Part 12

That he was not heartless and indifferent to those who had loved him may be shown by the great care which he took to protect their names and reputations. Thus, on the day before his duel with Hamilton, he made a will in which he constituted his son-in-law as his executor. At the same time he wrote a sealed letter to Governor Allston in which he said:

If you can pardon and indulge a folly, I would suggest that Mme. ----, too well known under the name of Leonora, has claims on my recollection. She is now with her husband at Santiago, in Cuba.

Another fact has been turned to his discredit. From many women, in the course of his long life, he had received a great quantity of letters written by aristocratic hands on scented paper, and these letters he had never burned. Here again, perhaps, was shown the vanity of the man who loved love for its own sake. He kept all these papers in a huge iron-clamped chest, and he instructed Theodosia in case he should die to burn every letter which might injure any one.

After Theodosia's death Burr gave the same instructions to Matthew L. Davis, who did, indeed, burn them, though he made their existence a means of blackening the character of Burr. He should have destroyed them unopened, and should never have mentioned them in his memoirs of the man who trusted him as a friend.

Such was Aaron Burr throughout a life which lasted for eighty years. His last romance, at the age of seventy-eight, is worth narrating because it has often been misunderstood.

Mme. Jumel was a Rhode Island girl who at seventeen years of age eloped with an English officer, Colonel Peter Croix. Her first husband died while she was still quite young, and she then married a French wine-merchant, Stephen Jumel, some twenty years her senior, but a man of much vigor and intelligence. M. Jumel made a considerable fortune in New York, owning a small merchant fleet; and after Napoleon's downfall he and his wife went to Paris, where she made a great impression in the salons by her vivacity and wit and by her lavish expenditures.

Losing, however, part of what she and her husband possessed, Mme. Jumel returned to New York, bringing with her a great amount of furniture and paintings, with which she decorated the historic house still standing in the upper part of Manhattan Island--a mansion held by her in her own right. She managed her estate with much ability; and in 1828 M. Jumel returned to live with her in what was in those days a splendid villa.

Four years later, however, M. Jumel suffered an accident from which he died in a few days, leaving his wife still an attractive woman and not very much past her prime. Soon after she had occasion to seek for legal advice, and for this purpose visited the law-office of Aaron Burr. She had known him a good many years before; and, though he was now seventy-eight years of age, there was no perceptible change in him. He was still courtly in manner, tactful, and deferential, while physically he was straight, active, and vigorous.

A little later she invited him to a formal banquet, where he displayed all his charms and shone to great advantage. When he was about to lead her in to dinner, he said:

"I give my hand, madam; my heart has long been yours."

These attentions he followed up with several other visits, and finally proposed that she should marry him. Much fluttered and no less flattered, she uttered a sort of "No" which was not likely to discourage a man like Aaron Burr.

"I shall come to you before very long," he said, "accompanied by a clergyman; and then you will give me your hand because I want it."

This rapid sort of wooing was pleasantly embarrassing. The lady rather liked it; and so, on an afternoon when the sun was shining and the leaves were rustling in the breeze, Burr drove up to Mme. Jumel's mansion accompanied by Dr. Bogart--the very clergyman who had married him to his first wife fifty years before.

Mme. Jumel was now seriously disturbed, but her refusal was not a strong one. There were reasons why she should accept the offer. The great house was lonely. The management of her estate required a man's advice. Moreover, she was under the spell of Burr's fascination. Therefore she arrayed herself in one of her most magnificent Paris gowns; the members of her household and eight servants were called in and the ceremony was duly performed by Dr. Bogart. A banquet followed. A dozen cobwebbed bottles of wine were brought up from the cellar, and the marriage feast went on merrily until after midnight.

This marriage was a singular one from many points of view. It was strange that a man of seventy-eight should take by storm the affections of a woman so much younger than he--a woman of wealth and knowledge of the world. In the second place, it is odd that there was still another woman--a mere girl--who was so infatuated with Burr that when she was told of his marriage it nearly broke her heart. Finally, in the early part of that same year he had been accused of being the father of a new-born child, and in spite of his age every one believed the charge to be true. Here is a case that it would be hard to parallel.

The happiness of the newly married pair did not, however, last very long. They made a wedding journey into Connecticut, of which state Burr's nephew was then Governor, and there Burr saw a monster bridge over the Connecticut River, in which his wife had shares, though they brought her little income. He suggested that she should transfer the investment, which, after all, was not a very large one, and place it in a venture in Texas which looked promising. The speculation turned out to be a loss, however, and this made Mrs. Burr extremely angry, the more so as she had reason to think that her ever-youthful husband had been engaged in flirting with the country girls near the Jumel mansion.

