Part 5
"In the absurdly complicated process of obtaining bait, tenu-fishing is typical of the South Pacific. The night before, Ruri had spent two hours with a torch, catching hermit crabs; now, using these crabs for bait we had to catch some ku ta--a small, prickly fish which alone has power to interest the tenu. We set out in Ruri's leaky canoe and paddled to a big, coral mushroom, which rose to within a yard of the surface. Here the old man smashed the shells of his hermit crabs with a stone, broke off the claws, set the soft bodies to one side, and mashed the claws to a paste, which he dropped overboard and allowed to drift into a dark hole in the coral. Then he produced a short line, baited the hook with a body of a crab, and let it sink out of sight into the darkness of the hole. In ten minutes a dozen ku ta were gasping in the bottom of the canoe--fantastic little fish, colored scarlet and vermilion, with enormous black eyes and a dorsal fin which seemed to be carved out of red sealing wax. We put them in a basket, trailed overboard to keep them alive, and began the real fishing of the day. I paddled slowly, while Ruri--who did not believe in fishing till the fish was in sight--leaned over the side, scrutinizing the bottom through his water glass. Finally he signaled me to stop--his eye had caught the movement of a tenu among the masses of live coral, forty feet below us. The rest was simple: one hooked a ku ta under the dorsal fin, tossed him overboard, and allowed the weight of the hook and line to carry him to the bottom. By means of the water glass, one could watch the approach of the tenu, see him seize the bait, and judge the proper moment to strike.
"The bonito, which they call atu, is the most important of all fish to the people of Mataora. Almost any fine day one could see a fleet of canoes working offshore, busy at bonito catching, surrounded by a cloud of the sea birds which guide one to the schools. They use a pretty lure for this fishing--a sort of jig cut out of mother-of-pearl, equipped with a tuft of red-dyed coconut husk and a barbless hook of shell. Each fisherman carries a stiff bamboo rod and half a dozen of these lures--ranging in color from pale green to black--attached to ten-foot lengths of line. The islanders have discovered that the condition of the water and the variations of light make certain colors more attractive than others at a given time; and when a school is found they try one shade after another till they discover which the bonito prefer. Then the jigs not in use are hooked to a ring at the base of the pole, and the fisherman begins to pull bonito from the water, heaving them out by main strength, without a moment's play. The barbless hook releases itself the moment the fish is in the canoe, and the lure goes overboard without the loss of an instant.
"One day, after a period of low tides, I saw another method of fishing--rarely practised nowadays--an ora, or fish-poisoning picnic. You know the barringtonia, probably--the big tree from which they make their drums; it grows on all the high islands, and sometimes one finds it on the richer atolls. There were a few on Mataora. Ever notice the flower? It is a lovely thing--a tassel of silky cream-colored stamens, shading to old rose at the ends, and tipped with golden beads. The fruit is odd-looking, like a squarish pomegranate, and it has odd properties, for when pounded up and put into shallow water it seems to stupefy the fish.
"I was sitting in the shade beside Tari's house when a boy came through the settlement, blowing melancholy blasts on a conch shell and announcing that the chief wanted everyone to be on hand that afternoon at a certain part of the lagoon, where an ora was to be held. We set out at noon, the women carrying the crushed seeds of the barringtonia in hastily woven baskets of green coconut frond. A crowd from the other settlements was awaiting our arrival; and when the babies had been put to sleep in the shade, with small children stationed beside them to fan away the flies, the fun began. A shallow stretch of lagoon lay before us, half a mile long by a quarter wide, and into this plunged the women and girls, wading and swimming in all directions, trailing behind them their baskets of poison. As time went on, a faint and curious odor began to rise from the water--a smell which reminded me vaguely of potassium cyanide. Soon the spearmen were busy--wild brown figures, naked except for scarlet loin cloths--pursuing the half-stupefied fish among the crevices of the coral. Before the effect of the poison wore off and the reviving fish began to make their escape to deeper water the men were returning to the beach, the strings of hibiscus bark at their belts loaded and dragging.
