Chapter 4

--_Hoc est_ _Vivere bis_, _vita posse priore frui_.

MART., _Ep._ x. 23.

The present joys of life we doubly taste, By looking back with pleasure to the past.

The last method which I proposed in my Saturday's paper, for filing up those empty spaces of life which are so tedious and burthensome to idle people, is the employing ourselves in the pursuit of knowledge. I remember Mr. Boyle, speaking of a certain mineral, tells us that a man may consume his whole life in the study of it without arriving at the knowledge of all its qualities. The truth of it is, there is not a single science, or any branch of it, that might not furnish a man with business for life, though it were much longer than it is.

I shall not here engage on those beaten subjects of the usefulness of knowledge, nor of the pleasure and perfection it gives the mind, nor on the methods of attaining it, nor recommend any particular branch of it; all which have been the topics of many other writers; but shall indulge myself in a speculation that is more uncommon, and may therefore, perhaps, be more entertaining.

I have before shown how the unemployed parts of life appear long and tedious, and shall here endeavour to show how those parts of life which are exercised in study, reading, and the pursuits of knowledge, are long, but not tedious, and by that means discover a method of lengthening our lives, and at the same time of turning all the parts of them to our advantage.

Mr. Locke observes, "That we get the idea of time or duration, by reflecting on that train of ideas which succeed one another in our minds: that, for this reason, when we sleep soundly without dreaming, we have no perception of time, or the length of it whilst we sleep; and that the moment wherein we leave off to think, till the moment we begin to think again, seems to have no distance." To which the author adds, "and so I doubt not but it would be to a waking man, if it were possible for him to keep only one idea in his mind, without variation and the succession of others; and we see that one who fixes his thoughts very intently on one thing, so as to take but little notice of the succession of ideas that pass in his mind whilst he is taken up with that earnest contemplation, lets slip out of his account a good part of that duration, and thinks that time shorter than it is."

We might carry this thought further, and consider a man as on one side, shortening his time by thinking on nothing, or but a few things; so, on the other, as lengthening it, by employing his thoughts on many subjects, or by entertaining a quick and constant succession of ideas. Accordingly, Monsieur Malebranche, in his "Inquiry after Truth," which was published several years before Mr. Locke's Essay on "Human Understanding," tells us, "that it is possible some creatures may think half an hour as long as we do a thousand years; or look upon that space of duration which we call a minute, as an hour, a week, a month, or a whole age."

This notion of Monsieur Malebranche is capable of some little explanation from what I have quoted out of Mr. Locke; for if our notion of time is produced by our reflecting on the succession of ideas in our mind, and this succession may be infinitely accelerated or retarded, it will follow that different beings may have different notions of the same parts of duration, according as their ideas, which we suppose are equally distinct in each of them, follow one another in a greater or less degree of rapidity.

There is a famous passage in the Alcoran, which looks as if Mahomet had been possessed of the notion we are now speaking of. It is there said that the Angel Gabriel took Mahomet out of his bed one morning to give him a sight of all things in the seven heavens, in paradise, and in hell, which the prophet took a distinct view of; and, after having held ninety thousand conferences with God, was brought back again to his bed. All this, says the Alcoran, was transacted in so small a space of time, that Mahomet at his return found his bed still warm, and took up an earthen pitcher, which was thrown down at the very instant that the Angel Gabriel carried him away, before the water was all spilt.

There is a very pretty story in the Turkish Tales, which relates to this passage of that famous impostor, and bears some affinity to the subject we are now upon. A sultan of Egypt, who was an infidel, used to laugh at this circumstance in Mahomet's life, as what was altogether impossible and absurd: but conversing one day with a great doctor in the law, who had the gift of working miracles, the doctor told him he would quickly convince him of the truth of this passage in the history of Mahomet, if he would consent to do what he should desire of him. Upon this the sultan was directed to place himself by a huge tub of water, which he did accordingly; and as he stood by the tub amidst a circle of his great men, the holy man bade him plunge his head into the water and draw it up again. The king accordingly thrust his head into the water, and at the same time found himself at the foot of a mountain on the sea-shore. The king immediately began to rage against his doctor for this piece of treachery and witchcraft; but at length, knowing it was in vain to be angry, he set himself to think on proper methods for getting a livelihood in this strange country. Accordingly he applied himself to some people whom he saw at work in a neighbouring wood: these people conducted him to a town that stood at a little distance from the wood, where, after some adventures, he married a woman of great beauty and fortune. He lived with this woman so long that he had by her seven sons and seven daughters. He was afterwards reduced to great want, and forced to think of plying in the streets as a porter for his livelihood. One day as he was walking alone by the sea-side, being seized with many melancholy reflections upon his former and his present state of life, which had raised a fit of devotion in him, he threw off his clothes with a design to wash himself, according to the custom of the Mahometans, before he said his prayers.

After his first plunge into the sea, he no sooner raised his head above the water but he found himself standing by the side of the tub, with the great men of his court about him, and the holy man at his side. He immediately upbraided his teacher for having sent him on such a course of adventures, and betrayed him into so long a state of misery and servitude; but was wonderfully surprised when he heard that the state he talked of was only a dream and delusion; that he had not stirred from the place where he then stood; and that he had only dipped his head into the water, and immediately taken it out again.

