Part 6

At present in the British army every regiment of infantry has two flags. They are both made of silk, in this differing from sea flags, which are usually made of bunting. With the exception of the Foot Guards, the first or Queen's colours of every regiment is the Union or National Flag, with the imperial crown in the centre, and the number of the regiment beneath in gold. The second or regimental colours are, with certain exceptions, of the colour of the facing of the regiment, with the Union in the upper corner. The second colours of all regiments bear the devices or badges and distinctions which have been conferred by royal authority. Fig. 28 is a representation of the regimental or second colours of the first battalion of the 24th Regiment, for which I am indebted to the courtesy of Sir Albert Woods. It will serve as an example of the regimental colours of other regiments. The pole, it will be observed, is surmounted by the royal crest, and this is common to all regiments carrying colours. The ground of the flag is grass green. The crown and wreath are "proper," that is of the natural colours. The scrolls are gold with black letters.

The first or royal colours of the Foot Guards are crimson, and bear certain special distinctions besides those authorized for the second colours--the whole surmounted by the imperial crown. The second, or regimental colours, of the Foot Guards is the Union, with one of the ancient badges conferred by royal authority. The first battalion of the Scots Fusilier Guards possesses the high distinction of carrying on their first colours the royal arms of Scotland.

The colours of infantry are as a rule carried by the two junior lieutenants, and our military annals present many examples of devoted heroism by the standard-bearers in defence of their charge. Among such incidents few are more interesting than the loss and recovery of the Queen's colours of the first battalion of the 24th Regiment in the African campaign of 1878-79, to which I have already referred. It will be recollected that Lieutenants Melville and Coghill, after crossing the river Tugela with the Queen's colours, were overtaken and attacked by overwhelming numbers and shot down. They died bravely, revolvers in hand, but their pursuers failed to get possession of their precious charge--the colours having been found near them when the bodies were recovered. The Queen was much affected by this incident, and bestowed on the young heroes after death the highest distinction for valour in her power--the Victoria cross. On the arrival of the colours in England the Queen expressed a wish to see them, and they were taken to Osborne, where her Majesty tied on them a small wreath of immortelles as a mark of her deep sense of the heroism of the two young officers who gave their lives to save the flag. Fig. 29 shows the colours in the state in which they were, when presented to the Queen, with the wreath placed upon them by her Majesty.

The colours of the second battalion of the 24th had been left in camp when the troops advanced to meet the Zulus, and they were consequently captured. No trace of them could be found till some time afterwards when the pole with its crown was recovered by a party of the 17th Lancers in a Zulu kraal near Ulundi. This remnant continued to be carried by the regiment for upwards of a year, when new colours were presented to them at Gibraltar on behalf of the Queen by Lord Napier of Magdala. The old colours, or rather their pole with the crown, were first trooped. The new colours were then uncovered, and, after consecration, presented--Lord Napier stating that her Majesty knew very well that the flag had not been lost through any default of the battalion, but only in consequence of their having been placed in camp when the battalion went to the front under the general commanding.

The presentation of new colours with the accompanying consecration service is an interesting ceremony. As the form may not be generally known, I shall describe a recent one when new colours were presented by the Prince of Wales to the first battalion of the 23d Regiment (the Royal Welsh Fusiliers) on their embarkation for India. It is specially interesting in connection with the history of the old ragged colours which were then superseded. They had been presented by the late Prince Consort thirty-one years before, and in the Crimea they were the first which were planted on the heights of the Alma. Two lieutenants were successively shot while holding them, and they were finally seized by Sergeant O'Connor, who, though wounded, held them aloft and rallied the regiment. For this service he was decorated with the Victoria cross. Shortly afterwards he received his commission, and subsequently he became colonel of the battalion. On the recent arrival of the troops at Portsmouth they were drawn up on the military recreation ground, and the Prince and Princess of Wales having taken their place at the saluting point, the regiment marched past, headed by the goat which always accompanies it. The old colours were then trooped and conveyed to the rear, and three sides of a square having been formed, with a pyramid of the drums in the centre, the new colours were uncased. The royal party then advanced, and the senior chaplain of the regiment read the Consecration service. The Queen's colours and the regimental colours were then handed to the prince, and he presented them to the two lieutenants who received them kneeling. The prince having spoken a few appropriate words, and the colonel having replied, the colours were saluted by the whole regiment. Another march past, and the presentation of the officers to the prince, concluded the ceremony.