"On another day I joined a party of young people for a picnic across the lagoon. It was glassy calm; the water was like a mirror in which the palms of the wooded islets were reflected with motionless perfection. The beaches on the far side, invisible on an ordinary day, seemed to rise far out of water in the mirage. We landed on an uninhabited island, hauled up our canoes, and set out on a hunt for coconut crabs.
"They are extraordinary creatures, these crabs, enormous, and delicious to eat. You will not find many on the high islands; but in a place like Mataora there are hundreds of them, and they do a lot of damage to the coconuts. During the day they hide in their holes, deep among the roots of some big trees; at night they come out, climb the palms, nip off the nuts with their powerful claws, descend to the ground, tear off the husks, break open the shells, and devour the meat. To catch them, one can either dig them out or build a fire at the mouth of the hole, which never fails to draw them. Fire simply fascinates the brutes. They must be handled warily, for their claws can grip like a pair of pipe tongs and shear off a man's finger without an effort.
"We lit a fire under the shade of a puka tree and liberated the crabs we had captured. It sounds incredible, but they walked into the fire, and sat down quietly on the embers to roast! One of the boys climbed a palm and brought us some coconuts of a variety called nu mangaro, with an edible husk, sweet and fibrous, like sugar cane. After lunch we had a swim in the deep water close inshore and lay about smoking while the girls wove us wreaths of sweet fern. It was an idyllic sort of a day.
"I spent five months on Mataora. At first, when the schooner did not appear, I was worried and used to fret a little; but as time went on I grew to like the easy-going, dreamy life, and when at last a schooner came to take me off I didn't know whether to be glad or sorry--there were moments when I almost decided to send for a few things and follow the example of old Ruri.
"During those five months I knew more disinterested kindliness than I had supposed existed in the world; my heart warmed to the people of Mataora.
"Finally the day came when the schooner dropped anchor in the lee of the village--Whitmore's _Tureia_. Canoe after canoe shot out through the surf; the women gathered in the shade of the canoe houses on the beach, awaiting the landing of the boatmen, who would bring news of husbands diving for shell in distant lagoons, or relatives scattered among far-off groups of islands. As I shook hands with Whitmore I heard a prolonged wailing from the village--the tangi of a new widow.
"When I went to the house to get my things together Tari informed me that, as the schooner would not leave till next day, the people were preparing a farewell feast in my honor. It was held in the assembly house of the village, decorated with arches of palm frond, garlands of scented fern, and the scarlet flowers of the hibiscus. Everyone brought a gift for the departing stranger--a fan, a hat, a pearl fishhook, a drinking cup of ornamented coconut shell, a carved paddle of porcupine wood inlaid with mother-of-pearl. I distributed what little I had to offer, wishing it were a dozen times as much.
"On the beach next morning the people of Mataora gathered for a last handclasp; smile cynically if you will--there were tears shed; I wasn't too happy myself when I heard their plaintive song of farewell floating out across the water."
Worthington ceased speaking and leaned forward to scratch a match. The squall had passed long since; the immense arch of the Milky Way stretched overhead, and low in the south--beyond Hull Island and Rimatara, over the loneliest ocean in the world--the Southern Cross was rising. Lying on mats behind us, a party of Cook-Islanders spoke in soft tones, their faces illuminated fitfully by the glow of their cigarettes. My companion was lighting his pipe, and in the flare of the match I could see that he was smiling to himself.
"Some day," he said, "you will hear that I have closed up my affairs and disappeared. Don't worry when that happens; you'll know I have gone to Mataora--this time to stop for good."
