Act 1895, No. 20 of 1895).

FRANCE.--Provisional execution (_saisie-arret_) with a view to obtain security has been already mentioned. Execution against personalty (_saisie-execution_) is preceded by a _commandement_ or summons, personally served upon, or left at the domicile of the debtor calling on him to pay. The necessary bedding of debtors and of their children residing with them, and the clothes worn by them, cannot be seized in execution under any circumstances. Objects declared by law to be immovable by destination (_immeubles par destination_), such as beasts of burden and agricultural implements, books relating to the debtor's profession, to the value of 300 francs, workmen's tools, military equipments, provisions and certain cattle cannot be seized, even for a debt due to Government, unless in respect of provisions furnished to the debtor, or amounts due to the manufacturers or vendors of protected articles or to parties who advanced moneys to purchase, manufacture or repair them. Growing fruits cannot be seized except during the six weeks preceding the ordinary period when they become ripe. Execution against immovable property (_la saisie immobiliere_) is preceded also by a summons to pay, and execution cannot issue until the expiry of 30 days after service of such summons (see further Code Proc. Civ., Arts. 673-689). Imprisonment for debt was abolished in all civil and commercial matters by the law of 22nd of July 1867, which extends to foreigners. It still subsists in favour of the State for non-payment of fines, &c. The French system is in substance in force in Belgium (Code Civ. Proc., Arts. 51 et seq.), the Netherlands (Code Civ. Proc., Arts. 430 et seq.), Italy (Code Civ. Proc., Arts. 553 et seq., 659 et seq.), and Spain.

GERMANY.--Under the German Code of Civil Procedure (Arts. 796 et seq.), both the goods and (if the goods do not offer adequate security) the person of the debtor may be seized (the process is called _arrest_) as a guarantee of payment. The debtor's goods cannot be sold except in pursuance of a judgment notified to the debtor either before or within a prescribed period after the execution (Art. 809 [3], and law of 30th of April 1886). Imprisonment for debt in civil and commercial matters has been abolished or limited on the lines of the French law of 1867 in many countries (e.g. Italy, law of the 6th of December 1877; Belgium, law of the 27th of July 1871; Greece, law of the 9th of March 1900; Russia, decree of the 7th of March 1879).

AUTHORITIES.--Anderson, _Execution_ (London, 1889); _Annual Practice_ (London, 1908); Johnston Edwards, _Execution_ (London, 1888); Mather, _Sheriff Law_ (London, 1903). As to Scots law, Mackay, _Manual of Practice_ (Edinburgh, 1893). As to American law, Bingham, _Judgments and Executions_ (Philadelphia, 1836); A.C. Freeman, _Law of Execution_, Civil Cases (3rd ed., San Francisco, 1900); H.M. Herman, _Law of Executions_ (New York, 1875); American Notes to _tit._ "Execution," in _Ruling Cases_ (London and Boston, 1897); Bouvier, _Law Dict._, ed. Rawle (1897), s.v. "Execution."

EXECUTORS AND ADMINISTRATORS, in English law, those persons upon whom the property of a deceased person both real and personal devolves according as he has or has not left a will. Executors differ from administrators both in the mode of their creation and in the date at which their estate vests. An executor can only be appointed by the will of his testator; such appointment may be express or implied, and in the latter case he is said to be an executor "according to the tenor." The estate of an executor vests in him from the date of the testator's death. An administrator on the other hand is appointed by the probate division of the High Court, and his estate does not vest till such appointment, the title to the property being vested till then in the judge of the probate division. As to whom the court will appoint administrators and the various kinds of administrators see under ADMINISTRATION. Apart from these two points the rights and liabilities of executors and administrators are the same, and they may be indifferently referred to as the representative of the deceased. As to their appointment before the establishment of the court of probate see articles WILL and INTESTACY. Before the Land Transfer Act 1897, the real estate of the deceased did not devolve upon the representative but vested directly in the devisee or heir-at-law, but by that act it was provided that the personal representative should be also the real representative, and therefore it may now be said broadly that the representative takes the whole estate of the deceased. There are, however, a few minor exceptions to this rule, of which the most important are lands held in joint tenancy and copyhold lands. As the representative stands in the shoes of the deceased he is entitled to sue upon any contract or for any debt which the deceased might have sued in his lifetime.

The duties of a representative are as follows: 1. To bury the deceased in a manner suitable to the estate he leaves behind him; and the expenses of such funeral take precedence of any duty or debt whatever; but extravagant expenses will not be allowed. No rule can be laid down as to what is a reasonable allowance for this purpose, as it is impossible to know at the time of the funeral what the estate of the deceased may amount to. The broad rule is that the representative must allow such sum as seems reasonable, having regard to all the circumstances of the case and the conditions in life of the deceased, remembering that if he should exceed this he will be personally liable for such excess in the event of the estate proving insolvent.

2. He must obtain probate or letters of administration to the deceased within six months of the death, or, if such grant be disputed, within two months of the determination of such suit. The penalty for not doing so is fixed by the Stamp Act 1815, S 37, at L100, and an additional stamp duty at the rate of 10%. As to the formalities of PROBATE see that article.

3. Strictly speaking, he must compile an inventory of all the estate of the deceased, whether in possession or outstanding, and he is to deliver it to the court on oath. He is to collect all the goods so inventoried and to commence actions to get in all those outstanding, and he is responsible to creditors for the whole of such estate, whether in possession or in action. This duty is thrown upon the representative by an act of 1529, but it is not the modern practice to exhibit such inventory unless he be cited for it in the spiritual court at the instance of a party interested. It is, however, necessary to file an affidavit setting out the value of the estate of the deceased upon applying for a grant of probate or letters of administration.

4. The representative must pay the debts of the deceased according to their priority. Next to the legitimate funeral expenses come the costs of proving and administering the estate; in the event, however, of the funeral and testamentary expenses being charged by the will upon any particular fund, they will be primarily payable out of that fund. The representative must be careful to pay the debts according to the rules of priority, otherwise he will become personally liable to the creditors of one degree if he has exhausted the estate in paying creditors of a lesser degree. First of all, a solicitor has a lien for his costs upon any fund or duty which he has recovered for the deceased; next in order come debts due to the crown by record or speciality; then debts given a priority by statute, as, for example, by the Poor Relief Act 1743, money due by an overseer of the poor to his parish. Next, debts of record, i.e. judgment recovered against the deceased in any court of record; all such debts are equal among themselves, but a judgment creditor who has sued out execution is preferred to one who has not; another class of debts of record are statutes merchant and staple, or recognizances in the nature of statute staple, i.e. bonds of record acknowledged before the lord mayor of London or the mayor of the staple. Last in the order of debts come specialty and simple contract debts, which by Hinde Palmer's Act (the Executors Act 1869) are of equal degree, though as between specialty debts bonds given for value rank before voluntary bonds unless assigned for value, and as between simple contract debts those due to the crown have priority. Though the creditors can if necessary take all the estate of the deceased to satisfy their claims, yet as between the various classes of assets the representative must pay the debts out of assets in the following order: (i.) General personal estate not specifically bequeathed nor exempted from payment of debts; (ii.) real estate appropriated to debts; (iii.) real estate descended; (iv.) real estate devised charged with payment of debts; (v.) general pecuniary legacies _pro rata_; (vi.) specific legacies and devises; (vii.) real estate over which a general power of appointment has been exercised by will; (viii.) the widow's paraphernalia.

5. The debts of the deceased being satisfied, the representative must next proceed to satisfy the legacies and devises left by the testator. In order to enable him to do this with safety to himself, it is provided that he cannot be compelled to divide the estate among the legatees or next of kin until twelve months from the death of the deceased (this is commonly known as "the executor's year"), though if there is no doubt as to the solvency of the estate he may do so at once. As a further protection the representative may give notice by advertisement for creditors to send in their claims against the estate, and on expiration of the notices he may proceed to divide the estate, though even then the creditor may follow the assets to the person who has received them and recover for his debt. As between legatees the following priorities must be observed: (1) Specific legatees and devisees, (2) demonstrative legatees, and (3) general legatees; and as to this last class the testator can give priority to one over another. If there are not sufficient assets to pay the general legatees they must abate rateably. Legacies were not payable out of the real estate prior to the Land Transfer Act 1897, unless the testator charged the realty with them. Even then unless the testator exonerates his personalty from payment of the legacies the personalty will be the first fund chargeable. It has been suggested that the effect of the act is to make the realty chargeable _pro rata_ with the personalty, but this is doubtful.

