Chapter 23

She was sitting on the floor surrounded by a pile of fresh-cut muslin; the latest McCann baby was tugging with might and main at her apron in vain endeavor to hoist himself upon his pudgy uncertain legs. Aileen was laughing at his efforts. Catching him suddenly in her arms, she covered the little soft head, already sprouting a suspicion of curly red hair, with hearty kisses; and Billy, entering into the fun, crowed and gurgled, clutching wildly at the dark head bent above him and managing now and then, when he did not grasp too wide of the mark, to bury his chubby creased hands deep in its heavy waves.

"Oh, Maggie, you're like all the rest! Because you've a good husband of your own, you think every other girl must go and do likewise."

"Now ye're foolin', Aileen, like as you used to at the asylum. But I mind the time when Luigi was the wan b'y for you--I wonder, now, you couldn't like him, Aileen? He's so handsome and stiddy-like, an' doin' so well. Jim says he'll be one of the rich men of the town if he kapes on as he's begun. They do say as how Dulcie Caukins'll be cuttin' you out."

"I didn't love him, Maggie; that's reason enough." She spoke shortly. Maggie turned again from her work to look down on her in amazement.

"You was always that way, Aileen!" she exclaimed impatiently, "thinkin' nobody but a lord was good enough for you, an' droppin' Luigi as soon as ever you got in with the Van Ostend folks; and as for 'love'--let me give you as good a piece of advice as you'll get between the risin' of a May sun and its settin':--if you see a good man as loves you an' is willin' to marry you, take him, an' don't you leave him the chanct to get cool over it. Ye'll love him fast enough if he's good to you--like my Jim," she added proudly.

"Oh, your Jim! You're always quoting him; he isn't quite perfection even if he is 'your Jim.'"

"An' is it parfection ye're after?" Maggie was apt in any state of excitement to revert in her speech to the vernacular. "'Deed an' ye'll look till the end of yer days an' risk dyin' a downright old maid, if it's parfection ye're after marryin' in a man! An' I don't need a gell as has niver been married to tell me my Jim ain't parfection nayther!"

Maggie resumed her work in a huff; Aileen smiled to herself.

"I didn't mean to say anything against your husband, Maggie; I was only speaking in a general way."

"An' how could ye mane anything against me husband in a gineral or a purticular way? Sure I know he's got a temper; an' what man of anny sinse hasn't, I'd like to know? An' he's not settled-like to work in anny wan place, as I'd like to have him be. But Jim's young; an' a man, he says, can't settle to anny regular work before he's thirty. He says all the purfessional men can't get onto their feet in a business way till they be thirty; an' stone-cuttin', Jim says, is his purfession like as if 't was a lawyer's or a doctor's or a priest's; an' Jim says he loves it. An' there ain't a better worker nor Jim in the sheds, so the boss says; an' if he will querrel between whiles--an' I'm not denyin' he don't--it's sure the other man's fault for doin' something mane; Jim can't stand no maneness. He's a good worker, is Jim, an' a good husband, an' a lovin' father, an' a good provider, an' he don't drink, an' he ain't the slithery kind--if he'd 'a' been that I wouldn't married him."

There was a note of extreme authority in what Maggie in her excitement was giving expression to. Now that Jim McCann was back and at work in the sheds after a seven years absence, it was noted by many, who knew his wife of old, that, in the household, it was now Mrs. McCann who had the right of way. She was evidently full of her subject at the present moment and, carried away by the earnestness of her expressed convictions, she paid no heed to Aileen's non-responsiveness.

"An' I'm that proud that I'm Mrs. James Patrick McCann, wid a good house over me head, an' a good husband to pay rint that'll buy it on the insthalment plan, an' two little gells an' a darlin' baby to fill it, that I be thankin' God whiniver Jim falls to swearin'--an' that's ivery hour in the day; but it's only a habit he can't be broke of, for Father Honoré was after talkin' wid him, an' poor Jim was that put out wid himself, that he forgot an' swore his hardest to the priest that he'd lave off swearin' if only he knew whin he was doin' it! But he had to give up tryin', for he found himself swearin' at the baby he loved him so. An' whin he told Father Honoré the trouble he had wid himself an' the b'y, that darlin' man just smiled an' says:--'McCann, there's other ways of thankin' God for a good home, an' a lovin' wife, and a foine b'y like yours, than tellin' yer beads an' sayin' your prayers.'--He said that, he did; an' I say, I'm thankin' God ivery hour in the day that I've got a good husband to swear, an' a cellar to fill wid fuel an' potaters, an' a baby to put to me breast, an'--an'--it's the same I'm wishin' for you, me dear."

