Chapter 10

THE TALES OF THE HALL

(1819)

The _Tales of the Hall_ were published by John Murray in June 1819, in two handsome octavo volumes, with every advantage of type, paper, and margin. In a letter of Crabbe to Mrs. Leadbeater, in October 1817, he makes reference to these Tales, already in preparation. He tells his correspondent that "Remembrances" was the title for them proposed by his friends. We learn from another source that a second title had been suggested, "Forty Days--a Series of Tales told at Binning Hall." Finally Mr. Murray recommended _Tales of the Hall_, and this was adopted.

In the same letter to Mrs. Leadbeater, Crabbe writes: "I know not how to describe the new, and probably (most probably) the last work I shall publish. Though a village is the scene of meeting between my two principal characters, and gives occasion to other characters and relations in general, yet I no more describe the manners of village inhabitants. My people are of superior classes, though not the most elevated; and, with a few exceptions, are of educated and cultivated minds and habits." In making this change Crabbe was also aware that some kind of unity must be given to those new studies of human life. And he found at least a semblance of this unity in ties of family or friendship uniting the tellers of them. Moreover Crabbe, who had a wide and even intimate knowledge of English, poetry, was well acquainted with the _Canterbury Tales_, and he bethought him that he would devise a framework. And the plan he worked out was as follows:

"The Hall" under whose roof the stories and conversations arise is a gentleman's house, apparently in the eastern counties, inhabited by the elder of two brothers, George and Richard. George, an elderly bachelor, who had made a sufficient fortune in business, has retired to this country seat, which stands upon the site of a humbler dwelling where George had been born and spent his earliest years. The old home of his youth had subsequently passed into the hands of a man of means, who had added to it, improved the surroundings, and turned it into a modern and elegant villa. It was again in the market when George was seeking a retreat for his old age, and he purchased it--glad, even under the altered conditions, to live again among the loved surroundings of his childhood.

George has a half-brother, Richard, much younger than himself. They are the children of the same mother who, some years after her first widowhood, had married an Irish gentleman, of mercurial habit, by whom she had this second child. George had already left home to earn his living, with the consequence that the two brothers had scarcely ever met until the occasion upon which the story opens. Richard, after first trying the sea as a profession, had entered the army during the war with Napoleon; distinguished himself in the Peninsula; and finally returned to his native country, covered with glory and enjoying a modest pension. He woos and wins the daughter of a country clergyman, marries, and finds a young family growing up around him. He is filled with a desire to resume friendly relations with his half-brother George, but is deterred from making the first advances. George, hearing of this through a common friend, cordially responds, and Richard is invited to spend a few weeks at Binning Hall. The two brothers, whose bringing up had been so different, and whose ideas and politics were far removed, nevertheless find their mutual companionship very pleasant, and every evening over their port wine relate their respective adventures and experiences, while George has also much to tell of his friends and neighbours around him. The clergyman of the parish, a former fellow of his college, often makes a third at these meetings; and thus a sufficient variety of topic is insured. The tales that these three tell, with the conversations arising out of them, form the subject matter of these _Tales of the Hall_. Crabbe devised a very pleasant means of bringing the brother's visit to a close. When the time originally proposed for the younger brother's stay is nearing its end, the brothers prepare to part. At first, the younger is somewhat disconcerted that his elder brother seemed to take his departure so little to heart. But this display of indifference proves to be only an amiable _ruse_ on the part of George. On occasion of a final ride together through the neighbouring country, George asks for his brother's opinion about a purchase he has recently made, of a pleasant house and garden adjoining his own property. It then turns out that the generous George has bought the place as a home for his brother, who will in future act as George's agent or steward. On approaching and entering the house, Richard finds his wife and children, who have been privately informed of the arrangement, already installed, and eagerly waiting to welcome husband and father to this new and delightful home.

Throughout the development of this story with its incidental narratives, Crabbe has managed, as in previous poems, to make large use of his own personal experience. The Hall proves to be a modern gentleman's residence constructed out of a humbler farmhouse by additions and alterations in the building and its surroundings, which was precisely the fate which had befallen Mr. Tovell's old house which had come to the Crabbe family, and had been parted with by them to one of the Suffolk county families. "Moated Granges" were common in Norfolk and Suffolk. Mr. Tovel's house had had a moat, and this too had been a feature of George's paternal home:

"It was an ancient, venerable Hall, And once surrounded by a moat and wall; A part was added by a squire of taste Who, while unvalued acres ran to waste, Made spacious rooms, whence he could look about, And mark improvements as they rose without; He fill'd the moat, he took the wall away, He thinn'd the park and bade the view be gay."

In this instance, the squire who had thus altered the property had been forced to sell it, and George was thus able to return to the old surroundings of his boyhood. In the third book, _Boys at School_, George relates some of his recollections, which include the story of a school-fellow, who having some liking for art but not much talent, finds his ambitions defeated, and dies of chagrin in consequence. This was in fact the true story of a brother of Crabbe's wife, Mr. James Elmy. Later, again, in the work the rector of the parish is described, and the portrait drawn is obviously that of Crabbe himself, as he appeared to his Dissenting parishioners at Muston:

"'A moral teacher!' some, contemptuous, cried; He smiled, but nothing of the fact denied, Nor, save by his fair life, to charge so strong replied. Still, though he bade them not on aught rely That was their own, but all their worth deny, They called his pure advice his cold morality.

* * * * *

He either did not, or he would not see, That if he meant a favourite priest to be, He must not show, but learn of them, the way To truth--he must not dictate, but obey; They wish'd him not to bring them further light, But to convince them that they now were right And to assert that justice will condemn All who presumed to disagree with them: In this he fail'd, and his the greater blame, For he persisted, void of fear or shame."

There is a touch of bitterness in these lines that is unmistakably that of a personal grievance, even if the poet's son had not confirmed the inference in a foot-note.