Chapter 15

"Aileen--Aileen--where are you?" he called eagerly, impatiently, and sought about him to find her.

Aileen Armagh heard that call, and doubt, suspicion, anger dropped away from her. Instead, trust, devotion, anticipation clothed her thought of him; he was coming to speak the "word" that was to make her future fair and plain--the one "word" that should set him forever in her heart, enthrone him in her life. That word was not "love", but the sacrament of love; the word of four letters which a woman writes large with legitimate loving pride in the face of the world. She sprang to her feet and waited for him; the willows drooped on either side of her--so he saw her again.

He took her in his arms. "Aileen--Aileen," he said over and over again between the kisses that fell upon her hair, forehead, lips.

She yielded herself to his embrace, passionately given and returned with all a girl's loving ardor and joy in the loved man's presence. Between the kisses she waited for the "word."

It was not forthcoming.

She drew away from him slightly and looked straight into his eyes that were devouring her face and form. The unerring instinct of a pure nature warned her against that look. He caught her to him--but she stemmed both hands against his breast to repulse him.

"Let me go, Champney," she said faintly.

"Why should I let you go? Aileen, my Aileen, why should I ever let you go?" A kiss closed the lips that were about to reply--a kiss so long and passionate that the girl felt her strength leaving her in the close embrace.

"He will speak the 'word' now surely," she told herself. Between their heart-throbs she listened for it.

The "word" was not spoken.

Again she stemmed her hands against him, pressing them hard against his shoulders. "Let me go, Champney." She spoke with spirit.

The act of repulsion, the ring in her voice half angered him; at the same time it added fuel to desire.

"I will not let you go--you love me--tell me so--"

He waited for no reply but caught her close; the girl struggled in his arms. It was dawning on her undaunted spirit that this, which she was experiencing with Champney Googe, the man she loved with all her heart, was not love. Of a sudden, all that brave spirit rose in arms to ward off from herself any spoken humiliation to her womanhood, ay more, to prevent the man she loved from deepening his humiliation of himself in her presence.

"Let me go" she said, but despite her effort for control her voice trembled.

"You know I love you--why do you repel me so?"

"Let me go," she said again; this time her voice was firm, the tone peremptory; but she made no further struggle to free herself from his arms.--"Oh, what are you doing!"

"I am making the attempt to find out if you love me as I love you--"

"You have no right to kiss me so--"

"I have the right because I love you--"

"But I don't love you."

"Yes you do, Aileen Armagh--don't say that again."

"I do not love you--let me go, I say."

He let her go at last. She stood before him, pale, but still undaunted.

"Do you know what you are saying?" he demanded almost fiercely under his breath. He took her head between his hands and bent it back to close her lips with another kiss.

"Yes, I know. I do not love you--don't touch me!" She held out her hands to him, palm outwards, as if warding off some present danger.

He paid no heed to her warning, but caught her to him again. "Tell me now you don't love me, Aileen," he whispered, laying his cheek to hers.

"I tell you I do not love you," she said aloud; her voice was clear and firm.

He drew back then to look at her in amazement; turned away for a moment as if half dazed; then, holding her to his side with his left arm he laid his ear hard over her heart. What was it that paled the man's flushed cheeks?

The girl's heart was beating slowly, calmly, even faintly. He caught her wrist, pressing his fingers on her pulse--there was not the suspicion of a flutter. He let her go then. She stood before him; her eyes were raised fearlessly to his.

"I'm going to row back now--no, don't speak--not a word--"

She turned and walked slowly down to the boat; cast it off; poled it with one oar out of the tall arrowhead and the thick fringe of lily-pads; took her seat; fitted the oars to the rowlocks, dipped them, and proceeded to row steadily down the reach towards The Bow.

Champney Googe stood where she had left him till he watched her out of sight around the curve; then he went over to the willows and sat down. It took time for him to recover from his debauch of feeling. He made himself few thoughts at first; but as time passed and the shadows lengthened on the reach, he came slowly to himself. The night fell; the man still sat there, but the thoughts were now crowding fast, uncomfortably fast. He dropped his head into his hands, so covering his face in the dark for very shame that he had so outraged his manhood. He knew now that she knew he had not intended to speak that "word" between them; but no finer feeling told him that she had saved him from himself.

