Chapter 11

SMOOTHNESS.

THE VILLAGE PREACHER.

I.

Sweet was the sound, when oft, at evening's close, Up yonder hill the village murmur rose; There, as I passed with careless steps and slow, The mingled notes came softened from below; The swain responsive as the milkmaid sung, The sober herd that lowed to meet their young; The noisy geese that gabbled o'er the pool, The playful children just let loose from school; The watchdog's voice that bayed the whispering wind, And the loud laugh that spoke the vacant mind,-- These all in sweet confusion sought the shade, And filled each pause the nightingale had made.

II.

Near yonder copse where once the garden smiled, And still where many a garden flower grows wild, There, where a few torn shrubs the place disclose, The village preacher's modest mansion rose. A man he was to all the country dear, And passing rich with forty pounds a year; Remote from towns he ran his godly race, Nor e'er had changed, nor wished to change, his place. Unskilful he to fawn, or seek for power, By doctrines fashioned to the varying hour; Far other aims his heart had learned to prize, More bent to raise the wretched than to rise.

III.

His house was known to all the vagrant train; He chid their wanderings, but relieved their pain; The long-remembered beggar was his guest, Whose beard, descending, swept his aged breast; The ruined spendthrift, now no longer proud, Claimed kindred there, and had his claims allowed; The broken soldier, kindly bade to stay, Sat by his fire and talked the night away; Wept o'er his wounds, or, tales of sorrow done, Shouldered his crutch, and showed how fields were won. Pleased with his guests, the good man learned to glow, And quite forgot their vices in their woe; Careless their merits or their faults to scan, His pity gave ere charity began.

IV.

Thus to relieve the wretched was his pride, And e'en his failings leaned to virtue's side; But in his duty prompt at every call, He watched and wept, he prayed and felt for all; And, as a bird each fond endearment tries, To tempt his new-fledged offspring to the skies, He tried each art, reproved each dull delay, Allured to brighter worlds, and led the way.

V.

Beside the bed where parting life was laid, And sorrow, guilt, and pain, by turns dismayed, The reverend champion stood. At his control Despair and anguish fled the struggling soul; Comfort came down, the trembling wretch to raise, And his last faltering accents whispered praise.

VI.

At church with meek and unaffected grace, His looks adorned the venerable place; Truth from his lips prevailed with double sway, And fools who came to scoff remained to pray. The service past, around the pious man, With ready zeal, each honest rustic ran; E'en children followed, with endearing wile, And plucked his gown to share the good man's smile.

VII.

His ready smile a parent's warmth expressed; Their welfare pleased him, and their cares distressed; To them his heart, his love, his griefs were given, But all his serious thoughts had rest in heaven: As some tall cliff, that lifts its awful form, Swells from the vale, and midway leaves the storm; Though round its breast the rolling clouds are spread, Eternal sunshine settles on its head.

OLIVER GOLDSMITH.

TO THE DAISY.

I.

With little here to do or see Of things that in the great world be, Sweet Daisy! oft I talk to thee For thou art worthy, Thou unassuming Common-place Of Nature, with that homely face, And yet with something of a grace Which Love makes for thee!

II.

Oft on the dappled turf at ease I sit and play with similes, Loose types of things through all degrees, Thoughts of thy raising; And many a fond and idle name I give to thee, for praise or blame As is the humour of the game, While I am gazing.

III.

A nun demure, of lowly port; Or sprightly maiden, of Love's court, In thy simplicity the sport Of all temptations; A queen in crown of rubies drest; A starveling in a scanty vest; Are all, as seems to suit thee best, Thy appellations.

IV.

A little Cyclops, with one eye Staring to threaten and defy, That thought comes next--and instantly The freak is over, The shape will vanish, and behold! A silver shield with boss of gold That spreads itself, some faery bold In fight to cover.

V.