In the cavalry the standards of regiments of Dragoon Guards are of crimson silk damask, embroidered and fringed with gold, and their guidons, anciently called "guydhomme"--a swallow-tailed flag--are of crimson silk. Each is inscribed with the peculiar devices, distinctions, and mottoes of the regiment. The standards and guidons of cavalry are carried by troop sergeant-majors. The Hussars and Lancers have no standards. They were discontinued, for what reason I do not know, by William IV., and their badges and devices are now borne on their appointments. Neither the Royal Engineers nor the Rifles have colours. Neither have the Royal Artillery; nor is it necessary that they should have any on which to record special services, for the Artillery is represented in every action. Their appropriate motto, _Ubique_, is borne on their appointments. None of the Volunteer regiments carries colours.

The queen's and regimental colours always parade with the regiment. On march they are cased, but they are always uncased when carried into action.

For military authorities "when embarked in boats or other vessels," there is, as we have seen, a special flag. It is the Union with the royal initials in the centre on a blue circle, surrounded by a green garland, and surmounted by the imperial crown.

USE OF FLAGS BY PRIVATE PERSONS.

In regard to the use of the national flag by private persons, there is a positive rule as to marine flags, but none, so far as I am aware, as to its use on shore. I have occasionally seen it flown on shore with a white border, under an impression, apparently, that this difference was necessary, but it is unmeaning, and there is no authority for it. In numberless instances we see one or other of the marine Ensigns hoisted on shore over gentlemen's houses, or used in street decoration on the occasion of public rejoicings; but nothing could be more absurd, as the ensign is exclusively a ship flag.

Any private individual entitled to armorial bearings may carry them on a flag. In such cases the arms should not be on a shield, but filling the entire flag.

The flags and banners represented in works on heraldry have almost invariably a fringe; but this is optional. If a fringe is used it should be composed of the livery colours, each tincture of the arms giving its colour to the portion of the fringe which adjoins it. In the British army the colours of the different regiments are fringed.

FOREIGN FLAGS: FRANCE.

My notice of foreign flags must be short. Those of France and America have naturally most interest for us.

Previous to the Revolution the French can hardly be said to have had a national flag. The colours of the reigning families--changing as they did with each fresh dynasty, as was the case in our own early history--were accepted in the place of national standards, while each regiment in the army followed colours of its own. The celebrated _Chape de Saint Martin de Tours_ and the _Oriflamme_ of the Abbey of Saint Denis, were, like the labarum of Constantine, ecclesiastical banners, symbolic of the two patrons of Christian France watching over her in her battles. The Chape de Saint Martin was a banner imitating in form a cape or cloak, and was of blue. The Oriflamme was red with a green fringe. By the end of the tenth century this had become the royal standard. In one of the windows of the Cathedral of Chartres (of the thirteenth century) there is a representation of Henri Sieur de Argentin et du Mez, Marshall of France under St. Louis, receiving from the hands of St. Denis a banner which is supposed to be the Oriflamme. Fig. 30 is a copy of this interesting old work of art. The banner, it will be observed, has five points; but in other examples it has only three, each having attached to it a tassel of green silk.

The royal banner of St. Louis was blue powdered with fleurs-de-lis in gold, and these fleurs-de-lis have remained since the eleventh or twelfth century a peculiarly French and royal device. It is indeed one of extreme antiquity, the emblem of a long-forgotten worship--older by many ages than any record of the doctrine of the Trinity, of which some have supposed this flower to be an emblem.[44]

[44] Laughton's _Heraldry of the Sea_.

In the reign of Charles VI. the blue field ceased to be _powdered_ with fleurs-de-lis, and was charged with three only--two and one. The white flag which became the standard of the kings of France was probably not introduced till the reign of Henry IV. But there is great confusion in the history of the French flags, and this is increased by the use of personal colours at sea, which continued among the French to a much later period than among the English. In the colours of the French regiments there has been great variety of design. Under the old monarchy the regimental colours were of two kinds--one was the _drapeau-colonel_, or royal; the other, called _drapeau d'ordonnance_, took its device from the founder of the particular regiment which carried it, or from the province of its origin. A common form of the royal colours was a white cross on a blue field. In other examples, sometimes the cross and sometimes the field were powdered with fleurs-de-lis. In some instances the field was green. The flag displayed by the French in 1789 was a white cross on a blue ground, with one fleur-de-lis at each corner of the field, and the motto "Patrie et Liberté."

The Tricolour was introduced at the Revolution, but the origin of the design is unknown. Possibly a trace of it may be found in an illumination in one of the MS. copies of Froissart. It represents the King of France setting out against the Duke of Brittany, and his majesty is preceded by a man on horseback bearing a swallow-tailed pennon, the first part containing the ancient arms of France, and each of the tails--composed of three stripes--red, white, and green.

