Extempore Speech: How to Acquire and Practice It
CHAPTER VI.
THE FIRST MOMENT OF SPEECH.
Haying completed all your preparations, you now anxiously await the commencement of the intellectual battle. This period is often a severe trial. Men who are physically brave sometimes tremble in anticipation of speedily standing before an audience. The shame of failure then may appear worse than death itself. As the soldier feels more of cold and shrinking terror when listening for the peal of the first gun, than afterward, when the conflict deepens into blood around him, so the speaker usually suffers more in this moment of expectancy than in any that follows. You behold the danger in its full magnitude, without the inspiration that attends it. Yet whatever effort it may cost, you must remain calm and collected, for if not master of yourself, you cannot expect to rule others. Your material must be kept well in hand, ready to be used at the proper time, though it is not well to be continually conning over your preparation. That would destroy the freshness of your matter and bring you to the decisive test weary and jaded. You only need such an occasional glance as will assure you that all your material remains within reach. It is seldom possible by any means to banish all fear, and it is to the speaker’s advantage that he cannot. His timidity arises from several causes, which differ widely in the effects they produce. A conscious want of preparation, especially when this arises from any neglect or indolence, is one of the most distressing sources of fear. A species of remorse then mingles with the embarrassment natural to the moment. If the speaker has no other motive than to win reputation—to minister to his own vanity—he will feel terrified, as he realizes that shame instead of honor may be the result of his rashness. That man is fortunate who can say, “I only speak because I feel it to be duty which I dare not refuse—a work that I must perform whether well or ill.” The lawyer who must defend his client, the minister who feels that the hour of service has arrived, the teacher in the presence of his class, are examples of those who speak under the same kind of compulsion that calls a field laborer out into the burning heat of a July noon whether he feels like it or not. But if you are about to speak because you have intruded into the work that properly belongs to another, you need to be very sure of your preparation, for in case of failure you will not have even your own sympathy.
But the most formidable and common foe of the speaker’s, in these preliminary moments, is a general dread that can neither be analyzed nor accounted for. Persons who have never felt its power sometimes make light of it, but experience will change their views. The soldier who has never witnessed a battle, or felt the air throb with the explosion of cannon, or heard the awful cries of the wounded, is often a great braggart; while “the scarred veteran of a hundred fights” never speaks of the carnival of blood without shuddering, and would be the last, but for the call of duty, to brave the danger he knows so well. There may be a few speakers who do not feel such fear, but it is because they do not know what true speaking is. They have never known the full tide of inspiration which sometimes lifts the orator far above his conceptions, but which first struggles in his own bosom like the pent fires of a volcano. They only come forward to relieve themselves of the interminable stream of twaddle that wells spontaneously to their lips, and can well be spared the pangs preceding the birth of a powerful and living discourse.
This kind of fear belongs to every kind of oratory, but is most intense on those great occasions, in presence of large audiences, when men’s passions run high. In mere instructive address, where the ground has been repeatedly gone over and where the effort is mainly of an intellectual character, it is less noticeable. It resembles the awe felt on the eve of all great enterprises, and when excessive, as it is in some highly gifted minds, it constitutes an absolute bar to public speech. But in most cases it is a source of inspiration rather than of repression.
There is a strange sensation often experienced in the presence of an audience. It may proceed from the gaze of the many eyes that turn upon the speaker, especially if he permits himself to steadily return that gaze. Most speakers have been conscious of this in a nameless thrill, a real something, pervading the atmosphere, tangible, evanescent, indescribable. All writers have borne testimony to the power of a speaker’s eye in impressing an audience. This influence which we are now considering is the reverse of that picture—the power _their_ eyes may exert upon him, especially before he begins to speak: after the inward fires of oratory are fanned into flame the eyes of the audience lose all terror. By dwelling on the object for which we speak and endeavoring to realize its full importance, we will in a measure lose sight of our personal danger, and be more likely to maintain a calm and tranquil frame of mind.
No change should be made in the plan at the last moment, as that is very liable to produce confusion. This error is often committed. The mind has a natural tendency to go repeatedly over the same ground, revising and testing every point, and it may make changes the consequences of which cannot be in a moment foreseen. But the necessary preparation has been made and we should now await the result calmly and hopefully. Over-study is quite possible, and when accompanied by great solicitude wearies our mind in advance and strips the subject of all freshness. If the eye is fixed too long upon one object with a steadfast gaze, it loses the power to see at all. So the mind, if exerted steadily upon a single topic for a long period, fails in vigor and elasticity at the moment when those qualities are indispensable. That profound thinker and preacher, Frederick W. Robertson, experienced this difficulty and was accustomed to find relief by reading some inspiring paragraphs upon some totally different theme from that he intended to speak about. The energy and enthusiasm of our minds in the moment of speech must be raised to the highest pitch; the delivery of a living discourse is not the dry enumeration of a list of particulars; but we must actually feel an immediate and burning interest in the topics with which we deal. This cannot be counterfeited.