*CHAPTER IV*
*The Land of Ahu Ahu*
I might attempt to set down a matter-of-fact description of this place if only the subject permitted one to be matter-of-fact. Strange and remote, set in a lonely space of the sea and isolated from the world for the seven or eight centuries following the decline of Polynesian navigation, there is no other land like this hollow island of Ahu Ahu. Week after week, month after month, the watcher on its cliffs may gaze out toward the horizon and see never a sail nor a distant trail of smoke to liven the dark-blue desert of the Pacific. The cliffs themselves are strange--the reef of an ancient atoll, upraised in some convulsion of the earth to form a ring of coral limestone--sheer precipices facing the sea, half a mile of level barren summit, and an inner wall of cliffs, overlooking the rich lowlands of the interior. During the unnumbered years of their occupation, the land has set a stamp upon its people--so long on Ahu Ahu that they have forgotten whence they came. Hardy, hospitable, and turbulent, they are true children of the islands, and yet a family apart--ruder and less languid than the people of Samoa or Tahiti, and speaking a harsher tongue. And, more than any other island folk, they live in the past, for ghosts walk on Ahu Ahu, and the living commune nightly with the old dead who lie in the _marae_.
It was an hour before sunset when we sighted the land--the merest blue irregularity on the horizon, visible from one's perch in the shrouds each time the schooner rose to the crest of a sea. The mellow shout of landfall brought a score of native passengers to their feet; at such a moment one realizes the passionate devotion of the islander to his land. Men sprang into the rigging to gaze ahead with eager exclamations; mothers held up their babies--born on distant plantations--for a first glimpse of Ahu Ahu; seasick old women, emerging from disordered heaps of matting, tottered to the bulwarks with eyes alight. The island had not been visited for six months, and we carried a cargo of extraordinary variety--hardware, bolts of calico, soap, lumber, jewelry, iron roofing, cement, groceries, phonograph records, an unfortunate horse, and several pigs, those inevitable deck-passengers in the island trade. There were scores of cases of bully beef and ship's biscuit--the staple luxuries of modern Polynesia, and, most important of all, six heavy bags of mail.
As we drew near the land, toward midnight, I gave up the attempt to sleep in my berth and went on deck to spread a mat beside Tari, our supercargo, who lay aft of the mainmast, talking in low tones with his wife. It was calm, here in the lee of the island; the schooner slipped through the water with scarcely a sound, rising and falling on the long gentle swell. Faint puffs of air came off the land, bringing a scent of flowers and wood smoke and moist earth. We had been sighted, for lights were beginning to appear in the village; now and then, on a flaw of the breeze, one heard a sigh, long drawn and half inaudible--the voice of the reef. A party of natives, seated on the forward hatch, began to sing. The words were modern and religious, I believe, but the music--indescribably sad, wild, and stirring--carried one back through the centuries to the days when man expressed the dim yearnings of his spirit in communal song. It was a species of chant, with responses; four girls did most of the singing, their voices mingling in barbaric harmonies, each verse ending in a prolonged melodious wail. Precisely as the last note died away, in time with the cadence of the chant, the deep voices of the men took up the response, "_Kare, aue!_" ("No, alas!") Tari turned to me.
"They sing well," he said, "these Ahu Ahu people; I like to listen to them. That is a hymn, but a stranger would never suspect it--the music is pure heathen. Look at the torchlights in the village; smell the land breeze--it would tell you you were in the islands if you were set down here blindfold from a place ten thousand miles away. With that singing in one's ears, it is not difficult to fancy oneself in a long canoe, at the end of an old-time voyage, chanting a song of thanksgiving to the gods who have brought us safely home."
He is by no means the traditional supercargo of a trading schooner, this Tari; I have wasted a good deal of time speculating as to his origin and the reasons for his choosing this mode of life. An Englishman with a hint of Oxford in his voice--quite obviously what we call a gentleman--a reader of reviews, the possessor (at his charming place on Nukutere) of an enviable collection of books on the natural history and ethnology of the South Seas, he seldom speaks of himself or of his people at home. For twenty years he has been known in this part of the world--trading on Penrhyn, Rakahanga, Tupuai, the atolls of the Paumotu. He speaks a dozen of the island dialects, can join in the singing of _Utes_, or bring a roar of applause by his skill in the dances of widely separated groups. When the war broke out he enlisted as a private in a New Zealand battalion, and the close of hostilities found him with decorations for gallantry, the rank of captain, and the scars of honorable wounds. As a subject for conversation, the war interests him as little as his own life, but this evening he had emptied a full bottle of rum, and was in the mildly mellow state which is his nearest approach to intoxication.
