Eclectic Magazine of Foreign Literature, Science, and Art, February 1885

Part 24

Chapter 243,985 wordsPublic domain

It is recorded of St. Briccius, that when a boy he saw the devil behind the altar, noting the misdemeanors of people on a piece of parchment. This seems to have stirred in him a desire for parchment that he in turn might write; but so firmly did the devil by his teeth stick to the stolen goods, that on the achievement of mastery by his juvenile but saintly competitor, the horny, wicked head was knocked against the wall, at which painful juncture St. Martin, ever valorous, so conjured the devil that he caused him _willy nilly_ to blot out what he had written. What then, one wonders, was the devil’s code of which the people’s acts were breaches. What his diabolic, though discarded standard? The prescience of St. Briccius or St. Martin would doubtless be required to tell. But it is plain he too is fabled as possessed with desire to bend the will of men in obedience to some crystallized tradition, some extraneous rule. And yet, what is this principle of tradition, this authority-binding, which in this form and that defeats equally Fanny Burney or Gray, Shelley, Southey, or Selden? It is something which, no matter what its ineptness to the circumstances of the present, cannot yield; which is made up of the circumstances of the past, and has in its whole as much as in every shred the inevitability of the past, which pushes by informed private judgment and reason—perhaps on the wiser plea that, ourselves a product of the past, the accumulated and sifted wisdom of that past, the residue of eclecticism on eclecticism, must be most appropriate to guide; or else perhaps on the more foolish, that makes a creed osseous in one infinitely remote exercise of one man’s inspired thoughts. As if, in the latter alternative, the very strength was not the very weakness of the argument which reduces after all everything to single and perhaps sullied private judgment; and as if in the former the very strength was not again the very weakness of the argument which cuts off arbitrarily as the last point of systematized knowledge (more often not at the last) its own method of history. For does it not result that if it be truly said, there is nothing new under the sun, there must in all cases be selection, and if selection be thus the real principle of action, why is some portion of accessible knowledge, some portion even of _received_ knowledge, to be cast without the bounds of usable materials, as though to prohibit us too perchance, from strengthening that uniformity or preponderance in independent selections to which tradition owes its strength? Thirlwall may act as Pecock, and Beddoes as Fitzgerald—but both the virtue of action and the virtue of restraint are lost.

Herodotus, if we may believe Blakesley and Professor Sayce, though the “Father of History,” by no means illustrates tradition at its best. Different, however, would it be, could we make up our minds, backed by the later authority of Canon Rawlinson to side in this perennial contest with Henri Estienne. This scholar in preparing an edition of that ancient traveller took occasion to maintain that his author was the reporter of things fabulous to an extent far less than was generally supposed. Hearing that of this defence, which was written in Latin, it was proposed to make a translation into French, he determined, as an old critic says, to become now a _traditore_, as he had formerly early been a _traduttore_, and to render his own work. But if this was his original purpose, he immediately lost sight of it. He took up, in fact, his argument thus:—From the unlikelihood of an event it is unreasonable to conclude against it: Herodotus may have reported things true, in presenting unlikely tales, otherwise, we must banish a prodigious amount of incontestable but absurd matter, though much of this character has occurred of late, especially in popery, as I proceed to instance in anecdotes which objectors may style apocryphal, fables they will call malicious, and chronicles they are certain to brand as scandalous. Now, this was clearly of intolerable bearing. And according to Tollius, its upshot was that Estienne was burnt in effigy at Paris; though, having fled to the mountains of Auvergne, and being in the thick of winter, he was enabled to chuckle at his joke that he never was so cold as when he was being burnt, a joke the authenticity of which late commentators might perhaps have less readily impeached had they remembered that Antonio de Dominis had used it, as he too for writing an unappreciated book was consumed in effigy at Rome, while he lay shivering with the cold of a November at sea and a fugitive’s fears at heart. Certain it is that at Geneva Estienne met with repulse. For the archives of that state show that late in 1566, on his first applying for a license to expose for sale his “Apologie pour Herodote,” he was directed to amend “certains feulletz où il y a des propos vilains et parlans trop évidemment des princes en mal” and that after these amendments were duly made he deliberately encouraged the suppression of his work, by taking advantage of an imperfect piratical edition, appearing at Lyons, to add without license the famous “Avertissement” with its tables or indexes, which drew down upon him imprisonment, followed quickly by enlargement coupled with conspicuous deprivation of the Eucharist on one occasion—if that be the meaning of “pour punition, privé de la cène, pour une fois.”

