Part 42
We never heard of any such elaborate “donation parties” as are described at Norton Sound and the Yukon region, where a man “saves up his property for years” to distribute it among his guests.[N493] A festival, however, was held at Nuwŭk in June, 1883, which apparently resembled the second kind described by Dall.[N494] Two men came down from Nuwŭk to invite Lieut. Ray and Capt. Herendeen, telling them what presents they were expected to bring. Unfortunately it was considered that too much was asked and the invitation was declined. The messengers carried “notched sticks.”[N495]
Dances in which the children only take part, entirely for amusement, sometimes take place in the kû´dyĭgĭ, and people occasionally amuse themselves by dancing in the iglu. I have often seen the natives, especially the children and young people, dancing in the open air, and the dancing was always of very much the same character. The feet were but slightly moved, keeping time to the music, while the body swayed gracefully and the arms were waved from side to side. All the dancing which I saw was rather quiet and graceful, but they told us that when they got warmed up at a great dance they went at it with tremendous vigor, throwing off their garments to the waist. The dance which accompanies the song sung by the children to the aurora, however, is more violent. The dancer clenches his fists and, bending his elbows, strikes them against the sides of his body, keeping time to the song and stamping vigorously with the right foot, springing up and down with the left knee (see Fig. 373, from a sketch by the writer).
We never heard of any of the licentious festivals or orgies described by Egede[N496] and Kumlien.[N497]
[Footnote N493: See Dall, Alaska, p. 151.]
[Footnote N494: Ibid, p. 154.]
[Footnote N495: Compare the wand “curiously ornamented and carved” carried by the messenger who was sent out to invite the guests to the festival at Norton Sound, Alaska, p. 154.]
[Footnote N496: Greenland, p. 139.]
[Footnote N497: Contributions, p. 43.]
The festivals of the eastern Eskimo appear to be less formal and elaborate than those in the west, consisting simply of singing and dancing.[N498]
[Footnote N498: Descriptions of Eskimo festivals are to be found in Egede’s Greenland, p. 152, and Crantz, History of Greenland, vol. 1, p. 175, where he mentions the sun feast held at the winter solstice. This very likely corresponds to the December festival at Point Barrow. If the latter be really a rite instituted by the ancestors of the present Eskimo when they lived in lower latitudes to celebrate the winter solstice, it is easy to understand why it should be held at about the same time by the people of Kotzebue Sound, as stated by Dr. Simpson, op. cit., p. 262, where, as he says, the reindeer might be successfully pursued throughout the winter. It is much more likely, considering the custom in Greenland, that this is the reason for having the festival at this season than that the time should be selected by the people at Point Barrow as a season when “hunting or fishing can not well be attended to,” as Simpson thinks. We should remember that this is the very time of the year that the seal netting is at its height at Point Barrow. See also Parry, Second Voyage, p. 538; Kumlien, Contributions, p. 43; Gilder, Schwatka’s Search, p. 43; Beechey, Voyage, p. 288 (Kotzebue Sound); Dall, Alaska, p. 149 (very full and detailed); Petroff, Report, etc., pp. 125, 126, 129, 131 (quoted from Zagoskin), 135, 137 (quoted from Shelikhof), and 144 (quoted from Davidof); Hooper, Tents, etc., pp. 85, 136; and Nordenskiöld, Vega, vol. 2, pp. 22, 131.]
TOYS AND SPORTS FOR CHILDREN AND OTHERS.
_Playthings._--Though the children amuse themselves with a great many sports and plays, we saw very few toys or playthings in use. We brought home six objects which appear to have no use except as playthings.
