Chapter 4

And then it was that I remembered a pin, thrown carelessly down out of an evening-tie in another world to the one where grew that glittering wall, and lying now if no evil chance had removed it on a chest of drawers by my bed. The apes were very close, and hurrying, for they knew my fingers were slipping, and the cruel peaks of those infernal mountains seemed surer of me than the apes. I reached out with a desperate effort of will towards where the pin lay on the chest of drawers. I groped about. I found it! I ran it into my arm. Saved!

THE RETURN OF THE EXILES

The old man with a hammer and the one-eyed man with a spear were seated by the roadside talking as I came up the hill.

"It isn't as though they hadn't asked us," the one with the hammer said.

"There ain't no more than twenty as knows about it," said the other.

"Twenty's twenty," said the first.

"After all these years," said the one-eyed man with the spear. "After all these years. We might go back just once."

"O' course we might," said the other.

Their clothes were old even for laborers, the one with the hammer had a leather apron full of holes and blackened, and their hands looked like leather. But whatever they were they were English, and this was pleasant to see after all the motors that had passed me that day with their burden of mixed and doubtful nationalities.

When they saw me the one with the hammer touched his greasy cap.

"Might we make so bold, sir," he said, "as the ask the way to Stonehenge?"

"We never ought to go," mumbled the other plaintively. "There's not more than twenty as knows, but...."

I was bicycling there myself to see the place so I pointed out the way and rode on at once, for there was something so utterly servile about them both that I did not care for their company. They seemed by their wretched mien to have been persecuted or utterly neglected for many years, I thought that very likely they had done long terms of penal servitude.

When I came to Stonehenge I saw a group of about a score of men standing among the stones. They asked me with some solemnity if I was expecting anyone, and when I said No they spoke to me no more. It was three miles back where I left those strange old men, but I had not been in the stone circle long when they appeared, coming with great strides along the road. When they saw them all the people took off their hats and acted very strangely, and I saw that they had a goat which they led up then to the old altar stone. And the two old men came up with their hammer and spear and began apologizing plaintively for the liberty they had taken in coming back to that place, and all the people knelt on the grass before them. And then still kneeling they killed the goat by the altar, and when the two old men saw this they came up with many excuses and eagerly sniffed the blood. And at first this made them happy. But soon the one with the spear began to whimper. "It used to be men," he lamented. "It used to be men."

And the twenty men began looking uneasily at each other, and the plaint of the one-eyed man went on in that tearful voice, and all of a sudden they all looked at me. I do not know who the two old men were or what any of them were doing, but there are moments when it is clearly time to go, and I left them there and then. And just as I got up on to my bicycle I heard the plaintive voice of the one with the hammer apologizing for the liberty he had taken in coming back to Stonehenge.

"But after all these years," I heard him crying, "After all these years...."

And the one with the spear said: "Yes, after three thousand years...."

NATURE AND TIME

Through the streets of Coventry one winter's night strode a triumphant spirit. Behind him stooping, unkempt, utterly ragged, wearing the clothes and look that outcasts have, whining, weeping, reproaching, an ill-used spirit tried to keep pace with him. Continually she plucked him by the sleeve and cried out to him as she panted after and he strode resolute on.

It was a bitter night, yet it did not seem to be the cold that she feared, ill-clad though she was, but the trams and the ugly shops and the glare of the factories, from which she continually winced as she hobbled on, and the pavement hurt her feet.

He that strode on in front seemed to care for nothing, it might be hot or cold, silent or noisy, pavement or open fields, he merely had the air of striding on.

And she caught up and clutched him by the elbow. I heard her speak in her unhappy voice, you scarcely heard it for the noise of the traffic.

"You have forgotten me," she complained to him. "You have forsaken me here."

She pointed to Coventry with a wide wave of her arm and seemed to indicate other cities beyond. And he gruffly told her to keep pace with him and that he did not forsake her. And she went on with her pitiful lamentation.

"My anemones are dead for miles," she said, "all my woods are fallen and still the cities grow. My child Man is unhappy and my other children are dying, and still the cities grow and you have forgotten me!"

And then he turned angrily on her, almost stopping in that stride of his that began when the stars were made.

"When have I ever forgotten you?" he said, "or when forsaken you ever? Did I not throw down Babylon for you? And is not Nineveh gone? Where is Persepolis that troubled you? Where Tarshish and Tyre? And you have said I forget you."

