Chapter 5
"The nobles of the Tuatha De Danann (with the exception of seven of them who were interred at Talten [which was the third 'Cemetery of the Idolaters']) were buried at Brugh, _i.e._, Lugh, and Oe, son of Ollamh, and Ogma, and Carpre, son of Etan, and Etan (the poetess) herself, and the Dagda and his three sons (_i.e._, Aedh, and Oengus, and Cermait), and a great many others besides of the Tuatha De Dananns, and Firbolgs and others."[89]
But, afterwards, "the race of Heremon, _i.e._, the kings of Tara," who used to bury at Cruachan (because that was the chief seat in their special principality of Connaught) came to bury at Brugh. "The first king of them that was interred at Brugh" was a certain Crimthann, surnamed _Nianar_, the son of Lughaidh Riabh-n-derg;[90] and the reason why Crimthann decided to abandon the burying-place of his forefathers was "because his wife Nar was of the Tuatha Dea, and it was she solicited him that he should adopt Brugh as a burial-place for himself and his descendants, and this was the cause that they did not bury at Cruachan."[91] It would appear that the ruling dynasty of the Tuatha Dea had ended in a female, both on account of Nar's action in this matter, and because her husband became known by her name--as Nianar (_Niadk-Náir_) or "Nar's Champion."
This Nar is a very interesting personage in the present connection. Because, being one of the Tuatha Dea, she was a _siabhra_, or woman of the _sídhs_; otherwise, a _bean-síde_ (modernised into "banshee"). This is plainly stated in two other Irish manuscripts, with an additional explanation which is very apposite. It is said that Crimthann was called Nar's Champion "because his wife Nar _thuathchaech_ out of the _sídhes_, or of the Pict-folk [_a sídaib no do Chruithentuaith_], she it was that took him off on an adventure." A companion statement is that made in another manuscript to the effect that "Nar _thuathchaech_, the daughter of Lotan of the Pict-folk [_Nár thuathchaech ingen Lotain do Chruithentuaith_], was the mother of Feradach _finnfhechtnach_," or "the brightly prosperous"--a king of Ireland.[92]
Incidentally, therefore, in considering the Brugh of the Boyne and the people most associated with it, we find very distinct confirmation of the main part of the contention in the foregoing treatise. From these extracts it is evident that those early writers regarded _siabhra, fear-sídh, bean-sídh_, and _daoine-sídh_ (words which may also be interpreted "mound-dweller") as ordinary folk-names for the Picts; just in the same way as any historian of the frontier wars in North America would understand by "Red-skin" and "Greaser" the more classic "Indian" and "Mexican."
[Footnote 76: Earlier illustrations, from drawings made in 1724 by Mr. Samuel Molyneux, a Dublin student, may be seen in Part II. of "A Natural History of Ireland," Dublin, 1726. Other eighteenth-century representations of the same place occur in a volume of old plates, belonging to the Society of Antiquaries (London). This volume is endorsed "Celtic Remains; I," and its contents form part of (says the fly-leaf) "a collection of plates from the Archæologia collected by Mr. Akerman when the Society's Stock was sold off and arranged more or less in Classes." The views of the Brugh will be found at pp. 239, 253, and 254 (Plates XIX.-XXII.). Colonel Forbes Leslie has two excellent plates, from drawings of his own, in his _Early Races of Scotland_ (Edin. 1866), vol. ii.; where he also refers to Wilde's _Boyne and Blackwater_ and Wakeman's _Irish Antiquities_. A recent work, illustrating the same subject, but which I have not yet had an opportunity of seeing, is Mr. George Coffey's "Tumuli and Inscribed Stones at New Grange, Dowth, and Knowth," Dublin, 1893.]
[Footnote 77: Forbes Leslie's _Early Races of Scotland_, vol. ii. p. 335, _note_.]
[Footnote 78: O'Curry's _Lectures_, Dublin, 1861, p. 505.]
[Footnote 79: For most of which see Dr. Standish O'Grady's _Silva Gadelica_, pp. 102-3, 146, 233, 474, and 484.]
[Footnote 80: _Silva Gadelica_ (English translation), pp. 474 and 520.]
[Footnote 81: _Op. cit._ (English translation), p. 522.]
[Footnote 82: Skene's _Celtic Scotland_, vol. iii. pp. 106-7.]