I see thee glittering from afar-- And then thou art a pretty star, Not quite so fair as many are In heaven above thee! Yet like a star, with glittering crest, Self-poised in air thou seem'st to rest;-- May peace come never to his nest Who shall reprove thee!

VI.

Sweet Flower! for by that name at last When all my reveries are past I call thee, and to that cleave fast, Sweet silent Creature! That breath'st with me in sun and air, Do thou, as thou art wont, repair My heart with gladness, and a share Of thy meek nature!

WILLIAM WOBDSWORTH.

PSALM XXIII.

1. The Lord is my shepherd; I shall not want. He maketh me to lie down in green pastures: he leadeth me beside the still waters.

2. He restoreth my soul: he leadeth me in the paths of righteousness for his name's sake. Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me.

3. Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runueth over.

Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the Lord forever.

EXTRACT FROM EULOGY ON WENDELL PHILLIPS.

1. Like other gently nurtured Boston boys, Phillips began the study of law; and, as it proceeded, doubtless the sirens sang to him, as to the noble youth of every country and time. If, musing over Coke and Blackstone, in the full consciousness of ample powers and of fortunate opportunities, he sometimes forecast the future, he doubtless saw himself succeeding Fisher Ames, and Harrison Gray Otis, and Daniel Webster, rising from the bar to the Legislature, from the Legislature to the Senate, from the Senate-- who knew whither?--the idol of society, the applauded orator, the brilliant champion of the elegant repose and the cultivated conservatism of Massachusetts.

2. The delight of social ease, the refined enjoyment of taste in letters and art, opulent leisure, professional distinction, gratified ambition--all these came and whispered to the young student. And it is the force that can tranquilly put aside such blandishments with a smile, and accept alienation, outlawry, ignominy, and apparent defeat, if need be, no less than the courage which grapples with poverty and outward hardship and climbs over them to worldly prosperity, which is the test of the finest manhood. Only he who fully knows the worth of what he renounces gains the true blessing of renunciation.

3. When he first spoke at Faneuil Hall some of the most renowned American orators were still in their prime. Webster and Clay were in the Senate, Choate at the bar, Edward Everett upon the academic platform. From all these orators Phillips differed more than they differed from each other. Behind Webster, and Everett, and Clay there was always a great organized party or an entrenched conservatism of feeling and opinion. They spoke accepted views. They moved with masses of men, and were sure of the applause of party spirit, of political tradition, and of established institutions. Phillips stood alone.

4. With no party behind him and appealing against established order and acknowledged tradition, his speech was necessarily a popular appeal for a strange and unwelcome cause, and the condition of its success was that it should both charm and rouse the hearer, while, under cover of the fascination, the orator unfolded his argument and urged his plea. This condition the genius of the orator instinctively perceived, and it determined the character of his discourse.

5. He faced his audience with a tranquil mien and a beaming aspect that was never dimmed. He spoke, and in the measured cadence of his quiet voice there was intense feeling, but no declamation, no passionate appeal, no superficial and feigned emotion. It was simple colloquy--a gentleman conversing. Unconsciously and surely, the ear and heart were charmed. How was it done? Ah! how did Mozart do it, how Raphael? The secret of the rose's sweetness, of the bird's ecstacy, of the sunset's glory--that is the secret of genius and of eloquence.

6. What was heard, what was seen, was the form of noble manhood, the courteous and self-possessed tone, the flow of modulated speech, sparkling with matchless richness of illustration, with apt illusion, and happy anecdote, and historic parallel, with wit and pitiless invective, with melodious pathos, with stinging satire, with crackling epigram and limpid humor, like the bright ripples that play around the sure and steady prow of the resistless ship. The divine energy of his conviction utterly possessed him, and his

"Pure and eloquent blood Spoke in his cheek, and so distinctly wrought That one might almost say his body thought."