To clearly arrange all thoughts that belong to the subject, lay them aside when the work is done until the moment of speech, and then enter confidently upon them with only such a momentary glance as will assure us that all is right—this is the method to make our strength fully available. This confidence while in waiting seems to the beginner very difficult, but experience rapidly renders it easy. M. Bautain declares that he has been repeatedly so confident in his preparation as to fall asleep while waiting to be summoned to the pulpit!
Those who misimprove the last moments by too much thought and solicitude are not the only class of offenders. Some persons, through mere indolence, suffer the fine lines of preparation which have been traced with so much care to fade into dimness. This error is not unfrequently committed by those who speak a second or third time on the same subject. Because they have once succeeded they imagine that the same success is always at command. No mistake could be greater. It is not enough to have speech-material in a position from which it can be collected by a conscious and prolonged effort, but it must be in the foreground of the mind. There is no time at the moment of delivery for reviving half obliterated lines of memory.
The writer once saw a notable case of failure from this cause. A preacher on a great occasion was much engrossed with other important duties until the hour appointed for his sermon had arrived. With perfect confidence he selected a sketch from which he had preached a short time before and with the general course of which he was no doubt familiar. But when he endeavored to produce his thoughts they were not ready. He became embarrassed, talked at random for a short time, and then had the candor to tell the audience that he could not finish, and to take his seat. Probably half an hour given to reviewing his plan would have made all his previous preparation fresh again, and have spared him the mortification of failure.
In this last interval it is also well to care for the strength and vigor of the body, as its condition greatly influences all mental operations. It is said that the pearl-diver, before venturing into the depths of the sea, always spends a few moments in deep breathing and other bodily preparations. In the excitement of speech, the whirl and hurricane of emotion, it is advisable to be well prepared for the high tension of nerve that is implied. Mental excitement exhausts and wears down the body faster than bodily labor. We must carefully husband our strength that we may be able to meet all demands upon it.
Holyoake makes the following pertinent observation in reference to this point:
“Perhaps the lowest quality of the art of oratory, but one on many occasions of the _first importance_, is a certain robust and radiant physical health; great volumes of animal heat. In the cold thinness of a morning audience mere energy and mellowness is inestimable; wisdom and learning would be harsh and unwelcome compared with a substantial man, who is quite a housewarming.”
Fatiguing and excessive exercise should be very carefully avoided. Holyoake illustrates this from his own experience. He says:
“One Saturday I walked from Sheffield to Huddersfield to deliver on Sunday two anniversary lectures. It was my first appearance there, and I was ambitious to acquit myself well. But in the morning I was utterly unable to do more than talk half inaudibly and quite incoherently. In the evening I was tolerable, but my voice was weak. My annoyance was excessive. I was a paradox to myself. My power seemed to come and go by some eccentric law of its own. I did not find out until years after that the utter exhaustion of my strength had exhausted the powers of speech and thought, and that entire repose, instead of entire fatigue, should have been the preparation for public speaking.”
The last statement is somewhat too strong, for absolute rest is not generally advisable. It would leave the speaker, when he began to speak, with languid mind and slowly beating pulse—a state which it would require some minutes for him to overcome. A short, but brisk walk, when the health is good, will invigorate and refresh all his faculties, and often prevent a listless introduction by giving him the vigor to grasp the subject at once and launch right into the heart of it. Should any person doubt the power of exercise to produce this effect, let him, when perplexed with difficult questions in his study, start out over fields and hills, and review the matter in the open air. It is a good thing to carry the breath of the fields into the opening of our addresses.
But when the speaker cannot take this form of exercise in the moments just preceding speech, he may easily find a substitute for it. If alone, he can pace back and forth and swing his arms until the circulation becomes brisk and pours a stream of arterial blood to the brain.
Another simple exercise can be practiced anywhere, and will be of great benefit. Many persons injure themselves by speaking too much from the throat. This is caused by improper, short, and shallow breathing. To breathe properly is beneficial at any time, and does much to prevent or remedy throat and lung disease. But in the beginning of a speech it is doubly important: when once under way, there will be no time to think of either voice or breath: the only safe plan, then, is to have the right mode made habitual and instinctive. This will be greatly promoted if just before beginning we breathe deeply for a few minutes, inflating the lungs to their extremities and sending the warm blood to the very tips of the fingers.
Having now done all we can in advance, nothing remains but to rise and speak. Preparation and precaution are passed. Actual work—the most joyous, thrilling, and spiritual of all human tasks—is now to be entered upon.