CHAPTER LV.
WHAT EVERY FOOL KNOWS.
JASPER stood on the staircase waiting. Then he heard a step descend. There was no light: the maids, in the excitement and confusion, had forgotten their duties. No lamp on the staircase, none in the hall. Only in the latter the dull glimmer of the horn lantern that irradiated but did not illumine the faces of two who were dead. The oak door at the foot of the stairs was ajar, and a feeble light from this lantern penetrated to the staircase. The window admitted some greyness from the overcast sky.
‘Tell me, Barbara,’ he said, ‘what is the doctor’s report?’
‘Jasper!’ Then Barbara’s strength gave way, and she burst into a flood of tears. He put his arm round her, and she rested her head on his breast and cried herself out. She needed this relief. She had kept control over herself by the strength of her will. There was no one in the house to think for her, to arrange anything; she had the care of everything on her, beside her great sorrow for her father, and fear for Eve. As for the servant girls, they were more trouble than help. _Men_ were in the kitchen; that sufficed to turn their heads and make them leave undone all they ought to have done, and do just those things they ought not to do. At this moment, after the strain, the presence of a sympathetic heart opened the fountain of her tears and broke down her self-restraint.
Jasper did not interrupt her, though he was anxious to know the result of Mr. Coyshe’s examination. He waited patiently, with the weeping girl in his arms, till she looked up and said, ‘Thank you, dear friend, for letting me cry here: it has done me good.’
‘Now, Barbara, tell me all.’
‘Jasper, the doctor says that Eve will live.’
‘God’s name be praised for that!’
‘But he says that she will be nothing but a poor cripple all her days.’
‘Then we must take care of her.’
‘Yes, Jasper, I will devote my life to her.’
‘_We_ will, Barbara.’
She took his hand and pressed it between both hers.
‘But,’ she said hesitatingly, ‘what if Mr. Coyshe——’ She did not finish the sentence.
‘Wait till Mr. Coyshe claims her.’
‘He is engaged to her, so of course he will, the more readily now that she is such a poor crushed worm.’
Jasper said nothing. He knew Mr. Coyshe better than Barbara, perhaps. He had taken his measure when he went with him over the farm after the signing of the will.
‘This place is hers by her father’s will,’ said Jasper; ‘and, should the surgeon draw back, she will need you and me to look after her interests.’
‘Yes,’ said Barbara, ‘she will need us both.’
Then she withdrew her hands and returned upstairs.
A few days later Mr. Coyshe took occasion to clear the ground. He explained to Barbara that his engagement must be considered at an end. He was very sorry, but he must look out for his own interests, as he had neither parent alive to look out for them for him. It would be quite impossible for him to get on with a wife who was a cripple.
‘You are premature, Mr. Coyshe,’ said Miss Jordan stiffly. ‘If you had waited till my sister were able to speak and act, she would have, herself, released you.’
‘Exactly,’ said the unabashed surgeon; ‘but I am so considerate of the feelings of the lady, that I spare her the trouble.’
And now let us spread the golden wings of fancy, and fly the scenes of sorrow—but fly, not in space, but in time; measure not miles, but months.
It is autumn, far on into September, and Michaelmas has brought with it the last days of summer. Not this the autumn that we saw coming on, with the turning dogwood and bird-cherry, but another.
In the garden the colchicum has raised its pale lilac flowers. The Michaelmas daisy is surrounded by the humming-bird moth with transparent wings, but wings that vibrate so fast that they can only be seen as a quiver of light. The mountain ash is hung with clusters of clear crimson berries, and the redbreasts and finches are about it, tearing improvidently at the store, thoughtless of the coming winter, and strewing the soil with wasted coral.
Eve is seated in the sun outside the house, in the garden, and on her knees is a baby—Barbara’s child, and yet Eve’s also, for if Barbara gave it life, Eve gave it a name. Before her sister Barbara kneels, now just restored from her confinement, a little pale and large in eye, looking up at her sister and then down at the child. Jasper stands by contemplating the pretty group.
