Part 12

A woman paddled across--a rather young woman with a face like the “Mona Lisa.” I had seen the “Mona Lisa” only a little while before, and stood two hours in front of that painting, repeating to myself: “People come from around the globe to stand here and worship. What is it they find in it?” To me it was merely a serene and subdued face, and there an end. There might be more in it, but I could not find it. The complexion was bad; in fact, it was not even human; there are no people of that color. I finally concluded that maybe others still saw in the picture faded and vanished marvels which _had_ been there once and were now forever vanished.

Then I remembered something told me once by Noel Flagg,[3] the artist. There was a time, he said, when he wasn’t yet an artist but thought he was. His pictures sold, and gave satisfaction, and that seemed a good-enough verdict. One day he was daubing away in his studio and feeling good and inspired, when Dr. Horace Bushnell, that noble old Roman, straggled in there without an invitation and fastened that deep eye of his on the canvas. The youth was proud enough of such a call, and glad there was something on the easel that was worthy of it. After a long look the great divine said:

“You have talent, boy.” (That sounded good.) “What you want is teaching.”

Teaching--he, an accepted and competent artist! He didn’t like that. After another long look:

“Do you know the higher mathematics?”

“I? No, sir.”

“You must acquire them.”

“As a proper part of an artist’s training?” This with veiled irony.

“As an _essential_ part of it. Do you know anatomy?”

“No, sir.”

“You must learn how to dissect a body. What are you studying, now--principally?”

“Nothing, I believe.”

“And the time flying, the time flying! Where are your books? What do you read?”

“There they are, on the shelves.”

“I see. Poetry and romance. They must wait. Get to your mathematics and your anatomy right away. Another point: you must train your eye--you must teach yourself to see.”

“Teach myself to see? I believe I was born with that ability.”

“But nobody is born with a _trained_ ability--nobody. A cow sees--she sees all the outsides of things, no doubt, but it is only the trained eye that sees deeper, sees the soul of them, the meaning of them, the spiritual essence. Are you sure that you see more than the cow sees? You must go to Paris. You will never learn to see here. There they’ll teach you; there they’ll train you; there they’ll work you like a slave; there they’ll bring out the talent that’s in you. Be off! Don’t twaddle here any longer!”

Flagg thought it over and resolved that the advice was worth taking. He and his brother cleared for Paris. They put in their first afternoon there scoffing at the works of the old masters in the Louvre. They laughed at themselves for crossing a wide ocean to learn what masterly painting might be by staring at these odious things. As for the “Mona Lisa,” they exhausted their treasure of wit in making fun of it.

Next day they put themselves into the hands of the Beaux Arts people, and that was the end of play. They had to start at the very bottom of their trade and learn it over again, detail by detail, and learn it _right_, this time. They slaved away, night and day for three months, and wore themselves to shadows. Then they had a day off, and drifted into the Louvre. Neither said a word for some time; each disliked to begin; but at last, in front of the “Mona Lisa,” after standing mute awhile one of them said:

“Speak out. Say it.”

“Say it yourself.”

“Well, then, we _were_ cows before!”

“Yes--it’s the right name for it. That is what we were. It is unbelievable, the change that has come over these pictures in three months. It is the difference between a landscape in the twilight and the same landscape in the daytime.” Then they fell into each other’s arms.

This all came back to me, now, as I saw this living “Mona Lisa” punting across L’Eau Morte.

2.40 P.M.--Made for a village on the right bank with all speed--Port de Groslee. Remains of Roman aqueduct on hilltop back of village. Rain!--Deluges of it. Took refuge in an inn on the bank--Hôtel des Voyageurs. The public room was full of voyageurs and tobacco smoke. The voyageurs may have been river folk in the old times when the inn was built, but this present crowd was made up of teamsters. They sat at bare tables, under their feet was the bare floor, about them were the four bare walls--a dreary place at any time, a heart-breaking place now in the dark of the downpour. However, it was manifestly not dreary to the teamsters. They were sipping red wine and smoking; they all talked at once, and with great energy and spirit, and every now and then they gave their thighs a sounding slap and burst into a general horse laugh. The courier said that this was in response to rude wit and coarse anecdotes. The brace of modest-looking girls who were waiting on the teamsters did not seem troubled. The courier said that they were used to all kinds of language and were not defiled by it; that they had probably seldom heard a spade called anything but a spade, therefore the foulest words came innocent to their ears.

