Chapter 7

She started away on the run, beckoning to him with her unwashed hands: "Come on, then, till I show yer my windy. It's the little one over the dining-room. There ain't a balcony, but--see there! there's the top of the bay windy and I can lean out--why didn't yer tell me yer could play the guitar?"

"Because I can't."

"A harp, belike?"

"No; guess again."

"Yer no good;--but yer'll come?"

"Shurre; an' more be token it's at eight 'o the clock Oi'll be under yer windy." He gave the accent with such Celtic gusto that the little girl was captivated.

"Ain't you a corker!" she said admiringly and, waving her hand again to him, ran to the house. Champney followed more slowly to lay the case before Ann and Hannah.

On his way homeward he found himself wondering if he had ever seen the child before. As she leaned on the rail and looked out over the lake, a certain grace of attitude, which the coarse clothing failed to conceal, the rapt expression in the eyes, the _timbre_ of her voice, all awakened a dim certainty that he had seen her before at some time and place distinctly unusual; but where? He turned the search-light of concentrated thought upon his comings and goings and doings during the last year and more. Where had he seen just such a child?

He looked up from the roadway, on which his eyes had been fixed while his absent thought was making back tracks over the last twelve months, and saw before him the high pastures of The Gore. In the long afterglow of the July sunset they enamelled the barren heights with a rich, yellowish green. In a flash it came to him: "The green hill far away without a city wall"; the child singing on the vaudeville stage; the hush in the audience. He smiled to himself. He was experiencing that satisfaction which is common to all who have run down the quarry of a long-hunted recollection.

"She's the very one," he said to himself; "I wonder if Aunt Meda knows."

VI

That which proves momentous in our lives is rarely anticipated, seldom calculated. Its factors are for the most part unknown quantities; if not prime in themselves they are, at least, prime to each other. It cannot be measured in terms of time, for often it lies between two infinities. But the momentous decision, event, action, which reacts upon the life of a man or woman and influences that life so long as it is lived here on earth, is on the surface sufficiently finite for us to say: It was on such a day I made my decision; to such and such an event I can look back as the cause of all that has followed. The How thereof remains traceable to our purblind eyes for a month, a term of years, one generation, possibly two; the Where and When can generally be defined; but the _Why_ we ask blindly, and are rarely answered satisfactorily.

Had young Googe been told, while he was walking homewards up The Gore, that his life line, like the antenna of the wireless, was even then the recipient and transmitter of multiple influences that had been, as it were, latent in the storage batteries of a generation; that what he was to be in the future was at this very hour in germ for development, he would have scouted the idea. His young self-sufficiency would have laughed the teller to scorn. He would have maintained as a man his mastership of his fate and fortunes, and whistled as carelessly as he whistled now for the puppy, an Irish terrier which he had brought home with him, for training, to come and meet him.

And the puppy, whose name was Ragamuffin and called Rag for short, came duly, unknowing, like his young master, to meet his fate. He wriggled broad-side down the walk as a puppy will in his first joy till, overpowered by his emotions, he rolled over on his back at Champney's feet, the fringes of his four legs waving madly in air.

"Champney, I'm waiting for you." It was his mother calling from the door. He ran in through the kitchen, and hurried to make himself presentable for the table and their guest whom he saw on the front porch.

As he entered the dining-room, his mother introduced him: "Father Honoré, my son, Champney."

The two men shook hands, and Mrs. Googe took her seat. The priest bowed his head momentarily to make the sign of the cross. Champney Googe shot one keen, amazed look in his direction. When that head was lifted Champney "opened fire," so he termed it to himself.

"I think I've seen you before, sir." It was hard for him to give the title "Father." "I got in your way, didn't I, at the theatre one evening over a year ago?"

His mother looked at him in amazement and something of anxiety. Was her son in his prejudice forgetting himself?

"Indeed, I think it was the other way round, I was in your way, for I remember thinking when you ran up against me 'that young fellow has been half-back on a football team.'"