The Mahometan doctor took this occasion of instructing the sultan that nothing was impossible with God; and that He, with whom a thousand years are but as one day, can, if He pleases, make a single day--nay, a single moment--appear to any of His creatures as a thousand years.

I shall leave my reader to compare these Eastern fables with the notions of those two great philosophers whom I have quoted in this paper; and shall only, by way of application, desire him to consider how we may extend life beyond its natural dimensions, by applying ourselves diligently to the pursuit of knowledge.

The hours of a wise man are lengthened by his ideas, as those of a fool are by his passions. The time of the one is long, because he does not know what to do with it; so is that of the other, because he distinguishes every moment of it with useful or amusing thoughts; or, in other words, because the one is always wishing it away, and the other always enjoying it.

How different is the view of past life, in the man who is grown old in knowledge and wisdom, from that of him who is grown old in ignorance and folly! The latter is like the owner of a barren country, that fills his eye with the prospect of naked hills and plains, which produce nothing either profitable or ornamental; the other beholds a beautiful and spacious landscape divided into delightful gardens, green meadows, fruitful fields, and can scarce cast his eye on a single spot of his possessions that is not covered with some beautiful plant or flower.

CENSURE.

_Romulus_, _et Liber pater_, _et cum Castore Pollux_, _Post ingentia facta_, _deorum in templa recepti_; _Dum terras hominumque colunt genus_, _aspera bella_ _Componunt_, _agros assignant_, _oppida condunt_; _Ploravere suis non respondere favorem_ _Speratum meritis_.

HOR., _Epist._ ii. 1, 5.

MITATED.

Edward and Henry, now the boast of fame, And virtuous Alfred, a more sacred name, After a life of generous toils endured, The Gaul subdued, or property secured, Ambition humbled, mighty cities storm'd, Or laws establish'd, and the world reform'd; Closed their long glories with a sigh to find Th' unwilling gratitude of base mankind.

POPE.

"Censure," says a late ingenious author, "is the tax a man pays to the public for being eminent." It is a folly for an eminent man to think of escaping it, and a weakness to be affected with it. All the illustrious persons of antiquity, and indeed of every age in the world, have passed through this fiery persecution. There is no defence against reproach but obscurity; it is a kind of concomitant to greatness, as satires and invectives were an essential part of a Roman triumph.

If men of eminence are exposed to censure on one hand, they are as much liable to flattery on the other. If they receive reproaches which are not due to them, they likewise receive praises which they do not deserve. In a word, the man in a high post is never regarded with an indifferent eye, but always considered as a friend or an enemy. For this reason persons in great stations have seldom their true characters drawn till several years after their deaths. Their personal friendships and enmities must cease, and the parties they were engaged in be at an end, before their faults or their virtues can have justice done them. When writers have the least opportunity of knowing the truth, they are in the best disposition to tell it.

It is therefore the privilege of posterity to adjust the characters of illustrious persons, and to set matters right between those antagonists who by their rivalry for greatness divided a whole age into factions. We can now allow Caesar to be a great man, without derogating from Pompey; and celebrate the virtues of Cato, without detracting from those of Caesar. Every one that has been long dead has a due proportion of praise allotted him, in which, whilst he lived, his friends were too profuse, and his enemies too sparing.

According to Sir Isaac Newton's calculations, the last comet that made its appearance, in 1680, imbibed so much heat by its approaches to the sun, that it would have been two thousand times hotter than red-hot iron, had it been a globe of that metal; and that supposing it as big as the earth, and at the same distance from the sun, it would be fifty thousand years in cooling, before it recovered its natural temper. In the like manner, if an Englishman considers the great ferment into which our political world is thrown at present, and how intensely it is heated in all its parts, he cannot suppose that it will cool again in less than three hundred years. In such a tract of time it is possible that the heats of the present age may be extinguished, and our several classes of great men represented under their proper characters. Some eminent historian may then probably arise that will not write _recentibus odiis_, as Tacitus expresses it, with the passions and prejudices of a contemporary author, but make an impartial distribution of fame among the great men of the present age.

I cannot forbear entertaining myself very often with the idea of such an imaginary historian describing the reign of Anne the First, and introducing it with a preface to his reader, that he is now entering upon the most shining part of the English story. The great rivals in fame will be then distinguished according to their respective merits, and shine in their proper points of light. Such an one, says the historian, though variously represented by the writers of his own age, appears to have been a man of more than ordinary abilities, great application, and uncommon integrity: nor was such an one, though of an opposite party and interest, inferior to him in any of these respects. The several antagonists who now endeavour to depreciate one another, and are celebrated or traduced by different parties, will then have the same body of admirers, and appear illustrious in the opinion of the whole British nation. The deserving man, who can now recommend himself to the esteem of but half his countrymen, will then receive the approbations and applauses of a whole age.

Among the several persons that flourish in this glorious reign, there is no question but such a future historian, as the person of whom I am speaking, will make mention of the men of genius and learning who have now any figure in the British nation. For my own part, I often flatter myself with the honourable mention which will then be made of me; and have drawn up a paragraph in my own imagination, that I fancy will not be altogether unlike what will be found in some page or other of this imaginary historian.