6. The residue, after all legacies and devises are satisfied, must, if there be a will, be paid to the residuary legatee therein named, and if there be no will the real estate will go to the heir (see INHERITANCE) and the personalty to the next of kin (see INTESTACY). It was held at one time that in default of a residuary legatee the residue fell to the executor himself, but now nothing less than the expressed intention of the testator can give it to him.

The liabilities of the representative may be shortly stated. He is liable in his representative capacity in all cases where the deceased would be liable were he alive. To this general rule there are some exceptions. The representative cannot be sued for breach of a contract for personal services which can be performed only in the lifetime of the person contracting, nor again can he be sued in a case where unliquidated damages only could have been recovered against the deceased. He is liable in his personal capacity in the following cases: if he contracts to pay a debt due by the deceased, or if having admitted that he had assets in his hands sufficient to pay a debt or legacy he has misapplied such assets so that he cannot satisfy them; or lastly, if by mismanaging the estate and effects of the deceased he has made himself liable for a _devastavit_. Shortly stated, a representative is bound to exercise the ordinary care of a business man in administering the estate of the deceased, and he will be liable for the loss to the estate caused by his own negligence, or by the negligence of a co-representative which his act or neglect has rendered possible. Though the general rule of _delegatus non potest delegari_ holds good of a representative, yet in certain cases he may "rely upon skilled persons in matters in which he cannot be expected to be experienced," e.g. he must employ solicitors to conduct a lawsuit.

The privileges of the representative are these: he may prefer one creditor to another of equal degree; he may retain a debt owing to him from the deceased as against other creditors of equal degree (see RETAINER); he may reimburse himself out of the estate all expenses incurred in the execution of his trust.

An executor _de son tort_ is one who, without any title to do so, wrongfully intermeddles with the assets of the deceased, dealing with them in such a way as to hold himself out as executor. In such a case he is subject to all the liabilities of an executor, and can claim none of the privileges. He may be treated by the creditor as the executor, and, if he is really assuming to act as executor, creditors and legatees will get a good title from him, but he is liable to be sued by the rightful representative for damages for interfering with the property of the deceased.

_Scotland._--Executor in Scots law is a more extensive term than in English. He is either nominative or dative, the latter appointed by the court and corresponding in most respects to the English administrator. Caution is required from the latter, not from the former. By the common law doctrine of passive representation the heir or executor was liable to be sued for implement of the deceased's obligations. The Roman principle of _beneficium inventarii_ was first introduced by an act of 1695. As the law at present stands, the heir or executor is liable only to the value of the succession, except where there has been vitious intromission in movables, and in _gestio pro haerede_ (behaviour as heir) and other cases in heritables. The present inventory duty on succession to movables and heritables depends on the Finance Acts 1894-1909 (see ESTATE DUTY). In England the executor is bound to pay the debts of the deceased in a certain order, but in Scotland they all rank _pari passu_ except privileged debts (see PRIVILEGE).

AUTHORITIES.--R.L. Vaughan Williams, _The Law of Executors and Administrators_; W.G. Walker, _Compendium on the Law of Executors and Administrators_; James Schouler, _Law of Executors and Administrators_ (3rd ed., Boston, 1901).

EXEDRA, or EXHEDRA (from Gr. [Greek: ex], out, and [Greek: hedra], a seat), an architectural term originally applied to a seat or recess out of doors, intended for conversation. Such recesses were generally semicircular, as in the important example built by Herodes Atticus at Olympia. In the great Roman thermae (baths) they were of large size, and like apses were covered with a hemispherical vault. An example of these exists at Pompeii in the Street of the Tombs. From Vitruvius we learn that they were often covered over, and they are described by him (v. 11) as places leading out of porticoes, where philosophers and rhetoricians could debate or harangue.

EXELMANS, RENE JOSEPH ISIDORE, COUNT (1775-1852), marshal of France, was born at Bar-le-Duc on the 13th of November 1775. He volunteered into the 3rd battalion of the Meuse in 1791, became a lieutenant in 1797, and in 1798 was aide-de-camp to General Eble, and in the following year to General Broussier. In his first campaign in Italy he greatly distinguished himself; and in April 1799 he was rewarded for his services by the grade of captain of dragoons. In the same year he took part with honour in the conquest of Naples and was again promoted, and in 1801 he became aide-de-camp to General Murat. He accompanied Murat in the Austrian, Prussian and Polish campaigns of 1805, 1806 and 1807. At the passage of the Danube, and in the action of Wertingen, he specially distinguished himself; he was made colonel for the valour which he displayed at Austerlitz, and general of brigade for his conduct at Eylau in 1807. In 1808 he accompanied Murat to Spain, but was there made prisoner and conveyed to England. On regaining his liberty in 1811 he went to Naples, where King Joachim Murat appointed him grand-master of horse. Exelmans, however, rejoined the French army on the eve of the Russian campaign, and on the field of Borodino won the rank of general of division. In the retreat from Moscow his steadfast courage was conspicuously manifested on several occasions. In 1813 he was made, for services in the campaign of Saxony and Silesia, grand-officer of the Legion of Honour, and in 1814 he reaped additional glory by his intrepidity and skill in the campaign of France. When the Bourbons were restored, Exelmans retained his position in the army. In January 1815 he was tried on an accusation of having treasonable relations with Murat, but was acquitted. Napoleon on his return from Elba made Exelmans a peer of France and placed him in command of the II. cavalry corps, which he commanded in the Waterloo campaign, the battle of Ligny and Grouchy's march on Wavre. In the closing operations round Paris Exelmans won great distinction. After the second Restoration he denounced, in the House of Peers, the execution of Marshal Ney as an "abominable assassination"; thereafter he lived in exile in Belgium and Nassau for some years, till 1819, when he was recalled to France. In 1828 he was appointed inspector-general of cavalry; and after the July revolution of 1830 he received from Louis Philippe the grand cross of the Legion of Honour, and was reinstated as a peer of France. At the revolution of 1848 Exelmans was one of the adherents of Louis Napoleon; and in 1851 he was, in recognition of his long and brilliant military career, raised to the dignity of a marshal of France. His death, which took place on the 10th of July 1852, was the result of a fall from his horse.

EXEQUATUR, the letter patent, issued by a foreign office and signed by a sovereign, which guarantees to a foreign consul the rights and privileges of his office, and ensures his recognition in the state in which he is appointed to exercise them. If a consul is not appointed by commission he receives no exequatur; and a notice in the _Gazette_ in this case has to suffice. The exequatur may be withdrawn, but in practice, where a consul is obnoxious, an opportunity is afforded to his government to recall him.

EXETER, EARL, MARQUESS AND DUKE OF. These English titles have been borne at different times by members of the families of Holand or Holland, Beaufort, Courtenay and Cecil. The earls of Devon of the family of de Redvers were sometimes called earls of Exeter; but the 1st duke of Exeter was John (c. 1355-1400), a younger son of Thomas Holand, earl of Kent (d. 1360). John's mother, Joan (d. 1385), a descendant of Edward I., married for her third husband Edward the Black Prince, by whom she was the mother of Richard II., and her son John was thus the king's half-brother, a relationship to which he owed his high station at the English court. He married Elizabeth (d. 1426), a daughter of John of Gaunt, duke of Lancaster, and was constantly in Richard's train until 1385, when his murder of Ralph Stafford disturbed these friendly relations. John then went to Spain as constable of the English army under John of Gaunt; but after his return to England in 1387 he was created earl of Huntingdon, was made admiral of the fleet and chamberlain of England, and was again high in the king's favour. He was Richard's chief helper in the proceedings against the lords appellant in 1397, was created duke of Exeter in September of this year, and went with the king to Ireland in 1399. After the accession of his brother-in-law, Henry IV., Holand was tried for his share in the events of 1397, and was reduced to his earlier rank of earl of Huntingdon. He was soon plotting against Henry's life, and after the projected rising in 1400 had failed he was captured and was probably beheaded at Pleshey in Essex on the 16th of January 1400.[1] He was afterwards attainted and his titles and lands were forfeited.