In that hour he saw himself as he was--unworthy of a good woman's love.

He saw other things as well; these he hoped to make good in the near future, but this--but this!

He rowed back under cover of the dark to Champ-au-Haut. Octavius, who was wondering at his non-appearance with the boat, met him with a lantern at the float.

"Here's a telegram just come up; the operator gave it to me for you. I told him you was out in the boat and would be here 'fore you went up home."

"All right, Tave." He opened it; read it by the light of the lantern.

"I've got to go back to New York--it's a matter of business. It's all up with my vacation and the yachting cruise now,"--he looked at his watch,--"seven; I can get the eight-thirty accommodation to Hallsport, and that will give me time to catch the Eastern express."

"Hold on a minute and I'll get your trap from the stable--it's all ready for you."

"No, I'll get it myself--good-bye, Tave, I'm off."

"Good-bye, Champney."

* * * * *

"Champ's worried about something," he said to himself; he was making fast the boat. "I never see him look like that--I hope he hasn't got hooked in with any of those Wall Street sharks."

In a few minutes he heard the carriage wheels on the gravel in the driveway. He stopped on his way to the stable to listen.

"He's driving like Jehu," he muttered. He was still listening; he heard the frequent snorting of the horse, the rapid click of hoofs on the highroad--but he did not hear what was filling the driver's ears at that moment: the roar of an unseen cataract.

Champney Googe was realizing for the first time that he was in mid-stream; that he might not be able to breast the current; that the eddying water about him was in fact the whirlpool; that the rush of what he had deemed mere harmless rapids was the prelude to the thunderous fall of a cataract ahead.

IX

For several weeks after her nephew's visit, Mrs. Champney occupied many of her enforced leisure half-hours in trying to put two and two together in their logical combination of four; but thus far she had failed. She learned through Octavius that Champney had returned to New York on Saturday evening; that in consequence he was obliged to give up the cruise with the Van Ostends; from Champney himself she had no word. Her conclusion was that there had been no chance for him to see Aileen during the twelve hours he was in town, for the girl came home as requested shortly before six, but with a headache, and the excuse for it that she had rowed too far in the sun on the way up to the sheds.

"My nephew told me he was going to row up to the sheds, too--did you happen to meet him there?" she inquired. She was studying the profile of the girl's flushed and sunburned face. Aileen had just said good night and was about to leave Mrs. Champney's room. She turned quickly to face her. She spoke with sharp emphasis:

"I did _not_ meet your nephew at the sheds, Mrs. Champney, nor did I see him there--and I'll thank you, after what you said to me this morning, to draw no more conclusions in regard to your nephew's seeing or meeting me at the sheds or anywhere else--it's not worth your while; for I've no desire either to see or meet him again. Perhaps this will satisfy you." She left the room at once without giving Mrs. Champney time to reply.

A self-satisfied smile drew apart Mrs. Champney's thin lips; evidently the girl's lesson was a final and salutary one. She would know her place after this. She determined not to touch on this subject again with Aileen; she might run the risk of going too far, and she desired to keep her with her as long as possible. But she noticed that the singing voice was heard less and less frequently about the house and grounds. Octavius also noticed it, and missed it.

"Aileen, you don't sing as much as you did a while ago--what's the matter?" he asked her one day in October when she joined him to go up street after supper on an errand.

"Matter?--I've sung out for one while; I'm taking a rest-cure with my voice, Tave."

"It ain't the kind of rest-cure that'll agree with you, nor I guess any of us at Champo. There ain't no trouble with her that's bothering you?" He pointed with a backward jerk of his thumb to the house.

"No."

"She's acted mad ever since I told her Champney had to go back that night and tend to business; guess she'd set her heart on his making a match on that yachting cruise--well, 't would be all in the family, seeing there's Champney blood in the Van Ostends, good blood too,--there's no better," he added emphatically.