She was a woman of high spirit and had at times a violent temper. One day the post-master at what was then the village of Harlem was surprised to see Mrs. Burr drive up before the post-office in an open carriage. He came out to ask what she desired, and was surprised to find her in a violent temper and with an enormous horse-pistol on each cushion at her side.

"What do you wish, madam?" said he, rather mildly.

"What do I wish?" she cried. "Let me get at that villain Aaron Burr!"

Presently Burr seems to have succeeded in pacifying her; but in the end they separated, though she afterward always spoke most kindly of him. When he died, only about a year later, she is said to have burst into a flood of tears--another tribute to the fascination which Aaron Burr exercised through all his checkered life.

It is difficult to come to any fixed opinion regarding the moral character of Aaron Burr. As a soldier he was brave to the point of recklessness. As a political leader he was almost the equal of Jefferson and quite superior to Hamilton. As a man of the world he was highly accomplished, polished in manner, charming in conversation. He made friends easily, and he forgave his enemies with a broadmindedness that is unusual.

On the other hand, in his political career there was a touch of insincerity, and it can scarcely be denied that he used his charm too often to the injury of those women who could not resist his insinuating ways and the caressing notes of his rich voice. But as a husband, in his youth, he was devoted, affectionate, and loyal; while as a father he was little less than worshiped by the daughter whom he reared so carefully.

One of his biographers very truly says that no such wretch as Burr has been declared to be could have won and held the love of such a wife and such a daughter as Burr had.

When all the other witnesses have been heard, let the two Theodosias be summoned, and especially that daughter who showed toward him an affectionate veneration unsurpassed by any recorded in history or romance. Such an advocate as Theodosia the younger must avail in some degree, even though the culprit were brought before the bar of Heaven itself.

GEORGE IV. AND MRS. FITZHERBERT

In the last decade of the eighteenth century England was perhaps the most brilliant nation of the world. Other countries had been humbled by the splendid armies of France and were destined to be still further humbled by the emperor who came from Corsica. France had begun to seize the scepter of power; yet to this picture there was another side--fearful want and grievous poverty and the horrors of the Revolution. Russia was too far away, and was still considered too barbarous, for a brilliant court to flourish there. Prussia had the prestige that Frederick the Great won for her, but she was still a comparatively small state. Italy was in a condition of political chaos; the banks of the Rhine were running blood where the Austrian armies faced the gallant Frenchmen under the leadership of Moreau. But England, in spite of the loss of her American colonies, was rich and prosperous, and her invincible fleets were extending her empire over the seven seas.

At no time in modern England has the court at London seen so much real splendor or such fine manners. The royalist emigres who fled from France brought with them names and pedigrees that were older than the Crusades, and many of them were received with the frankest, freest English hospitality. If here and there some marquis or baron of ancient blood was perforce content to teach music to the daughters of tradesmen in suburban schools, nevertheless they were better off than they had been in France, harried by the savage gaze-hounds of the guillotine. Afterward, in the days of the Restoration, when they came back to their estates, they had probably learned more than one lesson from the bouledogues of Merry England, who had little tact, perhaps, but who were at any rate kindly and willing to share their goods with pinched and poverty-stricken foreigners.

The court, then, as has been said, was brilliant with notables from Continental countries, and with the historic wealth of the peerage of England. Only one cloud overspread it; and that was the mental condition of the king. We have become accustomed to think of George III as a dull creature, almost always hovering on the verge of that insanity which finally swept him into a dark obscurity; but Thackeray's picture of him is absurdly untrue to the actual facts. George III. was by no means a dullard, nor was he a sort of beefy country squire who roved about the palace gardens with his unattractive spouse.

Obstinate enough he was, and ready for a combat with the rulers of the Continent or with his self-willed sons; but he was a man of brains and power, and Lord Rosebery has rightly described him as the most striking constitutional figure of his time. Had he retained his reason, and had his erratic and self-seeking son not succeeded him during his own lifetime, Great Britain might very possibly have entered upon other ways than those which opened to her after the downfall of Napoleon.

The real center of fashionable England, however, was not George III., but rather his son, subsequently George IV., who was made Prince of Wales three days after his birth, and who became prince regent during the insanity of the king. He was the leader of the social world, the fit companion of Beau Brummel and of a choice circle of rakes and fox-hunters who drank pottle-deep. Some called him "the first gentleman of Europe." Others, who knew him better, described him as one who never kept his word to man or woman and who lacked the most elementary virtues.