And at this she seemed to take a little comfort. I heard her speak once more, looking wistfully at her companion. "When will the fields come back and the grass for my children?"

"Soon, soon," he said: then they were silent. And he strode away, she limping along behind him, and all the clocks in the towers chimed as he passed.

THE SONG OF THE BLACKBIRD

As the poet passed the thorn-tree the blackbird sang.

"How ever do you do it?" the poet said, for he knew bird language.

"It was like this," said the blackbird. "It really was the most extraordinary thing. I made that song last Spring, it came to me all of a sudden. There was the most beautiful she-blackbird that the world has ever seen. Her eyes were blacker than lakes are at night, her feathers were blacker than the night itself, and nothing was as yellow as her beak; she could fly much faster than the lightning. She was not an ordinary she-blackbird, there has never been any other like her at all. I did not dare go near her because she was so wonderful. One day last Spring when it got warm again--it had been cold, we ate berries, things were quite different then, but Spring came and it got warm--one day I was thinking how wonderful she was and it seemed so extraordinary to think that I should ever have seen her, the only really wonderful she-blackbird in the world, that I opened my beak to give a shout, and then this song came, and there had never been anything like it before, and luckily I remembered it, the very song that I sang just now. But what is so extraordinary, the most amazing occurence of that marvellous day, was that no sooner had I sung the song than that very bird, the most wonderful she-blackbird in the world, flew right up to me and sat quite close to me on the same tree. I never remember such wonderful times as those.

"Yes, the song came in a moment, and as I was saying...."

And an old wanderer walking with a stick came by and the blackbird flew away, and the poet told the old man the blackbird's wonderful story.

"That song new?" said the wanderer. "Not a bit of it. God made it years ago. All the blackbirds used to sing it when I was young. It was new then."

THE MESSENGERS

One wandering nigh Parnassus chasing hares heard the high Muses.

"Take us a message to the Golden Town."

Thus sang the Muses.

But the man said: "They do not call to me. Not to such as me speak the Muses."

And the Muses called him by name.

"Take us a message," they said, "to the Golden Town."

And the man was downcast for he would have chased hares.

And the Muses called again.

And when whether in valleys or on high crags of the hills he still heard the Muses he went at last to them and heard their message, though he would fain have left it to other men and chased the fleet hares still in happy valleys.

And they gave him a wreath of laurels carved out of emeralds as only the Muses can carve. "By this," they said, "they shall know that you come from the Muses."

And the man went from that place and dressed in scarlet silks as befitted one that came from the high Muses. And through the gateway of the Golden Town he ran and cried his message, and his cloak floated behind him. All silent sat the wise men and the aged, they of the Golden Town; cross-legged they sat before their houses reading from parchments a message of the Muses that they sent long before.

And the young man cried his message from the Muses.

And they rose up and said: "Thou art not from the Muses. Otherwise spake they." And they stoned him and he died.

And afterwards they carved his message upon gold; and read it in their temples on holy days.

When will the Muses rest? When are they weary? They sent another messenger to the Golden Town. And they gave him a wand of ivory to carry in his hand with all the beautiful stories of the world wondrously carved thereon. And only the Muses could have carved it. "By this," they said, "they shall know that you come from the Muses."

And he came through the gateway of the Golden Town with the message he had for its people. And they rose up at once in the Golden street, they rose from reading the message that they had carved upon gold. "The last who came," they said, "came with a wreath of laurels carved out of emeralds, as only the Muses can carve. You are not from the Muses." And even as they had stoned the last so also they stoned him. And afterwards they carved his message on gold and laid it up in their temples.

When will the Muses rest? When are they weary? Even yet once again they sent a messenger under the gateway into the Golden Town. And for all that he wore a garland of gold that the high Muses gave him, a garland of kingcups soft and yellow on his head, yet fashioned of pure gold and by whom but the Muses, yet did they stone him in the Golden Town. But they had the message, and what care the Muses?

And yet they will not rest, for some while since I heard them call to me.

"Go take our message," they said, "unto the Golden Town."

But I would not go. And they spake a second time. "Go take our message," they said.

And still I would not go, and they cried out a third time: "Go take our message."

And though they cried a third time I would not go. But morning and night they cried and through long evenings.

