Chapter 14

Esaias Tegnér stored his mind during these journeys with that wealth of imagery, drawn from the scenery of his native land, which constitutes the most national element in his verse. He also contracted, during his residence in Branting's house, an inordinate love of books. Once during the harvest-time he was placed on guard at an open gate, so as to prevent the cattle from breaking into the adjoining field. To the great chagrin of his patron, however, the cows made their way unhindered and unnoticed into the forbidden territory, while their watchman was lying on his belly in the grass, deeply absorbed in a book. Wherever he happened to be, his idea of happiness was to hide himself away with a cherished volume. Sometimes he was found sitting on the top rung of a ladder, sometimes on the roof of a turf-thatched cottage, oblivious of the world about him, plunged up to his ears in some historic or mythological tale. He was voracious, nay, omnivorous, in his reading. A book was a book to him; no matter what was its subject, whether it were poetry, history, heraldry, or horticulture, he was always likely to find something in it to interest him. But his favorite reading was the old Norse sagas, with their tremendous recitals of war and song and fabulous prowess.

It was not, however, his delight in books which made the change in his destiny. Professor C. W. Böttiger, Tegnér's son-in-law, quotes, in his life of the poet, the following incident in the latter's own words:

"One evening, as I was travelling homeward with Assessor Branting, from Carlstad to Högvalta, the stars were bright and my religious foster-father seized this opportunity to talk with me about God's omnipotence, and its visible traces throughout nature. I had just been reading Bastholm's 'Philosophy for Laymen,' and I began to give an account of what I had there learned concerning the movements of the heavenly bodies. This made an impression upon the old man, who, a few days later, informed me that he had determined to give me a scholarly education. This had long been my secret desire, though I had never dared to express it. 'You can learn nothing more with me,' he said, 'and I believe you were born for something better. If that is the case,' he added, 'do not forget to thank the Giver of all good things.'"

The boy, who was now fourteen years old, was sent to the house of a neighbor, where his elder brother, Lars Gustaf, was tutor, and was initiated by him into the classical languages. He also taught himself English by reading McPherson's "Ossian," which kept ringing in his memory for many years to come. It was during his first enthusiasm for "Ossian" that, in order to rid himself of the line "the spear of Connell is keen," he cut it into his chamber-door, where probably it is yet to be seen. At the end of fifteen months the elder brother accepted a more profitable position as tutor in the family of the great iron-manufacturer Myhrman, at Rämen, and stipulated that Esaias should be permitted to accompany him.

Very charming is the description of this hospitable, patriarchal household, in Böttiger's biography; and doubly interesting it becomes when we recognize on every page scenes and incidents which were later woven into "Frithjof's Saga." There was a large library on the estate, consisting of French, Latin, and Greek classics. With great zest Esaias attacked this storehouse of delight; and scarcely would he grant himself the needed sleep, because every hour seemed to him lost which had been robbed from his beloved authors. The instruction in Latin and Greek which his brother imparted to the young Myhrmans was to him far too slow. In his eagerness to plunge into Homer's enchanted world, he rapidly finished his grammar, and began to read ahead, book after book, so as to get the connection, even though understanding but half the words. Without knowing it, he had adopted a modern and really most excellent method of acquiring the language. For Homer became literature to him instead of a mere text for excruciating grammatical gymnastics.

It was Tegnér's good fortune that his playfellows, the seven young Myhrmans, were not so fond of Greek as he was. Often, when he was revelling in a glorious Homeric passage, these lusty barbarians would come storming into his room and carry him off bodily, compelling him to share in their sports; for Esaias was a capital hand at inventing new games, and they willingly accepted his leadership and acted upon his suggestions. Particularly his Homeric games were greatly enjoyed. They divided their troop into Greeks and Trojans and captured Troy. Esaias was always Hector, and the other boys became the raging Ajax, the swift-footed Achilles, the wily Ulysses, etc. The youngest daughter of the house, Anna Myhrman, must, I should fancy, have played somewhat more of a part in Tegnér's boyhood than his biographer allows, for the descriptions of Frithjof's and Ingeborg's childhood in Hilding's house are obviously personal reminiscences:

"No bird's nest found so high a spot That he for her could find it not; The eagle's nest from clouds he sundered, And eggs and young he deftly plundered.

"However swift, there ran no brook, But o'er it Ingeborg he took; How sweet, when roaring torrents frighten, To feel her soft arms round him tighten.

"The first spring flowers by sunshine fed, The earliest strawberries turning red, The first of autumn's golden treasure He proffered her with eager pleasure."[26]

[26] Translation of Thomas A. E. and Martha A. L. Holcomb, Chicago, 1877. I have taken the liberty to substitute "strawberries," which is the correct translation of "Smultron," for berries.