7. Phillips cherished profound faith in the people, and because he cherished it he never flattered the mob, nor hung upon its neck, nor pandered to its passion, nor suffered its foaming hate or its exulting enthusiasm to touch the calm poise of his regnant soul. He moved in solitary majesty, and if from his smooth speech a lightning flash of satire or of scorn struck a cherished lie, or an honored character, or a dogma of the party creed, and the crowd burst into a furious tempest of dissent, he beat it into silence with uncompromising iteration. If it tried to drown his voice, he turned to the reporters, and over the raging tumult calmly said, "Howl on, I speak to 30,000,000 here."

8. There was another power in his speech sharper than in the speech of any other American orator,--an unsparing invective. The abolition appeal was essentially iconoclastic, and the method of a reformer at close quarters with a mighty system of wrong cannot be measured by the standards of cool and polite debate. Phillips did not shrink from the sternest denunciation, or ridicule or scorn, of those who seemed to him recreant to freedom and humanity. The idols of a purely conventional virtue he delighted to shatter, because no public enemy seemed to him more deadly than the American who made moral cowardice respectable.

9. He knew that his ruthless words closed to him homes of friendship and hearts of sympathy. He saw the amazement, he heard the condemnation; but, like the great apostle preaching Christ, he knew only humanity and humanity crucified. Tongue of the dumb, eyes of the blind, feet of the impotent, his voice alone, among the voices that were everywhere heard and heeded, was sent by God to challenge every word, or look, or deed that seemed to him possibly to palliate oppression or to comfort the oppressor.

10. I am not here to declare that the judgment of Wendell Phillips was always sound, nor his estimate of men always just, nor his policy always approved by the event. I am not here to eulogize the mortal, but the immortal.

11. The plain house in which he lived--severely plain, because the welfare of the suffering and the slave were preferred to book, and picture, and every fair device of art; the house to which the north star led the trembling fugitive, and which the unfortunate and the friendless knew--the radiant figure passing swiftly through these streets, plain as the house from which it came, regal with, a royalty beyond that of kings--the ceaseless charity untold--the strong, sustaining heart--the sacred domestic affection that must not here be named--the eloquence which, like the song of Orpheus, will fade from living memory into a doubtful tale--the surrender of ambition, the consecration of a life hidden with God in sympathy with man--these, all these, will live among your immortal traditions, heroic even in your heroic story.

12. But not yours alone. As years go by, and only the large outlines of lofty American characters and careers remain, the wide republic will confess the benediction of a life like this, and gladly own that if with perfect faith, and hope assured, America would still stand and "bid the distant generations hail," the inspiration of her national life must be the sublime moral courage, the all-embracing humanity, the spotless integrity, the absolutely unselfish devotion of great powers to great public ends, which were the glory of Wendell Phillips.

GEORGE WILLIAM CURTIS.

THE BROOK.

I.

I come from haunts of coot and hern, I make a sudden sally, And sparkle out among the fern, To bicker down a valley.

II.

By thirty hills I hurry down, Or slip between the ridges; By twenty thorps, a little town, And half a hundred bridges.

III.

I chatter over stony ways, In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles.

IV.

With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow.

V.

I chatter, chatter, as I flow To join the brimming river, For men may come, and men may go, But I go on for ever.

VI.

I wind about, and in and out, With here a blossom sailing, And here and there a lusty trout, And here and there a grayling.

VII.

And here and there a foamy flake Upon me as I travel, With many a silvery water-break Above the golden gravel.

VIII.

I steal by lawns and grassy plots, I slide by hazel covers, I move the sweet forget-me-nots That grow for happy lovers.

IX.

I slip, I slide, I gloom, I glance, Among my skimming swallows; I make the netted sunbeam dance Against my sandy shallows.

X.

I murmur, under moon and stars In brambly wildernesses, I linger by my shingly bars, I loiter round my cresses.

XI.

And out again I curve and flow To join the brimming river; For men may come and men may go, But I go on for ever.

ALFRED TENNYSON.

OLD AUNT MARY'S.