Fig. 374_a_ (No. 89806 [1189] from Nuwŭk) is a whirligig in principle very like that made for civilized children. It is a block of spruce, fitted with a shaft of narwhal ivory. This fits loosely in the straight tubular handle, which is a section of the branch of an antler, with the soft inside tissue cut out. A string of seal thong passes through a hole in the middle of the handle and is fastened to the shaft. This string is about 8 feet long, and about half of it is tied up into the hank to make a handle for pulling it. It works very much like a civilized child’s whirligig. The string is wound around the shaft and a smart pull on the handle unwinds it, making the block spin round rapidly. The reaction, spinning it in the opposite direction, winds up the string again. A couple of loose hawk’s feathers are stuck into the tip of the block, which is painted with red ocher for about an inch. Four equidistant stripes of the same color run down the sides to a border of the same width round the base. This was made for sale and appears to be an unusual toy. I do not recollect ever seeing the children play with such a toy. It is called kai´psa (Gr. kâvsâk, “a whirligig or similar toy”).
Fig. 374_b_ is a similar whirligig from Utkiavwĭñ (No. 89807 [1356]). The block, which is 4.2 inches long, is made of the solid tip of a mountain sheep’s horn, and is elaborately ornamented with a conventional pattern of lines and “circles and dots,” incised and colored red with ocher. The shaft is of hard bone, and the line has a little wooden handle at the end. The block is so heavy that it will hardly spin.
Fig. 375 (No. 56491 [46] from Utkiavwĭñ) is a teetotum (also called kaipsa). The shaft is of pine and the disk of spruce and is ornamented with black lead marks, forming a border about one-quarter inch broad on each face. The upper face is divided into quadrants by four narrow lines radiating from the hole, and each quadrant is divided into two by bands one-quarter inch broad. The order of these lines is reversed on the under face. This is spun, like a common teetotum, with the fingers, and does not seem to be common. I do not recollect ever seeing anyone except the maker of this toy spinning one.
The same is true of No. 89722 [1087] (Fig. 376, from Utkiavwĭñ) which is what American boys would call a “buzz” toy. It is of pine wood, and through two round holes in the middle are passed the ends of a piece of stout sinew braid, which are knotted together. When the board is placed in the middle of the string it can be made to spin round and whiz by alternately pulling and relaxing the ends of the string. The board is rather elaborately painted. One end has a border of black lead on both faces, the other a similar border of red paint, which appears to be red lead. Broad red bands form a square 1 inch across around the holes, with lines radiating from each corner to the corners of the board, on both faces. On the spaces between these lines are figures rudely drawn with black lead. On one face, in the first space, is a goose; in the second, a man with a staff; in the third, the conventional figure of a whale’s tail; and in the fourth, a whale with line and float attached to him, pursued by a whaling umiak. On the other side, the first space contains a dog or wolf walking; the second, two of these animals, sitting on their haunches, facing each other; the third, another walking; and the fourth, a reindeer in the same attitude.
Fig. 377 (No. 89800 [1331] from Utkiavwĭñ), on the other hand, is a toy which the children often play with. It is the well known “whizzing-stick” found among savages in so many widely distant parts of the world, and often used in religious ceremonies. The Eskimo name is ĭmĭglúta. It consists of a thin board of pine wood, fastened by a string of sinew braid about 1 foot long to the end of a slender rod, which serves as a handle. When swung rapidly round by the handle it makes a loud, whizzing sound. It is very neatly made, and painted with black lead and red ocher. The tips of the board are black for about one-half inch and the rest is red, and the upper half of the handle marked with five rings about one-half inch wide and 1 inch apart, alternately black and red. This appears to be purely a child’s toy and has no mystical signification. I never saw one in the hands of an adult. This specimen was made and brought over for sale by a lad about thirteen or fourteen years old.
