Part 11

Kelley having worked on Dee’s feelings sufficiently to secure his acquiescence, procured that Laski should be allowed to aid in such operations and experiments as appealed to him. The result was that the Palatine took the two men with him, promising a free field for them both, each according to his bent. At Prague, in 1583, Laski presented Dee and his companion to the Emperor Rudolph II. Encouraged by the royal approval, Dee looked for a longer sojourn in eastern Europe, and brought thither his wife and children from Poland, where he had left them at Laskoe, the seat of the Palatine. Later on, in 1585,--again through the influence of the credulous Laski--Dee with his companion was presented to Stephen, King of Poland. Stephen was much interested, and attended a _séance_ that he might see the spirits of which he had heard so much. He saw too much, however, as far as Kelley was concerned, for he penetrated the imposture. Thereupon Kelley, unequal to carrying on the business single-handed, for he dared not let Dee’s eyes be opened and he knew he could not induce him to be other than a blind partner, contrived that a new confederate should be added to the firm. This was one Francis Pucci, a Florentine, possessed of all the address and subtlety of his race. But after the experience of a year he was removed on suspicion of bad faith. Before that year was out, the Bishop of Piacenza, Apostolic Nuncio at the Emperor’s Court, had a decree issued that the two Englishmen should quit Prague within six days. From Prague they went to Erfurt, in Thuringia; but despite letters of recommendation from high quarters the Municipal Authorities would not allow them to remain. So they moved on to Hesse-Cassel and thence to Tribau in Bohemia, where the fraud of making spirits appear was renewed. In 1586, it was intimated to Dee that the Emperor of Russia wished to receive him in that country. He would receive a fee of two thousand pounds per annum and would be treated with honour; but the scholar did not see his way to accept the flattering offer. At Tribau, Kelley experimented, but unsuccessfully, with some powder found at Glastonbury, Dee’s young son being the medium. It was noticeable that whenever Dee or his family failed in these experiments, Kelley always succeeded. At this stage Kelley, who was a man of evil life, fell madly in love with Dee’s wife. He was married himself, but that did not seem to matter. His own wife was ugly and unattractive, whereas the second Mrs. Dee was well-favoured and winning. In the madness of his lust he tried to work on the husband’s credulity by telling him that it had been conveyed to him through angels that it was the Divine wish that the two men should hold their wives in common. Dee was naturally sceptical and annoyed, and his wife was furious. Kelley, however, was persistent, and stuck to his point so stedfastly that after a while the woman’s resolution began to give way, and for a time some sort of working arrangement came about. Kelley’s story, as elaborated to his partner, was that at Tribau, in 1587, the crystal showed him a vision of a naked woman who conveyed to him the divine message. To Dee’s unhinged mind this seemed all natural and correct--probably even to the suitable costume adopted by the angelic messenger: so the worthy doctor gave way. After a time however the matron recovered her sanity, and the vulture and the pigeon parted. Dee gave up to his late partner all the “tools of trade” and “properties” of the fraud, and the two never met again.

Kelley went to Prague where he was thrown into prison in 1589. He remained in durance for four years after which he was released. From thence on till 1595, he became a vagabond as well as a rogue, and wandered about Germany. He again fell into the hands of Rudolph, to be again imprisoned by him. He was killed whilst making a desperate effort to escape.

There seems to be no record of Edward Kelley--or Talbot--having been knighted, no authority save his own wish for the use of the title. It may of course be possible that he was knighted by the Emperor in some moment of absurd credulity; but there is no record of it. He had no children.

E. MOTHER DAMNABLE

Owing to a want of accord among historians, the searcher after historic truth in our own day can hardly be quite sure of the identity of the worthy lady who passed under the above enchanting title. To later generations the district of Camden Town--formerly a suburb of London but now a fairly central part of it--is best known through a public house, the _Mother Red-Cap_. But before controversy can cease we are called on to decide if Mother Red-Cap and Mother Damnable were one and the same person. A hundred years ago a writer who had made such subjects his own, came to the conclusion that the soubriquet Mother Damnable was synonymous with Mother Black-Cap whom he spoke of as of local fame. But in the century that has elapsed historical research has been more scientifically organised and the field from which conclusions can be drawn has been enlarged as well as explored. The fact is that a century ago the northern suburb had two well-known public houses, _Mother Red-Cap_ and _Mother Black-Cap_. It is possible that both the worthy vintners who offered “entertainment for man and beast” meant one and the same person, though who that person was remains to be seen. The distinctive colour line of the two hostelries was also possibly due to considerations of business rather than of art. _Red-cap_ and _Black-cap_ are, as names, drawn from these varying sign-boards; the term _Mother_ held in common is simply a title given without any pretence of doing honour to the alleged practices of the person whom it is intended to designate.

