Category: Plays/Films/Dramas

Fifty Contemporary One-Act Plays

ADOLF. Indeed, I have. Why, the first day after my wife went away, I lay on my sofa like a cripple and gave myself up to my depression; it was as though she had taken my crutches, and I couldn't move from the spot. A few days went by, and I cheered up and began to pull myself...

Chapters

1. SCENE I.

ADOLF. Indeed, I have. Why, the first day after my wife went away, I lay on my sofa like a cripple and gave myself up to my depression; it was as though she had taken my crutche...

2. SCENE II.

THEKLA. Excellent. [_She goes to his right._] But not at the Congress. It was as dull as ditch-water, don't you know. But how has little brother been passing the time, when his...

3. part I fell into the habit of the new role of the little brother. Your

tenderness remained the same as ever, in fact it has rather increased, but it is tinged with a grain of pity which is counterbalanced by a strong dose of contempt, and that will...

4. SCENE III.

GUSTAV. But you, on the other hand, my dear Thekla, are still quite as fascinating as ever--almost younger, in fact. Please forgive me. I wouldn't for anything disturb your happ...

5. SCENE IV.

6. SCENE V.

GUSTAV [_goes to the right at the keyhole_]. Let's have a look--the fancy table has been upset and there's a broken water-bottle on the floor, that's all. Perhaps some one has s...

7. SCENE VI.

8. SCENE VII.

GUSTAV [_on her left_]. Reconciliation? You play about with so many words that they've quite lost their meaning. We reconcile ourselves? Perhaps we are to live in a trinity, are...

9. SCENE VIII.

THEKLA [_goes toward Adolf with outstretched arms_]. Adolf! [_Adolf sinks down in his chair by the table on the left. Thekla throws herself over him and caresses him._] Adolf! M...

10. SCENE I.

[_The Wazir's garden. Discovered left to right, the Nubian, standing with folded arms, the Vizier, seated at the chess table, playing with the Wazir. At the other side of the st...

11. Scene II

12. SCENE II.

Begin drum roll _Ghurri-Wurri_ looks at coin, scrambles to _pp. cresc. to ff._ his feet, looks after Princess, shakes his fists, starts to the right, turns, shakes his fist agai...

13. SCENE III.

Wazir rhythm on _The Court_ _and_ _Ghurri-Wurri_ begin to wood-drum run, _Nubian_ first, then _Ghurri-Wurri_, [Telegraphically then _Vizier_, then _Wazir_. The running stated .....

14. SCENE IV.

Wazir rhythm, The runners increase their speed throughout the _crescendo_ and scene _acceleramento_ _Ghurri-Wurri_ slips to his knees, _Vizier_, without losing a step, jerks him...

15. SCENE V.

16. Scene VI

17. SCENE VI.

Stringed music _Princess_ and _Goat_ discovered in conference. Goat has an idea. He points to the Shepherd, then to the Wazir, then to the Princess and executes an ancient dance...

18. SCENE VII.

Published by permission of and special arrangement with Harry Kemp. Applications for the right of performing BOCCACCIO'S UNTOLD TALE must be made to Mr. Harry Kemp, in care of B...

19. SCENE III: The Chapter-Room.

The amateur and professional stage rights to THE NURSERY MAID OF HEAVEN are reserved by the author. Applications for permission to produce the play should be addressed to Frank...