It was under this reign, says he, that the _Spectator_ published those little diurnal essays which are still extant. We know very little of the name or person of this author, except only that he was a man of a very short face, extremely addicted to silence, and so great a lover of knowledge, that he made a voyage to Grand Cairo for no other reason but to take the measure of a pyramid. His chief friend was one Sir Roger De Coverley, a whimsical country knight, and a Templar, whose name he has not transmitted to us. He lived as a lodger at the house of a widow-woman, and was a great humorist in all parts of his life. This is all we can affirm with any certainty of his person and character. As for his speculations, notwithstanding the several obsolete words and obscure phrases of the age in which he lived, we still understand enough of them to see the diversions and characters of the English nation in his time: not but that we are to make allowance for the mirth and humour of the author, who has doubtless strained many representations of things beyond the truth. For if we interpret his words in their literal meaning, we must suppose that women of the first quality used to pass away whole mornings at a puppet-show; that they attested their principles by their patches; that an audience would sit out an evening to hear a dramatical performance written in a language which they did not understand; that chairs and flower-pots were introduced as actors upon the British stage; that a promiscuous assembly of men and women were allowed to meet at midnight in masks within the verge of the Court; with many improbabilities of the like nature. We must therefore, in these and the like cases, suppose that these remote hints and allusions aimed at some certain follies which were then in vogue, and which at present we have not any notion of. We may guess by several passages in the speculations, that there were writers who endeavoured to detract from the works of this author; but as nothing of this nature is come down to us, we cannot guess at any objections that could be made to his paper. If we consider his style with that indulgence which we must show to old English writers, or if we look into the variety of his subjects, with those several critical dissertations, moral reflections,

* * * * *

The following part of the paragraph is so much to my advantage, and beyond anything I can pretend to, that I hope my reader will excuse me for not inserting it.

THE ENGLISH LANGUAGE.

_Est brevitate opus_, _ut currat sententia_,

HOR., _Sat._ i. 10, 9.

Let brevity despatch the rapid thought.

I have somewhere read of an eminent person who used in his private offices of devotion to give thanks to Heaven that he was born a Frenchman: for my own part I look upon it as a peculiar blessing that I was born an Englishman. Among many other reasons, I think myself very happy in my country, as the language of it is wonderfully adapted to a man who is sparing of his words, and an enemy to loquacity.

As I have frequently reflected on my good fortune in this particular, I shall communicate to the public my speculations upon the English tongue, not doubting but they will be acceptable to all my curious readers.

The English delight in silence more than any other European nation, if the remarks which are made on us by foreigners are true. Our discourse is not kept up in conversation, but falls into more pauses and intervals than in our neighbouring countries; as it is observed that the matter of our writings is thrown much closer together, and lies in a narrower compass, than is usual in the works of foreign authors; for, to favour our natural taciturnity, when we are obliged to utter our thoughts we do it in the shortest way we are able, and give as quick a birth to our conceptions as possible.

This humour shows itself in several remarks that we may make upon the English language. As, first of all, by its abounding in monosyllables, which gives us an opportunity of delivering our thoughts in few sounds. This indeed takes off from the elegance of our tongue, but at the same time expresses our ideas in the readiest manner, and consequently answers the first design of speech better than the multitude of syllables which make the words of other languages more tuneable and sonorous. The sounds of our English words are commonly like those of string music, short and transient, which rise and perish upon a single touch; those of other languages are like the notes of wind instruments, sweet and swelling, and lengthened out into variety of modulation.

In the next place we may observe that, where the words are not monosyllables, we often make them so, as much as lies in our power, by our rapidity of pronunciation; as it generally happens in most of our long words which are derived from the Latin, where we contract the length of the syllables, that gives them a grave and solemn air in their own language, to make them more proper for despatch, and more conformable to the genius of our tongue. This we may find in a multitude of words, as "liberty," "conspiracy," "theatre," "orator," &c.

The same natural aversion to loquacity has of late years made a very considerable alteration in our language, by closing in one syllable the termination of our preterperfect tense, as in the words "drown'd," "walk'd," "arriv'd," for "drowned," "walked," "arrived," which has very much disfigured the tongue, and turned a tenth part of our smoothest words into so many clusters of consonants. This is the more remarkable because the want of vowels in our language has been the general complaint of our politest authors, who nevertheless are the men that have made these retrenchments, and consequently very much increased our former scarcity.

This reflection on the words that end in "ed" I have heard in conversation from one of the greatest geniuses this age has produced. I think we may add to the foregoing observation, the change which has happened in our language by the abbreviation of several words that are terminated in "eth," by substituting an "s" in the room of the last syllable, as in "drowns," "walks," "arrives," and innumerable other words, which in the pronunciation of our forefathers were "drowneth," "walketh," "arriveth." This has wonderfully multiplied a letter which was before too frequent in the English tongue, and added to that hissing in our language which is taken so much notice of by foreigners, but at the same time humours our taciturnity, and eases us of many superfluous syllables.

I might here observe that the same single letter on many occasions does the office of a whole word, and represents the "his" and "her" of our forefathers. There is no doubt but the ear of a foreigner, which is the best judge in this case, would very much disapprove of such innovations, which indeed we do ourselves in some measure, by retaining the old termination in writing, and in all the solemn offices of our religion.