There were in fact two notorious witches, either of whom might have been in the mind of either artistic designer. One was of Yorkshire fame in the time of Henry VII. The other was of very much later date and of purely local notoriety. The two publicans who exploited these identities under pictorial garb were open and avowed trade rivals. The earlier established of the two had evidently commissioned a painter to create a striking sign-board on a given subject, and the artist had fulfilled his task by an alleged portrait of sufficiently fearsome import to fix the attention of the passer-by, at the same time conveying to him some hint of the calling of the archetype on which her fame was based. Prosperity in the venture begot rivalry; and the owner of the new house of refreshment, wishing to outshine his rival in trade whilst at the same time availing himself of the publicity and local fame already achieved, commissioned another artist to commit another pictorial atrocity under the name of art. So far as the purpose of publicity went, the ideas were similar; the only differences being in the colour scheme and the measure of attractiveness of the alleged prototype. From the indications thus given one may form some opinion--based solely on probability--as to which was the earlier and which the later artistic creation, for it is by this means--and this means only--that we may after the lapse of at least a century bring tradition to our aid, and guess at the original of Mother Damnable.

Of the two signs it seems probable that the black one is the older. After all, the main purpose of a sign-board is to catch the eye, and unless Titian and all who followed him are wrong, red has an attractive value beyond all other hues. The dictum of the great Italian is unassailable: “Red catches the eye; yellow holds it; blue gives distance.” A free-souled artist with the choice of the whole palette open to him might choose black since historical accuracy was a matter to be valued; but in a question of competition a painter would wisely choose red--especially when his rival had confined himself to black. So far as attractiveness is concerned, it must be borne in mind that the object of the painter and his patron was to bring customers to a London suburban public house in the days of George III. To-day there is a cult of horrors in Paris which has produced some choice specimens of decorative art, such for instance as the café known as _Le Rat Mort_.

Such places lure their customers by curiosity and sheer horror; but the persons lured are from a class dominated by “Gallic effervescence” and attracted by anything that is _bizarre_, and not of the class of the stolid beer-drinking Briton. But even the most stolid of men is pleased by the beauty of a woman; so the sign-painter--who knows his art well, and has evolved from the ranks of his calling such a man as Franz Hals--we may be sure, when he wished to please, took for his model some gracious personality.

Now the artist of the lady of dark headgear let his imagination run free and produced a face typical of all the sins of the Decalogue. We may therefore take it on the ground of form as well as that of colour that priority of date is to be given to Mother Black-Cap. There is good ground for belief that this deduction is correct. Naturally the owner of the earliest public-house wished to make it as attractive as possible; and as Camden Town was a suburb through which the northern traffic passed on its way to and from London, it was wise to use for publicity and entertainment names that were familiar to north country ears. Before the railways were organised the great wheeled and horse-traffic between London and the North--especially Yorkshire which was one of the first Counties to take up manufacturing and had already most of the wool trade--went through Camden Town. So it was wise forethought to take as an inn sign a Yorkshire name. The name of Mother Shipton had been in men’s mouths and ears for about two hundred years, and as the times had so changed that the old stigma of witchcraft was not then understood, the association of the name with Knaresborough alone remained. And so Mother Shipton of Knaresborough was intended as the prototype of the inn portrait with black headgear at Camden Town. In the ordinary course of development and business one of the two inns succeeded and lasted better than the other. And as Mother Red-Cap has as a name supplanted Mother Damnable, we may with some understanding discuss who that lady was.

She was a well-known shrew of Kentish Town, daughter of one Jacob Bingham, a local brickmaker, who had married the daughter of a Scotch pedlar manifestly not of any high moral character as shown by her later acts and the general mistrust which attended them. They had one daughter, Jinny, who in wickedness outdid her parents. She was naturally warm-blooded and had a child when she was sixteen by a man of no account, George Coulter, known as Gipsy George. Whatever affection may have existed between them was cut short by his arrest--and subsequent execution at Tyburn--for sheepstealing. In her second quasi-matrimonial venture Jinny lived a cat-and-dog life with a man called Darby who spent his time in getting drunk and trying to get over it. Number Two’s end was also tragic. After a violent quarrel with his companion he disappeared. Then there was domestic calm for a while, possibly due to the fact that Bingham and his wife were being tried also on a charge of witchcraft, complicated with another capital charge of procuring the death of a young woman. They were both hanged and thereafter Jinny found time for another episode of love-making and took up with a man called Pitcher. He too disappeared, but his body, burned almost to a cinder, was discovered in a neighbouring oven. Jinny was tried for murder, but escaped on the plea that the man often took refuge in the oven when he wished to get beyond reach of the woman’s venomous tongue, to which fact witness was borne by certain staunch companions of Miss Bingham.