In 1416 THOMAS BEAUFORT, earl of Dorset, was created duke of Exeter; but this dignity was only granted for his life, and consequently it expired on his death in 1426.

In 1416 JOHN (1395-1447), son of John Holand, the former duke of Exeter, was allowed to take his father's earldom of Huntingdon. This nobleman rendered great assistance to Henry V. in his conquest of France, fighting both on sea and on land. He was marshal of England, admiral of England and governor of Aquitaine under Henry VI.; was one of the king's representatives at the conference of Arras in 1435; and in 1443 was created duke of Exeter. When he died on the 5th of August 1447 his titles passed to his son HENRY (1430-1473), who, although married to Anne (d. 1476), daughter of Richard, duke of York, fought for Henry VI. during the Wars of the Roses. After having been imprisoned by York at Pontefract, he was present at the battle of Towton, sailed with Henry's queen, Margaret of Anjou, to Flanders in 1463, and was wounded at Barnet in 1471. In 1461 he had been attainted and his dukedom declared forfeited, and he died without sons, probably in 1473.

Coming to the family of Courtenay the title of marquess of Exeter was borne by HENRY COURTENAY (c. 1496-1538), earl of Devon, who was made a marquess in 1525. A grandson of Edward IV., Courtenay was a prominent figure at the court of Henry VIII. until Thomas Cromwell rose to power, when his high birth, his great wealth and his independent position made him an object of suspicion. Some slight discontent in the west of England gave the occasion for his arrest, and he was tried and beheaded on the 9th of December 1538. A few days later he was declared a traitor and his titles were forfeited; although his only son, EDWARD (c. 1526-1556), who was restored to the earldom of Devon in 1553 and was a suitor for the hand of Queen Mary, is sometimes called marquess of Exeter.

The title of earl of Exeter was first bestowed upon the Cecils (see CECIL: _Family_) in 1605 when THOMAS, 2nd Lord Burghley (1542-1623), the eldest son of William Cecil, Lord Burghley, was made earl of Exeter by James I. Thomas had been a member of parliament during the reign of Queen Elizabeth, who knighted him in 1575, and had fought under the earl of Leicester in the Netherlands. After his father's death in 1598 he became president of the Council of the North and was made a knight of the Garter. He died on the 7th or 8th of February 1623. His direct descendants continued to bear the title of earl of Exeter, and in 1801 HENRY (1754-1804), the 10th earl, was advanced to the dignity of marquess of Exeter, the present marquess being his lineal descendant. It may be noted that the 1st marquess is Tennyson's "lord of Burghley."

See G.E. C(okayne), _Complete Peerage_ (1887-1898).

FOOTNOTE:

[1] There is some difference of opinion about the place and manner of the earl's death, and this question has an important bearing upon the privilege of trial by peers of the realm. See L.W. Vernon-Harcourt, _His Grace the Steward and Trial of Peers_ (1907).

EXETER, a city and county of a city, municipal, county and parliamentary borough, and the county town of Devonshire, England, 172 m. W.S.W. of London, on the London & South Western and the Great Western railways. Pop. (1901) 47,185. The ancient city occupies a broad ridge of land, which rises steeply from the left bank of the Exe. At the head of the ridge is the castle, on the site of a great British earthwork. The High Street and its continuation, called Fore Street, are narrow, but very picturesque, with many houses of the 16th and 17th centuries. There is a maze of lesser streets within the ancient walls, the line of which may be traced. All the gates have disappeared. The suburbs, which have greatly extended since the beginning of the 19th century, contain many good streets, terraces and detached villas. The surrounding country is rich, fertile and of great beauty. Extensive views are commanded in the direction of Haldon, a stretch of high moorland which may be regarded as an outlier of Dartmoor. The lofty mound of the castle is laid out as a promenade, with fine trees and broad walks.

The cathedral, although not one of the largest in England, is unsurpassed in the beauty of its architecture and the richness of its details. With the exception of the Norman transeptal towers, the general character is Decorated, ranging from about 1280 to 1369. Transeptal towers occur elsewhere in England only in the collegiate church of Ottery St Mary, in Devonshire, for which Exeter cathedral served as a model. The west front is of later date than the rest (probably 1369-1394), and the porch is wholly covered with statues. Within, the most noteworthy features are the long unbroken roof, extending throughout nave and choir, with no central tower or lantern; the beautiful sculpture of bosses and corbels; the minstrel's gallery, projecting from the north triforium of the nave; and the remarkable manner in which the several parts of the church are made to correspond. The window tracery is much varied; but each window answers to that on the opposite side of nave or choir; pier answers to pier, aisle to aisle, and chapel to chapel, while the transeptal towers complete the balance of parts. A complete restoration under Sir G.G. Scott was carried out between 1870 and 1877. The modern stall work, the reredos, the choir pavement of tiles, rich marbles and porphyries, the stained glass and the sculptured pulpits in choir and nave are meritorious. The episcopal throne, a sheaf of tabernacle work in wood, was erected by Bishop Stapeldon about 1320, and in the north transept is an ancient clock. The most interesting monuments are those of bishops of the 12th and 13th centuries, in the choir and lady chapel. Some important MSS., including the famous book of Saxon poetry given by Leofric to his cathedral, are preserved in the chapter-house. The united sees of Devonshire and Cornwall were fixed at Exeter from the installation there of Leofric (1050) by the Confessor, until the re-erection of the Cornish see in 1876. The bishop's palace embodies Early English portions. The diocese covers the greater part of Devonshire, with a very small part of Dorsetshire.

The guildhall in the High Street is a picturesque Elizabethan building, which contains some interesting portraits; among them being one of General Monk, who was a native of Devon, and another of Henrietta, duchess of Orleans, given by her brother Charles II. Both are by Sir Peter Lely. The assize hall and sessions house dates from 1774. The Albert Memorial Museum contains a school of art, an excellent free library, a reading-room, and a museum of natural history and antiquities. There is a good collection of local birds, and some remarkable pottery and bronze relics extracted from barrows near Honiton or found in various parts of Devonshire. Of the castle, called Rougemont, the chief architectural remnant is a portion of a gateway tower which may be late Norman. Traces are also seen of the surrounding earthworks, which may have belonged to the original British stronghold. Beneath the castle wall is the pleasant promenade of Northernhay. The churches of Exeter are of little importance, being mostly small, and closely beset with buildings, but the modern church of St Michael (1860) deserves notice. The Devon and Exeter Institution, founded in 1813, contains a large and valuable library, and among educational establishments may be noticed the technical and university extension college, the diocesan training college and school; and the grammar school, which was founded under a scheme of Walter de Stapeldon, bishop of Exeter and founder of Exeter College, Oxford, in 1332, and refounded in 1629, but occupies modern buildings (1886) outside the city. It is endowed with a large number of leaving exhibitions, and about 150 boys are educated. There are two market-houses in the city, many hospitals and many charitable institutions, including the picturesque hospital or almshouse of William Wynard, recorder of Exeter (1439).