At the age of seventeen Tegnér entered the University of Lund, accompanied by three young Myhrmans, whose father had generously promised to share with Assessor Branting the expenses of his academic education. His playmate, familiarly called Achilles, had to share his room, and thus it came to pass that Hector and his deadly foe became bedfellows. In fact the bed in question, being intended for but one, afforded the scantiest possible accommodations for two, and often threatened to collapse under their united weight. Aching in every joint from the discomfort of their cramped position, they would then get up and spend the remainder of the night in playing chess.

At the University Tegnér soon made his mark, and two years later took his degree of _Magister Artium_ with great distinction, being, according to the extraordinary custom of the country, laurel-crowned in the cathedral as the first of twenty-four candidates. The Swede loves pomp and ceremonious display, and rarely misses an opportunity for a fine stage effect. I do not mean to insinuate, of course, that Esaias Tegnér was unworthy of the honor which was conferred upon him; but it seems a terrible cheapening of the laurel to place it annually upon the brows of a herd of deedless striplings, standing upon the threshold of their careers. Tegnér was but nineteen years of age when the Muse, contrary to her habit, gave him the crown without the dust, generously rewarding him in advance of performance. But he came very near forfeiting the fruits of all his fair fame by participating in a hostile demonstration in front of the house of the University's rector, who was justly unpopular. His manly bearing, however, and the friendship of several of the professors saved him from the _consilium abeundi cum infamia_, with which he was threatened. Instead of that he was appointed _docent_ in æsthetics, Secretary to the Faculty of Philosophy, and Assistant University Librarian. His summer vacations he spent at Rämen with the Myhrmans. His playmate, Miss Anna, was now sixteen years of age, and had undergone that miraculous transformation, which never loses its delightful mystery, from childhood into young womanhood. He went away one day and bade good-by to an awkward kangaroo-like girl in short skirts, and returned in a few months to greet a lovely, blushingly dignified young lady, who probably avowed no more her fondness for him with the same frank heedlessness as of old. But she would have been more than woman if she could have resisted the wooing of the beautiful youth upon whom nature had showered so many rare gifts. A stone has been found up in the woods above Rämen which yet shows under its coating of moss the initials of E. T. and A. M. It requires but little imagination to fill out the story of the brief and happy courtship; and two cantos in "Frithjof's Saga" ("Frithof's Wooing" and "Frithjof's Happiness") supply an abundance of hints which have a charmingly autobiographical tinge:

"He sat by her side and pressed her soft hand, And he felt a fond pressure, responsive and bland, Whilst his love-dreaming gaze Was returned as the sun's in the moon's placid rays.

"They spoke of days bygone, so gladsome and gay, When the dew was yet fresh on life's new-trodden way; For on memory's page Youth traces its roses; its briers old age.

"She brought him a greeting from dale and from wood, From the bark-graven runes and the brook's silver flood; From the dome-crownèd cave Where oaks bravely stream o'er a warrior's grave."[27]

[27] Strong's translation.

But here, happily, Tegnér's life ceased to supply material for that of his hero. For Anna Myhrman, instead of pledging her troth to a high-born, elderly gentleman, like King Ring, married the young University instructor, Esaias Tegnér; and when her bridal wreath of myrtle failed to arrive from the city, she twined a wreath of wild heather instead; and very lovely she looked on her wedding-day with the modest heather blossoms peeping forth from under her dark locks.

His insecure position in life, as one dependent upon the bounty of friends, had hitherto oppressed Tegnér, and at times made him moody and despondent. He had felt impelled, in justice to himself and to satisfy the expectations of his patrons, to apply himself to his studies with a perseverance and industry which came near undermining his health. He looked during his student days overworked, and if nature had endowed him with a less magnificent physique he would, no doubt, have succumbed to the strain of this perpetual over-exertion. But after his marriage a happy change came over him. The joyous substratum of his nature (what he himself called his pagan self) broke through its sombre integuments and asserted itself. No sooner had he taken his place among the teachers of the University than his clear and weighty personality commanded admiration and respect. In social intercourse his ready wit and cheerful conviviality made him a general favorite. His talk, without being in the least forced, was full of surprises; and there was a charm, in the redundant vigor and virility that seemed to radiate from him. But it may as well be admitted that he began at this time to show what may euphemistically be styled his paganism, in the relish which he evinced for jests of doubtful propriety. He was indeed as far as possible from being a prude; many years later, when he was a bishop and a great ecclesiastical dignitary, he wrote to his friend the poet Franzén:

"I thank God that I can yet, at times, be merry and give vent to my mirth in prose and verse. I don't scruple to make a good joke even though its subject be the bridal bed. All prudery--and frequently the clerical dignity is, in social intercourse, nothing else--I detest and despise."