Jinny’s third venture towards happy companionship, though it lasted much longer, was attended with endless bitter quarrelling, and came to an equally tragic end, had at the beginning a spice of romance. This individual, whose name has seemingly not been recorded, being pursued in Commonwealth times for some unknown offence, had sought her aid in attempting to escape. This she had graciously accorded, with the consequence that they lived together some years in the greatest unhappiness.

At length he died--of poison, but by whom administered did not transpire at the inquest. For the rest of her life Miss Bingham, who was now old, lived under the suspicion of being a witch. Her ostensible occupation was as a teller of fortunes and a healer of odd diseases--occupations which singly or together make neither for personal esteem or general confidence. Her public appearances were usually attended by hounding and baiting by the rabble; and whenever anything went wrong in her neighbourhood the blame was, with overt violence of demeanour, attributed to her. She did not even receive any of the respect usually shown to a freeholder--which she was, having by her father’s death become owner of a house which he had built for himself with his own hands on waste ground. Her only protector was that usual favourite of witches, a black cat, whose devotion to her and whose savage nature, accompanied by the public fear shown for an animal which was deemed her “familiar,” caused the mob to flee before its appearance.

The tragedy and mystery of her life were even exceeded by those of her death. When, having been missed for some time, her house was entered she, attended only by her cat and with her crutch by her side, was found crouching beside the cold ashes of her extinct fire. In the tea-pot beside her was some liquid, seemingly brewed from herbs. Willing hands administered some of this to the black cat, whose hair, within a very short time, fell off. The cat forthwith died. Then the clamour began. Very many people suddenly remembered having seen, after her last appearance in public, the Devil entering her house. No one, however, had seen him come out again. What a pity it was that no veracious scribe or draughtsman was present in the crowd which had noticed the Devil’s entry to the house. In such case we might have got a real likeness of His Satanic Majesty--a thing which has long been wanted--and the opportunities of obtaining which are few.

One peculiar fact is recorded of Madame Damnable’s burial; her body was so stiff from the _rigor mortis_--or from some other cause--that the undertakers had to break her limbs before they could put her body in the coffin.

F. MATTHEW HOPKINS

There is one thing more evil than oppression in the shape of wrong-doing, and that is oppression in the guise of good. Tennyson, in one of his poems, speaks of the dishonest pharmacist who “pestles a poison’d poison.” This is a refinement of iniquity; a poisoned poison is not even an enlargement of evil but a structural change eliminating the intention of good and replacing it with evil intent. Witches were quite bad enough; or rather they would have been, had that which was alleged of them been true. But a man who got his living by creating suspicion regarding them and following it out to the practical consummation of a hideous death, was a thousand times worse. To-day such a functionary as a witch-finder exists, it is true; but only amongst the very lowest and most debased savages. And it is only by the recorded types made known to us that it is possible even to guess at the iniquity of their measures, the vileness of their actions. In the full tally of the two centuries during which the witch mania existed in England, it is impossible to parallel the baseness of the one man who distinguished himself in this loathsome occupation. The facts of his history speak for themselves. Matthew Hopkins was born in Suffolk early in the seventeenth century. He was the son of a minister, James Hopkins of Wenham. He was brought up for the law, and when enrolled as an attorney, practised in Ipswich; but after a while he moved to Manningtree where, after he had given up the law, he took to the calling of witch-finder, being the first person in England to follow that honourable trade.

If he had had no suitable opportunities of earning an honest livelihood and been graced with no education, some excuse might have been offered for his despicable calling. But when we remember that he passed his youth in a household practising religion, and was a member of a learned profession, it is difficult to find words sufficiently comprehensive for the fit expression of our natural indignation against him. If picturesque profanity were allowable, it might be well applied to this despicable wretch and his nefarious labours. In no imaginable circumstances could there possibly be anything to be said in mitigation of his infamy. When we think that the whole ritual of oppression was in his own hands--that he began with lying and perjury, and ended with murder; that he showed, throughout, ruthless callousness for the mental and physical torture of great numbers of the most helpless class of the community, the poor, the weak, the suffering, the helpless and hopeless; that when once his foul imagination had consecrated any poor wretch to destruction, or his baleful glance had unhappily lighted on some unsuspecting victim there was for such only the refuge of death, and that by some means of prolonged torture, we cannot find any hope or prospect even in evil dreams of the nether world, of any adequate punishment for his dreadful sins. When we remember that this one man--if man he can be called--was in himself responsible for what amounted to the murder of some two hundred women whom he pursued to the death, the magnitude of his guilt can be guessed but not realised.