Champney laughed. There was no withstanding this man's voice and the veiled humor of his introductory remarks.

"Did I hit hard? I didn't think for a moment that you would recognize me; but I knew you as soon as mother introduced us. I see by your face, mother, that you need enlightening. It was only that I met Father Honoré"--he brought that out with no hesitation--"at the entrance to one of the New York theatres over a year ago, and in the crowd nearly ran him down. No wonder, sir, you sized me up by the pressure as a football fiend. That's rich!" His merry laugh reassured his mother; she turned to Father Honoré.

"I don't know whether all my son's acquaintances are made at the theatre or not, but it is a coincidence that the other day he happened to mention the fact that the first time he saw Mr. Van Ostend he saw him there."

"It's my strong impression, Mrs. Googe, that Mr. Googe saw us both at the same place, at the same time. Mr. Van Ostend spoke to me of your son just a few days before I left New York."

"Did he?" Champney's eager blue eyes sought the priest's. "Do you know him well?"

"As we all know him through his place in the world of affairs. Personally I have met him only a few times. You may know, perhaps, that he was instrumental in placing little Aileen Armagh, the orphan child,--you know whom I mean?--at Mrs. Champney's, your aunt, Mrs. Googe tells me."

"I was just going to ask you if you would be willing to tell us something about her," said Mrs. Googe. "I've not seen her, but from all I hear she is a most unusual child, most interesting--"

"Interesting, mother!" Champney interrupted her rather explosively; "she's unique, the only and ever Aileen Armagh." He turned again to Father Honoré. "Do tell us about her; I've been so blockheaded I couldn't put two and two together, but I'm beginning to see daylight at last. I made her acquaintance this afternoon. That's why I was a little late, mother."

How we tell, even the best of us, with reserves! Father Honoré told of his interest being roused, as well as his suspicions, by the wording of the poster, and of his determination to see for himself to what extent the child was being exploited. But of the thought-lever, the "Little Trout", that raised that interest, he made no mention; nor, indeed, was it necessary.

"You see there is a class of foreigners on the East side that receive commissions for exploiting precocious children on the stage; they are very clever in evading the law. The children themselves are helpless. I had looked up a good many cases before this because it was in my line of work, and in this particular one I found that the child had been orphaned in Ireland almost from her birth; that an aunt, without relatives, had emigrated with her only a few months before I saw her on the stage, and the two had lived in an east side tenement with an old Italian. The child's aunt, a young woman about twenty-eight, developed quick consumption during the winter and died in the care of the Italian, Nonna Lisa they call her. This woman cared for the little girl, and began to take her out with her early in March on the avenues and streets of the upper west side. The old woman is an itinerant musician and plays the guitar with real feeling--I've heard her--and, by the way, makes a decent little living of her own. She found that Aileen had a good voice and could sing several Irish songs. She learned the accompaniments, and the two led, so far as I can discover, a delightful life of vagabondage for several weeks. It seems the old Italian has a grandson, Luigi, who sings in vaudeville with a travelling troop. He was in the west and south during the entire time that Aileen was with his grandmother; and through her letters he learned of the little girl's voice. He spoke of this to his manager, and he communicated with the manager of a Broadway vaudeville--they are both in the vaudeville trust--and asked him to engage her, and retain her for the troop when they should start on their annual autumn tour. But Nonna Lisa was shrewd.--It's wonderful, Mrs. Googe, how quickly they develop the sixth sense of cautious speculation after landing! She made a contract for six weeks only, hoping to raise her price in the autumn. So I found that the child was not being exploited, except legitimately, by the old Italian who was caring for her and guarding her from all contamination. But, of course, that could not go on, and I had the little girl placed in the orphan asylum on ----nd Street--" He interrupted himself to say half apologetically:

"I am prolix, I fear, but I am hoping you will be personally interested in this child whose future life will, I trust, be spent here far away from the metropolitan snares. I am sure she is worth your interest."