As, in the instances I have given, we have epitomised many of our particular words to the detriment of our tongue, so on other occasions we have drawn two words into one, which has likewise very much untuned our language, and clogged it with consonants, as "mayn't," "can't," "shan't," "won't," and the like, for "may not," "can not," "shall not," "will not," &c.

It is perhaps this humour of speaking no more than we needs must which has so miserably curtailed some of our words, that in familiar writings and conversations they often lose all but their first syllables, as in "mob.," "rep.," "pos.," "incog.," and the like; and as all ridiculous words make their first entry into a language by familiar phrases, I dare not answer for these that they will not in time be looked upon as a part of our tongue. We see some of our poets have been so indiscreet as to imitate Hudibras's doggrel expressions in their serious compositions, by throwing out the signs of our substantives which are essential to the English language. Nay, this humour of shortening our language had once run so far, that some of our celebrated authors, among whom we may reckon Sir Roger L'Estrange in particular, began to prune their words of all superfluous letters, as they termed them, in order to adjust the spelling to the pronunciation; which would have confounded all our etymologies, and have quite destroyed our tongue.

We may here likewise observe that our proper names, when familiarised in English, generally dwindle to monosyllables, whereas in other modern languages they receive a softer turn on this occasion, by the addition of a new syllable.--Nick, in Italian, is Nicolini; Jack, in French, Janot; and so of the rest.

There is another particular in our language which is a great instance of our frugality in words, and that is the suppressing of several particles which must be produced in other tongues to make a sentence intelligible. This often perplexes the best writers, when they find the relatives "whom," "which," or "they," at their mercy, whether they may have admission or not; and will never be decided till we have something like an academy, that by the best authorities, and rules drawn from the analogy of languages, shall settle all controversies between grammar and idiom.

I have only considered our language as it shows the genius and natural temper of the English, which is modest, thoughtful, and sincere, and which, perhaps, may recommend the people, though it has spoiled the tongue. We might, perhaps, carry the same thought into other languages, and deduce a great part of what is peculiar to them from the genius of the people who speak them. It is certain the light talkative humour of the French has not a little infected their tongue, which might be shown by many instances; as the genius of the Italians, which is so much addicted to music and ceremony, has moulded all their words and phrases to those particular uses. The stateliness and gravity of the Spaniards shows itself to perfection in the solemnity of their language; and the blunt, honest humour of the Germans sounds better in the roughness of the High-Dutch than it would in a politer tongue.

THE VISION OF MIRZA.

--_Omnem_, _quae nunc obducta tuenti_ _Mortales hebetat visus tibi_, _et humida circum_ _Caligat_, _nubem eripiam_.

VIRG., _AEn._ ii. 604.

The cloud, which, intercepting the clear light, Hangs o'er thy eyes, and blunts thy mortal sight, I will remove.

When I was at Grand Cairo, I picked up several Oriental manuscripts, which I have still by me. Among others I met with one entitled "The Visions of Mirza," which I have read over with great pleasure. I intend to give it to the public when I have no other entertainment for them; and shall begin with the first vision, which I have translated word for word as follows:

"On the fifth day of the moon, which, according to the custom of my forefathers, I always keep holy, after having washed myself, and offered up my morning devotions, I ascended the high hills of Bagdad, in order to pass the rest of the day in meditation and prayer. As I was here airing myself on the tops of the mountains, I fell into a profound contemplation on the vanity of human life; and passing from one thought to another, 'Surely,' said I, 'man is but a shadow, and life a dream.' Whilst I was thus musing, I cast my eyes towards the summit of a rock that was not far from me, where I discovered one in the habit of a shepherd, with a musical instrument in his hand. As I looked upon him he applied it to his lips, and began to play upon it. The sound of it was exceeding sweet, and wrought into a variety of tunes that were inexpressibly melodious, and altogether different from anything I had ever heard. They put me in mind of those heavenly airs that are played to the departed souls of good men upon their first arrival in Paradise, to wear out the impressions of their last agonies, and qualify them for the pleasures of that happy place. My heart melted away in secret raptures.

"I had been often told that the rock before me was the haunt of a genius, and that several had been entertained with music who had passed by it, but never heard that the musician had before made himself visible. When he had raised my thoughts by those transporting airs which he played, to taste the pleasures of his conversation, as I looked upon him like one astonished, he beckoned to me, and, by the waving of his hand, directed me to approach the place where he sat. I drew near with that reverence which is due to a superior nature; and, as my heart was entirely subdued by the captivating strains I had heard, I fell down at his feet and wept. The genius smiled upon me with a look of compassion and affability that familiarised him to my imagination, and at once dispelled all the fears and apprehensions with which I approached him. He lifted me from the ground, and, taking me by the hand, 'Mirza,' said he, 'I have heard thee in thy soliloquies; follow me.'