Exeter is one of the principal railway centres in the south-west, and it also has some shipping trade, communicating with the sea by way of the Exeter ship-canal, originally cut in the reign of Elizabeth (1564), and enlarged in 1675 and 1827. This canal is an interesting work, being the first canal carried out in the United Kingdom for the purpose of enabling sea-going vessels to pass to an inland port. The river Exe was very early utilized by small craft trading to Exeter, parliament having granted powers for the improvement of the navigation by the construction of a canal 3 m. long from Exeter to the river; at a later date this canal was extended lower down to the tidal estuary of the Exe. Previous to the year 1820 it was only available for vessels of a draft not exceeding 9 ft., but by deepening it, raising the banks, and constructing new locks, vessels drawing 14 ft. of water were enabled to pass up to a basin and wharves at Exeter. These works were carried out under the advice of Thomas Telford. A floating basin is accessible to vessels of 350 tons. Larger vessels lie at Topsham, at the junction of the canal with the estuary of the Exe; while at the mouth of the estuary is the port of Exmouth. Imports are miscellaneous, while paper, grain, cider and other goods are exported. Brewing, paper-making and iron-founding are carried on, and the city is an important centre of agricultural trade. The parliamentary borough returns one member. The city is governed by a mayor, 14 aldermen and 42 councillors. Area, 3158 acres. The eastern suburb of Heavitree, where is the Exeter city asylum, is an urban district with a population (1901) of 7529.

Exeter was the Romano-British country town of _Isca Damnoniorum_--the most westerly town in the south-west of Roman Britain. Mosaic pavements, potsherds, coins and other relics have been found, and probably traces of the Roman walls survive here and there in the medieval walls. It is said to be the _Caer Isce_ of the Britons, and its importance as a British stronghold is shown by the great earthwork which the Britons threw up to defend it, on the site of which the castle was afterwards built, and by the number of roads which branch from it. Exeter is famous for the number of sieges which it sustained as the chief town in the south-west of England. In 1001 it was unsuccessfully besieged by the Danes, but in the following year was given by King Aethelred to Queen Emma, who appointed as reeve, Hugh, a Frenchman, owing to whose treachery it was taken and destroyed by Sweyn in 1003. By 1050, however, it had recovered, and was chosen by Leofric as the new seat of the bishops of Devon. In 1068, after a siege of eighteen days, Exeter surrendered to the Conqueror, who threw up a castle which was called Rougemont, from the colour of the rock on which it stood. Again in 1137 the town was held for Matilda by Baldwin de Redvers for three months and surrendered, at last, owing to lack of water. Three times subsequently Exeter held out successfully for the king--in 1467 against the Yorkists, in 1497 against Perkin Warbeck, and in 1549 against the men of Cornwall and Devon, who rose in defence of the old religion. During the civil wars the city declared for parliament, but was in 1643 taken by the royalists, who held it until 1646. The only other historical event of importance is the entry of William, prince of Orange, in 1688, shortly after his arrival in England. Exeter was evidently a borough by prescription some time before the Conquest, since the burgesses are mentioned in the Domesday Survey. Its first charter granted by Henry I. gave the burgesses all the free customs which the citizens of London enjoyed, and was confirmed and enlarged by most of the succeeding kings. By 1227 government by a reeve had given place to that by a mayor and four bailiffs, which continued until the Municipal Reform Act of 1835. Numerous trade gilds were incorporated in Exeter, one of the first being the tailors' gild, incorporated in 1466. This by 1482 had become so powerful that it interfered with the government of the town, and was dissolved on the petition of the burgesses. Another powerful gild was that of the merchant adventurers, incorporated in 1559, which is said to have dictated laws to which the mayor and bailiffs submitted. From 1295 to 1885 Exeter was represented in parliament by two members, but in the latter year the number of representatives was reduced to one. Exeter was formerly noted for the manufacture of woollen goods, introduced in Elizabeth's reign, and the value of its exports at one time exceeded half a million sterling yearly. The trade declined partly owing to the stringent laws of the trade gilds, and by the beginning of the 19th century had entirely disappeared, although at the time of its greatest prosperity it had been surpassed in value and importance only by that of Leeds.

See _Victoria County History_, _Devon_; Richard Izacke, _Antiquities of the City of Exeter_ (1677); George Oliver, _The History of the City of Exeter_ (1861); and E.A. Freeman, _Exeter_ ("Historic Towns" series) (London, 1887), in the preface to which the names of earlier historians of the city are given.

EXETER, a town and one of the county-seats of Rockingham county, New Hampshire, U.S.A., on the Squamscott river, about 12 m. S.W. of Portsmouth and about 51 m. N. by E. of Boston, Mass. Pop. (1890) 4284; (1900) 4922 (1066 foreign-born); (1910) 4897; area, about 17 sq. m. It is served by the Western Division of the Boston & Maine railway. The town has a public library and some old houses built in the colonial period, and is the seat of Phillips Exeter Academy (incorporated in 1781 and opened in 1783). In its charter this institution is described as "an academy for the purpose of promoting piety and virtue, and for the education of youth in the English, Latin and Greek languages, in writing, arithmetic, music and the art of speaking, practical geometry, logic and geography, and such other of the liberal arts and sciences or languages, as opportunity may hereafter permit." It was founded by Dr John Phillips (1719-1795), a graduate of Harvard College, who acquired considerable wealth as a merchant at Exeter and gave nearly all of it to the cause of education. The academy is one of the foremost secondary schools in the country, and among its _alumni_ have been Daniel Webster, Edward Everett, Lewis Cass (born in Exeter in a house still standing), John Parker Hale, George Bancroft, Jared Sparks, John Gorham Palfrey, Richard Hildreth and Francis Bowen. The government of the academy is vested in a board of six trustees, regarding whom the founder provided that a majority should be laymen and not inhabitants of Exeter. In 1909-1910 the institution had 20 buildings, 32 acres of recreation grounds, 16 instructors and 488 students, representing 38 states and territories of the United States and 4 foreign countries. At Exeter also is the Robinson female seminary (1867), with 14 instructors and 272 students in 1906-1907. The river furnishes water-power, and among the manufactures of the town are shoes, machinery, cottons, brass, &c. The town is one of the oldest in the state; it was founded in 1638 by Rev. John Wheelwright, an Antinomian leader who with a number of followers settled here after his banishment from Massachusetts. For their government the settlers adopted (1639) a plantation covenant. There was disagreement from the first, however, with regard to the measure of loyalty to the king, and in 1643, when Massachusetts had asserted her claim to this region and the other three New Hampshire towns had submitted to her jurisdiction, the majority of the inhabitants of Exeter also yielded, while the minority, including the founder, removed from the town. In 1680 the town became a part of the newly created province of New Hampshire. During the French and Indian wars it was usually protected by a garrison, and some of the garrison houses are still standing. From 1776 to 1784 the state legislature usually met at Exeter.

See C.H. Bell, _History of the Town of Exeter_ (Exeter, 1888).

EXETER BOOK [_Codex Exoniensis_], an anthology of Anglo-Saxon poetry presented to Exeter cathedral by Leofric,[1] bishop of Exeter, England, from 1050 to 1071, and still in the possession of the dean and chapter. It contains some legal documents, the poems entitled _Crist_, _Guthlac_, _Phoenix_, _Juliana_, _The Wanderer_ and others, and concludes with between eighty and ninety riddles. It was first described in Humphrey Wanley's _Catalogus_ ... (1705) in detail but with many inaccuracies; subsequently by J.J. Conybeare, _Account of a Saxon Manuscript_ (a paper read in 1812; printed with some extracts from the MS. in _Archaeologia_, vol. xvii. pp. 180-197, 1814). A complete transcript made (1831) by Robert Chambers is in the British Museum (Addit. MS. 9067). It was first printed in 1842 by Benjamin Thorpe for the Soc. of Antiq., London, as _Codex Exoniensis ... with an English Translation, Notes and Indexes_. More recent editions, chiefly based on Thorpe's text, are:--in Chr. Grein's _Bibliothek der A.S. Poesie_ (vol. iii. part 1, ed. R. Wulker, Leipzig, 1897, with a bibliography), J. Schipper in Pfeiffer's _Germania_, vol. xix. pp. 327-339, and Israel Gollancz, _The Exeter Book_, pt. i. (1895), with English translation, for the Early English Text Society.

