, are highly praised for their execution and their admirable likenesses.”[2]

Niccola Acciaiuoli bequeathed his castles and lands in Greece to Neri, his nephew and adopted son, who after conquering Thebes and the whole of Boeota drove the Spaniards out of Athens, Thebes, Corinth and Megara. The Acciaiuoli ruled Greece for nearly a hundred years, until Mahomet II. took the country and strangled Duke Lionardo. Vespasiano da Bisticci, in his _Life of Neri_, declares that “others may go about begging nobility for their family, the Acciaiuoli have enough and to spare. They are allied to all the principal houses of the kingdom [Naples]; to the Prince of Taranto and to other lords through the marriages of their women; among them Madonna Andrea degl’ Acciaiuoli, Countess of Altavilla, a woman of singular renown to whom Messer Giovanni Boccaccio sent the book of _Illustrious Women_, she being possessed of such high authority.”

Many were the Gonfaloniers, Priors and ambassadors, the Acciaiuoli gave to Florence. Donato, whose mother was a daughter of Palla Strozzi, inherited his grandfather’s love of letters, and when ambassador to France presented King Louis XI. with the lives of Charlemagne, Scipio and Hannibal, written by himself. He also wrote commentaries on Aristotle’s Ethics, Politics and Physics. He died at Milan whilst on an embassy to the Duke and his body was brought to Florence where Cristofano Landini read the funeral oration in the Duomo. The Republic dowered his two daughters and named Lorenzo de’ Medici and three other citizens guardians of the young sons. One of them, “the prudent and well-endowed” Ruberto, was sent on an embassy to Louis XII., who bestowed on him and his descendants the privilege of adding a Lily of France, surmounted by a royal crown, to his arms. A descendant and a namesake of his is the hero of one of the saddest and most romantic stories of the seventeenth century. Handsome and brave like all his race, the son of Donato Acciaiuoli had long admired Elisabetta Mormorai, wife of Giulio Berardi, and on her husband’s death they agreed to marry. But his uncle the Cardinal had decided that his good-looking nephew was to make an alliance which might be of use to him in his designs upon the Papal chair. So he induced the Grand Duke Cosimo III. to forbid the marriage and to order Elisabetta to enter a convent. Ruberto immediately contracted a canonical marriage with her by letter, and fled to Milan where he published it. At the same time he demanded justice from the Grand Duke, the Archbishop, the Cardinal and his own father. The validity of the marriage was upheld in Lombardy, in Florence it was declared to be a mere engagement and not binding, and the lady was removed from her convent and shut up in a fortress. On the death of the Pope in 1691 Ruberto wrote to the assembled cardinals imploring them, and the future Pope, to do him justice. All Italy was interested in the fate of the lovers and the Cardinal Acciaiuoli tried to throw all the blame on his relations. The Grand Duke set Elisabetta free and she joined her husband at Venice, where Cosimo was openly accused of arbitrary and unjust conduct, and of truckling to the private spite of the Cardinal. He thereupon made formal application to the Republic to deliver up Acciaiuoli and his wife on the plea of _lèse majesté_. They fled, but were followed by his emissaries and taken into custody at Trent disguised as friars. Ruberto Acciaiuoli was condemned to imprisonment for life in the fortress of Volterra and to the loss of his patrimony, whilst to Elisabetta was offered the choice of repudiating her marriage or of being confined in the women’s part of the same prison. In the hopes of mitigating the severity of her husband’s sentence she chose the former, and died of grief a few months later.

The family were supposed to be extinct in 1760, but at this date Senhor De Vasconcellos came from Madeira and proved his descent from an Acciaiuoli who had settled in the island at the end of the XVth century. He married the orphan daughter of the last of the Florentine Acciaiuoli and took her name, but the family came to an end when Monsignore Filippo, a learned prelate, died at Venice in 1834.

PALAZZO ALBERTI

_Via de’ Benci. No. 2._

Varchi tells us that the palaces of the Alberti were built on the site of those of the ancient family of Quona, near the town gate called after Messer Ruggieri da Quona. The picturesque little Café delle Colonnine, which in the XVth century was the workshop of Niccolò Grossi, marks where their loggia once stood, and the palaces of various members of the family extended from Piazza Sta. Croce to the river, in what was then the Via degl’Alberti. On the façade of the palace where Leon Battista Alberti lived, which was entirely modernized in 1838 by the architect V. Bellini, who then built the colonnade which divides the garden from the Lung’Arno, are two engraved marble slabs with plans of what it once was and what it is now.

The great family of the Alberti originally came from Catenaia in the Casentino, where they owned castles and lands. It is probable that their arms, four silver chains (catene), joined in the middle by a silver ring, are derived from the name of their castle. Five different families of Alberti, with different arms, are mentioned in the annals of Florence; but the Alberti whose palaces stood near the Ponte alle Grazie, from whom sprang that many-sided genius Leon Battista, bore the surname of Giudici from an Alberto who held the office of judge in Florence in the early days of the XIIIth century, and came, as has already been said, from Catenaia. The Alberti were always Guelphs, they went into exile after the battle of Montaperti and their houses were destroyed. Alberto, son of Messer Jacopo, was a Prior when the first stone of the Palazzo de’ Signori was laid in 1294 (the first of forty-nine of his house), while the number of Alberti who were prelates, ambassadors, gallant captains and knights of the Golden Spur, is innumerable. The death of Messer Niccolò degl’ Alberti in 1377, then one of the most illustrious and one of the richest citizens of Florence, was a public disaster. He had acquired the name of Father of the Poor and his funeral was attended by hundreds of families dressed in black, who mourned their benefactor. Near to his house in Via degl’Alfani (where a corner is still called Canto alla Catena from his coat of arms) he built, after the design of Agnolo Gaddi, a hospital called Orbetello for poor old women and fallen girls.