There was a suspicious tremble in Maggie's voice as she turned again to her work.

Aileen spoke slowly: "Indeed, I wish I had them all, Maggie; but those things are not for me."

"Not for you!" Maggie dashed a tear from her eyes. "An' why not for you, I'd like to know? Isn't ivery wan sayin' ye've got the voice fit for the oppayra? An' isn't all the children an' the quarrymen just mad over yer teachin' an' singin'? An' look at what yer know an' can do! Didn't wan of the Sisters tell me the other day: 'Mrs. McCann,' says she, 'Aileen Armagh is an expurrt in embroidery, an' could earn her livin' by it.' An' wasn't Mrs. Caukins after praisin' yer cookin' an' sayin' you beat the whole Gore on yer doughnuts? An' didn't the Sisters come askin' me the other day if I had your receipt for the milk-rice? Jim says there's a man for ivery woman if she did but know it.--There now, I'm glad to see yer smilin' an' lookin' like yer old self! Just tell me if the curtains be up straight? Jim can't abide annything that ain't on the square. Straight, be they?"

"Yes, straight as a string," said Aileen, laughing outright at Freckles' eloquence--the eloquence of one who was wont to be slow of speech before matrimony loosened her tongue and home love taught her the right word in the right place.

"Straight, is it? Then I'll mount down an' we'll sit out in the kitchen an' hem the rest. It's Doosie Caukins has begged the loan of the two little gells for the afternoon. The twins seem to me most like my own--rale downright swate gells, an' it's hopin' I am they'll do well when it' comes to their marryin'."

Aileen laughed merrily at the matrimonial persistence of her old chum's thoughts.

"Oh, Maggie, you are an incorrigible matchmaker!"

She picked up the baby and the yards of muslin she had been measuring for window lengths; leaving Maggie to follow, she went out into the kitchen and deposited Billy in the basket-crib beside her chair. Maggie joined her in a few minutes.

"It seems like old times for you an' me to be chattin' together again so friendly-like--put a finger's length into the hem of the long ones; do you remember when Sister Angelica an' you an' me was cuddled together to watch thim dance the minute over at the Van Ostends'?--Och, you darlin'!"

She rose from her chair and caught up the baby who was holding out both arms to her and trying in his semi-articulate way to indicate his preference of her lap to the basket.

"What fun we had!" Aileen spoke half-heartedly; the mention of that name intensified the pain of an ever present thought.

"An' did ye read her marriage in the papers, I guess 't was a year gone?"

Aileen nodded.

"Jim read it out to me wan night after supper, an' I got so homesick of a suddin' for the Caukinses, an' you, an' the quarries, an' Mrs. Googe--it was before me b'y come--that I fell to cryin' an' nearly cried me eyes out; an' Jim promised me then and there he'd come back to Flamsted for good and all. But he couldn't help sayin': 'What the divil are ye cryin' about, Maggie gell? I was readin' of the weddin' to ye, and thinkin' to hearten ye up a bit, an' here ye be cryin' fit to break yer heart, an' takin' on as if ye'd niver had a weddin' all by yerself!' An' that made me laugh; but, afterwards, I fell to cryin' the harder, an' told him I couldn't help it, for I'd got such a good lovin' husband, an' me an orphan as had nobody--

"An' then I stopped, for Jim took me in his arms--he was in the rockin'-chair--and rocked back an' forth wid me like a mother does wid a six-months' child, an' kept croonin' an' croonin' till I fell asleep wid my head on his shoulder--" Mrs. McCann drew a long breath--"Och, Aileen, it's beautiful to be married!"

For a while the two worked in silence, broken only by little Billy McCann, who was blissfully gurgling emphatic endorsement of everything his mother said. The bright sunshine of February filled the barren Gore full to the brim with sparkling light. From time to time the sharp crescendo _sz-szz-szzz_ of the trolleys, that now ran from The Corners to Quarry End Park at the head of The Gore, teased the still cold air. Maggie was in a reminiscent mood, being wrought upon unwittingly by the sunny quiet and homey kitchen warmth. She looked over the head of her baby to Aileen.