"He then led me to the highest pinnacle of the rock, and placing me on the top of it, 'Cast thy eyes eastward,' said he, 'and tell me what thou seest.' 'I see,' said I, 'a huge valley, and a prodigious tide of water rolling through it.' 'The valley that thou seest,' said he, 'is the Vale of Misery, and the tide of water that thou seest is part of the great tide of Eternity.' 'What is the reason,' said I, 'that the tide I see rises out of a thick mist at one end, and again loses itself in a thick mist at the other?' 'What thou seest,' said he, 'is that portion of Eternity which is called Time, measured out by the sun, and reaching from the beginning of the world to its consummation. Examine now,' said he, 'this sea that is bounded with darkness at both ends, and tell me what thou discoverest in it.' 'I see a bridge,' said I, 'standing in the midst of the tide.' 'The bridge thou seest,' said he, 'is Human Life; consider it attentively.' Upon a more leisurely survey of it, I found that it consisted of threescore and ten entire arches, with several broken arches, which, added to those that were entire, made up the number about a hundred. As I was counting the arches, the genius told me that this bridge consisted at first of a thousand arches; but that a great flood swept away the rest, and left the bridge in the ruinous condition I now beheld it. 'But tell me further,' said he, 'what thou discoverest on it.' 'I see multitudes of people passing over it,' said I, 'and a black cloud hanging on each end of it.' As I looked more attentively, I saw several of the passengers dropping through the bridge into the great tide that flowed underneath it; and, upon further examination, perceived there were innumerable trap-doors that lay concealed in the bridge, which the passengers no sooner trod upon but they fell through them into the tide, and immediately disappeared. These hidden pit-falls were set very thick at the entrance of the bridge, so that throngs of people no sooner broke through the cloud but many of them fell into them. They grew thinner towards the middle, but multiplied and lay closer together towards the end of the arches that were entire.

"There were indeed some persons, but their number was very small, that continued a kind of hobbling march on the broken arches, but fell through one after another, being quite tired and spent with so long a walk.

"I passed some time in the contemplation of this wonderful structure, and the great variety of objects which it presented. My heart was filled with a deep melancholy to see several dropping unexpectedly in the midst of mirth and jollity, and catching at everything that stood by them to save themselves. Some were looking up towards the heavens in a thoughtful posture, and in the midst of a speculation stumbled and fell out of sight. Multitudes were very busy in the pursuit of bubbles that glittered in their eyes and danced before them; but often when they thought themselves within the reach of them, their footing failed and down they sunk. In this confusion of objects, I observed some with scimitars in their hands, who ran to and fro from the bridge, thrusting several persons on trapdoors which did not seem to lie in their way, and which they might have escaped had they not been thus forced upon them.

"The genius, seeing me indulge myself on this melancholy prospect, told me I had dwelt long enough upon it. 'Take thine eyes off the bridge,' said he, 'and tell me if thou yet seest anything thou dost not comprehend.' Upon looking up, 'What mean,' said I, 'those great flights of birds that are perpetually hovering about the bridge, and settling upon it from time to time? I see vultures, harpies, ravens, cormorants, and among many other feathered creatures, several little winged boys, that perch in great numbers upon the middle arches.' 'These,' said the genius, 'are Envy, Avarice, Superstition, Despair, Love, with the like cares and passions that infest human life.'

"I here fetched a deep sigh. 'Alas,' said I, 'man was made in vain! how is he given away to misery and mortality! tortured in life, and swallowed up in death!' The genius, being moved with compassion towards me, bade me quit so uncomfortable a prospect. 'Look no more,' said he, 'on man in the first stage of his existence, in his setting out for Eternity; but cast thine eye on that thick mist into which the tide bears the several generations of mortals that fall into it.' I directed my sight as I was ordered, and, whether or no the good genius strengthened it with any supernatural force, or dissipated part of the mist that was before too thick for the eye to penetrate, I saw the valley opening at the further end, and spreading forth into an immense ocean, that had a huge rock of adamant running through the midst of it, and dividing it into two equal parts. The clouds still rested on one half of it, insomuch that I could discover nothing in it; but the other appeared to me a vast ocean planted with innumerable islands, that were covered with fruits and flowers, and interwoven with a thousand little shining seas that ran among them. I could see persons dressed in glorious habits, with garlands upon their heads, passing among the trees, lying down by the sides of fountains, or resting on beds of flowers; and could hear a confused harmony of singing birds, falling waters, human voices, and musical instruments. Gladness grew in me upon the discovery of so delightful a scene. I wished for the wings of an eagle, that I might fly away to those happy seats; but the genius told me there was no passage to them, except through the gates of death that I saw opening every moment upon the bridge. 'The islands,' said he, 'that lie so fresh and green before thee, amid with which the whole face of the ocean appears spotted as far as thou canst see, are more in number than the sands on the sea-shore: there are myriads of islands behind those which thou here discoverest, reaching further than thine eye, or even thine imagination can extend itself. These are the mansions of good men after death, who, according to the degree and kinds of virtue in which they excelled, are distributed among those several islands, which abound with pleasures of different kinds and degrees, suitable to the relishes and perfections of those who are settled in them: every island is a paradise accommodated to its respective inhabitants. Are not these, O Mirza, habitations worth contending for? Does life appear miserable that gives thee opportunities of earning such a reward? Is death to be feared that will convey thee to so happy an existence? Think not man was made in vain, who has such an Eternity reserved for him.' I gazed with inexpressible pleasure on these happy islands. At length, said I, 'Show me now, I beseech thee, the secrets that lie hid under those dark clouds which cover the ocean on the other side of the rock of adamant.' The genius making me no answer, I turned about to address myself to him a second time, but I found that he had left me; I then turned again to the vision which I had been so long contemplating: but instead of the rolling tide, the arched bridge, and the happy islands, I saw nothing but the long hollow valley of Bagdad, with oxen, sheep, and camels grazing upon the sides of it."