With consequences more radical, but with either far more boldness or far less wit, Camille Desmoulins upwards of two centuries after courted the suppression, not indeed of a book, but of life. It was full four years since he had learnt that the parliament of Toulouse had hurried to the flames his “La Libre France,” when entering the Jacobin Club, just two days after the publication of the fifth number of his _Vieux Cordelier_, he heard the question being for the third time put, whether he should be expelled. His presence quelling in no measure the rising anger, Robespierre, desirous to stay the wrath of the Jacobins by sacrificing the work to save the author, spoke. “Camille,” said he with dryness, and that air of patronage which the simulation of a tempered passion carries, “is a spoilt child; he had a good disposition; bad company has led him astray.” “We must,” urged he, concluding, “deal vigorously with these numbers, which even Brissot would not have dared to acknowledge, but we must keep Desmoulins among us. I demand, for example’s sake, that these numbers be burnt before this society.” But with what surprise did the echo of this speech, proceeding clearly, and accompanied with indignant flash of eye, greet him—“Bravo, Robespierre; but I will answer with Rousseau, _To burn is not to answer_.” Strange retort! Had pride so dulled perception, or surprise with one stroke slain confidence in all? No wonder that not less the change of time than the terms, the very measuredness of the answering words bidding Camille learn that he was treated with indulgence, and disclosing that his mode of justification would be held to show that the worst import of his writings was designed, left in him a sense that his present non-expulsion, even the restoration of the title of “Cordelier,” had no security. The lull _was_ false, Desmoulins was lost.

Concession to honest criticism was received with not more tact by Richelieu than by Desmoulins. It is true that in the Cardinal’s case the upshot, perilous as it seemed to one of the grand supports of dramatic literature, was merely ludicrous—but it may also be true that that was because the appeal was indeed through the intellect, but to the passive, not the active powers of man. The Cardinal was dramatist, and had carried politics into comedy by making the characters called France, Spain, or names of other States develop the fortunes of “Europe.” Anxious to get the countenance of the Academy, which his energies had lately organized, he sent the piece to them, that any errors in the rules of the style or poetry might be corrected. The Academy fulfilled their task, criticising so severely that scarcely a line was left unaltered. The Cardinal—but I may as well adopt the tale as Noël d’Argonne tells it.

The Cardinal, to whom it was brought back in this condition, was so enraged, that he tore it on the spot, and threw it in pieces into the hearth. This was in summer, and fortunately there was no fire in the hearth. The Cardinal went to bed; but he felt the tenderness of a father for his dear Europe; he regretted having used it so cruelly; and calling up his secretary, he ordered him to collect with care the papers from the chimney, and to go and look whether he could find any paste in the house—adding that in all probability he would find some starch with the women who took charge of his linen. The secretary went to their apartment; and having found what he wanted, he spent the greater part of the night with the Cardinal in trying to paste together the dismembered comedy. Next morning he had it recopied in his presence, and changed almost every one of the corrections of the Academy, affecting, at the same time, to retain a few of the least important. He sent it back to them the same day by Boisrobert, and told them they would perceive how much he had profited by their criticisms; but as all men were liable to err, he had not thought it necessary to follow them implicitly. The Academy, who had learned the vexation of the Cardinal, took care not to retouch the piece, and returned it to him with their unanimous approbation.

It seems a pity that after so much care and tenderness the play should have been produced along with “The Cid,” and that the audience, less manageable than the Academy, on the announcement that “Europe” would be repeated the next day, murmured their wish for Corneille’s piece. But the influence he sought to throw upon the fortunes of the Cid there can be no need to recount to Englishmen. Only it is clear that Richelieu was more like Cicero than Virgil, the former of whom indeed affected to be desirous of burning some productions, but was easily diverted by pleasant flattery; but the latter of whom, after having bestowed the labor of twelve years on his immortal poem, was genuinely conscious of imperfections which so few beside himself could have perceived, that in his last moments he ordered it to be committed to the flames, a fate evaded only by disregard of his solemn testamentary injunction. It is equally clear that Richelieu had not the plea of neglect and undeserved disfavor felt in its extreme by William Collins. For his odes, first published in 1747, crept slowly into notice, were spoken of indifferently by his acquaintance Dr. Johnson, and met with feeble praise from Gray. The while the author was sensible of their beauty, and so deeply felt the coldness with which they were received, that he obtained from his publisher the unsold copies and burnt them with his own hand. “If then his highly finished productions brought back but disappointment,” hypothesises Mr. Thomas Miller, “how thankful he must have felt that he had not committed himself further by sending into the world such works as his own fine taste condemned! We believe that when he had completed his ”Ode on the Passions,” he knew he had produced a poem which ought to live forever, for we cannot conceive that the mind which erected so imperishable a fabric could have a doubt of its durability.” Alas! an immortality which sees no origin _in præsenti_—how burdensome it is to bear.[75]