"Do you remember the B'y who danced with the Marchioness, and when they was through stood head downwards with his slippers kicking in the air?"

"Yes, and the butler, and how he hung on to his coat-tails!"

Maggie laughed. "I wonder now could it be _the_ B'y--I mane the man she married?"

Aileen looked up from her work. "Yes, he's the one."

"An' how did you know that?" Maggie asked in some surprise.

"Mrs. Champney told me--and then I knew she liked him."

"Who, the Marchioness?"

"Yes; I knew by the way she wrote about him that she liked him."

"Well, now, who'd 'a' thought that! The very same B'y!" she exclaimed, at the same time looking puzzled as if not quite grasping the situation. "Why, I thought--I guess 't was Romanzo wrote me just about that time--that she was in love with Mr. Champney Googe." Her voice sank to a whisper on the last words. "Wouldn't it have been just awful if she had!"

"She might have done a worse thing than to love him." Aileen's voice was hard in spite of her effort to speak naturally.

Maggie broke forth in protest.

"Now, how can you say that, Aileen! What would the poor gell's life have been worth married to a man that's in for seven years! Jim says when he comes out he can't niver vote again for prisident, an' it's ten chanct to wan that he'll get a job."

In her earnestness she failed to notice that Aileen's face had borrowed its whiteness from the muslin over which she was bending.

"Aileen--"

"Yes, Maggie."

"I'm goin' to tell you something. Jim told me the other day; he wouldn't mind my tellin' you, but he says he don't want anny wan of the fam'ly to get wind of it."

"What is it?" Aileen looked up half fearfully.

"Gracious, you look as if you'd seen a ghost! 'T isn't annything so rale dreadful, but it gives you a kind of onaisy feelin' round your heart."

"What is it? Tell me quick." She spoke again peremptorily in order to cover her fear. Maggie looked at her wonderingly, and thought to herself that Aileen had changed beyond her knowledge.

"There was a man Jim knew in the other quarries we was at, who got put into that same prison for two years--for breakin' an' enterin'--an' Jim see him not long ago; an' when Jim told him where he was workin' the man said just before he was comin' out, Mr. Googe come in, an' he see him _breakin' stones wid a prison gang_--rale toughs; think of that, an' he a gentleman born! Jim said that was tough; he says it's back-breakin' work; that quarryin' an' cuttin' ain't nothin' to that--ten hours a day, too. My heart's like to break for Mrs. Googe. I think of it ivery time I see her now; an' just look how she's workin' her fingers to the bone to support herself widout help! Mrs. Caukins says she's got seventeen mealers among the quarrymen now, an' there'll be more next spring. What do you s'pose her son would say to that?"

She pressed her own boy a little more closely to her breast; the young mother's heart was stirred within her. "Mrs. Caukins says Mrs. Champney could help her an' save her lots, but she won't; she's no mind to."

"I don't believe Mrs. Googe would accept any help from Mrs. Champney--and I don't blame her, either. I'd rather starve than be beholden to her!" The blood rushed into the face bent over the muslin.

"Why don't you lave her, Aileen? I would--the stingy old screw!"

Aileen folded her work and laid it aside before she answered.

"I _am_ going soon, Maggie; I've stood it about as many years as I can--"

"Oh, but I'm glad! It'll be like gettin' out of the jail yerself, for all you've made believe you've lived in a palace--but ye're niver goin' so early?" she protested earnestly.

"Yes, I must, Maggie. You are not to tell anyone what I've said about leaving Mrs. Champney--not even Jim."

Maggie's face fell. "Dear knows, I can promise you not to tell Jim; but it's like I'll be tellin' him in me slape. It's a trick I have, he says, whin I'm tryin' to kape something from him."

She laughed happily, and bade Billy "shake a day-day" to the pretty lady; which behest Billy, half turning his rosy little face from the maternal fount, obeyed perfunctorily and then, smiling, closed his sleepy eyes upon his mother's breast.