A detailed account, with bibliographies of the separate poems, is given by R. Wulker, in _Grundriss ... der A.S. Literatur_, pp. 218-236 (Leipzig, 1885); see also the introduction to _The Crist of Cynewulf_ ..., edited by Prof. A.S. Cook, with introduction, notes and a glossary (Boston, U.S.A., 1900). For the poems contained in the MS. see also CYNEWULF and RIDDLES.

FOOTNOTE:

[1] For Leofric, see F.E. Warren, _The Leofric Missal_ (1883).

EXHIBITION, a term, meaning in general a public display,[1] which has a special modern sense as applied to public shows of goods for the promotion of trade (Fr. _exposition_). The first exhibition in this sense of which there is any account, in either sacred or profane history, was that held by King Ahasuerus, who, according to the Book of Esther, showed in the third year of his reign "the riches of his glorious kingdom, and the honour of his excellent majesty, many days, even a hundred and fourscore days." The locale of this function was Shushan, the palace and the exhibits consisted of "white, green and blue hangings, fastened with cords of fine linen and purple to silver rings and pillars of marble: the beds were of gold and silver, upon a pavement of red, and blue, and white and black marble. And they gave them drink in vessels of gold, the vessels being diverse one from another." The first exhibition since the Christian era was at Venice during the dogeship of Lorenzo Tiepolo, in 1268. On that occasion there was a grand display, consisting of a water fete, a procession of the trades and an industrial exhibition. The various gilds of the Queen City of the Seas marched through the narrow streets to the great square of St Mark, and their leaders asked the dogaressa to inspect the products of their industry. Other medieval exhibitions were the fairs held at Leipzig and Nizhni Novgorod in Europe, at Tanta in Egypt, and in 1689 that by the Dutch at Leiden.

The first modern exhibition was held at London in 1756 by the Society of Arts, which offered prizes for improvements in the manufacture of tapestry, carpets and porcelain, the exhibits being placed side by side. Five years afterwards, in 1761, the same society gave an exhibition of agricultural machinery. In 1797 a collective display of the art factories of France, including those of Sevres, the Gobelins and the Savonnerie, was made in the palace of St Cloud, and the exhibition was repeated during the following year in the rue de Varennes, Paris. This experiment was so successful that in the last three days of the same year an exhibition under official auspices, at which private exhibitors were allowed to compete, was held in the Champ de Mars. Four years later, in 1801, there was a second official exhibition in the grand court of the Louvre. Upon that occasion juries of practical men examined the objects shown, and the winners of a gold medal were invited to dine with Napoleon, who was at that time First Consul. In the report of the jury the following remarkable sentence appeared:--"There is not an artist or inventor who, once obtaining thus a public recognition of his ability, has not found his reputation and his business largely increased." The third Paris Exhibition, held in 1802, was the first to publish an official catalogue. There were 540 exhibitors, including J.E. Montgolfier, the first aeronaut, and J.M. Jacquard, the inventor of the loom which bears his name. The fourth exhibition was held in 1806 in the esplanade in front of the Hotel des Invalides, and attracted 1422 exhibitors. There were no more exhibitions till after the fall of the empire, but in 1819 the fifth was held during the reign of Louis XVIII., with 1622 exhibitors. Others were held at Paris at various intervals, that in 1849 having 4500 exhibitors.

Other exhibitions, though on a smaller scale, were held in Dublin, London, and in various parts of Germany and Austria during the first half of the 19th century--that in 1844, held at Berlin, having 3040 exhibitors. Switzerland, Holland, Belgium, Sweden, Russia, Poland, Italy, Spain and Portugal all held exhibitions, and there was a Free Trade Bazaar of British Manufactures at Covent Garden theatre in 1845, which at the time created a great deal of interest. But all these exhibitions were confined to the products of the country in which they took place, and the first great International Exhibition was held in London in 1851 by the Society of Arts, under the presidency of the prince consort. All nations were invited to compete; a site was obtained in Hyde Park, and a building 20 acres in extent was erected, after the design of Sir Joseph Paxton, at a cost of L193,168. The exhibition was open for five months and fifteen days. The receipts amounted to L506,100, and the surplus was L186,000. The number of visitors was 6,039,195, and the money taken at the doors was L423,792. The total, number of exhibitors was 13,937, of which Great Britain contributed 6861, the British colonies 520 and foreign countries 6556. The International Exhibition of 1851 was followed by those of New York and Dublin in 1853, Melbourne and Munich in 1854, and Paris in 1855--this latter was held in the Palais d'Industrie, which remained in existence until pulled down to make room for the two Palais des Beaux Arts, which formed one of the attractions of the 1900 exhibition. The exhibitors numbered 20,839 and the visitors 5,162,330. There were national exhibitions during the following years in several European countries, but the next great world's fair was held at London in 1862. The total space roofed in amounted to 988,000 sq. ft., 22.65 acres, the number of visitors was 6,211,103, and the amount received at the doors L408,530. The death of the prince consort had a depressing effect upon the enterprise. In 1865 an exhibition was held at Dublin, the greater proportion of the funds being supplied by Sir Benjamin Lee Guinness. The number of attendances during six months was 900,000, and the exhibition was opened at night. An Italian exhibition was held at Rome in 1862.

The Paris Exhibition of 1867 was upon a far larger scale than that of 1855. It was held, like those that preceded and succeeded it, at the Champ de Mars, and covered 41 acres. The building resembled an exaggerated gasometer. The external ring was devoted to machinery, the internal to the gradual development of civilization, commencing with the stone age and continuing to the present era. A great feature of the exhibition was the park, which was studded with specimens of every style of modern architecture--Turkish mosques, Swedish cottages, English lighthouses, Egyptian palaces and Swiss chalets. The number of attendances was 6,805,969. The exhibitors numbered 43,217, and the total amount received for entrances, concessions, &c., was L420,735. This was the first exhibition at which there were international restaurants. The cost of the exhibition was defrayed partly by the state and partly by private subscriptions.

Small exhibitions were held in various parts of Europe between 1867 and 1870, and in the latter year a series of international exhibitions, confined to one or two special descriptions of produce or manufactures, was inaugurated in London at South Kensington. These continued till 1874, but they failed to attract any very large attendance of the public and were abandoned. A medal was given to each exhibitor, and reports on the various exhibits were published, but there was no examination of the exhibits by jurors. In 1873 there was an International Exhibition at Vienna. The main building, a rotunda, was erected in the beautiful park of the Austrian capital. There were halls for machinery and agricultural products, and hundreds of buildings, erected by different nations, were scattered amongst the woodlands of the Prater. Unfortunately, an outbreak of cholera diminished the attendance of visitors, and the receipts were only L206,477, although the visitors were said to have reached 6,740,500, and the number of exhibitors was 25,760.

None of the International Exhibitions held between 1857 and 1873 had attracted as many as 7,000,000 visitors, but the gradual extension of education amongst the masses, and the greater facilities for locomotion, brought about by the growth of the railway system in all portions of the civilized world, largely increased the attendances at subsequent World's Fairs. The Centennial Exhibition of 1876, to celebrate the one-hundredth anniversary of American Independence, was held at Fairmount Park, Philadelphia. The funds were raised partly by private subscriptions, and partly by donations from the city of Philadelphia, from Pennsylvania and some of the neighbouring states. The central government at Washington made a large loan, which was subsequently repaid. The principal buildings, five in number, occupied an area of 48-1/2 acres, and there were several smaller structures, which in the aggregate must have filled half as much space more, the largest being that devoted to the exhibits of the various departments of the United States government, which covered 7 acres. Several novelties in exhibition management were introduced at Philadelphia. Instead of gold, silver and bronze medals, only one description, bronze, was issued, the difference between the merits of the different exhibits being shown by the reports. Season tickets were not issued, and the price of admission, the same on all occasions, was half a dollar, or about 2s. 1d. The exhibition was not open at night or on Sundays, thus following the British, and not the continental, precedent. The number of visitors was 9,892,625, of whom 8,004,214 paid for admission, the balance being exhibitors, officials and attendants. The total receipts amounted to L763,899. Upon one occasion, the Pennsylvania day, 274,919 persons--the largest number that had visited any exhibition up to that date--passed through the turnstiles. The display of machinery was the finest ever made, that of the United States occupying 480,000 sq. ft. The motive-power was obtained from a Corliss engine of 1600 horse-power. At this exhibition the United Kingdom and the British Colonies of Canada, Victoria, New South Wales, New Zealand, Cape Colony and Tasmania made a very fine display, which was only excelled by that of the United States.