"I never thought I'd see the old country again," he said, "but the war changed all that. I got a nasty wound in Gallipoli, you see, and they sent me home to convalesce. The family wasn't meant to know I was hurt, but they saw a bit of a thing in the paper [an account of the exploit which won Tari his D.C.M.], and there they were at the dock when the transport off-loaded. I hadn't laid eyes on them for fifteen years.... The old governor--by Jove! he was decent. It was all arranged that I should stop in England when the war was over; I thought myself it was a go. When the job was finished, and I'd got a special dispensation to be demobbed at home, I stood it for a fortnight and then gave up....
"Home is all very well for a week or two, but for a steady thing I seem to fit in better down here. What is it that makes a chap stop in the islands? You must have felt it yourself, and yet it is hard to put into words. This sort of thing, perhaps [he swept his hand through the soft darkness] ... the beauty, the sense of remoteness, the vague and agreeable melancholy of these places. Then I like the way the years slip past--the pleasant monotony of life. My friends at home put up with a kind of dullness which would drive me mad; but here, where there is even less to distinguish one day from another, one seems never to grow fretful or impatient of time. One's horizon narrows, of course; I scarcely look at the newspaper any more. If you stop here you will find yourself unconsciously drifting into the native state of mind, readjusting your sense of values until the great events of the world seem far off and unreal, and your interests are limited to your own business, the vital statistics of your island, and the odd kinks of human nature about you. Perhaps this is the way we are meant to live; at any rate, it brings serenity.
"I've been here too long to sentimentalize about the natives--they have their weak points, and plenty of them. Allowing for these, you'll find the Kanakas a good sort to have about--often amusing, always interesting; at once deep, artful, gay, simple, and childish. At bottom they are not very different from ourselves; it is chiefly a matter of environment. Consider any of the traders who came here as boys--old fellows who will buttonhole you and spend hours abusing the people--the truth is that they have become more native than the men they abuse.
"There are places, like Africa, where one can live among a primitive people and absorb nothing from them; their point of view is too alien, their position in the scale of humanity too widely separated from our own. It is different in the islands. If one could discover the truth, it wouldn't surprise me to learn that these people were distant cousins of ours. The scholars--in whose conclusions I haven't much faith--trace them back, along the paths of successive migrations, through Indonesia to northern India or the land of the Cushites. In any case, I believe that the blood we term Caucasian flows in their veins, the legacy of ancestors separated from the parent stock so long ago that mankind had not yet learned the use of iron. And they are old, these island tribes who were discovering new lands in the Pacific in the days when our forefathers wore the horns of bulls upon their heads. Don't judge them in the present, or even in the time of Cook; they were a dying people then, whose decline had begun five or six hundred years before. It seems to me that a race, like an individual, grows old, loses heart, and fades away. On nearly every island they are dying to-day--a tragedy, an inevitable one, which the coming of the European has hastened, but not caused.
"Whether or not it may be accounted for on grounds of a distant kinship, it is impossible to stop long in the islands without absorbing, to a certain extent, the native point of view. Things which seemed rubbish at first slowly acquire significance; one begins to wonder if, after all, there may not be varieties of knowledge lost to us in the complexities of civilization.... I've seen some queer things myself.