"I know she is," said Champney emphatically; "and the more we know of her the better. You'll laugh at my experience when you have heard it; but first let us have the whole of yours."

"You know, of course, where Mr. Van Ostend lives?" Champney nodded. "Did you happen to notice the orphan asylum just opposite on ----nd Street?"

"No; I don't recall any building of that sort."

He smiled. "Probably not; that is not in your line and we men are apt to see only what is in the line of our working vision. It seems that Mr. Van Ostend has a little girl--"

"I know, that's the Alice I told you of, mother; did you see her when she was here last month?"

"No; I only met Mr. Van Ostend on business. You were saying--?" She addressed Father Honoré.

"His little daughter told him so much about two orphan children, with whom she had managed to have a kind of across-street-and-window acquaintance, that he proposed to her to have the children over for Christmas luncheon. The moment he saw Aileen, he recognized in her the child on the vaudeville stage to whom he had given the flowers--You remember that incident?"

"Don't I though!"

"--Because she had sung his wife's favorite hymn. He was thoroughly interested in the child after seeing her, so to say, at close range, and took the first opportunity to speak with the Sister Superior in regard to finding for her a suitable and permanent home. The Sister Superior referred him to me. As you know, he came to Flamsted recently with this same little daughter; and the child talked so much and told so many amusing things about Aileen to Mrs. Champney, that Mr. Van Ostend saw at once this was an opportunity to further his plans, although he confided to me his surprise that his cousin, Mrs. Champney, should be willing to have so immature a child, in her house. Directly on getting home, he telephoned to me that he had found a home for her with a relation of his in Flamsted. You may judge of my surprise and pleasure, for I had received the appointment to this place and the work among the quarrymen only a month before. This is how the little girl happened to come up with me. I hear she is making friends."

"She can't help making them, and a good deal more besides; for Romanzo Caukins, our neighbor's son, and Octavius Buzzby, my aunt's _chargé d'affaires_, are at the present time her abject slaves," said Champney, rising from the table at a signal from his mother. "Let's go out on the porch, and I'll tell you of the fun I've had with her--poor Roman!" He shook his head and chuckled.

He stepped into the living-room as he passed through the hall and reached for his pipe in a rack above the mantel. "Do you smoke," he asked half-hesitatingly, but with an excess of courtesy in his voice as if he were apologizing for asking such a question.

"Sometimes; a pipe, if you please." He held out his hand; Champney handed him a sweetbrier and a tobacco pouch. "You permit, Madam?" He spoke with old world courtesy. Aurora Googe smiled permission. She saw with satisfaction her son's puzzled look of inquiry as he noted the connoisseurship with which Father Honoré handled his after-supper tools.

Mrs. Milton Caukins, their neighbor in the stone house across the bridge over the Rothel, stood for several minutes at her back door listening to Champney's continued arpeggios and wondered whose was the deep hearty laugh that answered them. In telling his afternoon's experience Champney, also, had his reserves: of the coming serenade he said never a word to the priest.

"He's O.K. and a man, mother," was his comment on their guest, as he bade her good night. Aurora Googe answered him with a smile that betokened content, but she was wise enough not to commit herself in words. Afterwards she sat long in her room, planning for her son's future. The twenty thousand she had just received for the undeveloped quarry lands should serve to start him well in life.

VII

On the following day, mother and son constituted themselves a committee of ways and means as to the best investment of the money in furtherance of Champney's interests. Her ambition was gratified in that she saw him anxious to take his place in the world of affairs, to "get on" and, as he said, make his mark early in the world of finance.

The fact that, during his college course, he had spent the five thousand received from the sale of the first quarry, plus the interest on the same without accounting for a penny of it, seemed to his mother perfectly legitimate; for she had sold the land and laid by the amount paid for it in order to put her son through college. Since he was twelve years old she had brought him up in the knowledge that it was to be his for that purpose. From the time he came, through her generosity, into possession of the property, she always replied to those who had the courage to criticise her course in placing so large a sum at the disposal of a youth:

"My son is a man. I realize I can suggest, but not dictate; moreover I have no desire to."