Yet it was his good luck during the first years of his regency to be popular as few English kings have ever been. To his people he typified old England against revolutionary France; and his youth and gaiety made many like him. He drank and gambled; he kept packs of hounds and strings of horses; he ran deeply into debt that he might patronize the sports of that uproarious day. He was a gallant "Corinthian," a haunter of dens where there were prize-fights and cock-fights, and there was hardly a doubtful resort in London where his face was not familiar.

He was much given to gallantry--not so much, as it seemed, for wantonness, but from sheer love of mirth and chivalry. For a time, with his chosen friends, such as Fox and Sheridan, he ventured into reckless intrigues that recalled the amours of his predecessor, Charles II. He had by no means the wit and courage of Charles; and, indeed, the house of Hanover lacked the outward show of chivalry which made the Stuarts shine with external splendor. But he was good-looking and stalwart, and when he had half a dozen robust comrades by his side he could assume a very manly appearance. Such was George IV. in his regency and in his prime. He made that period famous for its card-playing, its deep drinking, and for the dissolute conduct of its courtiers and noblemen no less than for the gallantry of its soldiers and its momentous victories on sea and land. It came, however, to be seen that his true achievements were in reality only escapades, that his wit was only folly, and his so-called "sensibility" was but sham. He invented buckles, striped waistcoats, and flamboyant collars, but he knew nothing of the principles of kingship or the laws by which a state is governed.

The fact that he had promiscuous affairs with women appealed at first to the popular sense of the romantic. It was not long, however, before these episodes were trampled down into the mire of vulgar scandal.

One of the first of them began when he sent a letter, signed "Florizel," to a young actress, "Perdita" Robinson. Mrs. Robinson, whose maiden name was Mary Darby, and who was the original of famous portraits by Gainsborough and Reynolds, was a woman of beauty, talent, and temperament. George, wishing in every way to be "romantic," insisted upon clandestine meetings on the Thames at Kew, with all the stage trappings of the popular novels--cloaks, veils, faces hidden, and armed watchers to warn her of approaching danger. Poor Perdita took this nonsense so seriously that she gave up her natural vocation for the stage, and forsook her husband, believing that the prince would never weary of her.

He did weary of her very soon, and, with the brutality of a man of such a type, turned her away with the promise of some money; after which he cut her in the Park and refused to speak to her again. As for the money, he may have meant to pay it, but Perdita had a long struggle before she succeeded in getting it. It may be assumed that the prince had to borrow it and that this obligation formed part of the debts which Parliament paid for him.

It is not necessary to number the other women whose heads he turned. They are too many for remembrance here, and they have no special significance, save one who, as is generally believed, became his wife so far as the church could make her so. An act of 1772 had made it illegal for any member of the English royal family to marry without the permission of the king. A marriage contracted without the king's consent might be lawful in the eyes of the church, but the children born of it could not inherit any claim to the throne.

It may be remarked here that this withholding of permission was strictly enforced. Thus William IV., who succeeded George IV., was married, before his accession to the throne, to Mrs. Jordan (Dorothy Bland). Afterward he lawfully married a woman of royal birth who was known as Queen Adelaide.

There is an interesting story which tells how Queen Victoria came to be born because her father, the Duke of Kent, was practically forced to give up a morganatic union which he greatly preferred to a marriage arranged for him by Parliament. Except the Duke of Cambridge, the Duke of Kent was the only royal duke who was likely to have children in the regular line. The only daughter of George IV. had died in childhood. The Duke of Cumberland was for various reasons ineligible; the Duke of Clarence, later King William IV., was almost too old; and therefore, to insure the succession, the Duke of Kent was begged to marry a young and attractive woman, a princess of the house of Saxe-Coburg, who was ready for the honor. It was greatly to the Duke's credit that he showed deep and sincere feeling in this matter. As he said himself in effect:

"This French lady has stood by me in hard times and in good times, too--why should I cast her off? She has been more than a wife to me. And what do I care for your plans in Parliament? Send over for one of the Stuarts--they are better men than the last lot of our fellows that you have had!"

In the end, however, he was wearied out and was persuaded to marry, but he insisted that a generous sum should be settled on the lady who had been so long his true companion, and to whom, no doubt, he gave many a wistful thought in his new but unfamiliar quarters in Kensington Palace, which was assigned as his residence.

Again, the second Duke of Cambridge, who died only a few years ago, greatly desired to marry a lady who was not of royal rank, though of fine breeding and of good birth. He besought his young cousin, as head of the family, to grant him this privilege of marriage; but Queen Victoria stubbornly refused. The duke was married according to the rites of the church, but he could not make his wife a duchess. The queen never quite forgave him for his partial defiance of her wishes, though the duke's wife--she was usually spoken of as Mrs. FitzGeorge--was received almost everywhere, and two of her sons hold high rank in the British army and navy, respectively.

