Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson
Part 16
We are told that "turtles _passion_ their voices" (p. 15); that "an arbour was _nested_" (p. 23); and a lady's locks "_gordian'd_" up (p. 32); and to supply the place of nouns thus verbalised Mr. Keats, with great fecundity, spawns new ones; such as "men-slugs and human _serpentry_" (p. 14); "_honey-feel_ of bliss" (p. 45); "wives prepare _needments_" (p. 13)--and so forth.
Then he has formed new verbs by the process of cutting off their tails, the adverbs, and affixing them to their foreheads; thus "the wine out-sparkled" (p. 10); the "multitude up-follow'd" (p. 11); and "night up-took" (p. 29). "The wind up-blows" (p. 32); and the "hours are down-sunken" (p. 36).
But if he sinks some adverbs in the verbs he compensates the language with adverbs and adjectives which he separates from the parent stock. Thus, a lady "whispers _pantingly_ and close," makes "_hushing_ signs," and steers her skiff into a "_ripply_ cove" (p. 23); a shower falls "_refreshfully_" (p. 45); and a vulture has a "_spreaded_ tail" (p. 44).
But enough of Mr. Leigh Hunt and his simple neophite.--If anyone should be bold enough to purchase this "Poetic Romance," and so much more patient than ourselves, as to get beyond the first book, and so much more fortunate as to find a meaning, we entreat him to make us acquainted with his success; we shall then return to the task which we now abandon in despair, and endeavour to make all due amends to Mr. Keats and to our readers.
CROKER ON SYDNEY SMITH
[From _The Quarterly Review_, February, 1810]
This sermon[1] is written on the characters and duties of the clergy. Perhaps it would have produced more effect upon the Yorkshire divines had it come from one who had lived longer among them, and of the correspondence of whose life with his doctrines, they had better opportunities of judging; one whom, from long experience, they knew to be neither sullied by the little "affectations," nor "agitated by the little vanities of the world," whose strict observance of "those decencies and proprieties," which persons in their profession "owe to their situation in society," they had remarked through a long course of years. Whether the life of Mr. Smith would form an illustration of his own precepts remains to be proved. But, if we rightly recollect dates, he is still to his neighbours a sort of unknown person, and hardly yet tried in his new situation of a parish priest. We therefore think, in spite of all the apologies with which he has prefaced his advice, that a more judicious topic might easily have been selected.
[1] A sermon preached before His Grace the Archbishop of York, and the clergy, at Malton, at the Visitation, Aug., 1809. By the Rev. Sydney Smith, A.M., Rector of Foston, in Yorkshire, and late Fellow of New College, Oxford. Carpenter, 1809.
In the execution of this sermon there is little to commend. As a system of duties for any body of clergy, it is wretchedly deficient:--and really, when we call to mind the rich, the full, the vigorous, eloquent, and impassioned manner in which these duties are recommended and inforced in the writings of our old divines, we are mortified beyond measure at the absolute poverty, crudeness, and meanness of the present attempt to mimic them. As a composition, it is very imperfect: it has nearly the same merits, and rather more than the same defects, which characterise his former publications. Mr. Smith never writes but in a loose declamatory way. He is careless of connection, and not very anxious about argument. His sole object is to produce an effect at the moment, a strong first impression upon an audience, and if that can be done he is very indifferent as to what may be the result of examination and reflection....
If Mr. Smith is not only not a Socinian, but if in his heart he doubts as to the least important point of the most abstruce and controverted subject on which our articles have decided, if, in short, he is not one of the most rigorously orthodox divines that exists, he has been guilty of the grossest and most disgusting hypocrisy--he has pronounced in the face of the public to which he appeals, and of the church to which he belongs, in the most solemn manner, and on the most solemn subject, a direct, intentional, and scandalous falsehood--he has acted in a way utterly subversive of all confidence among men; and the greater part of the wretches who retire from a course of justice degraded for perjury rank higher in the scale of morality, than an educated man holding a respectable place in society, who could thus trifle with the most sacred obligations. He could be induced to this base action only by a base motive, that of obviating any difficulties which a suspicion of his holding opinions different from those avowed by the establishment, might throw in the way of his preferment: and of rendering himself a possible object of the bounty of "his worthy masters and mistresses," whenever the golden days arrive, in which they shall again dispense the favours of the crown. Such must be the case, if Mr. Smith is not sincere. There is no alternative. Now this is scarcely to be believed of any gentleman of tolerably fair character, still less of a teacher of morality and religion, who holds forth in all his writings the most refined sentiments of honour and disinterestedness.