This inn was built of stone--of course; everybody’s house on the Continent, from palace to hovel, is built of that dismal material, and as a rule it is as square as a box and odiously plain and destitute of ornament; it is formal, forbidding, and breeds melancholy thoughts in people used to friendlier and more perishable materials of construction. The frame house and the log house molder and pass away, even in the builder’s time, and this makes a proper bond of sympathy and fellowship between the man and his home; but the stone house remains always the same to the person born in it; in his old age it is still as hard, and indifferent, and unaffected by time as it was in the long-vanished days of his childhood. The other kind of house shows by many touching signs that it has noted his griefs and misfortunes and has felt for them, but the stone house doesn’t--it is not of his evanescent race, it has no kinship with him, nor any interest in him.

A professional letter writer happened along presently, and one of the young girls got him to write a letter for her. It seemed strange that she could not write it herself. The courier said that the peasant women of the Rhône do not care for education, but only for religion; that they are all good Catholics, and that their main ambition in life is to see the Rhône’s long procession of stone and bronze Virgins added to, until the river shall be staked out with them from end to end; and that their main pleasure in life is to contribute from their scant centimes to this gracious and elevating work. He says it is a quite new caprice; that ten years ago there was not a Virgin in this part of France at all, and never had been. This may be true, and, of course, there is nothing unreasonable about it, but I have already found out that the courier’s statements are not always exact.

I had a hot fried fish and coffee in a garden shed roofed with a mat of vines, but the rain came through in streams and I got drenched in spite of our umbrellas, for one cannot manage table implements and umbrellas all at the same time with anything like good success.

_Mem._--Last evening, for economy’s sake, proposed to be a Frenchman because Americans and English are always overcharged. Courier said it wouldn’t deceive unless I played myself for a deaf-and-dumb Frenchman--which I did, and so the rooms were only a franc and a half each. But the Admiral must have let it out that I was only deaf and dumb in French, for prices were raised in the bill this morning.

4.10 P.M.--Left Port de Groslee.

4.50 P.M.--Château of the Count Cassiloa--or something like that--the Admiral’s pronunciation is elusive. Courier guesses the spelling at “Quintionat.” I don’t quite see the resemblance. This courier’s confidence in himself is a valuable talent. He must be descended from the idiot who taught our forefathers to spell tizzik with a _ph_ and a _th_.

The river here is as still and smooth and nearly as dead as a lake. The water is swirly, though, and consequently makes uneasy steering.

River seems to draw together and greatly narrow itself below the count’s house. No doubt the current will smarten up there.

Three new quarries along here. Dear me! how little there is in the way of sight-seeing, when a quarry is an event! Remarked upon with contentment.

Swept through the narrow canallike place with a good current.

On the left-hand point below, bush-grown ruins of an ancient convent (St. Alban’s), picturesquely situated on a low bluff. There is a higher and handsomer bluff a trifle lower down. How did they overlook it? Those people generally went for the best, not second best. Shapely hole in latter bluff one hundred feet above the water--anchorite’s nest? Interesting-looking hole, and would have cost but little time and trouble to examine it, but it was not done. It is no matter; one can find other holes.

At last, below bluffs, we find some greensward--not extensive, but a pleasant novelty.

5.30.--Lovely sunset. Mottled clouds richly painted by sinking sun, and fleecy shreds of clouds drifting along the fronts of neighboring blue mountains. Harrow in a field. Apparently harrow, but was distant and could not tell; could have been a horse.

5.35.--Very large gray broken-arched and unusually picturesque ruin crowning a hilltop on right. Name unknown. This is a liberal mile above village of Briord (my spelling--the Admiral’s pronunciation), on same side. Passed the village swiftly, and left it behind. The villagers came out and made fun of our strange tub. The dogs chased us and were more noisy than necessary.

6 P.M.--Another suspension bridge--this is the sixth one. They have ceased to interest. There was nothing exciting about them, from the start. Presently landed on left bank and shored the boat for the night. Hôtel du Rhône Moine. Isolated. Situated right on the bank. Sort of a village--villagette, to be exact--a little back. Hôtel is two stories high and not pretentious--family dwelling and cow stable all under one roof.

I had been longing to have personal experience of peasant life--be “on the inside” and see it for myself, instead of at second hand in books. This was an opportunity and I was excited about it and glad. The kitchen was not clean, but it was a sociable place, and the family were kind and full of good will. There were three little children, a young girl, father, mother, grandparents, some dogs, and a plurality of cats. There was no discord; perfect harmony prevailed.