His inability to restrain his wit in this particular direction has done some injury to his memory. Not that his fancy had any taint of uncleanness. It was open and cheerful as the sunlight; and as the sunlight played brightly over all things without fastidious discrimination. There was a rich, and healthy humanity about him which manifested itself in an impartial, all-embracing delight in the glow and color of mere sensuous existence. There has scarcely ever been a great poet (Dante perhaps excepted) who has not had his share of this pagan joy in nudity. Goethe's "Roman Elegies" are undisguisedly Anacreontic, and the most spiritual of modern poets, Robert Browning, is as deep and varied and bountiful in the expression he gives to life in its sensuous phases as in its highest ascetic transports.

Do not imagine, then, that I am apologizing for Tegnér, I am merely trying to account for him. From his Homer, whom he loved above all other poets, he had in a measure derived that artistic paganism which perceptibly colored his personality. There was nothing of the scholarly prig or pedant about him. In his lectures he gave himself, his own view of life, and his own interpretation of his authors. And it was because of the greatness of the man, the unhackneyed vigor of his speech, and the power of his intellect that the students flocked to his lecture-hall and listened with enthusiasm to his teaching.

I am not by any means sure, however, that much of his popularity was also due to what, at this stage of his career, may without disrespect be called his immaturity. That wholesome robustness in his acceptance of life which finds utterance in his early songs must have established a quick bond of sympathy between him and his youthful hearers. The instincts of the predatory man were yet strong in him. The tribal feeling which we call patriotism, the juvenile defiance which carries a chip on its shoulder as a challenge to the world, the boastful self-assertion which is always ridiculous in every nation but our own--impart a splendid martial resonance to his first notable poem, "War-Song for the Scanian Reserves" (1808). There was a charming, frank ferocity in this patriotic bugle-blast which found an echo in every Swedish heart. The rapid dactylic metres, with the captivating rhymes, alternating with the more contemplative trochees, were admirably adapted for conveying the ebullient indignation and wrath which hurls its gauntlet into the face of fate itself,[28] checked, as it were, and cooled by soberer reflection and retrospective regret. It is the sorrow for the yet recent loss of Finland which inspires the elegiac tones in Tegnér's war-song; and it is his own ardent, youthful spirit, his own deep and sincere love of country, which awakes the martial melody with the throbbing of the drum and the rousing alarum of trumpets. What can be more delightfully--shall I say juvenile--than this reference to the numerical superiority of the Muscovites:

"Many, are they? Well, then, of the many Sweden shall drink the red blood and be free! Many? We count not the warriors' numbers Only the fallen shall numbered be."

[28]

"Vi Kaste var handske Mot ödet sjelf."

It is with no desire to disparage Tegnér that I say that this strain, which is that of all his early war-songs, is extremely becoming to him. It is not a question of the legitimacy of the sentiment, but of the fulness and felicity of its expression. As long as we have wars we must have martial bards, and with the exception of the German, Theodor Körner, I know none who can bear comparison with Tegnér. English literature can certainly boast no war-poem which would not be drowned in the mighty music of Tegnér's "Svea," "The Scanian Reserves," and that magnificent, dithyrambic declamation, "King Charles, the Young Hero." Tennyson's "Charge of the Light Brigade" is technically a finer poem than anything Tegnér has written, but it lacks the deep virile bass, the tremendous volume of breath and voice, and the captivating martial lilt which makes the heart beat willy nilly to the rhythm of the verse.

The popularity which Tegnér gained by "The Scanian Reserves" was the immediate cause of his appointment to a professorship at the University of Lund, and his next notable poem, "Svea," which won him the great prize of the Swedish Academy, raised him to a height of fame which naturally led to further promotion. According to the curious custom of Sweden, a professor may, even though he has never studied theology, take orders and accept the charge of a parish. He is regarded as being, by dint of his learning, in the regular line of clerical promotion; and the elevation from a professorship (though it be not a theological one) into a bishopric is no infrequent occurrence. There was therefore nothing anomalous in Tegnér's appointment (February, 1812) as pastor of Stäfvie and Lackalänge, and his subsequent promotion (February, 1824) to the bishopric of Wexiö. His pastorate he was permitted to combine with his professorship of Greek, to which he was simultaneously transferred from that of æsthetics, and the office was chiefly valuable to him on account of the addition which it procured him to his income. The nearness of his parish to Lund enabled him to preach in the country on Sundays as regularly as he lectured in the city on week-days. His other pastoral duties he could not very well discharge _in absentia_, and they probably remained in a measure undischarged. He had not sought the parish; it was the parish which had sought him; and he exerted himself to the utmost to fill the less congenial office as conscientiously as he did his academic chair. The peasants of Stäfvie and Lackalänge were always welcome at his hospitable board; he gave them freely his advice, and in order to recall and emphasize his own kinship with them, he invited a peasant woman to become the godmother of his youngest son, and selected all the sponsors from the same class.