[Footnote 83: Class H. 3, 17, Trinity College, Dublin. [I quote from Mr. Petrie's "Round Towers," Trans, of Roy. Irish Acad., vol. xx. (Dublin, 1845), p. 98.]]
[Footnote 84: Rath Chruachain, Co. Roscommon: the cemetery was styled _Relig na Riogh_, or the Cemetery of Kings.]
[Footnote 85: _Op. cit._, p. 106.]
[Footnote 86: "_Is in Brug, or Bruig_." Mr. Petrie invariably translates this as "at" Brugh. But I observe that Dr. Standish O'Grady (_Silva Gadelica_, p. 256; and p. 289 of English translation) renders the Gaelic particle by English "in." To decide between two Gaelic scholars is not within my province. But if Dr. O'Grady understands "the Brugh" to be synonymous with _Sídh an Bhrogha_ (as perhaps he does not), the adoption of his reading would lead to an inference which is opposed to common sense.]
[Footnote 87: Molyneux, writing in 1725, says that "when first the cave was opened, the bones of two dead bodies entire, not burnt, were found upon the floor." Colonel Forbes Leslie remarks: "Llhuyd, the antiquary, writing in 1699, makes no mention of any human remains being found in it."]
[Footnote 88: Since the above was written, the quarterly number, June 1893, of the _Journal of the Royal Society of Antiquaries of Ireland_ has been issued, and a note therein confirms the suspicion, indicated in Mr. Wakeman's drawing, that the whole mound is not yet explored. But the above remarks are applicable in any case.]
[Footnote 89: Petrie: _op. cit._, p. 106.]
[Footnote 90: That is, Lughaidh of the Red Stripes; "meaning that on his person he had two such: one as girdle round his middle, another as necklace round his neck." (_Silva Gadelica_, English translation, p. 544.)]
[Footnote 91: Petrie (_op. cit._, p. 101), quoting from the "History of the Cemeteries" in the _Leabhar na h-Uidhre_.]
[Footnote 92: These two extracts are from _Silva Gadelica_, Eng. transl., pp. 495 and 544; where the references are, respectively, "Book of Ballymote, 250 _a b_," and "Kilbride No. 3, Advocates' Library, Edinburgh, 5."]
PLATES XX. AND XXI.--_The Denghoog, Island of Sylt, North Friesland._
In addition to my original collection, I am now able to show three views of the Denghoog, in Sylt, which is the mound referred to on p. 34 (_ante_). Mr. W.G. Black speaks of it thus:--
"There is some confusion as to King Finn's dwelling. As doctors differ, we may be allowed to claim that it was the Denghoog, close to Wenningstedt, if only because we descended into that remarkable dwelling. Externally merely a swelling green mound, like so many others in Sylt, entrance is gained by a trap-door in the roof, and decending a steep ladder, one finds himself in a subterranean chamber, some seventeen by ten feet in size, the walls of which are twelve huge blocks of Swedish granite; the height of the roof varies from five feet to six feet. The original entrance appears to have been a long narrow passage, seventeen feet long and about two feet wide and high. This mound was examined by a Hamburg professor in 1868, who found remains of a fireplace, bones of a small man, some clay urns, and stone weapons. Later, a Kiel professor is said to have carried off all he found therein to Kiel Museum, and so far we have not been able to trace the published accounts of his investigations."[93]
Mr. Christian Jensen, Oevenum, Föhr, to whom I am indebted for these three views, has favoured me with the following information:--
"The sketches of the Denhoog which I enclose [viz., the Ground Plan and Sectional View] are from the drawings of Professor Wibel, who conducted the excavation of it in 1868. From his and C.P. Hansen's observations I contribute the following statements: Originally, the mound was higher, but in 1868 it had the form of a truncated cone, 4½ _mètres_ [say 14 feet 9 inches] in height. As may be seen from the picture, it slopes away to the south above the original passage into the mound, which the dweller made use of as his entrance; so that the extent is very considerable. The present entrance, as may be seen from the view of the interior, was made from above, at the north side, directly opposite the original entrance.... Dr. Wibel says: 'At the south side of the chamber is the doorway for ingress and egress, with the passage itself leading from it. This passage, which was 6 _mètres_ [19 feet 8 inches] in length, was lined with upright blocks of granite and gneiss, with a roofing and floor made of flagstones of the same kinds of stone. It was opened up all the way to the mouth of the passage. This [the outer orifice] lay close to the extremity of the earth and near the floor of the mound, was closed with earth only, not with a stone, and measured about 1 _mètre_ [3 feet 3.4 inches] in height, and 1⅓ _mètre_ in breadth. On account of these dimensions ... one can only creep through with difficulty, and for that reason the plan does not show with accuracy the position of the wall-slabs, and their number is merely conjectured to be nine.'