The Paris Exhibition of 1878 was upon a far larger scale in every respect than any which had been previously held in any part of the world. The total area covered not less than 66 acres, the main building in the Champ de Mars occupying 54 acres. The French exhibits filled one-half the entire space, the remaining moiety being occupied by the other nations of the world. The United Kingdom, British India, Canada, Victoria, New South Wales, Queensland, South Australia, Cape Colony and some of the British crown colonies occupied nearly one-third of the space set aside for nations outside France. Germany was the only great country which was not represented, but there were a few German paintings. The display of fine arts and machinery was upon a very large and comprehensive scale, and the Avenue des Nations, a street 2400 ft. in length, was devoted to specimens of the domestic architecture of nearly every country in Europe, and of several in Asia, Africa and America. The palace of the Trocadero, on the northern bank of the Seine, was erected for the exhibition. It was a handsome structure, with towers 250 ft. in height and flanked by two galleries. The rules for admission were the same as those at Philadelphia, and every person--exhibitor, journalist or official--who had the right of entrance was compelled to forward two copies of his or her photograph, one of which was attached to the card of entry. The ordinary tickets were not sold at the doors, but were obtainable at various government offices and shops, and from numerous pedlars in all parts of the city and suburbs. The buildings were somewhat unfinished upon the opening day, political complications having prevented the French government and the French people from paying much attention to the exhibition till about six months before it was opened; but the efforts made in April were prodigious, and by June 1st, a month after the opening, the exhibition was complete, and afforded an object-lesson of the recovery of France from the calamities of 1870-1871. The decisions arrived at by the international juries were accompanied by medals of gold, silver and bronze. The expenditure by the United Kingdom was defrayed out of the consolidated revenue, each British colony defraying its own expenses. The display of the United Kingdom was under the control of a royal commission, of which the prince of Wales was president. The number of paying visitors to the exhibition was 13,000,000, and the cost of the enterprise to the French government, which supplied all the funds, was a little less than a million sterling, after allowing for the value of the permanent buildings and the Trocadero Palace, which were sold to the city of Paris. The total number of persons who visited Paris during the time the exhibition was open was 571,702, or 308,974 more than came to the French metropolis during the year 1877, and 46,021 in excess of the visitors during the previous exhibition of 1867. It was stated at the time that, in addition to the impetus given to the trade of France, the revenue of the Republic and of the city of Paris from customs and octroi duties was increased by nearly three millions sterling as compared with the previous year.

Exhibitions on a scale of considerable magnitude were held at Sydney and Melbourne in 1879 and 1880, and many continental and American manufacturers took advantage of them in order to bring the products of their industry directly under the notice of Australian consumers, who had previously purchased their supplies through the instrumentality of British merchants. The United Kingdom and India made an excellent display at both cities, but the effect of the two great Australian exhibitions was to give a decided impetus to German, American, French and Belgian trade. One of the immediate results was that lines of steamers to Melbourne and Sydney commenced to run from Marseilles and Bremen; another, that for the first time in the history of the Australian colonies, branches of French banks were opened in the two principal cities. The whole cost of these exhibitions was defrayed by the local governments.

Exhibitions were held at Turin and Brussels during 1880, and smaller ones at Newcastle, Milan, Lahore, Adelaide, Perth, Moscow, Ghent and Lille during 1881 and 1882, and at Zurich, Bordeaux and Caraccas in Venezuela during 1883. The next of any importance was held at Amsterdam in the latter year. On that occasion a new departure in exhibition management was made. The government of the Netherlands was to a certain extent responsible for the administration of the exhibition, but the funds were obtained from private sources, and a charge was made to each nation represented for the space it occupied. The United Kingdom, India, Victoria and New South Wales took part in the exhibition, but there was no official representation of the mother country. Exhibitions on somewhat similar lines were held at Nice and Calcutta in the winter of 1883 and 1884, and at Antwerp in 1895.

A series of exhibitions, under the presidency of the then prince of Wales, and managed by Sir Cunliffe Owen, was commenced at South Kensington in 1883. The first was devoted to a display of the various industries connected with fishing; the second, in 1884, to objects connected with hygiene; the third, in 1885, to inventions; and the fourth, in 1886, to the British Colonies and India. These exhibitions attracted a large number of visitors and realized a substantial profit. They might have been continued indefinitely if it had not been that the buildings in which they were held had become very dilapidated, and that the ground covered by them was required for other purposes. There was no examination of the exhibits by juries, but a tolerably liberal supply of instrumental music was supplied by military and civil bands. The Crystal Palace held a successful International Exhibition in 1884, and there was an Italian Exhibition at Turin, and a Forestry Exhibition at Edinburgh, during the same year. A World's Industrial Fair was held at New Orleans in 1884-1885, and there were universal Exhibitions at Montenegro and Antwerp in 1885, at Edinburgh in 1886, Liverpool, Adelaide, Newcastle and Manchester in 1887, and at Glasgow, Barcelona and Brussels in 1888. Melbourne held an International Exhibition in 1888-1889 to celebrate the Centenary of Australia. Great Britain, Germany, France, Austria and the United States were officially represented, and an expenditure of L237,784 was incurred by the local government.

The Paris Exhibition of 1889 marked an important change in the policy which had previously characterized the management of these gatherings. The funds were contributed partly by the state, which voted 17,000,000 francs, and by the municipality of Paris, which gave 8,000,000. A guarantee fund amounting to 23,124,000 francs was raised, and on this security a sum of 18,000,000 francs was obtained and paid into the coffers of the administration. The bankers who advanced this sum recouped themselves by the issue of 1,200,000 "bons," each of 25 francs, Every bon contained 25 admissions, valued at 1 franc, and certain privileges in the shape of participation in a lottery, the grand prix being L20,000. The calculations of the promoters were tolerably accurate. The attendances reached the then unprecedented number of 32,350,297, of whom 25,398,609 paid in entrance tickets and 2,723,366 entered by season tickets. A sum of 2,307,999 francs was obtained by concessions for restaurants and "side-shows," upon which the administration relied for much of the attractiveness of the exhibition. The total expenditure was 44,000,000 francs, and there was a small surplus. The space covered in the Champ de Mars, the Trocadero, the Palais d'Industrie, the Invalides and the Quai d'Orsay was 72 acres, as compared with 66 acres in 1878 and 41 acres in 1867. Amongst the novelties was the Eiffel Tower, 1000 ft. in height, and a faithful reproduction of a street in Cairo. The system of international juries was continued, but instead of gold, silver and copper medals, diplomas of various merits were granted, each entitling the holder to a uniform medal of bronze. Some of the "side-shows," although perhaps pecuniary successes, did not add to the dignity of the exhibition. The date at which it was held, the Centenary of the French Revolution, did not commend it to several European governments. Austria, Hungary, Belgium, China, Egypt, Spain, Great Britain, Italy, Luxemburg, Holland, Peru, Portugal, Rumania and Russia took part, but not officially, while Germany, Sweden, Turkey and Montenegro were conspicuous by their absence. On the other hand, Argentina, Bolivia, Chile, the United States, Greece, Guatemala, Morocco, Mexico, Nicaragua, Norway, Paraguay, Salvador, the South African Republic, Switzerland, Uruguay and Venezuela sent commissioners, who were accredited to the government of the French Republic. The total number of exhibitors was 61,722, of which France contributed 33,937, and the rest of the world 27,785. The British and colonial section was under the management of the Society of Arts, which obtained a guarantee fund of L16,800, and, in order to recoup itself for its expenditure, made a charge to exhibitors of 5s. per sq. ft. for the space occupied. There were altogether 1149 British exhibitors, of whom 429 were in the Fine Arts section. One of the features of the exhibition was the number of congresses and conferences held in connexion with it.