Our table was placed on the lawn on the river bank. One had no right to expect any finer style here than he would find in the cheapest and shabbiest little tavern in America, for the Hôtel du Rhône Moine was for foot wanderers and laborers on the flatboats that convey stone and sand and wood to Lyons, yet the style _was_ superior--very much so. The tablecloth was white, and it and the table furniture were perfectly clean. We had a fish of a pretty coarse grain, but it was fresh from the river and hot from the pan; the bread was good, there was abundance of excellent butter, the milk was rich and pure, the sugar was white, the coffee was considerably better than that which is furnished by the choice hotels of the capitals of the Continent. Thus far, peasant life was a disappointment, it was so much better than anything we were used to at home in some respects. Two of the dogs came out, presently, and sat down by the table and rested their chins on it, and so remained. It was not to beg, for they showed no interest in the supper; they were merely there to be friendly, it was the only idea they had. A squadron of cats came out by and by and sat down in the neighborhood and looked me over languidly, then wandered away without passion, in fact with what looked like studied indifference. Even the cats and the dogs are well and sufficiently fed at the Hôtel du Rhône Moine--their dumb testimony was as good as speech.

I went to bed early. It is inside the house, not outside, that one really finds the peasant life. Our rooms were over the stable, and this was not an advantage. The cows and horses were not very quiet, the smell was extraordinary, the fleas were a disorderly lot, and these things helped the coffee to keep one awake. The family went to bed at nine and got up at two. The beds were very high; one could not climb into them without the help of a chair; and as they were narrow and arched, there was danger of rolling out in case one drifted into dreams of an imprudent sort. These lofty bedsteads were not high from caprice, but for a purpose--they contained chests of drawers, and the drawers were full of clothing and other family property. On the table in my room were some bright-colored, even gorgeous little waxen saints and a Virgin under bell-glasses; also the treasures of the house--jewelry and a silver watch. It was not costly jewelry, but it was jewelry, at any rate, and without doubt the family valued it. I judged that this household were accustomed to having honest guests and neighbors or they would have removed these things from the room when I entered it, for I do not look honester than others.

Not that I have always thought in this way about myself, for I haven’t. I thought the reverse until the time I lost my overcoat, once, when I was going down to New York to see the Water Color exhibition, and had a sort of adventure in consequence. The house had been robbed in the night, and when I came downstairs to rush for the early train there was no overcoat. It was a raw day, and when I got to New York at noon I grew colder and colder as I walked along down the Avenue. When I reached East Thirty-fourth street I stopped on the corner and began to consider. It seemed to me that it must have been just about there that Smith,[4] the artist, took me one winter’s night, with others, five years before, and caroused us with roasted oysters and Southern stories and hilarity in his fourth story until three or four in the morning; and now if I could only call to mind which of those houses over the way was his, I could borrow an overcoat. All the time that I was thinking and standing there and trying to recollect, I was dimly conscious of a figure near me, but only dimly, very dimly; but now as I came out of my reverie and found myself gazing, rapt but totally unconscious, at one of the houses over there, that figure solidified itself and became at once the most conspicuous thing in the landscape. It was a policeman. He was standing not six feet away, and was gazing as intently at my face as I had been gazing at the house. I was embarrassed--it is always embarrassing to come to yourself and find a stranger staring at you. You blush, even when you have not been doing any harm. So I blushed--a thing that does not commend a person to a policeman; also I tried to smile a placating smile, but it did not get any response, so then I tried to make it a kind of friendly smile, which was a mistake, because that only hardens a policeman, and I saw at once that this smile had hardened this one and made my situation more difficult than ever; and so, naturally, my judgment being greatly impaired by now, I spoke--which was an error, because in these circumstances one cannot arrange without reflection a remark which will not seem to have a kind of suspicious something about it to a policeman, and that was what happened this time; for I had fanned up that haggard smile again, which had been dying out when I wasn’t noticing, and said:

“Could you tell me, please, if there’s a Mr. Smith lives over there in----”

“_What_ Smith?”

That rude abruptness drove his other name out of my mind; and as I saw I never should be able to think of it with the policeman standing there cowing me with his eye, that way, it seemed to me best to get out a name of some kind, so as to avert further suspicion, therefore I brought out the first one which came into my mind, which was John--another error. The policeman turned purple--apparently with a sense of injury and insult--and said there were a million John Smiths in New York, and _which_ one was this? Also what did I want with Smith? I could not remember--the overcoat was gone out of my mind. So I told him he was a pupil of mine and that I was giving him lessons in morals; moral culture--a new system.

That was a lucky hit, anyway. I was merely despicable, now, to the policeman, but harmless--I could see it in his eye. He looked me over a moment then said:

“You give him lessons, do you?”

“Yes, sir.”

“How long have you been giving him lessons?”

“Two years, next month.” I was getting my wind again, and confidence.

“Which house does he live in?”

“That one--the middle one in the block.”