It was the conviction of “Messieurs de Port Royal” that in the denial of self was a tower of moral strength; and in this denial of self they included a true abnegation of the glories of authorship. “If any work for God were well done,” said St. Cyran, “it was the Divine Grace which had effectually co-operated to its performance, and the human instrument was nothing, and less than nothing.” With this there was not one of his colleagues unwilling practically to show that he agreed—Pascal least of all. What greater instance of literary modesty can be alleged than the destruction by him of his treatise on geometry, upon his learning that Arnauld had prepared the volume given to the world in 1667 as “Elements” of that subject and his seeing its fitness for the Port Royal schools? With most it would be much easier to apply the system of Naugerius, who loving Catullus, but hating Martial, set apart one day that every year he might sacrifice by fire a copy of the works of one epigrammatist to the manes of the other. It is only fair to add that Naugerius, who died while on an embassy to Francis I. in 1529, destroyed shortly before his death a history of his native city, Venice, carried forward from 1486, which he had himself compiled, and submitted to the same effective purging a considerable proportion of his own poetic compositions.

At this point I conclude. I perceive indeed that there remains scattered through literature unused material of interest, and even that motives to self-suppression of several entire classes have been here unexemplified. But of this we might feel confident, that the more and more this subject were opened up, personal as it appears to the authors themselves, the more and more would one be struck with the duty of the State, and no less than of the State of professed critics and of friends of the hearth, not only not to discourage the expressions of genius if even somewhat errant, but where there is the true appeal—then, as Walpole says, to _hasten to praise_.—_Gentleman’s Magazine._

HOW SHOULD WE DRESS?

THE NEW GERMAN THEORIES ON CLOTHING.

BY DORA DE BLAQUIÈRE.

Some allusion has already been made to the medical theories respecting clothing that have emanated recently from a celebrated German professor, Dr. Gustav Jaeger, of the Royal Polytechnic School at Stuttgart. His investigations into the subject commenced in the year 1872, and appeared to have been fairly exhaustive in the way of scientific experiment and personal experience, with the result that Dr. Jaeger considers he has discovered that the health of the world in general is much prejudiced by the materials, as well as the forms, in general use. In Germany his views seem to have met with very extensive acceptance; they have revolutionised the trade of Stuttgart, where Dr. Jaeger practises his profession; and many of the leading men—such as Count von Moltke and others—have adopted his clothing; and it seems probable that his principles will be applied to the German army, with the view of promoting the health of the troops. In Italy the first physicians have declared in favor of it, and so universally does the demand appear to have arisen on the Continent, that the present writer found Dr. Jaeger’s garments commonly exposed for sale in Switzerland, at Berne, Lucerne, and Vevey, and other smaller towns.

The stall for Dr. Jaeger’s clothing has formed an attraction at the “Healtheries” this season, and, by the formation of a limited company, who have opened a depôt in Fore Street for its sale, those who desire to look into the subject, and form their own opinions, will be able to do so in England.

Dr. Jaeger’s reform is not a difficult one, and consists of the fundamental doctrine that, as we are animals, we should wear animal clothing. The physical “reasons why” are—first, that their non-conducting qualities are a guarantee that the temperature of the body shall be in a great measure preserved, while on the other hand the shape and arrangement of their constituent hairs provide for the escape of moisture by capillary attraction; and their adaptation to both these ends is greater than that of any vegetable fabric.

In England we have for many years acted instinctively on these conditions, and we have adopted woollen, in the shape of flannel, for use in cricket, boating, tennis, and in any athletic exercises likely to cause profuse perspiration, as being the safest covering to ensure us against cold and the sudden and dangerous chills which are likely to follow overheating in a climate like ours. Our action has been the result of observation and experience, which, however, according to Dr. Jaeger, might have been carried still further and applied more widely still. For this profuse perspiration is simply an intensification of the daily action of the skin, which only ceases with life itself. If this action be imperfect or repressed, fat and water accumulate in the tissues, lowering their powers, and the flesh, which should feel elastic and firm, is flabby, causing many disorders in the general economy of the body.

Besides water and fat, the skin excretes carbonic acid, and the different decomposed products of fat—such as lactic, formic, and butyric acids—to which the sour odor of perspiration is due. Much carbonic acid is dissolved in the perspiration, and escapes with it. Thus, it is not difficult to see that the kind of covering which acts as the best conductor of moisture and its impurities, and at the same time is a bad conductor of heat, and prevents its escape, is that which we must adopt as the healthiest and the cleanest.