The style of his profession of faith, however, partakes very much of the most offensive peculiarities of his manner. It is abrupt and violent to a degree which not only shocks good taste, but detracts considerably from the appearance of sincerity. It seems as if he considered his creed as a sort of nauseous medicine which could only be taken off at a draught, and he looks round for applause at the heroic effort by which he has drained the cup to its very dregs.
But the passage about the verse in St. John is yet more extraordinary. Has Mr. Smith really gone through the controversy upon this subject? And even if he has, is this the light way in which a man wholly unknown in the learned world, is entitled to contradict the opinion of some of the greatest scholars of Europe? We have, however, the mere word of the facetious rector of Foston, opposite to the authority and the arguments of a Porson and a Griesbach. It is at his command, unsupported by the smallest attempt at reasoning, that we are to set aside the opinion of men whose lives have been spent in the study of the Greek language, and of biblical criticism, and which has been acquiesced in by many of the most competent judges both here and abroad. Such audacity (to call it by no coarser name) is in itself only calculated to excite laughter and contempt: coupled as it is with a most unprovoked and unwarrantable mention of the name of the Bishop of Lincoln, it excites indignation. We feel no morbid sensibility for the character of a mitred divine: but we cannot see a blow aimed at the head of one of the chiefs of the church, a pious, learned, and laborious man, by the hand of ignorance and presumption, without interposing, not to heal the wound, for no wound has been made, but to chastise the assailant. The Bishop of Lincoln gives up these verses, not carelessly, and unadvisedly, but doubtless because he is persuaded that the cause of true Religion can never be so much injured as by resting its defence upon passages liable to so much suspicion; and because he knows, that the doctrine of the Trinity by no means depends upon that particular passage, but may be satisfactorily deduced from various other expressions, and from the general tenor of holy writ. Indeed, if we were not prevented from harbouring any such suspicion by Mr. Smith's flaming profession of the _iotal_ accuracy of his creed; and if we could doubt the orthodoxy of the divine, without impugning the honesty of the man, we should be inclined to suspect that his defence of the verses proceeded from a concealed enemy. We are not unaware that the question cannot even yet be regarded as finally and incontrovertibly settled, but we apprehend the truth to be that Mr. Smith, not having read one syllable upon the subject, but having accidentally heard that there was a disputed verse in St. John relative to the doctrine of the Trinity, and that it had been given up by the Bishop of Lincoln, thought he could not do better than by one dash of the pen, to show his knowledge of controversy, and the orthodoxy of his belief, at the expense of that prelate's character for discretion and zeal....
The next note is mere political, an ebullition of party rage, in which Mr. Smith abuses the present ministry with great bitterness, talks of "wickedness," "weakness," "ignorance," "temerity," after the usual fashion of opposition pamphlets, and clamours loudly against what, with an obstinacy of misrepresentation hardly to be credited, he persists in terming the "persecuting laws" against the Roman Catholics.... He is very anxious that his political friends should not desist from urging the question--an act of tergiversation and unconsistency which, he thinks, would ruin them in the estimation of the public. Yet, if we mistake not, these gentlemen, at least that portion of them with which Mr. Smith (as we are told) is most closely connected, gave up, without a blush, India, Reform, and Peace, all of which they taught us to believe were vital questions in which the honour or the security of the country was involved. But Catholic emancipation has some peculiar recommendations. It is odious to the people, and painful to the King, and therefore it cannot be delayed, without an utter sacrifice of character....
Now we are by no means so eager on Mr. Smith in what he would term the cause of _religious freedom_. We belong to that vulgar school of timid churchmen, to whom the elevation of a vast body of sectaries to a level with the establishment, is a matter of very grave consideration, if not of alarm. We think that something is due to the prejudices (supposing them to be no more than prejudices) of nine-tenths of the people of England; and we are even so childish (for which we crave Mr. Smith's pardon) as to pay some regard to the feelings of the King, in whose personal mortification, we fairly own, we should not take the smallest pleasure....
We now take leave of the sermon and its notes. But, before we conclude, we are desirous ... to convey to Mr. Smith a little salutary advice ... to remind him that unmeasured severity of invective against others, will naturally produce, at the first favourable opportunity, a retort of similar harshness upon himself; and that unless he feels himself completely invulnerable, the conduct which he has hitherto pursued, is not only uncharitable and violent, but foolish. He should be told that, although he possesses some talents, they are by no means, as he supposes, of the first order. He writes in a tone of superiority which would hardly be justifiable at the close of a long and successful literary career. His acquirements are very moderate, though he wants neither boldness nor dexterity in displaying them to the best advantage; and he is far, very far indeed, from being endowed with that powerful, disciplined, and comprehensive mind, which should entitle him to decide authoritatively and at once upon the most difficult parts of subjects so far removed from one another as biblical criticism and legislation. His style is rapid and lively, but hasty and inaccurate; and he either despises or is incapable of regular and finished composition.