He occupied three whole years in his fell work; and in those years, 1644, 1645 and 1646, he caused a regular reign of terror throughout the counties of Huntingdon, Norfolk, Suffolk and Essex. He had a gang of his own to help him in his gruesome work of “discovering” witches; amongst whom was a wretch called John Stern and--to her shame--a woman, whose name is unrecorded. These three had a sort of mock assize of their own. They made regular tours of discovery, at a charge of twenty shillings for expenses at each place they visited. There appears to have been a fee paid or exacted for each witch “bagged”; and such was his greed that after a while he actually lowered the price. In 1645, which was perhaps his “best” year, the price declined to a shilling a head. Hopkins and his gang took comfort, however, from the fact that the industry was a growing one. The trade had only been initiated in 1644, and already in a year’s time he had in one day procured the execution of eighteen alleged witches; and at the end of that assize, after the gaol delivery had been effected, one hundred and twenty suspects still awaited trial. In the skilful hands of Matthew Hopkins, trial was only a step on the road to certain execution by one of the forms in use. Here came in, not only the witchfinder’s legal knowledge, but also his gift of invention--the latter being used in the formulation of so-called “tests” which were bound to be effective. Of these the simplest was the water test. The subject’s thumbs were tied together and she was then thrown into water of sufficient depth. If she did not drown, it was taken as a proof of guilt; and she was hanged by form of law. In some cases, as an alternative, she was burned. If she did not stand the test her friends had the pleasure of knowing that she was pronounced to have died innocent. In any case there was no further trouble with her. Such was the accuracy as well as the simplicity of similar “tests” that, in the twenty years previous to the Restoration, between three and four thousand alleged witches perished in England from one cause or another. Hopkins professed to be both just and merciful. He seemed generally willing to afford a “test” to the accused; though, truth to tell, the result was always the same. In such cases the test was eminently calculated to evoke confession, and such confession, no matter how ridiculous or extravagant it might be, was simply a curved road to the rope or the torch instead of a straight one. One of these pleasing “tests” was to place the old woman--they were all women and all old--sitting cross-legged on a stool or table where she could be well watched. She was generally kept in that position under inspection, without food or water, for twenty-four hours. At the end of that time such resolution as had remained disappeared, and in the vain blind hope of some change for the better, some alleviation however slight of the grinding misery, of the agony of body and mind and soul, they confessed. And such confessions! The very consideration of such of them as now remain in the cold third-person method of a mere recorder, almost makes one weep; there is hardly a word that is not almost a certificate of character. With every desire to confess--for such was the last hope of pleasing their torturers--their utter ignorance of confessional matter is almost a proof of innocence.

Just imagine the scene--a village or hamlet, or the poorer quarter of a small country town with squalid surroundings, marking a poverty which in this age has no equal; a poor, old, lonely woman whose long life of sordid misery, of hunger and the diseases that huddle closely around want, hopeless, despairing, recognising her fate through the prolonged physical torture with which age and infirmity rendered her unable even to attempt to cope. Round her gathered, in a sickly ring, a crowd of creatures debased by the exercise of greed and cruelty to a lower level than the beasts. Their object is not to inquire, to test, to judge; but only to condemn, to wreck, to break, to shatter. Some of them, she realises even in her agony, are spurred on by the same zeal which animated the cruelty of followers of Ignatius in the grim torture-chambers of the Inquisition.

The poor dazed, suffering old creature, racked with pains prolonged beyond endurance, tries to rally such glimmerings of invention as are possible to her untaught, unfed mind; but finds herself at every failure fluttering helplessly against a wall of spiritual granite which gives back not even an echo to her despairing cry. At last she comes to that stage where even fright and fear have no standing room, and where the blank misery of suffering ceases to be effective. Then the last flicker of desire for truth or rectitude of purpose dies away, and she receives in feeble acquiescence such suggestions as are shouted or whispered to her, in the hope that by accepting them she may win a moment’s ease of body or mind, even if it be her last on earth. Driven beyond mortal limits her untutored mind gives way; and with the last remnants of her strength she yields her very soul to her persecutors. The end does not matter to her now. Life has no more to offer her--even of pain, which is the last conscious tie to existence. And through it all, ghoul-like, watching and waiting for the collapse, whilst outwardly he goes through the mechanical ritual of prayer, we see in the background the sinister figure of the attorney, preparing in his mind such evidence as he may procure or invent for his work of the next day.

It needs the imagination of a Dante to consider what should be the place of such an one in history, and any eternity of punishment that that imagination could suggest must be inadequate. Even pity itself which rests on sympathy and is kin to the eternal spirit of justice, would have imagined with satisfaction the wretched soul going through a baleful eternity clinging in perpetual agony of fear to the very King of Terrors.