She drew the line there, and rarely had any one dared to expostulate further with her. When they ventured it, Aurora Googe turned upon them those dark eyes, in which at such times there burned a seemingly unquenchable light of self-feeding defiance, and gave them to understand, with a repelling dignity of manner that bordered hard on haughtiness, that what she and her son might or might not do was no one's concern but their own. This self-evident truth, when it struck home to her well-wishers, made her no friends. Nor did she regret this. She had dwelt, as it were, apart, since her marriage and early widowhood--her husband had died seven months before Champney was born--on the old Googe estate at The Gore. But she was a good neighbor, as Mrs. Caukins could testify; paid her taxes promptly, and minded her flocks, the source of her limited income, until wool-raising in New England became unprofitable. An opportunity was presented when her boy was ten years old to sell a portion of the barren sheep pastures for the first quarry. She counted herself fortunate in being able thus to provide for Champney's four college years.

In all the village, there were only three men, whom Aurora Googe named friend. These men, with the intimacy born of New England's community of interest, called her to her face by her Christian name; they were Octavius Buzzby, old Joel Quimber, and Colonel Caukins. There had been one other, Louis Champney, who during his lifetime promised to do much for her boy when he should have come of age; but as the promises were never committed to black and white, they were, after his death, as though they had never been.

"If only Aunt Meda would fork over some of hers!" Champney exclaimed with irritation. They were sitting on the porch after tea. "All I want is a seat in the Stock Exchange--and the chance to start in. I believe if I had the money Mr. Van Ostend would help me to that."

"You didn't say anything to him about your plans, did you?"

"Well, no; not exactly. But it isn't every fellow gets a chance to dine at such a man's table, and I thought the opportunity was too good to be wasted entirely. I let him know in a quiet way that I, like every other fellow, was looking for a job." Champney laughed aloud at the shocked look on his mother's face. He knew her independence of thought and action; it brooked no catering for favors.

"You see, mother, men _have_ to do it, or go under. It's about one chance in ten thousand that a man gets what he wants, and it's downright criminal to throw away a good opportunity to get your foot on a round. Run the scaling ladder up or down, it doesn't much matter--there are hundreds of applicants for every round; and only one man can stand on each--and climb, as I mean to. You don't get this point of view up here, mother, but you will when you see the development of these great interests. Then it will be each for himself and the devil gets the hindermost. Shouldn't I take every legitimate means to forge ahead? You heard what the priest said about Mr. Van Ostend's mentioning me to him? Let me tell you such men don't waste one breath in mentioning anything that does not mean a big interest per cent, _not one breath_. They can't, literally, afford to; and I'm hoping, only hoping, you know--", he looked up at her from his favorite seat on the lowest step of the front porch with a keen hard expectancy in his eyes that belied his words, "--that what he said to Father Honoré means something definite. Anyhow, we'll wait a while till we see how the syndicate takes hold of this quarry business before we decide on anything, won't we, mother?"

"I'm willing to wait as long as you like if you will only promise me one thing."

"What's that?" He rose and faced her; she saw that he was slightly on the defensive.

"That you will never, _never_, in any circumstances, apply to your Aunt Almeda for funds, no matter how much you may want them. I couldn't bear that!"

She spoke passionately in earnest, with such depth of feeling that she did not realize her son was not giving her the promise when he said abruptly, the somewhat hard blue eyes looking straight into hers:

"Mother, why are you so hard on Aunt Meda? She's a stingy old screw, I know, and led Uncle Louis round by the nose, so everybody says; but why are you so down on her?"

He was insistent, and his insistence was the one trait in his character which his mother had found hardest to deal with from his babyhood; from it, however, if it should develop happily into perseverance, she hoped the most. This trait he inherited from his father, Warren Googe, but in the latter it had deteriorated into obstinacy. She always feared for her self-control when she met it in her son, and just now she was under the influence of a powerful emotion that helped her to lose it.