GENIUS.

--_Cui mens divinior_, _atque os_ _Magna sonaturum des nominis hujus honorem_.

HOR., _Sat._ i. 4, 43.

On him confer the poet's sacred name, Whose lofty voice declares the heavenly flame.

There is no character more frequently given to a writer than that of being a genius. I have heard many a little sonneteer called a fine genius. There is not a heroic scribbler in the nation that has not his admirers who think him a great genius; and as for your smatterers in tragedy, there is scarce a man among them who is not cried up by one or other for a prodigious genius.

My design in this paper is to consider what is properly a great genius, and to throw some thoughts together on so uncommon a subject.

Among great geniuses those few draw the admiration of all the world upon them, and stand up as the prodigies of mankind, who, by the mere strength of natural parts, and without any assistance of art or learning, have produced works that were the delight of their own times and the wonder of posterity. There appears something nobly wild and extravagant in these great natural geniuses, that is infinitely more beautiful than all turn and polishing of what the French call a _bel esprit_, by which they would express a genius refined by conversation, reflection, and the reading of the most polite authors. The greatest genius which runs through the arts and sciences takes a kind of tincture from them and falls unavoidably into imitation.

Many of these great natural geniuses, that were never disciplined and broken by rules of art, are to be found among the ancients, and in particular among those of the more Eastern parts of the world. Homer has innumerable flights that Virgil was not able to reach, and in the Old Testament we find several passages more elevated and sublime than any in Homer. At the same time that we allow a greater and more daring genius to the ancients, we must own that the greatest of them very much failed in, or, if you will, that they were much above the nicety and correctness of the moderns. In their similitudes and allusions, provided there was a likeness, they did not much trouble themselves about the decency of the comparison: thus Solomon resembles the nose of his beloved to the tower of Lebanon which looketh towards Damascus, as the coming of a thief in the night is a similitude of the same kind in the New Testament. It would be endless to make collections of this nature. Homer illustrates one of his heroes encompassed with the enemy, by an ass in a field of corn that has his sides belaboured by all the boys of the village without stirring a foot for it; and another of them tossing to and fro in his bed, and burning with resentment, to a piece of flesh broiled on the coals. This particular failure in the ancients opens a large field of raillery to the little wits, who can laugh at an indecency, but not relish the sublime in these sorts of writings. The present Emperor of Persia, conformable to this Eastern way of thinking, amidst a great many pompous titles, denominates himself "the sun of glory" and "the nutmeg of delight." In short, to cut off all cavilling against the ancients, and particularly those of the warmer climates, who had most heat and life in their imaginations, we are to consider that the rule of observing what the French call the _bienseance_ in an allusion has been found out of later years, and in the colder regions of the world, where we could make some amends for our want of force and spirit by a scrupulous nicety and exactness in our compositions. Our countryman Shakespeare was a remarkable instance of this first kind of great geniuses.

I cannot quit this head without observing that Pindar was a great genius of the first class, who was hurried on by a natural fire and impetuosity to vast conceptions of things and noble sallies of imagination. At the same time can anything be more ridiculous than for men of a sober and moderate fancy to imitate this poet's way of writing in those monstrous compositions which go among us under the name of Pindarics? When I see people copying works which, as Horace has represented them, are singular in their kind, and inimitable; when I see men following irregularities by rule, and by the little tricks of art straining after the most unbounded flights of nature, I cannot but apply to them that passage in Terence:

--_Incerta haec si tu postules_ _Ratione certa facere_, _nihilo plus agas_ _Quam si des operam_, _ut cum ratione insanias_.

_Eun._, Act I., Sc. 1, I. 16.

You may as well pretend to be mad and in your senses at the same time, as to think of reducing these uncertain things to any certainty by reason.

In short, a modern Pindaric writer compared with Pindar is like a sister among the Camisars compared with Virgil's Sibyl; there is the distortion, grimace, and outward figure, but nothing of that divine impulse which raises the mind above itself, and makes the sounds more than human.

There is another kind of great geniuses which I shall place in a second class, not as I think them inferior to the first, but only for distinction's sake, as they are of a different kind. This second class of great geniuses are those that have formed themselves by rules, and submitted the greatness of their natural talents to the corrections and restraints of art. Such among the Greeks were Plato and Aristotle; among the Romans, Virgil and Tully; among the English, Milton and Sir Francis Bacon.

The genius in both these classes of authors may be equally great, but shows itself after a different manner. In the first it is like a rich soil in a happy climate, that produces a whole wilderness of noble plants rising in a thousand beautiful landscapes without any certain order or regularity; in the other it is the same rich soil, under the same happy climate, that has been laid out in walks and parterres, and cut into shape and beauty by the skill of the gardener.

The great danger in these latter kind of geniuses is lest they cramp their own abilities too much by imitation, and form themselves altogether upon models, without giving the full play to their own natural parts. An imitation of the best authors is not to compare with a good original; and I believe we may observe that very few writers make an extraordinary figure in the world who have not something in their way of thinking or expressing themselves, that is peculiar to them, and entirely their own.

It is odd to consider what great geniuses are sometimes thrown away upon trifles.