II

Aileen took that picture of intimate love and warmth with her out into the keen frosty air of late February. But its effect was not to soften, to warm; it hardened rather. The thought of Maggie with her baby boy at her breast, of her cosy home, her loyalty to her husband and her love for him, of her thankfulness for the daily mercy of the wherewithal to feed the home mouths, reacted sharply, harshly, upon the mood she was in; for with the thought of that family life and family ties--the symbol of all that is sane and fruitful of the highest good in our humanity--was associated by extreme contrast another thought:--

"And _he_ is breaking stones with a 'gang of toughs'--breaking stones! Not for the sake of the pittance that will procure for him his daily bread, but because he is forced to the toil like any galley slave. The prison walls are frowning behind him; the prison cell is his only home; the tin pan of coarse food, which is handed to him as he lines up with hundreds of others after the day's work, is the only substitute for the warm home-hearth, the lighted supper table, the merry give-and-take of family life that eases a man after his day's toil."

Her very soul was in rebellion.

She stopped short and looked about her. She was on the road to Father Honoré's house. It was just four o'clock, for the long whistle was sounding from the stone sheds down in the valley. She saw the quarrymen start homewards. Dark irregular files of them began crawling up over the granite ledges, many of which were lightly covered with snow. Although it was February, the winter was mild for this latitude, and the twelve hundred men in The Gore had lost but a few days during the last three months on account of the weather. Work had been plenty, and the spring promised, so the manager said, a rush of business. She watched them for a while.

"And they are going to their homes--and he is still breaking stones!" Her thoughts revolved about that one fact.

A sudden rush of tears blinded her; she drew her breath hard. What if she were to go to Father Honoré and tell him something of her trouble? Would it help? Would it ease the intolerable pain at her heart, lessen the load on her mind?

She dared not answer, dared not think about it. Involuntarily she started forward at a quick pace towards the stone house over by the pines--a distance of a quarter of a mile.

The sun was nearing the rim of the Flamsted Hills. Far beyond them, the mighty shoulder of Katahdin, mantled with white, caught the red gleam and lent to the deep blue of the northern heavens a faint rose reflection of the setting sun. The children, just from school, were shouting at their rough play--snow-balling, sledding, skating and tobogganning on that portion of the pond which had been cleared of snow. The great derricks on the ledges creaked and groaned as the remaining men made all fast for the night; like a gigantic cobweb their supporting wires stretched thick, enmeshed, and finely dark over the white expanse of the quarries. From the power-house a column of steam rose straight and steady into the windless air.

Hurrying on, Aileen looked upon it with set lips and a hardening heart. She had come to hate, almost, the sight of this life of free toil for the sake of love and home.

It was a woman who was thinking these thoughts in her rapid walk to the priest's house--a woman of twenty-six who for more than seven years had suffered in silence; suffered over and over again the humiliation that had been put upon her womanhood; who, despite that humiliation, could not divest herself of the idea that she still clung to her girlhood's love for the man who had humiliated her. She told herself again and again that she was idealizing that first feeling for him, instead of accepting the fact that, as a woman, she would be incapable, if the circumstances were to repeat themselves now, of experiencing it.

Since that fateful night in The Gore, Champney Googe's name had never voluntarily passed her lips. So far as she knew, no one so much as suspected that she was a factor in his escape--for Luigi had kept her secret. Sometimes when she felt, rather than saw, Father Honoré's eyes fixed upon her in troubled questioning, the blood would rush to her cheeks and she could but wonder in dumb misery if Champney had told him anything concerning her during those ten days in New York.

For six years there had been a veil, as it were, drawn between the lovely relations that had previously existed between Father Honoré and this firstling of his flock in Flamsted. For a year after his experience with Champney Googe in New York, he waited for some sign from Aileen that she was ready to open her heart to him; to clear up the mystery of the handkerchief; to free herself from what was evidently troubling her, wearing upon her, changing her in disposition--but not for the better. Aileen gave no sign. Another year passed, but Aileen gave no sign, and Father Honoré was still waiting.

The priest did not believe in forcing open the portals to the secret chambers of the human heart. He respected the individual soul and its workings as a part of the divinely organized human. He believed that, in time, Aileen would come to him of her own accord and seek the help she so sorely needed. Meanwhile, he determined to await patiently the fulness of that time. He had waited already six years.