"Oh, Tave, you're always blowing the Champneys' horn--"

"And why shouldn't I?"--he was decidedly nettled. "The Champneys are my folks, my townspeople, the founders of this town, and their interests have always been mine--why shouldn't I speak up for 'em, I'd like to know? You won't find no better blood in the United States than the Champneys'."

Aileen made no reply; she was looking up the street to Poggi's fruit stall, where beneath a street light she saw a crowd of men from the quarries.

"Romanzo said there was some trouble in the sheds--do you know what it is?" she asked.

"No, I can't get at the rights of it; they didn't get paid off last week, so Romanzo told me last night, but he said Champney telegraphed he'd fix it all right in another week. He says dollars are scarce just at this time--crops moving, you know, and market dull."

She laughed a little scornfully. "You seem to think Mr. Googe can fix everything all right, Tave."

"Champney's no fool; he's 'bout as interested in this home work as anybody, and if he says it'll be all right, you may bet your life it will be--There's Jo Quimber coming; p'raps he's heard something and can tell us."

"What's that crowd up to, Uncle Jo?" said Aileen, linking her arm in the old man's and making him right about face to walk on with them.

"Talkin' a strike. I heerd 'em usin' Champ's name mighty free, Tave, just now--guess he'd better come home an' calm 'em down some, or there'll be music in the air thet this town never danced to yet. By A. J., it riles me clear through to hear 'em!"

"You can't blame them for wanting their pay, Uncle Jo." There was a challenge in the girl's voice which Uncle Jo immediately accepted.

"So ye've j'ined the majority in this town, hev ye, Aileen? I don't say ez I'm blamin' anybody fer wantin' his pay; I'm jest sayin' it don't set well on me the way they go at it to get it. How's the quickest way to git up a war, eh? Jest keep talkin' it up--talkin' it up, an' it's sure to come. They don't give a man like Champ a chance--talkin' behind his back and usin' a good old Flamsted name ez ef 't wuz a mop rag!" Joel's indignation got the better of his discretion; his voice was so loud that it began to attract the attention of some men who were leaving Poggi's; the crowd was rapidly dispersing.

"Sh--Joel! they'll hear you. You've been standing up for everything foreign that's come into this town for the last seven years--what's come over you that you're going back on all your preaching?"

"I ain't goin' back on nothin'," the old man replied testily; "but a man's a man, I don't keer whether he's a Polack or a 'Merican--I don't keer nothin' 'bout thet; but ef he's a man he knows he'd oughter stop backbitin' and hittin' out behind another man's back--he'd oughter come out inter the open an' say, 'You ain't done the right thing by me, now let's both hev it out', instead of growlin' and grumblin' an' spittin' out such all-fired nonsense 'bout the syndicaters and Champ--what's Champ got to do with it, anyway? He can't make money for 'em."

The crowds were surging past them; the men were talking together; their confused speech precluded the possibility of understanding what was said.

"He's no better than other men, Uncle Jo," the girl remarked after the men had passed. She laughed as she spoke, but the laugh was not a pleasant one; it roused Octavius.

"Now, look here, Aileen, you stop right where you are--"

She interrupted him, and her voice was again both merry and pleasant, for they were directly opposite Luigi's shop: "I'm going to, Tave; I'm going to stop right here; Mrs. Champney sent me down on purpose to get some of those late peaches Luigi keeps; she said she craved them, and I'm going in this very minute to get them--"

She waved her hand to both and entered the shop.

Old Quimber caught Octavius by the arm to detain him a moment before he himself retraced his steps up street.

"What d'ye think, Tave?--they goin' to make a match on't, she an' Poggi? I see 'm together a sight."

"You can't tell 'bout Aileen any more'n a weather-cock. She might go farther and fare worse."

"Thet's so, Tave; Poggi's a man, an' a credit to our town. I guess from all I hear Romanzo's 'bout give it up, ain't he?"

"Romanzo never had a show with Aileen," Octavius said decidedly; "he ain't her kind."

"Guess you're right, Tave--By A. J. there they go now!" He nudged Octavius with his elbow. Octavius, who had passed the shop and was standing on the sidewalk with old Quimber, saw the two leave it and walk slowly in the direction of The Bow. He listened for the sound of Aileen's merry laugh and chat, but he heard nothing. His grave face at once impressed Joel.