‘Eve,’ said Barbara in a low tremulous voice, ‘I have had for some months on my heart a great fear lest, when my little one came, I should love it with all my heart, and rob you. I had the same fear before I married Jasper, lest he should snatch some of my love away from the dear suffering sister who needs all. But now I have no such fear any more, for love, I find, is a great mystery—it is infinitely divisible, yet ever complete. It is like’—she lowered her voice reverently—’it is like what we Catholics believe about the body of our Lord, the very Sacrament of Love. That is in Heaven and in every church. It is on every altar, and in every communicant, entire. I thought once that when I had a husband, and then a little child, love would suffer diminution—that I could not share love without lessening the portion of each. But it is not so. I love my baby with my whole undivided heart; I love you, my sister, equally with my whole undivided heart; and I love my husband also,’ she turned and smiled at Jasper, ‘with my very whole and undivided heart. It is a great mystery, but love is divine, and divine things are perceived and believed by the heart, though beyond the reason.’
‘So,’ said Eve, smiling, and with her blue eyes filling, ‘my dear, dear Barbara, once so prosaic and so practical, is becoming an idealist and poetical.’
‘Wherever unselfish love reigns, there is poetry,’ said Jasper; ‘the sweetest of the songs of life is the song of self-sacrificing love. Barbara never was prosaic. She was always an idealist; but, my dear Eve, the heart needs culture to see and distinguish true poetry from false sentiment. That you lacked at one time. That you have now. I once knew a little girl, light of heart, and loving only self, with no earnest purpose, blown about by every caprice. Now I see a change—a change from base element to a divine presence. I see a sweet face as of old, but I see something in it, new-born; a soul full of self-reproach and passionate love; a heart that is innocent as of old, but yet that has learned a great deal, and all good, through suffering. I see a life that was once purposeless now instinct with purpose—the purpose to live for duty, in self-sacrifice, and not for pleasure. My dear Eve, the great and solemn priest Pain has laid his hands on you and broken you, and held you up to Heaven, and you are not what you were, and yet—and yet are the same.’
Eve could not speak. She put her arms round her sister’s neck, and clung to her, and the tears flowed from both their eyes, and fell upon the tiny Eve lying on the knees of the elder Eve.
But though they were clasped over the child, no shadow fell on its little face. The baby laughed.
* * * * *
Some years ago—the author cannot at the moment say how many, nor does it matter—he paid a visit to Morwell, and saw the sad havoc that had been wrought to the venerable hunting-lodge of the Abbots of Tavistock. The old hall had disappeared, a floor had been put across it, and it had been converted into an upper and lower story of rooms. One wing had been transformed into a range of model cottages for labourers. The house of the Jordans was now a farm.
The author asked if he might see the remains of antiquity within the house.
An old woman who had answered his knock and ring, replied, ‘There are none—all have been swept away.’
‘But,’ said he, ‘in my childhood I remember that the place was full of interest; and by the way, what has become of the good people who lived here? I have been in another part of the country, and indeed a great deal abroad.’
‘Do you mean Mr. Jasper?’
‘No: Jasper, no—the name began with J.’
‘The old Squire Jordan your honour means, no doubt. He be dead ages ago. Mr. Jasper married Miss Jordan—Miss Barbara we called her. When Miss Eve died, they went away to Buckfastleigh, where they had a house and a factory. There was a queer matter about the old squire’s death—did you never hear of that, sir?’
‘I heard something; but I was very young then.’
‘My Joseph could tell you all about it better than I.’
‘Who is your Joseph?’
‘Well, sir, I’m ashamed to say it, but he’s my sweetheart, who’s been a-courting of me these fifty years.’
‘Not married yet?’
‘He’s a slow man is Joseph. I reckon he’d ‘a’ spoken out if he’d been able at last, but the paralysis took ‘m in the legs. He put off and off—and I encouraged him all I could; but he always was a slow man.’