During the year 1890 there was a Mining Exhibition at the Crystal Palace, and a Military Exhibition in the grounds of Chelsea Hospital; in 1891 a Naval Exhibition at Chelsea and an International at Jamaica. In 1891-1892 there were exhibitions at Palermo and at Launceston in Tasmania; in 1892, a Naval Exhibition at Liverpool, and one of Electrical Appliances at the Crystal Palace. A series of small national exhibitions under private management was held at Earl's Court between 1887 and 1891. The first of the series was that of the United States--Italy followed in 1888, Spain in 1889, France in 1890 and Germany in 1891.

The next exhibition of the first order of magnitude was at Chicago in 1893, and was held in celebration of the 400th anniversary of the discovery of America by Columbus. The financial arrangements were undertaken by a company, with a capital of L2,000,000. The central government at Washington allotted L20,000 for the purposes of foreign exhibits, and L300,000 for the erection and administration of a building for exhibits from the various government departments. The exhibition was held at Jackson Park, a place for public recreation, 580 acres in extent, situated on the shore of Lake Michigan, on the southern side of the city, with which it was connected by railways and tramways. Special provision was made for locomotion in the grounds themselves by a continuous travelling platform and an elevated electric railway. The proximity of the lake, and of some artificial canals which had been constructed, rendered possible the service of electric and steam launches; The exhibition remained open from the 1st of May to the 30th of October, and was visited by 21,477,212 persons, each of whom paid half a dollar (about 2s. 1d.) for admission. The largest number of visitors on any one day was 716,881. In addition to its direct vote of L320,000, Congress granted L500,000 to the exhibition in a special coinage, which sold at an enhanced price. The receipts from admissions were L2,120,000; from concessions, L750,000; and the miscellaneous receipts, L159,000: total, L3,029,000. The total expenses were L5,222,000. Of the sums raised by the Company, L400,000 was returned to the subscribers. Speaking roughly, it may be said that the total outlay on the Chicago Exhibition was six millions sterling, of which three millions were earned by the Fair, two millions subscribed by Chicago and a million provided by the United States government. The sums expended by the participating foreign governments were estimated at L1,440,000. The total area occupied by buildings at Chicago was as nearly as possible 200 acres, the largest building, that devoted to manufactures, being 1687 ft. by 787, and 30.5 acres. The funds for the British commission, which was under the control of the Society of Arts, were provided by the imperial government, which granted L60,000. The number of British exhibitors was 2236, of whom 597 were Industrial, 501 Fine Arts and 1138 Women's work. In this total were included 18 Indian exhibitors. The space occupied by Great Britain was 306,285 sq. ft.; and, in addition, separate buildings were erected in the grounds. These were Victoria House, the headquarters of the British commission; the Indian Pavilion, erected by the Indian Tea Association; the Kiosk of the White Star Steamship Company; and the structure set up by the Maxim-Nordenfelt Company. Canada and New South Wales had separate buildings, which covered 100,140 and 50,951 sq. ft. respectively; and Cape Colony occupied 5250, Ceylon 27,574, British Guiana 3367, Jamaica 4250, Trinidad 3400 and India 3584, sq. ft. in the several buildings. The total space occupied by the British Colonies was therefore 193,660 sq. ft. The system of awards was considered extremely unsatisfactory. Instead of international juries, a single judge was appointed for each class, and the recompenses were all of one grade, a bronze medal and a diploma, on which was stated the reasons which induced the judge to make his decision. Some judges took a high standard, and refused to make awards except to a small proportion of selected exhibits; others took a low one, and gave awards indiscriminately. About 1183 awards were made to British exhibitors. The French refused to accept any awards. The value of the British goods exhibited was estimated, exclusive of Fine Arts, at L430,000, and the expenses of showing them at L200,000. A large expenditure was incurred in the erection of buildings, which were more remarkable for their beauty and grandeur than for their suitableness to the purposes for which they were intended. Considerable areas were devoted to "side-shows," and the Midway Plaisance, as it was termed, resembled a gigantic fair. Every country in the world contributed something. There were sights and shows of every sort from everywhere. The foreign countries represented were Argentina, Austria, Belgium, Bolivia, Brazil, Bulgaria, Chile, Colombia, Costa Rica, Cuba, Curacoa, Denmark, Danish West Indies, Ecuador, France, Germany, Greece, Guatemala, Honduras, Hayti, Japan, Johore, Korea, Liberia, Mexico, Monaco, Netherlands, Norway, Orange Free State, Paraguay, Persia, Portugal, Russia, Siam, Spain, Sweden, Turkey, United Kingdom and Colonies, Uruguay and Venezuela.

Exhibitions were held at Antwerp, Madrid and Bucharest in 1894; Hobart in 1894-1895; Bordeaux, 1895; Nizhni Novgorod, Berlin and Buda-Pest in 1896; Brussels and Brisbane in 1897. A series of exhibitions, under the management of the London Exhibitions Company, commenced at Earl's Court in 1895 and continued in successive years.

The Paris Exhibition of 1900 was larger than any which had been previously held in Europe. The buildings did not cover so much ground as those at Chicago, but many of those at Paris had two or more floors. In addition to the localities occupied in 1889, additional space was obtained at the Champs Elysees, the park of Vincennes, on the north bank of the Seine between the Place de la Concorde, and at the Trocadero. The total superficial area occupied was as follows: Champ de Mars, 124 acres; Esplanade des Invalides, 30 acres; Trocadero Gardens, 40 acres; Champs Elysees, 37 acres; quays on left bank of Seine, 23 acres; quays on right bank of Seine, 23 acres; park at Vincennes, 270 acres: total, 549 acres. The space occupied by buildings and covered in amounted to 4,865,328 sq. ft., 111-1/2 acres. The French section covered 2,691,000 sq. ft., the foreign 1,829,880, and those at the park of Vincennes 344,448 sq. ft. About one hundred French and seventy-five foreign pavilions and detached buildings were erected in the grounds in addition to the thirty-six official pavilions, which were for the most part along the Quai d'Orsay. Funds were raised upon the same system as that adopted in 1889. The French government granted L800,000, and a similar sum was contributed by the municipality of Paris. L2,400,000 was raised by the issue of 3,250,000 "bons," each of the value of 20 francs, and containing 20 tickets of admission to the exhibition of the face value of one franc each, and a document which gave its holder a right either to a reduced rate for admission to the different "side-shows" or else to a diminution in the railway fare to and from Paris, together with a participation in the prizes, amounting to six million francs, drawn at a series of lotteries. Permission to erect restaurants, and to open places of amusement in buildings erected for that purpose, were sold at high prices, and for these privileges, which only realised 2,307,999 francs in 1889, the concessionaires agreed to pay 8,864,442 francs in 1900. The results did not justify the expectations which had been formed, and the administration finally consented to receive a much smaller sum. The administration calculated that they would have 65,000,000 paying visitors, though there were only 13,000,000 in 1878 and 25,398,609 in 1889. A very few weeks after the opening day, April 15th, it became evident that the estimated figures would not be reached, since a large number of holders of "bons" threw them on the market, and the selling price of an admission ticket declined from the par value of one franc to less than half that amount, or from 30 to 50 centimes. The proprietors of the restaurants and "side-shows" discovered that they had paid too much for their concessions, that the buildings they had erected were far too handsome and costly to be profitable, and that the public preferred the exhibition itself to the so-called attractions. The exhibition was largely visited by foreigners, but various causes kept away many persons of wealth and position. Although many speculators were ruined, the exhibition itself was successful. The attendance was unprecedentedly large, and during the seven months the exhibition was open, 39,000,000 persons paid for admission with 47,000,000 tickets, since from two to five tickets were demanded at certain times of the day and on certain occasions. The entries of exhibitors, attendants and officials totalled 9,000,000. The receipts were 114,456,213 francs (L4,578,249), and the expenditure 116,500,000 (L4,660,000), leaving a deficiency of rather more than two millions of francs (L80,000). It was calculated that the expenditure of the foreign nations which took part in the exhibition was six millions sterling, and of the French exhibitors and concessionaires three millions sterling.