"Because," she made answer, again passionately but the earnestness had given place to anger, "I am a woman and have borne from her what no woman bears and forgets, or forgives! Are you any the wiser now?" she demanded. "It is all that I shall tell you; so don't insist."

The two continued to look into each other's eyes, and something, it could hardly be called inimical, rather an aloofness from the tie of blood, was visible to each in the other's steadfast gaze. Aurora Googe shivered. Her eyes fell before the younger ones.

"Don't Champney! Don't let's get upon this subject again; I can't bear it."

"But, mother," he protested, "you mentioned it first."

"It was what you said about Almeda's furnishing you with money that started it. Don't say anything more about it; only promise me, won't you?"

She raised her eyes again to his, but this time in appeal. At forty-one Aurora Googe was still a very beautiful woman, and her appeal, made gently as if in apology for her former vehemence, rendered that beauty potent with her son's manhood.

"Let me think it over, mother, before I promise." He answered her as gently. "It's a hard thing to exact of a man, and I don't hold much with promises. What did Uncle Louis' amount to?"

The blood surged into his mother's face, and tears, rare ones, for she was not a weak woman neither was she a sentimental one, filled her eyes. Her son came up the steps and kissed her. They were seldom demonstrative to this extent save in his home-comings and leave-takings. He changed the subject abruptly.

"I'm going down to the village now. You know I have the serenade on my program, at eight. Afterwards I'll run down to The Greenbush for the mail and to see my old cronies. I haven't had a chance yet." He began to whistle for the puppy, but cut himself short, laughing. "I was going to take Rag, but he won't fit in with the serenade. Keep him tied up while I'm gone, please. Anything you want from the village, mother?"

"No, not to-night."

"Don't sit up for me; I may be late. Joel is long-winded and the Colonel is booming The Gore for all it is worth and more too; I want to hear the fun. Good night."

VIII

The afterglow of sunset was long. The dilated moon, rising from the waters of the Bay, shone pale at first; but as it climbed the shoulder of the mountain _Wave-of-the-Sea_ and its light fell upon the farther margin of the lake, its clear disk was pure argent.

Champney looked his approval. It was the kind of night he had been hoping for. He walked leisurely down the road from The Gore for the night was warm. It was already past eight, but he lingered, purposely, a few minutes longer on the lake shore until the moonlight should widen on the waters. Then he went on to the grounds.

He entered by the lane and crossed the lawn to an arching rose-laden trellis near the bay window; beneath it was a wooden bench. He looked up at the window. The blinds were closed. So far as he could see there was no light in all the great house. Behind the rose trellis was a group of stately Norway spruce; he could see the sheen of their foliage in the moonlight. He took his banjo out of its case and sat down on the bench, smiling to himself, for he was thoroughly enjoying, with that enjoyment of youth, health, and vitality which belongs to twenty-one, this rustic adventure. He touched the strings lightly with preliminary thrumming. It was a toss-up between "Annie Rooney" and "Oft in the stilly night." He decided for the latter. Raising his eyes to the closed blinds, behind which he knew the witch was hiding, he began the accompaniment. The soft _thrum-thrum_, vibrating through the melody, found an echo in the whirring wings of all that ephemeral insect life which is abroad on such a night. The prelude was almost at an end when he saw the blinds begin to separate. Champney continued to gaze steadily upwards. A thin bare arm was thrust forth; the blinds opened wide; in the dark window space he saw Aileen, listening intently and gazing fixedly at the moon as if its every beam were dropping liquid music.

He began to sing. His voice was clear, fine, and high, a useful first tenor for two winters in the Glee Club. When he finished Aileen deigned to look down upon him, but she made no motion of recognition. He rose and took his stand directly beneath the window.

"I say, Miss Aileen Armagh-and-don't-yer-forget-it, that isn't playing fair! Where's my token?"