Part 16
[13] See good examples in Mariette, “Karnak,” Pl. VIII.
[14] This is no longer true since the discovery of the _favissa_ at Karnak. The Cairo Museum possesses some hundreds of statues of private individuals from the Theban temple of Amon (1912).
[15] Mariette, “Sur les tombes de l’Ancien Empire qu’on trouve à Saqqarah,” 1912, pp. 8–9.
[16] On this theory see Lepage-Renouf, “On the True Sense of an important Egyptian Word,” in the _Transactions of the Society of Biblical Archæology_, vol. iv., pp. 494–508, and Maspero, “Mémoires du Congrès des Orientalistes de Lyon,” vol. i., and _Bulletin de l’Association scientifique de France_ (1878), No. 594, pp. 373–84.
[17] One of the Egyptian festivals of the dead.
[18] For complete translation of the contract see the _Transactions of the Society of Biblical Archæology_, vol. vii., pp. 1–9.
[19] The Skhemka group was catalogued for the first time by E. de Rougé, “Notice sommaire des Monuments égyptiens,” 1855, pp. 50–51, under the number S. 102. The other two statues of the same person possessed by the Museum are both entered under the number S.103. One is in granite, the other in painted limestone.
[20] There are exceptions only in the middle of the XVIIIth Dynasty, when men and women, and especially women, are painted light pink or flesh colour.
[21] The pretty painted bas-relief of the tomb of Seti I in the Louvre (E. de Rougé, “Notice des principaux monuments,” p. 35, B. 7) shows in large the arrangement of the glass beads on the stuff.
[22] Cf., _e.g._, Lepsius, “Denkmäler,” ii., 47_b_, 74_e_, where the woman crouching in front of her husband puts her arm round his leg.
[23] Here are some references to plates in Lepsius where the husband and wife are represented side by side in different positions. The woman of low stature crouches behind her seated husband (“Denkmäler,” ii., 71_b_); the wife and husband, both of heroic stature, are seated on the same armchair, and the wife puts her right arm round her husband’s neck (“Denkmäler,” ii., 10_b_, 24, 25_b_, 41_b_, 42_a_-_b_, 75_a_, etc.); the wife of low stature stands in front of her husband, who is of heroic stature (“Denkmäler,” ii., 38_b_); she stands behind him and puts her arm round his left arm (“Denkmäler,” ii., 27, 33_a_), or she puts her arm round his waist (“Denkmäler,” ii., 38_a_); and lastly, the husband and wife, of the same stature, are standing, the wife behind her husband and putting her arm round his neck (“Denkmäler,” ii., 13, 20–1, 29_b_, 32, 34_b_, 40_b_, 43_b_, 46, 58_a_, 59_b_), or separated from him (“Denkmäler,” ii., 73, etc.).
[24] Thus in Lepsius (“Denkmäler,” ii., 74_e_), where the noble Senotmhît, surnamed Mihi, is seated, of heroic stature, while his wife, Khontkaous, is represented crouching and of low stature, although she is a legitimate daughter of the king. In another part of the tomb (Lepsius, “Denkmäler,” ii., 73) the same persons are represented standing side by side and of heroic stature, while their children are of ordinary stature.
[25] See the preceding chapter, pp. 55–59.
[26] See Chapter III, p. 51.
[27] We know now (1912) that the figures described by Mariette as mourners are cooks, who held the spit in one hand and with the other protected their faces from the heat of the brazier where the chickens were roasting.
[28] In examining the eye of the Cheîkh-el-Beled closely, I found that there was no silver nail in it, but that the luminous spangle was produced by a scrap of polished ebony placed under the crystal; it should be the same with the eyes of the Crouching Scribe.
[29] Cf. pp. 55–59.
[30] This article was published in two slightly different forms in the _Gazette des Beaux-Arts_, 3rd period, 1893, vol. ix., pp. 265–70, and in the _Monuments Piot_, 1894, vol. i., pp. 1–6: I have combined them for this volume.
[31] The statue is described in the “Visitor’s Guide to the Cairo Museum,” 2nd edition, 1912, p. 58, No. 142.
[32] Maspero, “Visitor’s Guide,” 2nd edition, 1912, pp. 57–8, No. 141.
[33] Cf. p. 61.