For some time after the Revolution the white field was retained. When the three colours came to be used there appears to have been at first no fixed order in arranging them, and in some cases they were placed vertically, and in others horizontally. By a decree in 1790 it was ordained that in the navy the flag on the bowsprit--the jack--should be composed of three equal bands placed vertically, that next the staff being red, the middle white, and the third blue. The flag at the stem was to have in a canton the jack above described (occupying one fourth of the flag), and to be surrounded by a narrow band, the half of which was to be red and the other blue, and the rest of the flag to be white. In 1794 this flag was abolished, and it was ordered "that the national flag shall be formed of _the three national colours_ in equal bands placed vertically, the hoist being blue, the centre white, and the fly red." It would appear, however, that this arrangement was not for some time universally adopted, and that old flags continued to be used. Thus, in the great picture by De Loutherbourg at Greenwich, the French ships are represented as wearing the suppressed flag of 1790; while, in a rare print preserved in the Bibliotheque Nationale at Paris, representing the magnificent ceremony at which the first Napoleon distributed eagles to the troops in 1804, the banners suspended over the Ecole Militaire in the Champ de Mars, where the ceremony took place, show the three colours in fess, that is, in horizontal lines. But the vertical arrangement must have been soon afterwards generally adopted, and this continued to be the flag both of the French army and navy during the Empire. On the return of the king in 1814, and again in 1815, it was abolished, and the white flag restored; but the Tricolour was reintroduced in 1830, and it has remained in use since.[45]

[45] See French Imperial Standard, and National Flag, Plate IV. Nos. 2 and 3.

When the Emperor Napoleon assumed the sovereignty of Elba he had a special flag made. It will be recollected that he was allowed to retain the title of emperor, and although the island which comprised his dominions was only sixty miles in circumference, the inhabitants barely 12,000, his household 35 persons, and his entire army only 700 infantry and 60 cavalry, he considered it necessary to have a "national flag." According to Sir Walter Scott, it bore on a white field a bend charged with three bees. But the emperor was preparing another and very different flag for his small army, of which I am able to give a representation from a very rare coloured engraving.[46] It was the tricolour of France, composed of the richest silk with the ornaments elaborately embroidered in silver. It bore the imperial crown with the letter N, and the eagle, on each of the blue and red portions, with the imperial bees; and over all the inscription, "L'Empereur Napoléon à la Garde Nationale de L'lle d'Elbe." To the staff, the top of which was surmounted by a golden eagle, was suspended a tricoloured sash also richly embroidered in silver. This splendid standard was presented by Napoleon to his guards in Elba shortly before his invasion of France in 1815. On the reverse side there was subsequently embroidered the inscription, "Champ de Mai"--the flag having been a second time presented by the emperor to his guards at that celebrated meeting, a short time before they marched for Waterloo. The standard was captured by the Prussians, and on their entering Paris was sold to an English gentleman who brought it to England.[47]

[46] See Frontispiece.

[47] When the drawing of it was taken it was in the possession of BernardBrocas, Esq., at Wokefield.

The lately-abolished Eagle (Fig. 31) was borne as a standard in the French army during the Empire only. It was introduced by Napoleon I., who adopted it from the Romans. The ribbon attached was of silk five inches wide and three feet long, and richly embroidered. After Napoleon's fall the eagles were abandoned, but they were again introduced by Napoleon III. In consequence of their intrinsic value, they proved in the Franco-German war a much-coveted prize among the Germans, who captured a considerable number of them on the successive defeats of the French. The first Napoleon was very careful of the Eagles. He himself tells us, in one of the conversations at St. Helena, that he established in each regiment two subaltern officers as special guardians of the Eagle. "Ils n'avaient d'autre arme," he says, "que plusieurs paires de pistolets: d'autre emploi que de veiller froidement a bruler la cervelle de celui qui avancerait pour saisir l'aigle."

The Dutch and Russian ensigns have the same tinctures as those of the present French flag, but borne fess ways--that is horizontally. The former has the red uppermost. The latter has _the metal_, the white, uppermost, and the two _colours_, the blue and the red--against all our notions of heraldic propriety--placed together below. (See Dutch and Russian flags, Plate IV. Nos. 6 and 8.)

The Belgian colours adopted in 1831 are arranged as the French, but the colours are black, yellow, and red. (Plate IV. No. 5.) The flag of Prussia is also composed of three stripes-black, white, and red, but arranged horizontally. (Plate IV. No. 4.) The flag of Mexico is arranged like that of France, but the colours are green, white, and red. (Plate IV. No. 10.)

THE AMERICAN FLAG.

The history of the American flag is interesting. Previous to the Declaration of Independence the different colonies retained the standards of the mother country with the addition of some local emblem. Massachusetts, for example, adopted the pine-tree, a device which was also placed on the coins. In 1775 "the Union with a red field"--a red ensign--was displayed at New York on a liberty poll with the inscription, "George Rex and the Liberties of America;" and it is interesting to note that the first flag adopted as a national ensign by the ships of the United States consisted of the horizontal stripes with which we are familiar, but with the British Union still retained in a canton. This was replaced by the stars on a blue ground. Some of the flags first used--at the time when only twelve states had ratified the articles of convention--bore only twelve stars. On the 14th of August, 1777, Congress resolved "that the flag of the United States be thirteen stripes alternately red and white, and that the union be thirteen stars, white in a blue field, representing a new constellation." (See Fig. 32.)