"Something's up 'twixt those two, eh, Tave?" he whispered.

Octavius nodded in reply; he was comprehending all that old man's words implied. He bade Quimber good night and walked on to The Greenbush. The Colonel found him more taciturn than usual that evening....

"I can't, Luigi,--I can't marry you," she answered almost irritably. The two were nearing the entrance to Champo; the Italian was pleading his cause. "I can't--so don't say anything more about it."

"But, Aileen, I will wait--I can wait; I've waited so long already. I believe I began to love you through that knothole, you remember?"

"I haven't forgotten;" she half smiled at the remembrance; "but that seems so long ago, and things have changed so--I've changed, Luigi."

The tone of her voice was hard. Luigi looked at her in surprise.

"What has changed you, Aileen? Tell me--can't you trust me?"

"Luigi!"--she faced him suddenly, looking straight up into his handsome face that turned white as he became aware that what she was about to say was final--"I'd give anything if I could say to you what you want me to--you deserve all my love, if I could only give it to you, for you are faithful and true, and mean what you say--it would be the best thing for me, I know; but I can't, Luigi; I've nothing to give, and it would be living a lie to you from morning till night to give you less than you deserve. I only blame myself that I'm not enough like other girls to know a good man when I see him, and take his love with a thankful heart that it's mine--but it's no use--don't blame me for being myself--" Her lips trembled; she bit the lower one white in her effort to steady it.

For a moment Luigi made no reply. Suddenly he leaned towards her--she drew away from him quickly--and said between his teeth, all the long-smouldering fire of southern passion, passion that is founded on jealousy, glowing in his eyes:

"Tell me, Aileen Armagh, is there another man you love?--tell me--"

Rag who had been with her all the afternoon moved with a quick threatening motion to her side and a warning _gurr--rrrr_ for the one who should dare to touch her.

"No." She spoke defiantly. Luigi straightened himself. Rag sprang upon her fawning and caressing; she shoved him aside roughly, for the dog was at that moment but the scapegoat for his master; Rag cowered at her feet.

"Ah--" It was a long-drawn breath of relief. Luigi Poggi's eyes softened; the fire in them ceased to leap and blaze; something like hope brightened them.

"I could bear anything but that--I was afraid--" He hesitated.

"Afraid of what?" She caught up his words sharply, and began to walk rapidly up the driveway.

He answered slowly: "I was afraid you were in love with Mr. Googe--I saw you once out rowing with him--early one morning--"

"I in love with Mr. Googe!" she echoed scornfully, "you needn't ever be afraid of that; I--I hate him!"

Luigi stared at her in amazement. He scarce could keep pace with her rapid walk that was almost a run. Her cheeks were aflame; her eyes filled with tears. All her pent up wretchedness of the last two months, all her outraged love, her womanhood's humiliation, a sense of life's bitter injustice and of her impotence to avenge the wrong put upon her affections, found vent in these three words. And Luigi, seeing Aileen Armagh changed into something that an hour before he would not have believed possible, was gripped by a sudden fear,--he must know the truth for his own peace of mind,--and, under its influence, he laid his hand on her arm and brought her to a standstill.

Rag snarled another warning; Aileen thrust him aside with her foot.

"What has he done to you to make you hate him so?"

Because he spoke slowly, Aileen thought he was speaking calmly. Had she not been carried away by her own strength of feeling, she would have known that she might not risk the answer she gave him.

"Done to me?--nothing; what could he do?--but I hate him--I never want to see his face again!"

She was beside herself with anger and shame. It was the tone of Luigi's voice that brought her to her senses; in a flash she recalled Octavius Buzzby's warning about playing with "volcanic fires." It was too late, however, to recall her words.

"Luigi, I've said too much; you don't understand--now let's drop it." She drew away her arm from beneath his hand, and resumed her rapid walk up the driveway, Rag trotting after her.

"And you mean what you say--you never want to see him again?" He spoke again slowly.

"Never," she said firmly.

Luigi made no reply. They were nearing the house. She turned to him when they reached the steps.