[34] Cf. what has already been said regarding statues of private individuals erected by the favour of the Pharaoh, p. 40.
[35] Maspero, “Visitor’s Guide to the Boulaq Museum,” p. 28, and now “Visitor’s Guide to the Cairo Museum,” 2nd edition, 1912, p. 73, No. 227.
[36] The expression is borrowed from a letter of the _Papyrus Anastasis_, No. 3. Its position in the Egyptian context leads me to believe that it was an often-quoted proverb. The idea is repeated in different forms in the scribes’ correspondence: “Work, or you will be beaten.” “When the scribe reaches the age of manhood, his back is broken by the blows he has received.”
[37] Mariette, “Notice des principaux monuments du Musée de Boulaq,” 6th edition, 1876, p. 235, No. 769: “Memphis. Saqqarah--limestone II, 1 foot 2 inches--kneeling figure. His hands crossed on his legs. His eyes are of mosaic work and formed of several stones curiously combined.” The statue of the kneeling scribe figures in a group in Plate XX of Mariette’s work, “Album du Musée de Boulaq,” containing 40 plates, photographed by MM. Délié and Béchard, with explanatory text edited by Auguste Mariette-Bey. Cairo, Mourès et Cie, 1871, fol.
[38] Mariette, “Notice des principaux monuments du Musée de Boulaq,” 6th edition, 1876, p. 216, No. 582. The Boulaq Museum possesses a second statue of the same person (_ibid._, p. 93, No. 28), but of a less fine execution than the statue No. 582. Cf. what is said of the two statues on pp. 70–73 of this volume.
[39] Mariette, “Notice,” p. 217: “The sum of the qualities, and study of the inscriptions on the base of the monument, leave no doubt as to the epoch to which it belongs. Rânofir evidently lived under the Ancient Empire. His titles bring him near the Vth Dynasty.” The study of the inscriptions leads me to be more certain than Mariette was. Rânofir undoubtedly lived at the end of the Vth Dynasty.
[40] See pp. 60–65.
[41] He is a cook, as I mentioned on p. 61, note 27.
[42] See p. 51.
[43] See p. 61.
[44] See the curious study of Dr. Parrot, “Sur l’origine d’une des formes du dieu Phtah,” in the “Recueil de travaux relatifs à la philologie et à l’archéologie égyptiennes et assyriennes,” vol. ii., pp. 129–33.
[45] Published in the _Revue de l’Art ancien et moderne_, 1906, vol. xx., pp. 247–52, 337–48.
[46] See pp. 50–51.
[47] See, _e.g._, the stelæ described or referred to in Maspero, “Guide to the Cairo Museum,” 1903, pp. 73–5, 94–5, 96, etc.
[48] Already published in the _Musée Egyptien_, vol. ii., Pl. IX-X, pp. 25–30.
[49] The head was reproduced by Rougé-Banville, “Album photographique,” Nos. 111–12; cf. Mariette, “Monuments divers,” Pl. XXI, _a_, _b_, _c_, and p. 299; the whole is reproduced in the _Musée Egyptien_, vol. ii., Pl. XIII, and pp. 34–5.
[50] See article on this group by Legrain in the _Musée Egyptien_, vol. ii., pp. 1–14 and Pl. I-IV.
[51] The head of the Pharaoh, which was stolen at the moment of discovery, has been found since this article appeared, and purchased by the Cairo Museum, 1912.
[52] Published in the _Revue de l’Art ancien et moderne_, 1907, vol. xxii., pp. 5–18.
[53] She is noted in the “Livre d’entrée” under No. 38575 and the chapel under No. 38576.
[54] Naville, “Das Thebanische Todtenbuch,” vol. i., Pl. CCXXII.
[55] It comes from Tell Tmai, and is entered in the “Livre d’entrée” under No. 38930, and in the “Guide to the Museum,” 3rd English edition, under No. 461, p. 164.
[56] No. 38932 in the “Livre d’entrée”; cf. “Notice des principaux monuments du Musée de Gizeh,” 1893, p. 86, and No. 683 of Borchardt’s unpublished catalogue. The monument comes from Saqqarah.
[57] “Guide to the Cairo Museum,” 3rd edition, pp. 331–33, No. 1020; “Livre d’entrée,” No. 38927.