‘Where is he now?’
‘Oh, he’s with his married sister. He sits in a chair, and when I can I run to ‘m and take him some backy or barley-sugar. He’s vastly fond o’ sucking sticks o’ barley-sugar. Gentlefolks as come here sometimes give me a shilling, and I lay that out on getting Joseph what he likes. He always had a sweet tooth.’
‘Then you love him still?’
The old woman looked at me with surprise. Her hand and head shook.
‘Of course I does: love is eternal—every fool knows that.’
THE END.
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66. =Boccaccio=: Decameron, Quinta giornata.
67-70. =Blaise Pascal=: Les Provinciales
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=14.= =The Little Girl Lost.= By ELEANOR RAPER.
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_Volumes now in course of publication_:
=35.= =Wine, Women, and Song=: Mediæval Latin Students’ Songs. Translated into English, with an Introduction, by JOHN ADDINGTON SYMONDS.
=36=, =37=. =George Pettie’s Petite Pallace of Pettie his Pleasure.= Edited by Prof. I GOLLANCZ. 2 vols.
=38.= =Walpole’s Castle of Otranto.= By Sir WALTER SCOTT. With Introduction and Preface by Miss SPURGEON.
=39.= =The Poets Royal of England and Scotland.= Original Poems by Kings and other Royal and Noble Persons, collected and edited by W. BAILEY KEMPLING.
=40.= =Sir Thomas More’s Utopia.= Edited by ROBERT STEELE, F.S.A.
=41.=[3]=Chaucer’s Legend of Good Women.= _In Modern English_, with Notes and Introduction by Professor W. W. SKEAT.
=42.= =Swift’s Battle of the Books.= Edited, with Notes and Introduction, by A. GUTHKELCH.
=43.= =Sir William Temple upon the Gardens of Epicurus, with other 17th Century Garden Essays.= Edited, with Notes and Introduction, by A. FORBES SIEVEKING, F.S.A.
=44.= =The Four Last Things=, by Sir THOMAS MORE; together with =A Spiritual Consolation and other Treatises= by JOHN FISHER, Bishop of Rochester. Edited by DANIEL O’CONNOR.
=45.= =The Song of Roland.= Translated from the old French by Mrs. CROSLAND, With Introduction by Prof. BRANDIN.
=46.= =Dante’s Vita Nuova.= The Italian text, with DANTE G. ROSSETTI’S translation on opposite page. With Introduction and Notes by Prof. H. OELSNER.
=47.=[4]=Chaucer’s Prologue and Minor Poems.= _In modern English_, with Notes and Introduction by Prof. W. W. SKEAT.
=48.=[5]=Chaucer’s Parliament of Birds and House of Fame.= _In modern English_, with Notes and introduction by Prof. W. W. SKEAT.
=49.= =Mrs. Gaskell’s Cranford.= With Introduction by R. BRIMLEY JOHNSON.
=50.=[6]=Pearl.= An English Poem of the Fourteenth Century. Edited, with a Modern Rendering and an Introduction, by Professor I. GOLLANCZ.
=51=, =52=. =King’s Letters.= Volumes III. and IV. Newly edited from the originals by ROBERT STEELE, F.S.A.
=53.= =The English Correspondence of Saint Boniface.= Translated and edited, with an Introductory Sketch of the Life of St. Boniface, by E. J. KYLIE, M.A.
=56.= =The Cavalier to his Lady=: Seventeenth Century Love songs. Edited by F. SIDGWICK.
=57.= =Asser’s Life of King Alfred.= Edited by L. C. JANE, M.A.
=58.= =Translations from the Icelandic.= By Rev. W. C. GREEN, M.A.
=59.= =The Rule of St. Benet.= Translated by Right Rev. ABBOT GASQUET.
=60.= =Daniel’s ‘Delia’ and Drayton’s ‘Idea.’= Edited by ARUNDELL ESDAILE, M.A.