Fig. 378 (No. 56687 [181] from Utkiavwĭñ) is another plaything rather common with the boys, which takes the place of the American boy’s “bean snapper.” It is known by the name of mĭtĭ´glĭgaun, and is a rod of whalebone, stiff and black, 4.8 inches long and 0.5 wide, narrowed and bent sharply up for about an inch at one end. On the upper side of this end, close to the tip, is a little hollow, large enough to hold a small pebble, and the other is cut into sharp teeth. This is purely an instrument of mischief and is used for shooting tiny pebbles at people when they are looking the other way. Mûñialu showed us, with great glee, in an expressive pantomime, how a boy would hit a person in the eye with a little pebble, and, when the man turned round angrily, would have the snapper slipped up his sleeve and be looking earnestly in another direction. The toothed end, he said, was for mischievously scratching hairs out of a man’s coat when he was looking another way. The “snapper” is used as follows: It is held in the left hand, a little pebble is set in the socket, and the tip of the whalebone bent back with the right hand. When this end is let go the elasticity of the whalebone drives the pebble at the mark with considerable force. As far as I can learn this mischievous toy is peculiar to the Northwest.
_Dolls._--Though several dolls and various suits of miniature clothing were made and brought over for sale, they do not appear to be popular with the little girls. I do not recollect ever seeing a child playing with a doll. Those in the collection, indeed, seem rather less intended for playthings than as, so to speak, works of art to catch the fancy of the strangers. Such an object is No. 89728 [1304] (Fig. 379 from Utkiavwĭñ.) This is a human head carved out of pine wood, and shouldered off at the neck into a stout round peg, which is fitted into the middle of a thick elliptical pedestal of the same wood, flat on the bottom and convex on top. The head is dressed in a neatly made hood of thin deerskin with the flesh side cut off round the shoulders and exposing only the face. The face is very neatly carved, and has bits of green oxidized copper inlaid for the eyes. The cheeks, gums, and inside of the mouth are colored with red ocher, and the hair, eyebrows, and beard with black lead. The top of the pedestal is painted red and divided into eight equal parts by shallow grooves colored with black lead. The height of the whole object is 4½ inches, and the workmanship is remarkably good.
No. 89827 [1138] (from Utkiavwĭñ), on the other hand, is very roughly and carelessly made. It is 18.2 inches long, roughly whittled out of a flat piece of redwood board into the shape of a man with his legs wide apart and holding up his hands on each side of his head. The arms are very short and broad, with five fingers all nearly of the same length, and the legs are simply two straight four-sided pegs rounded on the edges. It is dressed in a hooded frock of seal gut reaching to the knees and leaving only the face and hands uncovered, and has sealskin knee boots on the legs. The face is rudely in relief, with two narrow bits of ivory inlaid for eyes, and a long canine tusk of the same material inserted in each corner of the mouth. Three small round bits of wood are inlaid in the forehead, one in the middle and one over each eye, and one in the right cheek above the corner of the mouth. The gut frock is carelessly made of irregular pieces. It is trimmed round the bottom and the edge of the hood with a strip of dogskin, but is left with a raw edge round the wrists. The boots are rather well made models of the regular waterproof boots, with soles of white sealskin and a band round the top 1 inch wide of the same material. A short peg projects from the top of the forehead. A string of stout sinew braid about 2 feet long is passed through a hole in the middle of the body and a knot tied in the end in front. Though the design is elaborate the workmanship is very rude, and the clothes seem to be made of odds and ends. The maker perhaps had in mind a fabulous man with teeth like a walrus, about whom we heard some fragmentary traditions.
Fig. 380 (No. 89826 [1358] from Utkiavwĭñ) is a clever, though somewhat roughly made, mechanical doll. It represents a man dressed in deerskins sitting with his legs outstretched and holding in his extended left hand a drum and in his right a stick, as if beating the drum. The arms are of whalebone, and by pressing them he can be made to beat the drum. The doll is made of a single piece of wood--a knot with two branches, which make the legs. (I learned this from Capt. Herendeen, who saw this doll at the village before it was finished.) The height of the sitting figure is 11½ inches.