"I once saw a shepherd," says a famous Italian author, "who used to divert himself in his solitudes with tossing up eggs and catching them again without breaking them; in which he had arrived to so great a degree of perfection that he would keep up four at a time for several minutes together playing in the air, and falling into his hand by turns. I think," says the author, "I never saw a greater severity than in this man's face, for by his wonderful perseverance and application he had contracted the seriousness and gravity of a privy councillor, and I could not but reflect with myself that the same assiduity and attention, had they been rightly applied, 'might' have made a greater mathematician than Archimedes."

THEODOSIUS AND CONSTANTIA.

_Illa_; _Quis et me_, _inquit_, _miseram et te perdidit_, _Orpheu_?-- _Jamque vale_: _feror ingenti circumdata nocte_, _Invalidasque tibi tendens_, _heu_! _non tua_, _palmas_.

VIRG., _Georg._, iv. 494.

Then thus the bride: "What fury seiz'd on thee, Unhappy man! to lose thyself and me?-- And now farewell! involv'd in shades of night, For ever I am ravish'd from thy sight: In vain I reach my feeble hands, to join In sweet embraces--ah! no longer thine!"

DRYDEN.

Constantia was a woman of extraordinary wit and beauty, but very unhappy in a father who, having arrived at great riches by his own industry, took delight in nothing but his money. Theodosius was the younger son of a decayed family, of great parts and learning, improved by a genteel and virtuous education. When he was in the twentieth year of his age he became acquainted with Constantia, who had not then passed her fifteenth. As he lived but a few miles distant from her father's house, he had frequent opportunities of seeing her; and, by the advantages of a good person and a pleasing conversation, made such an impression in her heart as it was impossible for time to efface. He was himself no less smitten with Constantia. A long acquaintance made them still discover new beauties in each other, and by degrees raised in them that mutual passion which had an influence on their following lives. It unfortunately happened that, in the midst of this intercourse of love and friendship between Theodosius and Constantia, there broke out an irreparable quarrel between their parents; the one valuing himself too much upon his birth, and the other upon his possessions. The father of Constantia was so incensed at the father of Theodosius, that he contracted an unreasonable aversion towards his son, insomuch that he forbade him his house, and charged his daughter upon her duty never to see him more. In the meantime, to break off all communication between the two lovers, who he knew entertained secret hopes of some favourable opportunity that should bring them together, he found out a young gentleman of a good fortune and an agreeable person, whom he pitched upon as a husband for his daughter. He soon concerted this affair so well, that he told Constantia it was his design to marry her to such a gentleman, and that her wedding should be celebrated on such a day. Constantia, who was overawed with the authority of her father, and unable to object anything against so advantageous a match, received the proposal with a profound silence, which her father commended in her, as the most decent manner of a virgin's giving her consent to an overture of that kind. The noise of this intended marriage soon reached Theodosius, who, after a long tumult of passions which naturally rise in a lover's heart on such an occasion, wrote the following letter to Constantia:--

"The thought of my Constantia, which for some years has been my only happiness, is now become a greater torment to me than I am able to bear. Must I then live to see you another's? The streams, the fields, and meadows, where we have so often talked together, grow painful to me; life itself is become a burden. May you long be happy in the world, but forget that there was ever such a man in it as

"THEODOSIUS."

This letter was conveyed to Constantia that very evening, who fainted at the reading of it; and the next morning she was much more alarmed by two or three messengers that came to her father's house, one after another, to inquire if they had heard anything of Theodosius, who, it seems, had left his chamber about midnight, and could nowhere be found. The deep melancholy which had hung upon his mind some time before made them apprehend the worst that could befall him. Constantia, who knew that nothing but the report of her marriage could have driven him to such extremities, was not to be comforted. She now accused herself for having so tamely given an ear to the proposal of a husband, and looked upon the new lover as the murderer of Theodosius. In short, she resolved to suffer the utmost effects of her father's displeasure rather than comply with a marriage which appeared to her so full of guilt and horror. The father, seeing himself entirely rid of Theodosius, and likely to keep a considerable portion in his family, was not very much concerned at the obstinate refusal of his daughter, and did not find it very difficult to excuse himself upon that account to his intended son-in-law, who had all along regarded this alliance rather as a marriage of convenience than of love. Constantia had now no relief but in her devotions and exercises of religion, to which her affections had so entirely subjected her mind, that after some years had abated the violence of her sorrows, and settled her thoughts in a kind of tranquillity, she resolved to pass the remainder of her days in a convent. Her father was not displeased with a resolution which would save money in his family, and readily complied with his daughter's intentions. Accordingly, in the twenty-fifth year of her age, while her beauty was yet in all its height and bloom, he carried her to a neighbouring city, in order to look out a sisterhood of nuns among whom to place his daughter. There was in this place a father of a convent who was very much renowned for his piety and exemplary life: and as it is usual in the Romish Church for those who are under any great affliction, or trouble of mind, to apply themselves to the most eminent confessors for pardon and consolation, our beautiful votary took the opportunity of confessing herself to this celebrated father.