“Then what did you ask _me_ for, a minute ago?”

I did not see my way out. He waited for an answer, but got tired before I could think of one that would fit the case and said:

“How is it that you haven’t an overcoat on, such a day as this?”

“I--well, I never wear them. It doesn’t seem cold to me.”

He thought awhile, with his eye on me, then said, with a sort of sigh:

“Well, maybe you are all right--I don’t know--but you want to walk pretty straight while you are on my beat; for, morals or no morals, blamed if I take much stock in you. Move on, now.”

Then he turned away, swinging his club by its string. But his eye was over his shoulder, my way; so I had to cross to that house, though I didn’t want to, any more. I did not expect it to be Smith’s house, now that I was so out of luck, but I thought I would ring and ask, and if it proved to be some one else’s house, then I would explain that I had come to examine the gas meter and thus get out the back way and be all right again. The door was opened by a middle-aged matron with a gentle and friendly face, and she had a sweet serenity about her that was a notable contrast to my nervous flurry. I asked after Smith and if he lived there, and to my surprise and gratitude she said that this was his home.

“Can I see him? Can I see him right away--immediately?”

No; he was gone downtown. My rising hopes fell to ruin.

“Then can I see Mrs. Smith?”

But alas and alas! she was gone downtown with him. In my distress I was suddenly smitten by one of those ghastly hysterical inspirations, you know, when you want to do an insane thing just to astonish and petrify somebody; so I said, with a rather overdone pretense of playful ease and assurance:

“Ah, this is a very handsome overcoat on the hat rack--be so good as to lend it to me for a day or two!”

“With pleasure,” she said--and she had the coat on me before I knew what had happened. It had been my idea to astonish and petrify her, but I was the person astonished and petrified, myself. So astonished and so petrified, in fact, that I was out of the house and gone, without a thank-you or a question, before I came to my senses again. Then I drifted slowly along, reflecting--reflecting pleasantly. I said to myself, “She simply divined my character by my face--what a far clearer intuition she had than that policeman.” The thought sent a glow of self-satisfaction through me.

Then a hand was laid on my shoulder and I shrank together with a crash. It was the policeman. He scanned me austerely and said:

“Where did you get that overcoat?”

Although I had not been doing any harm, I had all the sense of being caught--caught in something disreputable. The officer’s accusing eye and unbelieving aspect heightened this effect. I told what had befallen me at the house in as straightforward a way as I could, but I was ashamed of the tale, and looked it, without doubt, for I knew and felt how improbable it must necessarily sound to anybody, particularly a policeman. Manifestly he did not believe me. He made me tell it all over again, then he questioned me:

“You don’t know the woman?”

“No, I don’t know her.”

“Haven’t the least idea who she is?”

“Not the least.”

“You didn’t tell her your name?”

“No.”

“She didn’t ask for it?”

“No.”

“You just asked her to lend you the overcoat, and she let you take it?”

“She put it on me herself.”

“And didn’t look frightened?”

“Frightened? Of course not.”

“Not even surprised?”

“Not in the slightest degree.”

He paused. Presently he said:

“My friend, I don’t believe a word of it. Don’t you see, yourself, it’s a tale that won’t wash? Do _you_ believe it?”

“Yes. I know it’s true.”

“Weren’t you surprised?”

“Clear through to the marrow!”

He had been edging me along back to the house. He had a deep design; he sprung it on me now. Said he:

“Stop where you are. I’ll mighty soon find out!”

He walked to the door and up the steps, keeping a furtive eye out toward me and ready to jump for me if I ran. Then he pretended to pull the bell, and instantly faced about to observe the effect on me. But there wasn’t any; I walked toward him instead of running away. That unsettled him. He came down the steps, evidently perplexed, and said:

“Well, I can’t make it out. It may be all right, but it’s too many for me. I don’t like your looks and I won’t have such characters around. Go along, now, and look sharp. If I catch you prowling around here again I’ll run you _in_.”

I found Smith at the Water Color dinner that night, and asked him if it were merely my face that had enabled me to borrow the overcoat from a stranger, but he was surprised and said:

“No! What an idea--and what intolerable conceit! She is my housekeeper, and remembered your drawling voice from overhearing it a moment that night four or five years ago in my house; so she knew where to send the police if you didn’t bring the coat back!”

After all those years I was sitting here, now, at midnight in the peasant hotel, in my night clothes, and honoring womankind in my thoughts; for here was another woman, with the noble and delicate intuitions of her sex, trusting me, a total stranger, with all her modest wealth. She entered the room, just then, and stood beaming upon me a moment with her sweet matronly eyes--then took away the jewelry.