This was not the only occasion on which Tegnér demonstrated his superiority to all snobbish pretensions. He was not only not ashamed of his peasant descent, but he was proud of it. Once (1811) during a visit to Rämen, he took it into his head that he desired to know, from actual experience, the kind of lives which his ancestors must have lived; and to that end he dressed himself in wadmal, loaded a dray with pig-iron, greased its axles, harnessed his team, and drove it to the nearest city, a distance of ten to twelve miles. He induced three of his brothers-in-law, two of whom were army officers and one a government clerk, to follow his example. Up hill and down hill they trudged, and arrived late in the afternoon, footsore and with blistered hands, in the town, where they reported at the office of a commission merchant, sold their iron and obtained their receipts. That of Tegnér was made out to Esaias Esaiasson, which would have been his name, if his father had never risen from the soil. The four sham peasants now bought seed-corn with the money they had obtained for their iron, loaded again their wagons, and started for home. But they had forgotten to take into account the robustness of the rustic appetite, and before they had proceeded far their bag of provisions was empty. To add to their discomfort the rain began to pour down, but they would not seek shelter. After midnight they arrived at Rämen, hungry and drenched, not having slept for two nights, but happy and proud of their feat of endurance.

It was in 1811 that Tegnér's poem "Svea" received the prize of the Swedish Academy; and the fact that it recalled (in single passages at least) Oehlenschläger's "The Golden Horns," does not seem to have weighed in the verdict. It is not in any sense an imitation; but there is an audible reminiscence which is unmistakable in the metre and cadence of the short-lined verses, descriptive of the vision. Never, I fancy, had the Swedish language been made to soar with so strong a wing-beat, never before had it been made to sing so bold a melody. To me, I admit, "Svea" is too rhetorical to make any deep impression. It has a certain stately academic form, which, as it were, impedes its respiration and freedom of movement. When, for all that, I speak of wing-beat and melody, it must be borne in mind that Sweden had produced no really great poet[29] before Tegnér; and that thus, relatively considered, the statement is true. But Tegnér seems himself to have been conscious of the strait-jacket in which the old academic rules confined him, for in the middle of the poem he suddenly discards the stilted Alexandrines with which he had commenced and breaks into a rapturous old-Norse chant, the abrupt metres of which recall the _fornyrdhalag_ of the Elder Edda. Soon after "Svea" followed, in 1812, "The Priestly Consecration," the occasion of which was the poet's own ordination. Here the oratorical note and a certain clerical rotundity of utterance come very near spoiling the melody. "At the Jubilee in Lund" (1817) is very much in the same strain, and begins with the statement so characteristic of Tegnér:

"Thou who didst the brave twin stars enkindle, Reason and Religion, guard the twain! Each shines by other; else they fade and dwindle.[30] Fill with clearness every human brain: Faith and hope in every bosom reign!"

[29] Carl Michael Bellman, the Swedish Béranger (1740-1795), whose wanton music resounded through the latter half of the eighteenth century, would, no doubt, by many be called a great poet. But his Bacchanalian strain, though at times exquisite and captivating, lacks the universality of sentiment and that depth of resonance of which greatness can alone be predicated. Both his wild mirth and his sombre melancholy exhale the aroma of ardent spirits.

[30] This line reads literally: "Guard them both; they are willingly reconciled."

He was, in fact, never very orthodox; and if he had belonged to the American branch of his denomination would surely have been tried for heresy. Rarely has a deadlier foe of priestly obscurantism and mediæval mysteries worn the episcopal robes. With doctrinal subtleties and ingenious hair-splitting he had no patience; conduct was with him the main, if not the only, thing to be considered. The Christian Church, as he conceived it, was primarily a civilizer, and the expression of the highest ethical sentiment of the age.

"The Church," he writes, "can surely not be re-established in its former religious significance, for the system upon which it rests has slept away three centuries of history; and it is of no use that this man or that man yet pretends to believe in the somnambulist. But the church has also a civic significance as an integral part of the social order of humanity. If you abandon that to the spirit of laxity and drowsiness, I can see no reason why the clergy and the whole religious apparatus should not be, and ought not to be, abolished and their costs covered into the treasury."

These are not highly episcopal sentiments; but they are in keeping with Tegnér's whole personality and his conception of his duty. His first concern was to purge his diocese of drunken clergymen, a task in which he encountered many unforeseen difficulties.

"It is nowadays less difficult," he says, "to get rid of a king than a drunken clergyman."