"Luigi,"--she put out her hand and he took it in both his,--"forget what I've said about another and forgive me for what I've had to say to yourself--we've always been such good friends, that now--"

She was ready with the smile that captivated him, but it was a tremulous one for she smiled through tears; she was thinking of the contrast.

"And always will be, Aileen, when we both know for good and all that we can be nothing more to each other," he answered gently.

She was grateful to him; but she turned away and went up the steps without saying good-bye.

X

"'Gad, I wish I was well out of it!"

For the first time within the memory of Elmer Wiggins and Lawyer Emlie, who heard the Colonel's ejaculation, his words and tone proclaimed the fact that he was not in his seemingly unfailing good spirits. He was standing with the two at the door of the drug shop and watching the crowds of men gathered in groups along the main street.

It was Saturday afternoon and the men were idle, a weekly occurrence the Colonel had learned to dread since his incumbency as deputy sheriff and, in consequence of his office, felt responsible for the peace of the community at large until Monday morning.

Something unusual was in the air, and the three men were at once aware of it. The uneasiness, that had prevailed in the sheds and at The Gore during the past month, was evidently coming to a crisis now that the men's pay was two weeks overdue.

Emlie looked grave on replying, after a pause in which the three were busy taking note of the constantly increasing crowd in front of the town hall:

"I don't blame you, Colonel; there'll be the deuce to pay if the men don't get paid off by Monday noon. They've been uneasy now so long about the piece work settlement, that this last delay is going to be the match that fires the train--and no slow match either from the looks; I don't understand this delay. When did Romanzo send his last message?"

"About an hour ago, but he hasn't had any answer yet," replied the Colonel, shading his eyes with his hat to look up street at the town hall crowd. "He has been telephoning and telegraphing off and on for the last two weeks; but he can't get any satisfaction--corporations, you know, don't materialize just for the rappings."

"What does Champney say?" inquired Mr. Wiggins.

"State of the market," said the Colonel laconically.

The men did not look at one another, for each was feeling a certain degree of indignation, of humiliation and disappointment that one of their own, Champney Googe, should go back on Flamsted to the extent of allowing the "market" to place the great quarry interests, through non-payment of the workers, in jeopardy.

"Has Romanzo heard direct from him to-day?" asked Emlie.

"No; the office replied he was out of the city for Saturday and Sunday; didn't give his address but asked if we could keep the men quiet till the middle of next week when the funds would be forwarded."

"I wired our New York exchange yesterday," said Emlie, "but they can't give us any information--answered things had gone to pot pretty generally with certain securities, but Flamsted was all right,--not tied up in any of them. Of course, they know the standing of the syndicate. There'll have to be some new arrangement for a large reserve fund right here on home soil, or we'll be kept in hot water half the time. I don't believe in having the hands that work in one place, and the purse that holds their pay in another; it gets too ticklish at such times when the market drops and a plank or two at the bottom falls out."

"Neither do I;" Mr. Wiggins spoke emphatically. "The Quarries Company's liabilities run up into the millions on account of the contracts they have signed and the work they have undertaken, and there ought to be a million of available assets to discount panics like this one that looks pretty threatening to us away off here in Maine. Our bank ought to have the benefit of some of the money."

"Well, so far, we've had our trouble for nothing, you might say. You, as a director, know that Champney sends up a hundred thousand say on Thursday, and Romanzo draws it for the pay roll and other disbursements on Saturday morning; they hold it at the other end to get the use of it till the last gun is fired." He spoke with irritation.

"It looks to me as if some sort of a gun had been fired already," said Mr. Wiggins, pointing to the increasing crowd before the hall.

"Something's up," said Emlie, startled at the sight of the gathering hundreds.

"Then there's my place," said the Colonel--the other two thought they heard him sigh--and started up the street.

Emlie turned to Mr. Wiggins.

"It's rough on the Colonel; he's a man of peace if ever there was one, and likes to stand well with one and all. This rough and tumble business of sheriff goes against the grain; his time is up next month; he'll be glad enough to be out of it. I'll step over to the office for the paper, I see they've just come--the men have got them already from the stand--"