The power of absorption by vegetable life, of the poisonous emanations from animal life, is well known, and this process is not limited, it would appear, to living plants, but is continued by vegetable fibres—such as linen and cotton—with this difference, that the living plant assimilates these emanations and the dead fibre does not, but exhales them again when wetted or warmed. Thus our clothes, in consequence of their vegetable character, attract and retain these noxious principles which should by rights be immediately thrown off. Animal materials, such as wool, are made by nature—according to Dr. Jaeger—to protect animal life, and will neither attract noxious emanations nor prevent their evaporation from the body. This is shown, he observes, by the sense of smell and by the unpleasantness noticed in cotton and linen underclothing, linings, and apparel which have been long worn.

There are many people to whom these considerations have a vital and especial interest. Certain skins perspire much more freely than others. This peculiarity occurs in persons of rheumatic and consumptive tendencies, even when quite free from actual disease. Women in middle age, also, and all in whom the circulatory system is weakened from any cause, have this tendency. But the people to whom, in addition, the Jaeger system appeals the most are certainly those who are corpulent, or show any tendency to become so. And as this point will probably interest many readers, I will give a brief notice of what Dr. Jaeger says on the subject.

To be in what we English people call “good condition” there must be a correct proportion of the most important bodily constituents—viz., albumen, fat, and water. The first is the foundation of nerve, muscle, blood, etc., and in fact sustains the existence of the body. Relatively to albumen, water and fat may be viewed as auxiliaries, although they are indispensable in themselves. A proper condition of body requires that these three constituents shall be present in certain proportions, while the richer the body is in albumen the sounder it will be, and the fitter for work. On the other hand, any excess of fat or water will lessen its energies, and its power of repelling the action of influences likely to promote disease.

Of the evils of the increase of fat most people who suffer from it are only too conscious. But besides the more visible ones, they are usually poor-blooded, and consequently lacking in vital energy, while the fat diminishes the necessary space for the circulation of the blood and the respiratory organs. The first of these evils shows itself in flushing of the face when the circulation is quickened by exertion, and in the difficulty felt in the return of the blood from the lower parts of the body to the heart, which causes lassitude in the legs, and a tendency to varicose veins; while, if the circulation of water in the system be also impeded, dropsical swellings in the legs will ensue. The limitation of space due to fat hinders also the free play of the lungs, and the obese are disabled from exceptional exertion which necessitates fuller breathing than usual.

Thus every one wishing to preserve health and working capacity, must keep strict watch on the deposit of fat going on in the body; and all such symptoms must be taken as evincing a wrong system of living; and in order to stay its further accumulation and get rid of what is superfluous, recourse must be had to augmented action of the skin.

The increased percentage of water and fat in the system renders it also more liable to disease, more sensitive to cold, and disposed to chest affections in the winter. In addition, the working powers of the mind are sensibly lessened. Dr. Jaeger has discovered that their presence in excess can be tested by the specific gravity and the rapidity of the nervous action: and he has constructed an air-tight chamber where experiments may be conducted on the former, and a stop-watch tests the rapidity of the latter.

Not less interesting is Dr. Jaeger’s theory of the source of the emotions, which he places in the albumen in the bodily tissues, emanating in the form of subtile essences, which are opposed to each other in the effect they produce, and which may be distinguished as “salutary” and “noxious.” As a rule, the sanitary principle is fragrant, the noxious tainted and offensive. The odor may be most readily perceived in the hair of the head, and is more evident in the adult than the child. If the subject of the test be in a cheerful mood, the scent will be agreeable and sweet; but if sorrowful, depressed, or in pain, the scent will be disagreeable. This odor may be noticed in the anguish of fever, under the influence of terror, and exhales from the mouth and nose, and, as Dr. Jaeger has proved by experiment, from the brain as well.

These things Dr. Jaeger considers that the experience of many readers will confirm, and that they have great practical importance in connection with his system. The German names given to these odorous substances are _Lust und Unlust Stoffe_, substances of pleasure and dislike. The former are thought by the Doctor to be the healing powers of the body, which heighten all the vital actions and its powers of resistance against contagion of all kinds. Sheep’s wool in particular attracts these substances of pleasure, while the plant fibre favors the accumulation of the substances of dislike, with all their evil consequences. This last fact, which the German scientific medical world considers Dr. Jaeger has proved, is supposed to be of the greatest importance, as showing how to raise the resistibility of the human body against contagious disease. The observations made extend to diphtheria, cholera, typhus, smallpox, measles, whooping-cough, and influenza.

I have endeavored thus far to divest the subject, as far as possible, of scientific matter, so that the principle may be easily understood by those who have made no previous study of these or any kindred subjects, relating to the hygiene and sanitary management of the body. I will now turn to the more practical considerations of the materials and shapes of the clothing recommended.