[58] “Guide to the Cairo Museum,” 3rd edition, p. 330, Nos. 1018, 1019; “Livre d’entrée,” Nos. 38928, 38929.
[59] See the _Revue_, 1906, vol. xx., pp. 241–52, and pp. 337–46; and pp. 90–105 of the present volume.
[60] It was catalogued by Champollion in his “Notice descriptive des monuments égyptiens du Musée Charles X,” Paris, 1827, p. 55, No. 11.
[61] Published in the _Revue de l’Art ancien et moderne_, 1910, vol. xxviii., pp. 241–52.
[62] See pp. 120–125.
[63] Mariette, “Notice des principaux monuments du Musée de Boulaq,” 6th edition, 1876, p. 300, No. 100 C.
[64] E. de Rougé, “Notice sommaire des monuments égyptiens,” 3rd edition, 1864, p. 34, A. 21. The British Museum possesses a replica of this statue.
[65] Mariette, “Notice,” 1st edition, 1864, p. 184, No. 17; and 6th edition, 1876, p. 92, No. 22.
[66] Mariette, “Notice,” 6th edition, p. 221, Nos. 638–48; Maspero, “Guide du Visiteur au Musée de Boulaq,” 1883, pp. 100–3.
[67] Mariette, “Notice,” 6th edition, p. 221, Nos. 649–51; Maspero, “Guide,” p. 101.
[68] Mariette, “Notice,” 6th edition, p. 221, Nos. 623–37.
[69] Mariette, “Notice,” 6th edition, pp. 212–13, No. 578; Maspero, “Guide,” p. 75, No. 396.
[70] Mariette, “Notice,” 6th edition, p. 239, No. 792.
[71] Maspero, “Letter to M. Gustave d’Eichtal on the circumstances of the history of Egypt which favoured the exodus of the Hebrew nation,” in the _Comptes Rendus de l’Académie des Inscriptions et Belles-Lettres_, 1873, pp. 37–8.
[72] Published in _La Nature_, 1892, vol. lix., pp. 161–3.
[73] Major Arthur Bagnold published an account of them, with three drawings by Wallis and a few sketches, “An account of the manner in which two Colossal Statues of Rameses II at Memphis were raised,” in the _Proceedings of the Society of Biblical Archæology_, vol. x., p. 452 _et seq._
[74] I have related many examples of this belief in spirits inhabiting the ancient monuments in “Egypt: Ancient Sites and Modern Scenes,” 1910, chap. xv., p. 155. I have collected many more, and hope one day to have an opportunity of publishing them.
[75] Published in _La Nature_, 1894, vol. lxiii., pp. 230–4.
[76] Extract from the _Revue de l’Art ancien et moderne_, 1908, vol. xxiii., pp. 401–12, and vol. xxiv., pp. 29–38.
[77] Champollion, “Notice descriptive des monuments égyptiens du Musée Charles X,” 1827, 8vo, describes the object as follows: “85. _Hard wood_. A woman named Naï, standing, dressed in a long fringed tunic, hair plaited. The statuette was dedicated by her brother, Phtah-Maï, auditor of justice,” pp. 68–9. Now the little figure is numbered 37; it is in case A of the “Salle civile” (first shelf).
[78] Cf. E. de Rougé, “Notice des principaux monuments,” p. 82.
[79] SOKARI (Σώχαρις of the fragment of Cratinus the Younger, “Fragm. Comicor. græcorum,” edition Didot) was the god of the dead at Memphis, as Osiris was at Abydos; so they were soon identified one with the other, Sokar-Osiri, and with Phtah, _Phtah-Sokari_, _Phtah-Sokar_-Osiri. Here the scribe, who first took the three sacred names as belonging to one same god whom he qualified as Prince of Eternity in the singular, later regarded them as belonging to three different gods, and used the plural pronoun, SE, variant of SEN: “to whom THEY give” instead of “to whom HE gives.”
[80] The figure to which it was fastened is reproduced in Leemans, “Egyptian Monuments in the Museum of Antiquities of Holland at Leyden,” Part I, Pl. XXIV; cf. Chabas, “Notice sommaire des papyrus égyptiens,” p. 19.
[81] The facsimile of the text is in Leemans, “Monuments,” Part II, Pl. CLXXXIII-CLXXXIV, and is translated and annotated in Maspero, “Etudes égyptiennes,” vol. i., pp. 145–59.