A new plan of classifying exhibits was adopted at Paris, all being displayed according to their nature, and not according to their country of origin, as had been the system at previous exhibitions. One-half the space in each group was allotted to France, so that the exhibitors of that nation were enabled to overwhelm their rivals by the number and magnitude of the objects displayed by them. All the agricultural implements, whatever their nationality, were in one place, all the ceramics in another, so that there was no exclusively British and no exclusively German court. The only exception to this rule was in the Trocadero, where the French, British, Dutch, and Portuguese Colonies, Algeria, Tunis, Siberia, the South African Republic, China and Japan were allowed to erect at their own cost separate pavilions. The greater number of the nationalities represented had palaces of their own in the rue des Nations along the Quai d'Orsay, in which thoroughfare were to be seen the buildings erected by Italy, Turkey, the United States, Denmark, Portugal, Austria, Bosnia, Herzegovina, Peru, Hungary, the United Kingdom, Persia, Belgium, Norway, Luxemburg, Finland, Germany, Spain, Bulgaria, Monaco, Sweden, Rumania, Greece, Servia and Mexico. Scattered about the grounds, in addition to those in the Trocadero, were the buildings of San Marino, Morocco, Ecuador and Korea. Nearly every civilized country in the world was represented at the exhibition, the most conspicuous absentees being Argentina, Brazil, Chile, and some other South and Central American Republics, and a number of the British colonies. The most noteworthy attractions of the exhibition were the magnificent effects produced by electricity in the palace devoted to it in the Chateau d'Eau and in the Hall of Illusions, the two palaces of the Fine Arts in the Champs Elysees, and the Bridge over the Seine dedicated to the memory of Alexander II. These permanent Fine Art palaces were devoted, the one to modern painting and sculpture, the other to the works of French artists and art workmen who flourished from the dawn of French art up to the end of the 18th century.

The United Kingdom was well but not largely represented both in Fine Arts and Manufactures, the administration of the section being in the hands of a royal commission, presided over by the prince of Wales. The British pavilion contained an important collection of paintings of the British school, chiefly by Reynolds, Gainsborough and their contemporaries, and by Turner and Burne-Jones. Special buildings had been erected by the British colonies and by British India. Canada, West Australia and Mauritius occupied the former, India and Ceylon the latter. For the first time since the war of 1870 Germany took part in a French International Exhibition, and the exhibits showed the great industrial progress which had been made since the foundation of the empire in 1870. The United States made a fine display, and fairly divided the honours with Germany. Remarkable progress was manifested in the exhibits of Canada and Hungary. France maintained her superiority in all the objects in which good taste was the first consideration, but the more utilitarian exhibits were more remarkable for their number than their quality, except those connected with electrical work and display, automobiles and iron-work. The number of exhibitors in the industrial section from the British empire, including India and the colonies, was 1250, who obtained 1647 awards, as many persons exhibited in several classes. There were, in addition, 465 awards for "collaborateurs," that is, assistants, engineers, foremen, craftsmen and workmen who had co-operated in the production of the exhibits. In the British Fine Arts section there were 429 exhibits by 282 exhibitors and 175 awards.

In later years, important international exhibitions have been held at Glasgow, and at Buffalo, New York, in 1901, at St Louis (commemorating the Louisiana purchase) in 1904, at Liege in 1905, at Milan in 1906, at Dublin in 1907, and in London (Franco-British), 1908. In the artistic taste and magnificence of their buildings and the interest of their exhibits these took their cue from the great Paris Exhibition, and even in some cases went beyond it, notably at Buffalo (q.v.), St Louis (q.v.) and London. And it might well be thought that the evolution of this type of public show had reached its limits. (G. C. L.)

FOOTNOTE:

[1] An "exhibition," in the sense of a minor scholarship, or annual payment to a student from the funds of a school or college, is a modern survival from the obsolete meaning of "maintenance" or "endowment" (cf. Late Lat. _exhibitio et tegumentum_, i.e. food and raiment).

EXHUMATION (from Med. Lat. _exhumare_; _ex_, out of, and _humus_, ground), the act of digging up and removing an object from the ground. The word is particularly applied to the removal of a dead body from its place of burial. For the offence of exhuming a body without legal authority, and the process of obtaining such authority, see BURIAL AND BURIAL ACTS.

EXILARCH, in Jewish history, "Chief or Prince of the Captivity." The Jews of Babylonia, after the fall of the first temple, were termed by Jeremiah and Ezekiel the people of the "Exile." Hence the head of the Babylonian Jews was the exilarch (in Aramaic _Resh Galutha_). The office was hereditary and carried with it considerable power. Some traditions regarded the last king of Davidic descent (Jehoiachin) as the first exilarch, and all the later holders of the dignity claimed to be scions of the royal house of Judah. Under the Arsacids and Sassanids the office continued. In the 6th century an attempt was made to secure by force political autonomy for the Jews, but the exilarch who led the movement (Mar Zutra) was executed. For some time thereafter the office was in abeyance, but under Arabic rule there was a considerable revival of its dignity. From the middle of the 7th till the 11th centuries the exilarchs were all descendants of Bostanai, through whom "the splendour of the office was renewed and its political position made secure" (Bacher). The last exilarch of importance was David, son of Zakkai, whose contest with Seadiah (q.v.) had momentous consequences. Hezekiah (c. 1040) was the last Babylonian exilarch, though the title left its traces in later ages. Benjamin of Tudela (_Itinerary_, p. 61) names an exilarch Daniel b. Hisdai in the 12th century. Petahiah (_Travels_, p. 17) records that this Daniel's nephew succeeded to the office jointly with a R. Samuel. The latter, according to Petahiah, had a learned daughter who "gave instruction, through a window, remaining in the house while the disciples were below, unable to see her."

Our chief knowledge of the position and function of the exilarch concerns the period beginning with the Arabic rule in Persia. In the age succeeding the Mahommedan conquest the exilarch was noted for the stately retinue that accompanied him, the luxurious banquets given at his abode, and the courtly etiquette that prevailed there. A brilliant account has come down of the ceremonies at the installation of a new exilarch. Homage was paid to him by the rabbinical heads of the colleges (each of whom was called Gaon, q.v.); rich gifts were presented; he visited the synagogue in state, where a costly canopy had been erected over his seat. The exilarch then delivered a discourse, and in the benediction or doxology (_Qaddish_) his name was inserted. Thereafter he never left his house except in a carriage of state and in the company of a large retinue. He would frequently have audiences of the king, by whom he was graciously received. He derived a revenue from taxes which he was empowered to exact. The exilarch could excommunicate, and no doubt had considerable jurisdiction over the Jews. A spirited description of the glories of the exilarch is given in D'Israeli's novel _Alroy_.

See Neubauer, _Mediaeval Jewish Chronicles_, ii. 68 seq.; Zacuto, _Yuhasin_; Graetz, _Geschichte_, vols. iv.-vi.; Benjamin of Tudela, _Itinerary_, ed. Adler, pp. 39 seq.; Bacher, _Jewish Encyclopaedia_, vol. v. 288. (I. A.)

EXILE (Lat. _exsilium_ or _exilium_, from _exsul_ or exul, which is derived from _ex_, out of, and the root _sal_, to go, seen in _salire_, to leap, _consul_, &c.; the connexion with _solum_, soil, country is now generally considered wrong), banishment from one's native country by the compulsion of authority. In a general sense exile is applied to prolonged absence from one's country either through force of circumstances or when undergone voluntarily. Among the Greeks, in the Homeric age, banishment ([Greek: phuge]) was sometimes inflicted as a punishment by the authorities for crimes affecting the general interests, but is chiefly known in connexion with cases of homicide. With these the state had nothing to do; the punishment of the murderer was the duty and privilege of the relatives of the murdered man. Unless the relatives could be induced to accept a money payment by way of compensation ([Greek: poine], weregeld; see especially Homer, _Iliad_,