Humour, indeed (we speak now generally, of all these performances which have been ascribed to him by common consent), is his strong point; and here he is often successful; but even from this praise many deductions must be made. His jokes are broad and coarse; he is altogether a mannerist, and never knows where to stop. The [Greek: _Paedenagan_] seems quite unknown to him. His pleasantry does not proceed from keen and well-supported irony; just, but unexpected comparisons; but depends, for effect, chiefly upon strange polysyllabic epithets, and the endless enumeration of minute circumstances. In this he, no doubt, displays considerable ingenuity, and a strong sense of what is ludicrous; but his good things are almost all prepared after one receipt. There is some talent, but more trick, in their composition. The thing is well done, but it is of a low order; we meet with nothing graceful, nothing exquisite, nothing that pleases upon repetition and reflection. In everything that Mr. Smith attempts, in all his "bravura" passages, serious or comic, one is always shocked by some affectation or absurdity; something in direct defiance of all those principles which have been established by the authority of the best critics, and the example of the best writers: indeed, bad taste seems to be Mr. Smith's evil genius, both as to sentiment and expression. It is always hovering near him, and, like one of the harpies, is sure to pounce down before the end of the feast, and spoil the banquet, and disgust the guests.
The present publication is by far the worst of all his performances, avowed or imputed. Literary merit it has none; but in arrogance, presumption, and absurdity, it far outdoes all his former outdoings. Indeed, we regard it as one of the most deplorable mistakes that has ever been committed by a man of supposed talents....
ON MACAULAY
[From _The Quarterly Review_, March, 1849]
_The History of England from the Accession of James II_. By THOMAS BABINGTON MACAULAY. 2 vols. 8vo. 1849.
The reading world will not need our testimony, though we willingly give it, that Mr. Macaulay possesses great talents and extraordinary acquirements. He unites powers and has achieved successes, not only various, but different in their character, and seldom indeed conjoined in one individual. He was while in Parliament, though not quite an orator, and still less a debater, the most brilliant rhetorician of the House. His Roman ballads (as we said in an article on their first appearance) exhibit a novel idea worked out with a rare felicity, so as to combine the spirit of the ancient minstrels with the regularity of construction and sweetness of versification which modern taste requires; and his critical Essays exhibit a wide variety of knowledge with a great fertility of illustration, and enough of the salt of pleasantry and sarcasm to flavour and in some degree disguise a somewhat declamatory and pretentious dogmatism. It may seem too epigrammatic, but it is, in our serious judgment, strictly true, to say that his History seems to be a kind of combination and exaggeration of the peculiarities of all his former efforts. It is as full of political prejudice and partisan advocacy as any of his parliamentary speeches. It makes the facts of English History as fabulous as his Lays do those of Roman tradition; and it is written with as captious, as dogmatical, and as cynical a spirit as the bitterest of his Reviews. That upon so serious an undertaking he has lavished uncommon exertion, is not to be doubted; nor can any one during the first reading escape the _entraƮnement_ of his picturesque, vivid, and pregnant execution: but we have fairly stated the impression left on ourselves by a more calm and leisurely perusal. We have been so long the opponents of the political party to which Mr. Macaulay belongs that we welcomed the prospect of again meeting him on the neutral ground of literature. We are of that class of Tories--Protestant Tories, as they were called--that have no sympathy with the Jacobites. We are as strongly convinced as Mr. Macaulay can be of the necessity of the Revolution of 1688--of the general prudence and expediency of the steps taken by our Whig and Tory ancestors of the Convention Parliament, and of the happiness, for a century and a half, of the constitutional results. We were, therefore, not without hope that at least in these two volumes, almost entirely occupied with the progress and accomplishment of that Revolution, we might without any sacrifice of our political feelings enjoy unalloyed the pleasures reasonably to be expected from Mr. Macaulay's high powers both of research and illustration. That hope has been deceived: Mr. Macaulay's historical narrative is poisoned with a rancour more violent than even the passions of the time; and the literary qualities of the work, though in some respects very remarkable, are far from redeeming its substantial defects. There is hardly a page-- we speak literally, hardly a page--that does not contain something objectionable either in substance or in colour: and the whole of the brilliant and at first captivating narrative is perceived on examination to be impregnated to a really marvellous degree with bad taste, bad feeling, and, we are under the painful necessity of adding--bad faith.
These are grave charges: but we make them in sincerity, and we think that we shall be able to prove them; and if, here or hereafter, we should seem to our readers to use harsher terms than good taste might approve, we beg in excuse to plead that it is impossible to fix one's attention on, and to transcribe large portions of a work, without being in some degree infected with its spirit; and Mr. Macaulay's pages, whatever may be their other characteristics, are as copious a repertorium of vituperative eloquence as, we believe, our language can produce, and especially against everything in which he chooses (whether right or wrong) to recognise the shibboleth of Toryism. We shall endeavour, however, in the expression of our opinions, to remember the respect we owe to our readers and to Mr. Macaulay's general character and standing in the world of letters, rather than the provocations and examples of the volumes immediately before us.