A still more ingenious mechanical toy which, however, like the preceding, was made for sale, is shown in Fig. 381 (No. 89855 [1351] from Utkiavwĭñ). This is a man sitting in a kaiak in the attitude of paddling on the left side with a single-bladed paddle. His arms are of whalebone, and by means of strings he can be made to paddle and turn his head from side to side. The kaiak is 29 inches long, very neatly carved from a single block of wood, and solid except at the cockpit. The bottom is flat, to allow it to stand on the floor, but it is otherwise precisely of the model of the kaiaks in the Museum from the Mackenzie and Anderson region. The nation who made it called it a “Kûñmû´d’lĭñ” kaiak. It is painted all over with red ocher, except on the bottom. The figure has no legs and fits into the cockpit, which is without any coaming. The head is separate and mounted on a long, slender pivot, which is fitted into a hole in the neck just loosely enough to allow it to turn easily. It is dressed in a hood of seal gut. The face is very natural, though rather rudely carved, and is lightly colored all over with red ocher, with the mouth painted deeply red, and the eyebrows, eyes, nostrils, and beard marked with black lead. The arms are narrow strips of whalebone, the ends of which protrude at the wrists, and are tied to the paddle by the ends of the strings which work it. The body is covered with a gut shirt.
The paddle is of the common shape, and has the blade and the lower end of the shaft painted red. The strings for working this contrivance are of fine sinew braid. One string is tied into a little hole in the edge of the hood, where the left ear would be, the other passes round the edge of the hood, and is tied at the right ear. These strings cross back of the head, and pass through two neat little ivory eyebolts inserted in the deck, 1 inch abaft the cockpit, and 1 inch apart. The strings from the hands are not crossed, but pass through two similar eyebolts, one at each edge of the deck, 2.5 inches from the cockpit. The ends of each set of strings are tied together. When the right pair and left pair of strings are pulled alternately, the man makes a stroke and looks to the right, then “recovers” and looks to the left. Both stroke and “recovery” are aided by the elasticity of the arms. This specimen shows a great deal of mechanical ingenuity, and was the only finished object of the kind seen.
Fig. 382 (No. 89856 [783] from Utkiavwĭñ) is a kaiak intended for a similar toy, which, when brought over for sale, had an unfinished armless doll in the cockpit. This was, unfortunately, lost in unpacking. The kaiak, which is 27.6 inches long, is not new, but has been freshly scraped and painted on deck. It is also a foreign kaiak, being precisely like a model brought by Mr. Nelson from Norton Sound. It is not unlikely that this boat itself came from that region through the “Nunatañmiun,” unless, possibly, a southern kaiak had passed through the hands of enough people to reach a point where some Point Barrow native might see it. As far as we know no Point Barrow natives visit the regions where this form is used, and the model seems too accurate to have been made from a description.
_Juvenile implements._--We sometimes saw the children playing with little models of the implements and utensils used by their parents. Perhaps the commonest thing of this sort is the boy’s bow. As soon as a boy is able to walk his father makes him a little bow suited to his strength, with blunt arrows, with which he plays with the other boys, shooting at marks--for instance, the fetal reindeer brought home from the spring hunt--till he is old enough to shoot small birds and lemmings. We also saw children playing with little drums, and one man made his little boy an elaborate kă´moti about 4 feet long. In the collection are a number of miniature implements, spears, etc., some of which have been already described, which were perhaps intended as playthings for the children. As, however, they were all newly made, it is possible that they were merely intended to catch the fancy of the strangers.
No. 89451 [1113], from Nuwŭk, is a little snow shovel 4.5 inches long, with a blade 2.1 inches wide, rather roughly carved from a piece of walrus ivory.
No. 89695 [1280] from Utkiavwĭñ, is a similar model of a deer lance, 7 inches long, all in one piece and made of reindeer antler.
No. 89797 [1186] from Utkiavwĭñ, is a quite well made model of the drum used for accompanying singing and dancing, and is almost large enough to have been used for a plaything. The stick is entirely out of proportion, being merely a roughly whittled bit of lath, 13 inches long.