Wasn't it pleasant, O, brother mine, In those old days of the lost sunshine Of youth--when the Saturday's chores were through, And the "Sunday's wood" in the kitchen, too, And we went visiting, "me and you," Out to Old Aunt Mary's?

It all comes back so clear to-day! Though I am as bald as you are gray-- Out by the barn-lot, and down the lane, We patter along in the dust again, As light as the tips of the drops of the rain, Out to Old Aunt Mary's!

We cross the pasture, and through the wood Where the old gray snag of the poplar stood, Where the hammering "red-heads" hopped awry, And the buzzard "raised" in the "clearing" sky, And lolled and circled, as we went by Out to Old Aunt Mary's.

And then in the dust of the road again; And the teams we met, and the countrymen; And the long highway, with sunshine spread As thick as butter on country bread, Our cares behind, and our hearts ahead Out to Old Aunt Mary's.

Why, I see her now in the open door, Where the little gourds grew up the sides and o'er

The clapboard roof!--And her face--ah, me! Wasn't it good for a boy to see Out to Old Aunt Mary's?

And, O, my brother, so far away, This is to tell you she waits to-day To welcome us:--Aunt Mary fell Asleep this morning, whispering, "Tell The boys to come!" And all is well Out to Old Aunt Mary's. JAMES WHITCOMB RILEY.

CHILD VERSE.

MY SHADOW.

I have a little shadow that goes in and out with me, And what can be the use of him is more than I can see. He is very, very like me from the heels up to the head; And I see him jump before me, when I jump into my bed.

The funniest thing about him is the way he likes to grow-- Not at all like proper children which is always very slow; For he sometimes shoots up taller like an india-rubber ball, And he sometimes gets so little that there's none of him at all.

He hasn't got a notion of how children ought to play, And can only make a fool of me in every sort of way. He stays so close beside me, he's a coward you can see; I'd think shame to stick to nursie as that shadow sticks to me!

One morning very early, before the sun was up, I rose and found the shining dew on every buttercup; But my lazy little shadow, like an arrant sleepy-head, Had stayed at home behind me, and was fast asleep in bed.

THE SWING.

How do you like to go up in a swing, Up in the air so blue? Oh, I do think it the pleasantest thing Ever a child can do!

Up in the air and over the wall, Till I can see so wide, Rivers and trees and cattle and all Over the country side.

Till I look down on the garden green, Down on the roof so brown-- Up in the air I go flying again, Up in the air and down!

THE LAMPLIGHTER.

My tea is nearly ready and the sun has left the sky; It's time to take the window to see Leerie going by; For every night at teatime and before you take your seat, With lantern and with ladder he comes posting up the street.

Now Tom would be a driver, and Maria go to sea, And my papa's a banker and as rich as he can be; But I, when I am stronger and can choose what I'm to do, O Leerie, I'll go round at night and light the lamps with you!

For we are very lucky, with a lamp before the door, And Leerie stops to light it as he lights so many more; And Oh, before you hurry by with ladder and with light, O Leerie, see a little child and nod to him to-night!

ROBERT LOUIS STEVENSON.

WAITING.

Serene, I fold my hands and wait, Nor care for wind, or tide, or sea; I rave no more 'gainst time or fate, For lo! my own shall come to me.

I stay my haste, I make delays, For what avails this eager pace? I stand amid the eternal ways, And what is mine shall know my face,

Asleep, awake, by night or day, The friends I seek are seeking me; No wind can drive my bark astray, Nor change the tide of destiny.

What matter if I stand alone? I wait with joy the coming years; My heart shall reap where it has sown, And garner up its fruit of tears.

The waters know their own, and draw The brook that springs in yonder height; So flows the good with equal law Unto the soul of pure delight.

The stars come nightly to the sky; The tidal wave unto the sea; Nor time, nor space, nor deep, nor high, Can keep my own away from me.

JOHN BURROUGHS.