=61.= =The Book of the Duke of True Lovers.= A Romance of the Court, by CHRISTINE DE PISAN, translated, with Notes and Introduction, by ALICE KEMP-WELCH.
=62.= =Of the Tumbler of Our Lady, and other Miracles.= Translated, from the Middle French MSS., with Notes and Introduction, by ALICE KEMP-WELCH.
=63.= =The Chatelaine of Vergi.= A Romance of the Court, translated from the Middle French, by ALICE KEMP-WELCH, with Introduction by L. BRANDIN, Ph.D., and with the original Text. Edition Raynaud.
=64.= =Troubadour Poems.= Edited by BARBARA SMYTHE.
=65.= =An Anthology of French Verse.= Selected by C. B. LEWIS.
_Earlier Volumes in the Series are_—
1. The Love of Books (The Philobiblon).
2.[7]Six Dramas of Calderon (FitzGerald’s Translation). (Double vol.)
3. Chronicle of Jocelin of Brakelond.
4. The Life of Sir Thomas More.
5. Eikon Basilike.
6. Kings’ Letters: Alfred to the coming of the Tudors.
7. Kings’ Letters: From the Tudors to the Love Letters of Henry VIII.
8.[8]Chaucer’s Knight’s Tale (Prof. SKEAT).
9.[9]Chaucer’s Man of Law’s Tale (Prof. SKEAT).
10.[10]Chaucer’s Prioress’s Tale (Prof. SKEAT).
11. The Romance of Fulke Fitzwarine.
12. The Story of Cupid and Psyche.
13. Evelyn’s Life of Margaret Godolphin.
14. Early Lives of Dante.
15. The Falstaff Letters
16. Polonius. By EDWARD FITZGERALD.
17. Mediæval Lore.
18. The Vision of Piers the Plowman (Prof. SKEAT).
19. The Gull’s Hornbook.
20.[11]The Nun’s Rule, or Ancren Riwle. (Double vol.).
21. The Memoirs of Robert Cary, Earl of Monmouth.
22. Early Lives of Charlemagne.
23. Cicero’s ‘Friendship,’ ‘Old Age,’ and ‘Scipio’s. Dream.’
24. Wordsworth’s Prelude. (Double vol.)
25. The Defence of Guenevere.
26. 27. Browning’s Men and Women.
28. Poe’s Poems.
29. Shakespeare’s Sonnets.
30. George Eliot’s Silas Marner.
31. Goldsmith’s Vicar of Wakefield.
32. Charles Reade’s Peg Woffington.
33. The Household of Sir Thomas More.
34. Sappho: One Hundred Lyrics. By BLISS CARMAN.
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Vol. I. WITHIN AND WITHOUT—THE HIDDEN LIFE.
” II. THE DISCIPLE—THE GOSPEL WOMEN—BOON OF SONNETS—ORGAN SONGS.
” III. VIOLIN SONGS—SONGS OF THE DAYS AND NIGHTS—A BOOK OF DREAMS—ROADSIDE POEMS—POEMS FOR CHILDREN.
” IV. PARABLES—BALLADS—SCOTCH SONGS.
” V. & VI. PHANTASIES.
” VII. THE PORTENT.
” VIII. THE LIGHT PRINCESS—THE GIANT’S HEART—SHADOWS.
” IX. CROSS PURPOSES—GOLDEN KEY CARASOYN—LITTLE DAYLIGHT.
” X. THE CRUEL PAINTER—THE WOW O’RIVVEN—THE CASTLE—THE BROKEN SWORDS—THE GRAY WOLF—UNCLE CORNELIUS.
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By Sir WALTER BESANT.
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=Westminster.=
=Jerusalem.= (In collaboration with Prof. E. H. PALMER.)
=All Sorts and Conditions of Men.=
=Sir Richard Whittington.=
=Gaspard de Coligny.=
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=The Decameron.=
By ROBERT BUCHANAN.
=The Shadow of the Sword.=
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