Mr. Macaulay announces his intention of bringing down the history of England almost to our own times; but these two volumes are complete in themselves, and we may fairly consider them as a history of the Revolution; and in that light the first question that presents itself to us is why Mr. Macaulay has been induced to re-write what had already been so often and even so recently written--among others, by Dalrymple, a strenuous but honest Whig, and by Mr. Macaulay's own oracles, Fox and Mackintosh? It may be answered that both Fox and Mackintosh left their works imperfect. Fox got no farther than Monmouth's death; but Mackintosh came down to the Orange invasion, and covered full nine-tenths of the period as yet occupied by Mr. Macaulay. Why then did Mr. Macaulay not content himself with beginning where Mackintosh left off-- that is, with the Revolution? and it would have been the more natural, because, as our readers know, it is there that Hume's history terminates.
What reason does he give for this work of supererogation? None. He does not (as we shall see more fully by and by) take the slightest notice of Mackintosh's history, no more than if it had never existed. Has he produced a new fact? Not one. Has he discovered any new materials? None, as far as we can judge, but the collections of Fox and Mackintosh, confided to him by their families.[1] It seems to us a novelty in literary practice that a writer raised far by fame and fortune above the vulgar temptations of the craft should undertake to tell a story already frequently and recently told by masters of the highest authority and most extensive information, without having, or even professing to have, any additional means or special motive to account for the attempt.
[1] It appears from two notes of acknowledgments to M. Guizot and the keepers of the archives at The Hague, that Mr. Macaulay obtained some additions to the copies which Mackintosh already had of the letters of Ronquillo the Spanish and Citters the Dutch minister at the court of James. We may conjecture that these additions were insignificant, since Mr. Macaulay has nowhere, that we have observed, specially noticed them; but except these, whatever they may be, we find no trace of anything that Fox and Mackintosh had not already examined and classed.
We suspect, however, that we can trace Mr. Macaulay's design to its true source--the example and success of the author of Waverley. The historical novel, if not invented, at least first developed and illustrated by the happy genius of Scott, took a sudden and extensive hold of the public taste; he himself, in most of his subsequent novels, availed himself largely of the historical element which had contributed so much to the popularity of Waverley. The press has since that time groaned with his imitators. We have had historical novels of all classes and grades. We have had served up in this form the Norman Conquest and the Wars of the Roses, the Gunpowder Plot and the Fire of London, Darnley and Richelieu--and almost at the same moment with Mr. Macaulay's appeared a professed romance of Mr. Ainsworth's on the same subject-- James II. Nay, on a novelist of this popular order has been conferred the office of _Historiographer_ to the Queen.
Mr. Macaulay, too mature not to have well measured his own peculiar capacities, not rich in invention but ingenious in application, saw the use that might be made of this principle, and that history itself would be much more popular with a large embroidery of personal, social, and even topographical anecdote and illustration, instead of the sober garb in which we had been in the habit of seeing it. Few histories indeed ever were or could be written without some admixture of this sort. The father of the art himself, old Herodotus, vivified his text with a greater share of what we may call personal anecdote than any of his classical followers. Modern historians, as they happened to have more or less of what we may call _artistic_ feeling, admitted more or less of this decoration into their text, but always with an eye (which Mr. Macaulay never exercises) to the appropriateness and value of the illustration. Generally, however, such matters have been thrown into notes, or, in a few instances--as by Dr. Henry and in Mr. Knight's interesting and instructive "Pictorial History"--into separate chapters. The large class of memoir-writers may also be fairly considered as anecdotical historians--and they are in fact the sources from which the novelists of the new school extract their principal characters and main incidents.
Mr. Macaulay deals with history, evidently, as we think, in imitation of the novelists--his first object being always picturesque effect--his constant endeavour to give from all the repositories of gossip that have reached us a kind of circumstantial reality to his incidents, and a sort of dramatic life to his personages. For this purpose he would not be very solicitous about contributing any substantial addition to history, strictly so called; on the contrary, indeed, he seems to have willingly taken it as he found it, adding to it such lace and trimmings as he could collect from the Monmouth-street of literature, seldom it may be safely presumed of very delicate quality. It is, as Johnson drolly said, "an old coat with a new facing--the old dog in a new doublet." The conception was bold, and--so far as availing himself, like other novelists, of the fashion of the day to produce a popular and profitable effect--the experiment has been eminently successful.