* * * * *

He was looking over and arranging some large photographs of cathedrals--Cologne, Amiens, Westminster, Mayence, St. Mark's, Chester, and York--and the detail of nave, chancel, and choir. One showed the exquisite sculpture on a flying buttress; another the carving of a choir-stall canopy; a third the figure-crowded façade of a western porch. Here was the famous rose window in the Antwerp transept; the statue of one of the apostles in Naumburg; the nave of Cologne; the conglomerate of chapels about the apse of Mayence; the Angel's Pillar at Strasburg--they were a joy in line and proportion to the eye, in effect and spirit of purpose to the understanding mind, the receptive soul.

Father Honoré was revelling in the thought of the men's appreciative delight when he should show them these lovely stones--across-the-sea kin to their own quarry granite. His semi-monthly talks with the quarrymen and stone-cutters were assuming, after many years, the proportions of lectures on art and scientific themes. Already many a professor from some far-away university had accepted his invitation to give of his best to the granite men of Maine. Rarely had they found a more fitting or appreciative audience.

"How divine!" he murmured to himself, his eyes dwelling lovingly--at the same time his pencil was making notes--on the 'Prentice Pillar in Roslyn Chapel. Then he smiled at the thought of the contrast it offered to his own chapel in the meadows by the lake shore. In that, every stone, as in the making of the Tabernacle of old, had been a free-will offering from the men--each laid in its place by a willing worker; and, because willing, the rough walls were as eloquent of earnest endeavor as the famed 'Prentice Pillar itself.

"I'd like to see such a one as this in our chapel!" He was talking to himself as was his way when alone. "I believe Luigi Poggi, if he had kept on in the sheds, would in time have given this a close second."

He took up the magnifying glass to examine the curled edges of the stone kale leaves.

There was a knock at the door.

He hastily placed the photographs in a long box beside the table, and, instead of saying "Come in," stepped to the door and opened it.

Aileen stood there. The look in her eyes as she raised them to his, and said in a subdued voice, "Father Honoré, can you spare me a little time, all to myself?" gave him hope that the fulness of time was come.

"I always have time for you, Aileen; come in. I'll start up the fire a bit; it's growing much colder."

He laid the wood on the hearth, and with the bellows blew it to a leaping flame. While he was thus occupied, Aileen looked around her. She knew this room and loved it.

The stone fireplace was deep and ample, built by Father Honoré,--indeed, the entire one storey house was his handiwork. Above it hung a large wooden crucifix. On the shelf beneath were ranged some superb specimens of quartz and granite. The plain deal table, also of ample proportions, was piled at one end high with books and pamphlets. Two large windows overlooked the pond, the sloping depression of The Gore, the course of the Rothel, and the headwaters of Lake Mesantic. Some plain wooden armchairs were set against the walls that had been rough plastered and washed with burnt sienna brown. On them was hung an exquisite engraving--the Sistine Madonna and Child. There were also a few etchings, among them a copy of Whistler's _The Thames by London Bridge_, and a view of Niagara by moonlight. A mineral cabinet, filled to overflowing with fine specimens, extended the entire length of one wall. The pine floor was oiled and stained; large hooked rugs, genuine products of Maine, lay here and there upon it.

Many a man coming in from the quarries or the sheds with a grievance, a burden, or a joy, felt the influence of this simple room. Many a woman brought here her heavy over-charged heart and was eased in its fire-lighted atmosphere of welcome. Many a child brought hither its spring offering of the first mitchella, or its autumn gift of checkerberries. Many a girl, many a boy had met here to rehearse a Christmas glee or an Easter anthem. Many a night these walls echoed to the strains of the priest's violin, when he sat alone by the fireside with only the Past for a guest. And these combined influences lingered in the room, mellowed it, hallowed it, and made themselves felt to one and all as beneficent--even as now to Aileen.

Father Honoré placed two of the wooden chairs before the blazing fire. Aileen took one.

"Draw up a little nearer, Aileen; you look chilled." He noticed her extreme pallor and the slight trembling of her shoulders.

She glanced out of the window at some quarrymen who were passing.

"You don't think we shall be interrupted, do you?" she asked rather nervously.

"Oh, no. I'll just step to the kitchen and give a word to Thérèse. She is a good watchdog when I am not to be disturbed." He opened a door at the back of the room.

"Thérèse."

"On y va."

An old French Canadian appeared in answer to his call. He addressed her in French.