_Games and sports._--The men have very few sports, though I have sometimes known them to amuse themselves by shooting at a mark with their rifles, and I once heard of a number of them wrestling. As far as I could learn, they wrestle “catch-as-catch-can” without any particular system. We never heard of anything like the athletic sports mentioned by Egede[N499] and Crantz[N500] or the pugilism described by Schwatka among the people of King William’s Land, when two men stand up to each other and exchange buffets till one or the other gives in.[N501] The women are very fond of playing “cat’s cradle” whenever they have leisure, and make a number of complicated figures with the string, many of which represent various animals. One favorite figure is a very clever representation of a reindeer, which is made by moving the fingers to run down hill from one hand to the other.[N502] Another favorite amusement with the women and children is tossing three bullets or small pebbles with the right hand, after the manner of a juggler, keeping one ball constantly in the air. Some of the women are very skillful at this, keeping the balls up for a long time. This play is accompanied by a chant sung to a monotonous tune with very little air, but strongly marked time. I never succeeded in catching the words of this chant, which are uttered with considerable rapidity, and do not appear to be ordinary words. It begins “yúɐ yúɐ yuká, yúɐ yúɐ yuká;” and some of the words are certainly indelicate to judge from the unequivocal gestures by which I once saw them accompanied.
[Footnote N499: Greenland, p. 162.]
[Footnote N500: Vol. 1, p. 177.]
[Footnote N501: Science, vol. 4, No. 98, p. 545.]
[Footnote N502: Hall (Arctic Researches, p. 129) says the “cat’s cradle” is a favorite amusement in Baffin Land, where they make many figures, including representations of the deer, whale, seal, and walrus.]
In the winter the young women and girls are often to be seen tossing a snowball with their feet. A girl wets some snow and makes a ball about as big as her two fists, which of course immediately becomes a lump of ice. This she balances on the toe of one foot and with a kick and a jump tosses it over to the other foot which catches it and tosses it back. Some women will keep this up for a number of strokes.
The young people of both sexes also sometimes play football, kicking about an old mitten or boot stuffed with rags or bits of waste skin. I never saw them set up goals and play a regular game as they did in Greenland.[N503]
[Footnote N503: See Egede, p. 161, and Crantz, vol. 1, p. 177.]
The little girls also play with the skipping rope. I once watched three little girls jumping. Two swung the rope and the other stood in the middle and jumped. First they swung the rope under her feet to the right, then back under her feet to the left, and then once or twice wholly round under her feet and over her head, and then began again.[N504] They also play at housekeeping, laying sticks round to represent the sides of the house, or outlining the house by pressing up ridges of snow between their feet. Sometimes they mark out a complicated labyrinth on the snow in this way, and the game appears to be that one shall guard this and try to catch the others if they come in, as in many of the games of civilized children.
[Footnote N504: Compare Parry’s Second Voyage, p. 541.]
I have already spoken of the formal children’s dances. They often also dance by themselves, beating on old tin cans for drums. One night I saw a party of children having quite an elaborate performance near our station. The snow at the time was drifted up close under the eaves of the house. On the edge of the roof sat three little boys, each beating vigorously on an empty tomato can and singing at the top of his lungs, while another boy and a little girl were dancing on the snow waving their arms and singing as usual, and at the same time trying to avoid another girl about thirteen years old, who represented a demon. She was stooping forward, and moving slowly round in time with the music, turning from side to side and rolling her eyes fiercely, while she licked the blade of an open clasp knife, drawing it slowly across her lips. They seemed intensely in earnest, and were enjoying themselves hugely. After dancing a while at the station they went over to the village, and as they told me the next day spent the whole night singing in a vacant snow-house.
They also amuse themselves in the winter by sliding on their knees down the steepest snowdrifts under the cliffs. A good deal of the time, however, they are following their parents or other grown people, catching little fish or fetching twigs for firewood or helping drive the dogs, though as a rule they are not made to do any regular work until they are pretty well grown.
MUSIC.