We must now return to Theodosius, who, the very morning that the above- mentioned inquiries had been made after him, arrived at a religious house in the city where now Constantia resided; and desiring that secrecy and concealment of the fathers of the convent, which is very usual upon any extraordinary occasion, he made himself one of the order, with a private vow never to inquire after Constantia; whom he looked upon as given away to his rival upon the day on which, according to common fame, their marriage was to have been solemnised. Having in his youth made a good progress in learning, that he might dedicate himself more entirely to religion, he entered into holy orders, and in a few years became renowned for his sanctity of life, and those pious sentiments which he inspired into all who conversed with him. It was this holy man to whom Constantia had determined to apply herself in confession, though neither she nor any other, besides the prior of the convent, knew anything of his name or family. The gay, the amiable Theodosius had now taken upon him the name of Father Francis, and was so far concealed in a long beard, a shaven head, and a religious habit, that it was impossible to discover the man of the world in the venerable conventual.

As he was one morning shut up in his confessional, Constantia kneeling by him opened the state of her soul to him; and after having given him the history of a life full of innocence, she burst out into tears, and entered upon that part of her story in which he himself had so great a share. "My behaviour," says she, "has, I fear, been the death of a man who had no other fault but that of loving me too much. Heaven only knows how dear he was to me whilst he lived, and how bitter the remembrance of him has been to me since his death." She here paused, and lifted up her eyes that streamed with tears towards the father, who was so moved with the sense of her sorrows that he could only command his voice, which was broken with sighs and sobbings, so far as to bid her proceed. She followed his directions, and in a flood of tears poured out her heart before him. The father could not forbear weeping aloud, insomuch that, in the agonies of his grief, the seat shook under him. Constantia, who thought the good man was thus moved by his compassion towards her, and by the horror of her guilt, proceeded with the utmost contrition to acquaint him with that vow of virginity in which she was going to engage herself, as the proper atonement for her sins, and the only sacrifice she could make to the memory of Theodosius. The father, who by this time had pretty well composed himself, burst out again in tears upon hearing that name to which he had been so long disused, and upon receiving this instance of an unparalleled fidelity from one who he thought had several years since given herself up to the possession of another. Amidst the interruptions of his sorrow, seeing his penitent overwhelmed with grief, he was only able to bid her from time to time be comforted--to tell her that her sins were forgiven her--that her guilt was not so great as she apprehended--that she should not suffer herself to be afflicted above measure. After which he recovered himself enough to give her the absolution in form: directing her at the same time to repair to him again the next day, that he might encourage her in the pious resolution she had taken, and give her suitable exhortations for her behaviour in it. Constantia retired, and the next morning renewed her applications. Theodosius, having manned his soul with proper thoughts and reflections, exerted himself on this occasion in the best manner he could to animate his penitent in the course of life she was entering upon, and wear out of her mind those groundless fears and apprehensions which had taken possession of it; concluding with a promise to her, that he would from time to time continue his admonitions when she should have taken upon her the holy veil. "The rules of our respective orders," says he, "will not permit that I should see you; but you may assure yourself not only of having a place in my prayers, but of receiving such frequent instructions as I can convey to you by letters. Go on cheerfully in the glorious course you have undertaken, and you will quickly find such a peace and satisfaction in your mind which it is not in the power of the world to give."

Constantia's heart was so elevated within the discourse of Father Francis, that the very next day she entered upon her vow. As soon as the solemnities of her reception were over, she retired, as it is usual, with the abbess into her own apartment.

The abbess had been informed the night before of all that had passed between her novitiate and father Francis: from whom she now delivered to her the following letter:--

"As the first-fruits of those joys and consolations which you may expect from the life you are now engaged in, I must acquaint you that Theodosius, whose death sits so heavy upon your thoughts, is still alive; and that the father to whom you have confessed yourself was once that Theodosius whom you so much lament. The love which we have had for one another will make us more happy in its disappointment than it could have done in its success. Providence has disposed of us for our advantage, though not according to our wishes. Consider your Theodosius still as dead, but assure yourself of one who will not cease to pray for you in father

"FRANCIS."

Constantia saw that the handwriting agreed with the contents of the letter; and, upon reflecting on the voice of the person, the behaviour, and above all the extreme sorrow of the father during her confession, she discovered Theodosius in every particular. After having wept with tears of joy, "It is enough," says she; "Theodosius is still in being: I shall live with comfort and die in peace."

The letters which the father sent her afterwards are yet extant in the nunnery where she resided; and are often read to the young religious, in order to inspire them with good resolutions and sentiments of virtue. It so happened that after Constantia had lived about ten years in the cloister, a violent fever broke out in the place, which swept away great multitudes, and among others Theodosius. Upon his death-bed he sent his benediction in a very moving manner to Constantia, who at that time was herself so far gone in the same fatal distemper that she lay delirious. Upon the interval which generally precedes death in sickness of this nature, the abbess, finding that the physicians had given her over, told her that Theodosius had just gone before her, and that he had sent her his benediction in his last moments. Constantia received it with pleasure. "And now," says she, "if I do not ask anything improper, let me be buried by Theodosius. My vow reaches no further than the grave; what I ask is, I hope, no violation of it." She died soon after, and was interred according to her request.

The tombs are still to be seen, with a short Latin inscription over them to the following purpose:--

"Here lie the bodies of Father Francis and Sister Constance. They were lovely in their lives, and in their death they were not divided."

GOOD NATURE.