"My wife's mother lives on Ahu Ahu, where her ancestors have been hereditary rulers since Maui fished the island out of the sea. I've known the family a good many years, and long before I married Apakura the old lady was kind enough to take a motherly interest in me. I always put up with her when we touched at Ahu Ahu. Once, after I had been away for several months, I sat down to have a yarn with her, and was beginning to tell about where I'd been and what I'd done when she stopped me. 'No, let me tell you,' she said, with an odd smile; and, upon my honor, she did--down to the details! I got the secret out of her the same evening. She is very friendly, it seems, with an ancestor of hers--a woman named Rakamoana, who lived twenty-eight generations--seven hundred years--ago, and is buried in the big _marae_ behind the village. When one of the family is off on a trip, and my mother-in-law suspects that he is in trouble or not behaving himself, she puts herself into a kind of trance, calls up old Rakamoana, and gets all the facts. I hope the habit won't come into general use--might prove jolly awkward, eh? Seriously, though, I can't account for the things she told me without accepting her own explanation. Strange if there were a germ of truth in the legends of how the old sea-going canoes were navigated--the priests, in a state of trance, directing the helmsmen which way to steer for land....
"There is another old woman on Ahu Ahu whose yarns are worth hearing. Many years ago a Yankee whaling vessel called at the island, and a Portuguese harpooner, who had had trouble with the captain, deserted and hid himself in the bush. The people had taken a fancy to him and refused to give him up, so finally the captain was obliged to sail away without his man. From all accounts this harpooner must have been a good chap; when he proved that he was no common white waster, the chief gave him a bit of land and a girl of good family for a wife--now the old lady of whom I spoke. I think it was tools he needed, or some sort of gear for a house he was building; at any rate, when another whaler touched he told his wife that he was going on a voyage to earn some money and that he might be gone a year. There was a kind of agreement, current in the Pacific in those days, whereby a whaling captain promised to land a man at the point where he had signed him on.
"Well, the harpooner sailed away, and, as might have been expected, his wife never saw him again; but here comes the odd part of the story. The deserted wife, like so many of the Ahu Ahu women, had an ancestor who kept her in touch with current events. Being particularly fond of her husband, she indulged in a trance from time to time, to keep herself informed as to his welfare. Several months after his departure the tragedy occurred--described in detail by the obliging and sympathetic dweller in the _marae_. It was a kind of vision, as told to me, singularly vivid for an effort of pure imagination--the open Pacific, heaving gently and ruffled by a light air; two boats from rival vessels pursuing the same whale; the Portuguese harpooner standing in the bows of one, erect and intent upon the chase, his iron the first, by a second of time, to strike. Then came a glimpse of the two boats foaming side by side in the wake of the whale; the beginning of the dispute; the lancing and death flurry of an old bull sperm; the rising anger of the two harpooners, as the boats rocked gently beside the floating carcass; the treacherous thrust; the long red blade of the lance standing out between the shoulders of the Portuguese.
"The woman awoke from her trance with a cry of anguish; her husband was dead--she set up the widow's _tangi_. One might have thought it an excellent tale, concocted to save the face of a deserted wife, if the same vessel had not called at Ahu Ahu within a year, to bring news of the husband's death under the exact circumstances of the vision.
"What is one to believe? If seeing is believing, then count me a believer, for my own eyes have seen an incredible thing. It was on Aitutaki, in the Cook group. An old chief, the descendant of a very ancient family, lay ill in the village. I had turned in early, as I'd promised to go fishing on the reef when the tide served, an hour after midnight. You know how the spirits of the dead were believed to flee westward, to Hawaiki, and how their voices might be heard at night, calling to one another in the sky, as they drove past, high overhead. Early in the evening, as I lay in bed, a boy came into the next room, panting with excitement. He had been to a plantation in the hills, it seemed, and as he returned, just after dusk, had heard the voices of a shouting multitude passing in the air above him. I was tired and paid little attention to his story, but for some reason I found it impossible to sleep. It was a hot night, very still and sultry, with something in the air that made one's nerves twitch every time a coconut frond dropped in the distance. I was still lying awake when my fishing companions came to get me; a little ahead of time, for, like me, they had been unable to sleep. We would wait on the reef, they suggested, where it was sure to be cool, until the tide was right.