"Immediately after this excavation of 17-19 September, 1868, C.P. Hansen writes as follows:--
"'There are in the island of Sylt hillocks of ancient origin, for the most part pagan burying-places, but some of which may have served as the dwelling-places of a primitive people. One such hillock has just been opened at Wenningstedt. The interior was found to be a chamber, 17 feet long, 10 feet in breadth, and from 5 to 6 feet in height, with a covered passage about 22 feet long, trending southward. The walls of this underground room were composed of twelve large granite blocks, regularly arranged; the roof consisted of three still larger slabs of the same kind of rock; the stones which formed the passage were smaller. At one corner of the floor of the cellar there was a well-defined fireplace, and near it were urns and flint implements; in the opposite corner there were many bones lying, apparently unburned, probably those of the last dweller in the cavern.'"
Mr. Christian Jensen gives an account of "Der Denghoog bei Wenningstedt" in the "Beilage zu Nr. 146 der Flensburger Nachrichten" of 25th June 1893, in which he says:
"... On the floor of the chamber, three separate divisions were distinctly visible, of which one, situated on the east side, showed traces of having been a fireplace. Professor Wibel found several fragments of human bones, which evidently belonged only to _one_ individual, as no portion was duplicated; also a few animals' bones. There was an extraordinary number of fragments of pottery, belonging to about 24 different urns, of which 11 could be put together. Their form and ornamentation were both fine and varied, an interesting witness to the ceramics of the grey past.... Among the stone implements found were a great many flint-knives; two stone hatchets, two chisels, and a gouge, all of flint, and a disc of porphyry were also obtained. Several mineral substances, quartzite, rubble-stones, gravel, ochre, a sinter-heap--these are less interesting than the seven amber beads which, with some charcoal, completes the list of objects found. Referring to former investigations of galleried mounds [_gangbauten_], which seem to have been used in some cases as burying-places, in others as dwellings, Dr. Wibel observes, in answer to the question resulting from his discovery, as to whether the Denghoog ought to be regarded as a sepulchre or as a dwelling, that, as Nilsson has already said, all gallery-mounds were originally dwellings, and occasionally became utilised as tombs. In the case of the Denghoog, this fact is demonstrated by the fireplace, the scattered potsherds, the amber beads, &c."
[Footnote 93: _Heligoland_, Edin. and Lond., 1888, pp. 84-85.]
Of the little woodcut which forms the Tailpiece of this volume, it is hardly necessary to say that it represents some popular ideas regarding "the little people." The woodcut of which this is a facsimile is one of those contained in the eighteenth-century chap-book, "_Round about our Coal Fire_; or, Christmas Entertainments," and it heads the chapter "_Of Fairies, their Use and Dignity_." "They generally came out of a Mole-hill," it is said; "they had fine Musick always among themselves, and Danced in a Moonshiny Night around, or in a Ring as one may see at this Day upon every Common in _England_, where Mushroones [_sic_] grow," The size of the mushroom, so elegantly depicted in the foreground, is quite on a scale suitable to the stature ultimately accorded to the little people in many districts; so also is the mole-hill. But the tree, and the Satanic head in the foliage, are curiously out of proportion.
