Public Domain

Florence And Northern Tuscany With Genoa With Sixteen Illustrat

O rosa delle rose, O rosa bella, Per te non dormo nè notte nè giorno, E sempre penso alla tua faccia bella, Alle grazie che hai, faccio ritorno. Faccio ritorno alle grazie che hai: Ch'io ti lasci, amor mio, non creder mai.

Chapters

34. Chapter 34

"Whenas St. Francis had returned to St. Mary of the Angels, he sent one of his companions to the said Orlando ... who, desiring to show them the Mount of La Verna, sent with the...

26. Chapter 26

In the Casa Martelli, too, you may find a statue of St. John Baptist, a figure fine and youthful and melancholy, with the vague thoughts of youth, really the elder brother as it...

15. Chapter 15

And at dawn I shall walk with Dante, and I shall know by the softness of his voice when Beatrice passeth, but I shall not dare to lift my eyes. I shall walk with him through the...

4. Chapter 4

It is, however, in Palazzo Rosso, No. 18, possibly a work of Alessi's, that you may see what these Genoese palaces really are, for the Marchesa Maria Brignole-Sale, to whom it b...

13. Chapter 13

The high road, Via Pisana, as it is still called, though, indeed, it was more often the way of the Florentines, sometimes almost deserted, sometimes noisy with peasants returnin...

16. Chapter 16

Over the south doorway there was placed in the end of the sixteenth century a group by Vincenzo Danti, said to be his best work, the Beheading of St. John Baptist; and under are...

20. Chapter 20

Short indeed! The Italian League had been formed against France; only Florence and Ferrara remained outside. If it were politics that had taken Savonarola so high, it was to the...

7. Chapter 7

I understood this better when, about four o'clock on the next morning, I went in the company of a lame youth into the quarries themselves. There are some half-dozen of them, gle...

24. Chapter 24

The Sesto Oltr'arno, the Quartiere di S. Spirito as it was called later, was never really part of the city proper, but rather a suburb surrounded, as Florence itself was, by wal...

11. Chapter 11

Out of the dust and heat of the Piazza one comes into a cool cloister that surrounds a quadrangle open to the sky, in which a cypress still lives. The sun fills the garden with...

37. Chapter 37

Now the head of the Guelph party in Lucca was a certain Signor Giorgio Opizi, who hoped when Francesco was dead to get the city into his power, so that when he saw Castruccio so...

12. Chapter 12

In S. Stefano there is little to see, a few old banners, a series of bad frescoes, and a bust of S. Lussorius by Donatello, perhaps,--at least, that sculptor was working for eig...

8. Chapter 8

"Varie sono le opinioni degli Scrittori circa l'edificazione di Pisa," says Tronci in his _Annali Pisani_, published at Livorno in the seventeenth century. "Various are the opin...

29. Chapter 29

Verrocchio was the master of Lorenzo di Credi and of Leonardo, while, as it is said, Perugino passed through his bottega. There are many works here given to Lorenzo, who seems t...

25. Chapter 25

It is well not to return to the city by the tramway, which rushes through the trees of the Viale Michelangelo like I know not what hideous and shrieking beast of prey, but to wa...

21. Chapter 21

Not long before the end of the thirteenth century, a little shrine of St. Anthony stood where now we may see the great Church of S. Croce, in the midst of the marshes, as it is...

10. Chapter 10

Now Florence knew that in the confusion which followed the death of the great Visconti, Pisa was weak and almost without defence, so without hesitation she sent an army to seize...

17. Chapter 17

The beautiful youths of Luca, the children of Donatello, for all their seeming vigour and joy, sing and dance no more; they are in as evil a case as the Madonnas of the Uffizi,...

19. Chapter 19

For there was another spirit, too, moving secretly through the ways of the city, among the crowds that gathered round the Cantastoria of the Mercato Vecchio, or mingled with the...

1. Chapter 1

O rosa delle rose, O rosa bella, Per te non dormo nè notte nè giorno, E sempre penso alla tua faccia bella, Alle grazie che hai, faccio ritorno. Faccio ritorno alle grazie che h...

35. Chapter 35

And since Prato is a child, there are about her many children; mischievous, shy, joyful little people, who lurk round the coppersmiths, or play in the old churches, or hide abou...

3. Chapter 3

It is true that the old quarrels were done with, yet strangely enough it was on the Pope's behalf that the Fieschi plotted against the Doria. Now, Pope Paul III had been Doria's...

5. Chapter 5

Rapallo itself, as you find on your first morning, is beautiful, chiefly by reason of its sea-girt tower. The old castle is a prison, and the town itself, full of modern hotels,...

9. Chapter 9

"On land, the first prize was of red velvet lined with fur, with a great eagle of silver. This he received who first reached the goal. To the second was given a silken stuff of...

2. Chapter 2

Was it the hope of loot that caused Genoa in 1099 to send even a larger company to Judaea under the great Guglielmo Embriaco, whose tower to-day is all that is left of what must...

32. Chapter 32

That love of country life, no longer characteristic of the Florentines, which we are too apt to consider almost wholly English, was long ago certainly one of the most delightful...

22. Chapter 22

Those chapels that flank the aisles have to-day but little interest for us, here and there a picture or a piece of sculpture, but nothing that will keep us for more than a momen...

18. Chapter 18

It is in the Ciompi rising of 1278, that social revolution in which all Florence seems for once to have been interested, that we catch really for the first time the name of Medi...

14. Chapter 14

It was through a noisy gay crowd of these folk, the young men lounging against the houses, the girls talking, talking together, arm in arm, as they went to and fro before them,...

31. Chapter 31

There remains to be considered the splendid ever-living work of Titian. The early work of the greatest painter of Italy, of the world, greatest in the variety, number, and splen...

30. Chapter 30

Three pictures here are from the hand of Correggio: the early small panel of Madonna and Child with Angels (1002), once ascribed to Titian, a naïve and charming little work; the...

28. Chapter 28

Here at last we see the greatest, the most personal artist of the fifteenth century really at his best, in that fortunate moment of half-pensive joy which was so soon to pass aw...

33. Chapter 33

How little that sacrifice seems to us! But it was a great, an unheard-of thing in those days. And for this cause, maybe, Giovanni proposed to remain with the monks, to be receiv...

23. Chapter 23

Many another delightful or surprising thing may be found in the old church, which has more than once suffered from restoration. In a chapel in the right aisle Lorenzo Monaco has...

36. Chapter 36

But little is left in the smiling, gracious city to-day to recall those bitter quarrels so long ago. Pistoja, beyond any other Tuscan town perhaps, is full of grace, and gives o...

6. Chapter 6

Porto Venere rises out of the sea like Tintagel--but a classic sea, a sea covered with broken blossoms. It was evening when I returned again to the Temple of Venus The moon was...

38. Chapter 38

It is quite another sort of beauty we see when, passing through the deserted, quiet streets, we come to S. Frediano, just within the Porta S. Maria, on the north side of the cit...

27. Chapter 27

[115] It seems necessary to note that probably Arnolfo Fiorentino and Arnolfo di Cambio are not the same person. Cf. Crowe and Cavalcaselle, _op. cit._ vol. i. p. 127, note 4.

39. Chapter 39

Gaddi, Agnolo Gaddi, Taddeo Garfagnana Pass Genoa A living city Acqua Sole Alfonso of Aragon Approach to Arcades Bank of S. George Boccanegra, Doge Guglielmo Boucicault Briglia,...