Category: Art

Engravers and Etchers Six Lectures Delivered on the Scammon Foundation at the Art Institute of Chicago, March 1916

Carrington, Fitz Roy, 1869-1954· 5 chapters· 27,346 words

Engraving in Italy differs, in many essentials, from the art as practised in Germany. Germany may claim priority in point of time, but it is doubtful whether the Florentines--for in Florence, and among the goldsmiths, the art took its rise in Italy--in the beginning were influ...

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1. Volume 2. Master E. S. With portfolio of 237 reproductions on 92

Engraving in Italy differs, in many essentials, from the art as practised in Germany. Germany may claim priority in point of time, but it is doubtful whether the Florentines--fo...

2. Part I. Vol. 35 (second period). pp. 311-321. Part II. Vol. 36 (second

With the exception of Martin Schongauer, none of Dürer’s immediate predecessors better repays a thorough study, or exerts a more potent fascination, than the MASTER OF THE AMSTE...

3. Part I. Vol. 5, No. 1, pp. 3-37. Part II. Vol. 5, No. 2, pp. 220-253.

4. Volume 1, Text (with 34 plates illustrating the drawings). Volume 2,

L’OEUVRE GRAVÉ DE REMBRANDT; REPRODUCTIONS DES PLANCHES DANS TOUT LEURS ÉTATS SUCCESSIFS, AVEC UN CATALOGUE RAISONNÉ. _By Dmitri Rovinski._ 1000 reproductions. St. Petersburg: L...

5. Part I. Vol. 1, No. 3, pp. 291-316. Part II. Vol 1, No. 4, pp.

THE ETCHED WORK OF WHISTLER. ILLUSTRATED BY REPRODUCTIONS IN COLLOTYPE OF THE DIFFERENT STATES OF THE PLATES. _Compiled, arranged, and described by Edward G. Kennedy. With an in...