[82] Extract from the _Revue de l’art ancien et moderne_, 1905, vol. xvii, p. 403.
[83] See the Chapter on the little lady Touî, pp. 183–189.
[84] Published in _La Nature_, 1895, vol. lii., pp. 211–14.
[85] “The Adventure of Satni-Khamois with the Mummies,” in G. Maspero, “Les contes populaires de l’Egypte ancienne,” 4th edition, p. 146.
[86] See pp. 172–174.
[87] See Chapter XVIII, pp. 172–177.
[88] _Revue archéologique_, April, 1861, vol. iii., 2nd series.
[89] Printed in the _Revue de l’Art ancien et moderne_, 1900, vol. viii., p. 353.
[90] See p. 150.
[91] See Chapter XVI., p. 145.
[92] Published in the _Revue de l’Art ancien et moderne_, 1902, vol. xi., p. 377.
[93] See Chapter X.
[94] Published in _La Nature_, 1890, vol. xxxv., pp. 273–4.
[95] See pp. 212–213.
INDEX
A
Abousîr-el-Malak, excavations of, 29
Abydos, 30, 31, 37; Memnonium of, 95, 134; ruins of, 94
Adoni (Adonaï), 122
Ahhotpou I, 145, 146, 158
Ahhotpou, Queen, 152, 158, 206
Ahmôsis I, 138
Aî, 138; portrait of, 98
Aî, son of Hapi, 197, 198
Alexandria, bas-reliefs of, 33
Amenemhaît III, 26, 32; sphinx of, 22, 23; statue of, 22, 28, 37
Amenertaîous, 103
Amenhotpou, 138
Amenmeses, 138
Amenôphis II, 122
Amenôphis III, 122, 124, 174
Amenôphis IV, 120, 122, 123, 124, 125, 131
Amenôphis, statue of, 64
Amenôthes I, 91
Amenôthes II, 109, 112, 113, 117, 118, 134
Amenôthes IV, 31
Amenôthes, statue of, 22, 28
Amon, 81, 101, 102, 104, 121, 122, 124, 125, 135, 183, 184, 185; priests of, 92; temple of, 90, 97, 137
Amon of Harmhabi, 98
Amonrâ, 107, 123
Amonrâ, ark of, 136
Anderson, 142
_Ankhari_, _the lady_, 175
Ankhasnofiriabrê en Hathor, 103
Ankhnas, 103
Antouf kings, the, 153
Anubis, temple of, 53
Apis, 146, 149; tomb of, 79, 145
Apouî, tomb of, 21
Apries, 143
Armaïs, 139
Asia Minor, 169, 191
Assiout, 31
Assyria, 169
Ati, 56, 58, 59
Aton (Amon), 121, 122, 123, 124, 125
Atonian Dynasty, fall of the, 31
B
Bagnold, Major Arthur, 142, 143
Baraize, M., 108
Barrère, M., 208, 212
Barsanti, M. Alexandre, 201, 206
Bastît, the goddess, 184, 209, 212, 213, 215; her festival at Bubastis, 210, 211
Baÿ, Dr., 133
Bedrecheîn, 141
Bénédite, M., 206
Beni-Hassan, 30, 31, 87, 214
Berbers, the, 129
Bercheh, 31
Berlin Museum, 152; _Scribe_ of the, 20, 21
Bibân-el-Molouk, 111
Bissing, F.W. von, 17, 18, 20, 21, 22, 23, 24, 25, 26, 27, 34, 35
Bocchoris, 33
“Book of the Dead,” 113, 114, 203
Borchardt, 24, 25
Boulaq Museum, 63, 70, 71, 81, 85, 86, 135, 137, 138, 145, 146
British Museum, 153
Bruckmann, 17, 23
Bubastis, 124, 154, 157, 161, 190, 210, 211, 215
C
Cairo, 39, 108, 154, 179, 208, 215
Cairo Museum, the, 21, 22, 29, 32, 33, 39, 44, 46, 47, 93, 96, 98, 108, 114, 115, 116, 128, 129, 131, 134, 157; _Scribe_ of the, 20
Carter, 92
Caviglia, 141
Chaldæa, 169, 171
Champollion, 121, 172, 186
Chassinat, M., 206
Cheîkh-Abd-el-Gournah, 115, 178, 179
Cheîkh el-Beled, statue of the, 21, 46, 48, 88
Cheîkh-Saîd, 31