When will the Muses rest? When are they weary? And when they would not cease to call to me I went to them and I said: "The Golden Town is the Golden Town no longer. They have sold their pillars for brass and their temples for money, they have made coins out of their golden doors. It is become a dark town full of trouble, there is no ease in its streets, beauty has left it and the old songs are gone."

"Go take our message," they cried.

And I said to the high Muses: "You do not understand. You have no message for the Golden Town, the holy city no longer."

"Go take our message," they cried.

"What is your message?" I said to the high Muses.

And when I heard their message I made excuses, dreading to speak such things in the Golden Town; and again they bade me go.

And I said: "I will not go. None will believe me."

And still the Muses cry to me all night long.

They do not understand. How should they know?

THE THREE TALL SONS

And at last Man raised on high the final glory of his civilization, the towering edifice of the ultimate city.

Softly beneath him in the deeps of the earth purred his machinery fulfilling all his needs, there was no more toil for man. There he sat at ease discussing the Sex Problem.

And sometimes painfully out of forgotten fields, there came to his outer door, came to the furthest rampart of the final glory of Man, a poor old woman begging. And always they turned her away. This glory of Man's achievement, this city was not for her.

It was Nature that came thus begging in from the fields, whom they always turned away.

And away she went again alone to her fields.

And one day she came again, and again they sent her hence. But her three tall sons came too.

"These shall go in," she said. "Even these my sons to your city."

And the three tall sons went in.

And these are Nature's sons, the forlorn one's terrible children, War, Famine and Plague.

Yea and they went in there and found Man unawares in his city still poring over his Problems, obsessed with his civilization, and never hearing their tread as those three came up behind.

COMPROMISE

They built their gorgeous home, their city of glory, above the lair of the earthquake. They built it of marble and gold in the shining youth of the world. There they feasted and fought and called their city immortal, and danced and sang songs to the gods. None heeded the earthquake in all those joyous streets. And down in the deeps of the earth, on the black feet of the abyss, they that would conquer Man mumbled long in the darkness, mumbled and goaded the earthquake to try his strength with that city, to go forth blithely at night and to gnaw its pillars like bones. And down in those grimy deeps the earthquake answered them, and would not do their pleasure and would not stir from thence, for who knew who they were who danced all day where he rumbled, and what if the lords of that city that had no fear of his anger were haply even the gods!

And the centuries plodded by, on and on round the world, and one day they that had danced, they that had sung in that city, remembered the lair of the earthquake in the deeps down under their feet, and made plans one with another and sought to avert the danger, sought to appease the earthquake and turn his anger away.

They sent down singing girls, and priests with oats and wine, they sent down garlands and propitious berries, down by dark steps to the black depths of the earth, they sent peacocks newly slain, and boys with burning spices, and their thin white sacred cats with collars of pearls all newly drawn from sea, they sent huge diamonds down in coffers of teak, and ointment and strange oriental dyes, arrows and armor and the rings of their queen.

"Oho," said the earthquake in the coolth of the earth, "so they are not the gods."

WHAT WE HAVE COME TO

When the advertiser saw the cathedral spires over the downs in the distance, he looked at them and wept.

"If only," he said, "this were an advertisement of Beefo, so nice, so nutritious, try it in your soup, ladies like it."

THE TOMB OF PAN

"Seeing," they said, "that old-time Pan is dead, let us now make a tomb for him and a monument, that the dreadful worship of long ago may be remembered and avoided by all."

So said the people of the enlightened lands. And they built a white and mighty tomb of marble. Slowly it rose under the hands of the builders and longer every evening after sunset it gleamed with rays of the departed sun.

And many mourned for Pan while the builders built; many reviled him. Some called the builders to cease and to weep for Pan and others called them to leave no memorial at all of so infamous a god. But the builders built on steadily.

And one day all was finished, and the tomb stood there like a steep sea-cliff. And Pan was carved thereon with humbled head and the feet of angels pressed upon his neck. And when the tomb was finished the sun had already set, but the afterglow was rosy on the huge bulk of Pan.

And presently all the enlightened people came, and saw the tomb and remembered Pan who was dead, and all deplored him and his wicked age. But a few wept apart because of the death of Pan.

But at evening as he stole out of the forest, and slipped like a shadow softly along the hills, Pan saw the tomb and laughed.