It has been said that the design of the flag was derived from arms borne by the family of Washington; but there is no foundation for this. An American writer--with probably as little ground for the statement--says: "the blue field was taken from the Covenanters' banner in Scotland, likewise significant of the League and Covenant of the United Colonies against oppression, and incidentally involving vigilance, perseverance, and justice. The stars were then disposed in a circle symbolizing the perpetuity of the union, as well as equality with themselves. The whole was a blending of the various flags used previous to the war, viz. the red flags of the army and white colours of the floating batteries--the gem of the navy."[48]

[48] Article on "Flags," by H. K. W. Wilcox, New York, _Harper's Magazine_, July, 1873.

In 1795 it was ordained that the stripes should be increased to fifteen and the stars to the same number; but in 1818 Congress ordered a return to the thirteen stripes but with twenty stars, and that on the admission of any new state a star should be added. Thus the old number of stripes perpetuated the original number of the states forming the union, while the added stars show the union in its existing state. In consequence of the greatly increased number of stars, the circular arrangement had to be abandoned, and they are now disposed in parallel lines. (See flag of the United States, Plate V. No. 8.) The construction of the first national standard, from which the stars and stripes were afterwards adopted, took place at Philadelphia in 1777 under the personal direction of Washington aided by a committee of Congress.

The flag of the American admirals is composed of the stripes alone, and the stars are used separately as a jack. One of the first American flags used at sea, and bearing only the twelve stars, is still preserved. It is the flag which was flown by the celebrated Paul Jones from his privateer, the _Bon homme Richard_, in his engagement with the English ship _Serapis_ on 23d September, 1799. In the course of the action the flag having been shot away from the mast-head, Lieutenant Stafford, then a volunteer in Paul Jones' ship, leaped into the sea after it, and recovered and replaced it, being severely wounded while performing this action. The flag thus saved was afterwards presented to him by the marine committee of Congress, and it now (1880) belongs to his son.[49]

[49] Letter in _Daily Telegraph_, 18th March, 1880, by Mr. W. Stafford Northcote.

I may mention that the white and red stripes are not peculiar to the American flag. A flag of similar design was for a long time a well-known signal in the British navy, being that used for the red division to draw into line of battle.

OTHER FOREIGN FLAGS.

The flag of Liberia is very like that of the United States, being composed of red and white stripes with a blue canton. The only difference is that the latter bears only one star. (See the flag of Liberia, Plate V. No. 6.) The flag of Bremen is also composed of red and white stripes.

Spain from the first period of her greatness bore the Castilian flag, quartering Castile and Leon. In an old illumination representing the coronation of Henry, son of John, King of Castile, there are on the king's left hand two men, unarmed, the one holding a banner of Castile and Leon quarterly, the other a blue pennon charged with three kings' heads-the banner of the three kings of Cologne. On his majesty's right hand a man, also unarmed, holds a shield with the arms of Castile and Leon. It was this last device, as a national flag, that was carried by the ships of Columbus. But Columbus had also as a personal flag one given to him by Queen Isabella--a white swallow-tailed pennon bearing a Latin cross in green between the letters FY crowned. These two flags are noteworthy as the first that crossed the Atlantic.

The present royal standard of Spain is of very complicated construction (see Plate V. No. 1), embracing among its bearings the arms of Castile and Leon, of Aragon, Sicily, Burgundy, and others. The national ensign is in marked contrast by its simplicity. It is composed of yellow and red stripes--derived from the bars of Aragon. (See Plate V. No. 2.)

Austria at first bore on her flag the Roman eagle. Now her war ensign is red, white, and red placed horizontally, and in the centre a shield of the same within a gold border (the arms of the Dukes of Austria), surmounted by the royal crown. (See Plate V. No. 3.) The merchant flag is the same without the shield and crown. The Austro-Hungarian flag has the lower stripe half red and half green, with two shields, one on the right containing the arms of Austria, and the other bearing the arms of Hungary. (See Plate V. No. 4.)

The flag of Italy was designed by Napoleon I. on his declaration of the Kingdom of Italy. It is a modification of the French, the division of the field next the staff being, instead of blue, green, which, it is known, was a favourite colour of the emperor. In the centre is a red shield charged with a white cross--the arms of the Dukes of Savoy, now borne by Italy. A representation of the Italian merchant flag will be found on Plate V. No. 5. The war ensign is the same, except that the shield is surmounted by the royal crown.