* * * * *
An examination of these various diagrams will show that the more primitive of those structures were obviously built by a small-sized race; some of the passages being quite impassable to large men of the present day. This peculiarity was noticed by Scott when visiting the "brochs" of Shetland, a kindred class of structures (none of which are here shown). "These Duns or Picts' Castles are so small," he says, writing in his Diary in August 1814, "it is impossible to conceive what effectual purpose they could serve excepting a temporary refuge for the chief." This reflection was suggested to him by the Broch of Cleik-him-in (now usually written Clickemin), near Lerwick; and in describing it he says: "The interior gallery, with its apertures, is so extremely low and narrow, being only about three feet square, that it is difficult to conceive how it could serve the purpose of communication. At any rate, the size fully justifies the tradition prevalent here, as well as in the south of Scotland, that the Picts were a diminutive race." Of the Broch of Mousa he says: "The uppermost gallery is so narrow and low that it was with great difficulty I crept through it,"--a feat which baffled the present writer.[94] In all those cases, of course, it is understood one has to crawl. As with the Lapps and the Eskimos, creeping was much more a matter of course with the builders of those places than it is with us. After getting through such passages it happens that, in several instances, the roof is higher than is required for the tallest living man. An admirable example of such a place is the underground "Picts' House" at Pitcur, in Forfarshire, which would be quite a palace to people of a small race, and very likely figures as such in some popular tale; its dimensions and appearance considerably magnified with every century.[95] But even this "fairy palace" was entered by narrow, downward-sloping passages, similar to that seen in the Frontispiece, down and up which the dwellers had to crawl. An underground gallery such as that of Ardtole (near Ardglass, County Down), is somewhat puzzling, because, while one chamber off it rises to a height of 5 feet 3 inches, another is only 3½ feet high; and the main gallery, for 70 feet of its length, is 4½ feet high, with a width of 3 feet 4 inches. The inference from this seems to be that the occupants were under 4½ feet in height. If they had intended to crawl along the 70 feet, they did not require so high a roof; whereas, if they walked, and if they were more than 4½ feet in height, they would need to walk the 70 feet in a stooping posture, a constraint which they could easily have avoided by raising the roof a foot or two. The highest roof in all this souterrain being 5 feet 3, it does not seem likely that the builders were taller than that; and there seems more reason to believe that they were much smaller. Another such gallery in Sutherlandshire is "nowhere more than 4½ feet in height, and for the greater part of its length only 2 feet wide, expanding to 3½, for about 3 feet only from the inner end." Still more restricted is the "rath-cave" of Ballyknock, in the parish of Ballynoe, barony of Kinnatalloon, County Cork. "The cave is a mere cutting in the clayey subsoil, and is roofed with flags resting on the clayey banks of the cutting, of which the length is about 100 feet, and the height and width from 3 to 3½ feet, except that the width to a height of 2 feet is hardly a foot at the N.W. turn, 23 feet from the N.E. end, and at a point 27 feet from the S.E. end.... Right below the aperture ... was a short pillar-stone, deeply scored with Oghams ... [and] many of the roofing slabs were seen ... to be inscribed with Oghams, some large and others minute."[96]
"This class of structures deserves a careful study," observes Captain Thomas, referring to the souterrains of the north-west of Scotland;[97] "for the room or accommodation afforded by this mode of building is exceedingly small when compared with the labour expended in procuring it; besides, the doorway or entry is often so contracted that no bulky object, not even a very stout man, could get in ... But what are we to think when the single passage is so small that only a child could crawl through it?"
[Footnote 94: On the very topmost course of all, the gallery dwindles into such insignificant dimensions that not even a dwarf (as one would naturally understand that term) could creep along it. Scott cannot have meant this very extremity. With regard to it, I should be inclined to say that it was merely the necessary finish of the gallery, not intended to be used any more than the spaces beside the eaves of a house.]
[Footnote 95: The tendency to "idealisation on the part of the narrator" is referred to, in this connection, by Mr. Joseph Jacobs, at p. 242 of his "English Fairy Tales" (London, D. Nutt, 1890).]
[Footnote 96: _Jour. Roy. Soc. Antiq. Ireland_, 1891 (Third Quarter), p. 517. It is not inappropriate to add that one of these inscriptions reads: "Branan, son of Ochal," and that the decipherer (the Rev. Edmond Barry, M.R.I.A.) identifies this latter name with "the name of a King of the Fairies of Connaught (_Ri Síde Connacht_)": _op. cit._, pp. 524-525. The Ardtole souterrain is described in the Journal of the same Society (July-October, 1889, p. 245), by Mr. Seaton F. Milligan, M.R.I.A.; and the one in Sutherlandshire is referred to by Dr. Joseph Anderson (at p. 289 of "Scotland in Pagan Times: The Iron Age," Edinburgh, 1883).]
[Footnote 97: _Proc. Soc. Antiq. Scot._ (First Series), vol. vii. pp. 185-6.]
_Printed by BALLANTYNE, HANSON & CO. London & Edinburgh._
End of Project Gutenberg's Fians, Fairies and Picts, by David MacRitchie