Cheops, 30, 209; statuette of, 37, 38
Chephrên, 30, 44, 46, 47, 48, 137, 209; statuette of, 37, 38
Chephrên, statues of the, 21, 24, 37
Coptos, 22
Cow, the, of Deîr-el-Baharî, 18, 106, 117
Crete, 169
Crouching Scribe, the, 18, 48, 49, 60, 61, 63, 64, 65, 84, 88
D
Dahchour, 145, 150, 152, 158
Darius, 140, 206
Davis, Theodore, 126
Decauville, 90
Denderah, 31, 123
Deîr-el-Baharî, 92, 108, 110, 115; _favissa_ of, 98; porticoes of, 95
Dévéria, 196
Dog, nome of the, 41
_Double_, the, 51, 52, 53, 54, 111, 115, 143, 193, 198
E
Ebers, 17
Edfou, temple of, 210
Edgar, Mr., 154, 155
Egypt, financial system of ancient, 197, 198
Egyptian cats, 208, 209, 214, 215, 216
Egyptian jewellery, 145–153, 201–207
Egyptian Scribes, 61, 62, 63, 67, 68, 69, 74, 75, 76, 77, 199, 200
Egyptian statuary, 17–35
El-Amarna, bas-reliefs of, 131; necropolis of, 31, 125, 133; sculptors of, 130; statues of, 100
El-Tell, tombs of, 31
Es-Sayed Eîd, 155
Ethiopia, 95, 102, 124, 139
Ethiopian pyramids, the, 153
Euphrates, 170
Europe, 215, 216
F
Fayoum, the, 26, 29, 94, 137
Ferlini, 153
G
Garwood, 142
Gebeleîn, 22, 179, 214
Germany, 214
Gizeh, 39, 95
Gizeh Museum, 21, 24, 66, 68, 70, 152, 206
Gizeh, necropolis of, 21, 29
Gold and silver vases and cups, 160–8
Golenischeff, 32
Gournah, 138
Gournah, temple of, 95, 134
Grébaut, 37
Greece, 119
H
Hachopsouîtou, Queen, 97, 111, 112, 119
Hakori, 196
Hapi-T’aufi, Prince, 53
Harmais, statues of the, 22
Harmhâbi, 100, 130, 133, 135, 138, 139
Hathor, the goddess, 41, 42, 109, 110, 111, 112, 114, 115, 117, 118, 187
Heliopolis, 123
Hellenes, the, 33
Heracleopolis, 30, 94
Hermopolis, 28, 31, 105
Herodotus, 32, 124, 140, 210, 211
Hor, the scribe, 84
Horus, 188
Horus Qa-âou, stele of the, 19
Hrihor, 124
Hyksôs king, portrait of a, 22
I
Icelanders and ghosts, 176
Iouaa, 122
Isis, 97, 116, 147, 148, 202, 204
Isis, statue of, 96
K
Karnak, 31, 37, 105, 138, 139; _favissa_ of, 22, 26, 90, 94, 95, 96; modern village of, 90; temple of, 135
Khâbokhni, 188
Khâmoîsît, high priest of Phtah, 145, 146
Khâsakhmouî, the Pharaoh, 19, 20
Khitas, the, 151
Khnoum, 135
Khnoumhotpou, the dwarf, 85, 86, 87, 88, 89
Khonsou, 98, 99
Khounaton, 125, 138
Khouniatonou, 31, 100, 126, 130, 133
Kings, Valley of the, 126
_King-Serpent_, stele of the, 19
Knom, 56, 58
L
Leghorn, 172
Legrain, M., 22, 26, 91, 94, 95, 96, 98, 100, 105
Lepsius, 57
Leyden, 20
Leyden Museum, 153, 175
Leyden papyrus, the, 177
Libyan Desert, the, 112
Libyan Mountains, the, 113
Longpérier, M. de, 49
Louis XIV, peruke of time of, 180
Louvre, the, 18, 21, 22, 49, 54, 55, 58, 60, 64, 67, 68, 70, 79, 80, 84, 125, 130, 134, 136, 145, 146, 152, 153, 172, 178, 183, 185, 186, 195, 200, 205, 206, 215
Louxor, 31, 107
M
Macedonians, the, 102
Madagascar, queens of, 104
Maît, 213
Mankahorou, statuette of, 37
Mantimehê, 103, 104
Mariette, 22, 24, 32, 38, 55, 60, 62, 66, 79, 94, 98, 100, 103, 116, 121, 136, 139, 145, 150, 151, 196, 206