The one real love story in the life of George IV. is that which tells of his marriage with a lady who might well have been the wife of any king. This was Maria Anne Smythe, better known as Mrs. Fitzherbert, who was six years older than the young prince when she first met him in company with a body of gentlemen and ladies in 1784.

Maria Fitzherbert's face was one which always displayed its best advantages. Her eyes were peculiarly languishing, and, as she had already been twice a widow, and was six years his senior, she had the advantage over a less experienced lover. Likewise, she was a Catholic, and so by another act of Parliament any marriage with her would be illegal. Yet just because of all these different objections the prince was doubly drawn to her, and was willing to sacrifice even the throne if he could but win her.

His father, the king, called him into the royal presence and said:

"George, it is time that you should settle down and insure the succession to the throne."

"Sir," replied the prince, "I prefer to resign the succession and let my brother have it, and that I should live as a private English gentleman."

Mrs. Fitzherbert was not the sort of woman to give herself up readily to a morganatic connection. Moreover, she soon came to love Prince George too well to entangle him in a doubtful alliance with one of another faith than his. Not long after he first met her the prince, who was always given to private theatricals, sent messengers riding in hot haste to her house to tell her that he had stabbed himself, that he begged to see her, and that unless she came he would repeat the act. The lady yielded, and hurried to Carlton House, the prince's residence; but she was prudent enough to take with her the Duchess of Devonshire, who was a reigning beauty of the court.

The scene which followed was theatrical rather than impressive.--The prince was found in his sleeping-chamber, pale and with his ruffles blood-stained. He played the part of a youthful and love-stricken wooer, vowing that he would marry the woman of his heart or stab himself again. In the presence of his messengers, who, with the duchess, were witnesses, he formally took the lady as his wife, while Lady Devonshire's wedding-ring sealed the troth. The prince also acknowledged it in a document.

Mrs. Fitzherbert was, in fact, a woman of sound sense. Shortly after this scene of melodramatic intensity her wits came back to her, and she recognized that she had merely gone through a meaningless farce. So she sent back the prince's document and the ring and hastened to the Continent, where he could not reach her, although his detectives followed her steps for a year.

At the last she yielded, however, and came home to marry the prince in such fashion as she could--a marriage of love, and surely one of morality, though not of parliamentary law. The ceremony was performed "in her own drawing-room in her house in London, in the presence of the officiating Protestant clergyman and two of her own nearest relatives."

Such is the serious statement of Lord Stourton, who was Mrs. Fitzherbert's cousin and confidant. The truth of it was never denied, and Mrs. Fitzherbert was always treated with respect, and even regarded as a person of great distinction. Nevertheless, on more than one occasion the prince had his friends in Parliament deny the marriage in order that his debts might be paid and new allowances issued to him by the Treasury.

George certainly felt himself a husband. Like any other married prince, he set himself to build a palace for his country home. While in search of some suitable spot he chanced to visit the "pretty fishing-village" of Brighton to see his uncle, the Duke of Cumberland. Doubtless he found it an attractive place, yet this may have been not so much because of its view of the sea as for the reason that Mrs. Fitzherbert had previously lived there.

However, in 1784 the prince sent down his chief cook to make arrangements for the next royal visit. The cook engaged a house on the spot where the Pavilion now stands, and from that time Brighton began to be an extremely fashionable place. The court doctors, giving advice that was agreeable, recommended their royal patient to take sea-bathing at Brighton. At once the place sprang into popularity.

At first the gentry were crowded into lodging-houses and the accommodations were primitive to a degree. But soon handsome villas arose on every side; hotels appeared; places of amusement were opened. The prince himself began to build a tasteless but showy structure, partly Chinese and partly Indian in style, on the fashionable promenade of the Steyne.

During his life with Mrs. Fitzherbert at Brighton the prince held what was practically a court. Hundreds of the aristocracy came down from London and made their temporary dwellings there; while thousands who were by no means of the court made the place what is now popularly called "London by the Sea." There were the Duc de Chartres, of France; statesmen and rakes, like Fox, Sheridan, and the Earl of Barrymore; a very beautiful woman, named Mrs. Couch, a favorite singer at the opera, to whom the prince gave at one time jewels worth ten thousand pounds; and a sister of the Earl of Barrymore, who was as notorious as her brother. She often took the president's chair at a club which George's friends had organized and which she had christened the Hell Fire Club.

Such persons were not the only visitors at Brighton. Men of much more serious demeanor came down to visit the prince and brought with them quieter society. Nevertheless, for a considerable time the place was most noted for its wild scenes of revelry, into which George frequently entered, though his home life with Mrs. Fitzherbert at the Pavilion was a decorous one.