Matonou (Amten), statue of, at Berlin, 29
Medinet Habou, 128
Mediterranean, the, 171, 194
Meîdoum, 46, 48, 62, 63; excavations of, 29, 30
Memphian Empire, the, 20
Memphis, 25, 28, 29, 30, 31, 32, 37, 55, 72, 78, 79, 88, 123, 137, 140
Menephtah, 136, 138
Menna, 182
Menzaleh, Lake, 32
Minieh, prince of, 85, 87
Mînou, the god, 22
Mît-Fares, 22
Mît-Rahineh, 24, 37, 39
Mohammed-Ali, 142
Mohammed Effendi Chabân, 154
Mond, Mr., 178
Montouhotpou, 111
Montouhotpou, statue of, 26
Montouhotpou I, temple of, 22, 106
Montouhotpou III, statue of, 22
Montouhotpou V, tomb of, 92
_Monuments de l’Art Antique_, 34
Morgan, M. de, 66, 73, 145
Moursi Hassaneîn, 155
Munich, 20, 21
_Musée Egyptien_, the, 26, 34
Mycerinus, statues of, 36, 37, 38, 39, 41, 43, 44, 46, 47, 48
N
Nafêrourîya, 97
Naî, the lady, 173, 174, 177, 186
Naousirrîya, statuette of, 37
Napata, 31
Naples Museum, the, 20
_Nâr_-mer, _palette_ of, 19
Nasi, statue of, 21
Naville, 92, 106, 107, 111, 118
Nectanebo I, 116
Nectanebo II, 33
Neîth, 204; temple of, 167, 169
Nephthys, 147, 148, 202
Nile, the, 27, 112, 170; valley of the, 28
Nofirtoumou, the god, 215
Nofrihotpou, funeral of, 88
Nofrît, statue of, 22
Nonît, the goddess, 202
Nsiphtah, 103
Nubia, 31
O
Omm-el-Gaâb, tombs of, 29
Osiris, 116, 123, 147, 148, 205
Osorkon II, statuette of, 103
_Ostraca_, 98
Ounas, 201
Ousimares (Osymandyas), 158
_Ousirmârî_, 149
Oxyrrhinchus, 41
P
Pakhît, 213, 214
Pehournowri, statuette of, 79, 84
Perfume ladles described, 190–3
Persian Conquest, the, 91
Persians, the, 104
Petesomtous, 116
Petrie, Flinders, 26, 47, 129, 131
Phœnicia, 193
Phœnicians, the, 171
Phtah, 87, 95, 141, 145, 173; temple of, 37, 140
Phtah-Maî, 173, 174
Pioupi, bronze statue of, 21
Poubastît (Bubastis), 209
Psammetichus, 116, 117, 206
Psammetichus I, 33, 103
Psarou, 146, 147
Pyramids, plain of the, 29
Q
Qodshou, battle of, 151
R
Râ, the solar god, 123, 124
Rahotpou, the scribe, 84; tomb of, 62
Ramessides, the, 91, 103, 124
Ramke, the scribe, 84
Ramses, 130; statues of the, 22
Ramses I, 138
Ramses II, 30, 136, 137, 138, 140, 141, 142, 144, 145, 148, 151, 158, 159, 160, 170, 206; statues of, 26, 101, 135
Ramses III, 102
Ramses VI, 101, 102
Ramses-Nakhouîti, 101
Rânofir, 44, 46, 88; statue of, 70, 71, 72, 77, 78
_Readers_, statue of the, at Cairo, 21
Reisner, 39, 44
Rome, 119
Rougé, M. de, 196
Roxelane, 127
S
Sabou, tomb of, 66
Saîd, the, 31, 113
St. Sebastian, paintings of, 83, 84
Saïs, 105
Saïte jewels, 201
Saladin, 39
Salt Collection, the, 120, 194
Sân, 196
Sânakht, 138
Sanmaout, statue of, 96, 97
Sanouosrît I, statue of, 22, 46; bas-relief of, 22, 37; (Ousirtasen), 94, 95
Sanouosrît III, 94; statue of, 46
Sapouî (Sepa), statue of, in the Louvre, 21, 29, 64
Saqqarah, necropolises of, 21, 29, 49, 55, 63, 66, 76, 85, 88, 95; village of, 72
Sculpture in wood, 172–4, 183–9
Scythians, the, 140
Serapeum, the, 55, 60, 64, 79, 145, 146, 148, 150, 153, 206
_Serdâb_, the, 51, 60, 62
“Service des Antiquités,” the, 143, 155, 178
Sesostris, 140
Setinakht, 138
Setouî I, 30, 37, 95, 121, 130, 138; hypogeum of, 134; statue of, 135
Setouî II, 138, 160
Shepherd Kings, the, 22, 32; portraits of, 196
Sheshonq, 194
Sidi Ahmed el-Bedaouî, 210
Simon, Herr, of Berlin, 129
Sinai, 129
Siout, 54
Siphtah, 160
Siphtah Menephtah, 138
Sistrum, nome of the, 41
Skhemka, the scribe, 55, 56, 58, 59, 60, 64, 65, 84
Sokaris, boat of the god, 203
Sovkemsaouf, 22
Sovkhotpou, the king, 22, 84
Speos-Artemidos, cemetery of cats at, 213, 214
Sphinxes, the so-called Hyksôs, 28, 32
Stephenson, General, 142
Sycomore, Canton of the, 41
Syria, 95, 124, 139, 164, 171
T
Taharkou, 103
Taharqa, 196
Taîa, 98, 99, 121, 122, 134
Tamaî, singing-girl of Neîth, 167, 169
Tanis, 32, 102, 105, 137; sphinxes of, 28
Tantah, fair of, 210
Taouasrît, 170
Tboubouî, 184
Tell Bastah, ruins of, 208
Tell-el-Khanzir, 142
Thebaïd, the, 102
Theban Empire, the, 21, 22, 28, 32
Thebes, 28, 30, 31, 88, 92, 93, 95, 105, 120, 123, 124, 125, 128, 131, 137, 145, 181, 183, 187
Thebes, government of, 103, 104
Thinis, 30
Thinis-Abydos, 29
Thinites, the, 20, 29
Thot, city of, 31
Thoutmôsis, 138
Thoutmôsis, statue of, 22
Thoutmôsis III, 91, 94, 96, 97, 98, 107, 109, 112, 121, 134
Thoutmôsis IV, 124
Ti, 88; statue of, 70
Tîyi, 126, 127, 128, 129
Tîyi, wife of Amenôthes III, 100
Touaa, 122
Touî, the lady, 178, 183, 184, 185, 186, 189
Toumoumtaouneb, the royal cupbearer, 164
Tourah, limestone of, 49, 179
Toutânkhamânou, 133, 134, 138
Toutânoukhamanou, 98, 99, 100
Turin Museum, 64, 183, 186, 189
Turin papyrus, the, 197
U
Upper Egypt, 41
V
Vassalli, 47
Vienna Museum, 22
Virchow, 215
W
Wiedemann, 26
Wilkinson, 216
Z
Zagazig, 154, 155, 156, 165, 171
Zannehibou, 201, 202, 206
The Gresham Press, UNWIN BROTHERS, LIMITED WOKING AND LONDON.
* * * * * *
Transcriber’s note:
Punctuation, hyphenation, and spelling were made consistent when a predominant preference was found in the original book; otherwise they were not changed.
Spelling discrepancies between the main text and the Index were resolved in favor of the main text.
Simple typographical errors were corrected; unpaired quotation marks were remedied when the change was obvious, and otherwise left unpaired.
Illustrations in this eBook have been positioned between paragraphs and outside quotations. In versions of this eBook that support hyperlinks, the page references in the List of Illustrations lead to the corresponding illustrations.
Most full-page illustrations included printer’s instructions specifying “To face p. xxx.” Those instructions have been removed from this eBook.
Footnotes, originally at the bottoms of pages, have been collected, sequentially numbered, and placed at the end of this eBook, just before the Index. References to those footnotes have been renumbered in the same way.
The index was not checked for proper alphabetization or correct page references.