Eccentricities of the Animal Creation.
Part 9
In December, 1833, Captain Walter Smee exhibited to the Zoological Society of London the skins of a Lion and Lioness killed by him in Guzerat, and distinguished from those previously known by the absence of a mane; the tail was shorter than that of the ordinary Lion, and furnished at its tip with a much larger brush or tuft; and in the tuft of the older Lion was a short horny claw or nail. The colour is fulvous; which in darker specimens has a tinge of red. A male maneless Lion, killed by Captain Smee, measured, including the tail, 8 feet 9-1/2 inches in length; the impression of his paw on the sand 6-1/4 inches across, and his height was 3 feet 6 inches. These maneless Lions are found in Guzerat, along the banks of the Sombermultee, in low, bushy-wooded plains, being driven out of the large adjoining tracts of high grass jungle by the natives annually setting fire to the grass. Here Captain Smee killed his finest specimens: they were so common in this district that he killed no fewer than eleven during a residence of about a month, yet scarcely any of the natives had seen them previously to his coming amongst them. The cattle were frequently carried off by these Lions: some natives attributed this to tigers, which, however, do not exist in this part of the country. Captain Smee could not learn that men had been attacked by these Lions: when struck by a ball they exhibited great boldness, standing as if preparing to resist their pursuers, and then going off slowly, and in a very sullen manner.
In captivity the Lioness usually turns extremely savage when she becomes a mother; and, in a state of nature, both parents guard their young with the greatest jealousy. Early in the year 1823 General Watson, then on service in Bengal, being out one morning on horseback, armed with a double-barrelled rifle, was suddenly surprised by a large male Lion, which bounded out upon him from the thick jungle, at the distance of only a few yards. He instantly fired, and the shot taking complete effect, the animal fell almost dead at his feet. No sooner had the Lion fallen than the Lioness rushed out, which the General also shot at and wounded severely, so that she retired into the thicket. Thinking that the den could not be far distant, he traced her to her retreat, and there despatched her; and in the den were found two beautiful cubs, a male and a female, apparently not more than three months old. This is a very touching narrative, even of the Lion family.
The General brought the cubs away; they were suckled by a goat and sent to England, where they arrived in September, 1823, as a present to George IV., and were lodged in the Tower. When young, Lions mew like a cat; at the age of ten or twelve months the mane begins to appear in the male; at the age of eighteen months this appendage is considerably developed, and they begin to roar. The _roar_ of the adult Lion is terrific, from the larynx or upper part of the wind-pipe being proportionately greater than in the whale or the elephant, or any other animal. Mr. Burchell describes the roar on some occasions to resemble the noise of an earthquake; and this terrific effect is produced by the Lion laying his head upon the ground and uttering, as it were, a half-stifled roar or growl, which is conveyed along the earth.
The natural period of the Lion's life is generally supposed to be twenty or twenty-two years. Such is Buffon's limitation; but the animal will, it seems, live much longer. Pompey, the great Lion, which died in 1766, was said to have been in the Tower above seventy years; and a Lion from the river Gambia is stated to have since died in the Tower menagerie at the age of sixty-three.
There had been for ages a popular belief that the Lion lashes his sides with his tail to stimulate himself into rage; when, in 1832, there was exhibited to the Zoological Society a claw obtained from the tip of the tail of a Barbary Lion, presented to the Society's menagerie by Sir Thomas Reade. It was detected on the living animal by Mr. Bennett, and pointed out to the keeper, in whose hands it came off while he was examining it. Blumenbach quotes Homer, Lucan, and Pliny, among others who have described the Lion (erroneously) as lashing himself with his tail, when angry, to provoke his rage. None of these writers, however, advert to any peculiarity in the Lion's tail to which so extraordinary a function might, however incorrectly, be attributed. Didymus Alexandrinus, a commentator on the "Iliad," cited by Blumenbach, having found a black prickle, like a horn, among the hair of the tail, immediately conjectured that he had ascertained the true cause of the stimulus when the animal flourishes his tail in defiance of his enemies, remarking that, when punctured by this prickle, the Lion became more irritable from the pain which it occasioned. The subject, however, appears to have slumbered till 1829, when M. Deshayes announced that he had found the prickle both of a Lion and Lioness, which had died in the French menagerie, and described it as a little nail, or horny production, adhering by its base only to the skin, and not to the last caudal vertebra. From that period Mr. Wood, the able zoologist, examined the tail of every Lion, living or dead, to which he could gain access; but in no instance had he succeeded in finding the prickle till the above specimen, which was placed in his hands within half an hour after its removal from the living animal, and while yet soft at its base, where it had been attached to the skin. Its shape was nearly straight, then slightly contracted, forming a very obtuse angle, and afterwards swelling out like the bulb of a bristle, to its termination. It was laterally flattened throughout its entire length, which did not amount to quite three-eighths of an inch, of horn colour, and nearly black at the tip. Its connexion with the skin must have been very slight, which accounts for its usual absence in stuffed as well as living specimens. This does not depend upon age, as it was found alike in the Paris Lions, of considerable size, as well as in the Zoological Society's Lions, very small and young; nor did it depend upon sex. It appears to be occasionally present in the Leopard; and, in both Lion and Leopard, it is seated at the extreme tip of the tail, and is altogether unconnected with the terminal caudal vertebra; not fitted on like a cap, but rather inserted into the skin.
The use of the prickle, however, it still remained difficult to conjecture; but that its existence was known to the ancients is proved by the Nimroud sculptures in the British Museum, in an exaggerated representation of the claw, in support of this curious fact in natural history. The existence of the claw has been proved by Mr. Bennett; and "it is no small gratification to be able now to quote in evidence of the statement of Mr. Bennett, and of his predecessor. Didymus, of Alexandria, the original and authentic document, on the authority of the veritable descendants of the renowned hunter Nimroud; which any one may read who will take the trouble to examine the sculptured slab in the British Museum."[8]
In the Nineveh galleries of the British Museum we also see pictured in stone the employment of the Lion, in the life of Assyria and Babylonia, three thousand years since; in the events of a succession of dynasties, recording the sieges of cities, the combats of warriors, the triumphs of Kings, the processions of victors, the chains and fetters of the vanquished. To the zoological observer these sculptures present drawings _ad naturam_ of tableaux of Lions and Lion-hunts; Lions in combat, as well as in moveable dens and cages, and the ferocity of the chase; and Lions transfixed with arrows or javelins in the arena. One of the finest of these sculptures is in the representation of a Lion-hunt, on a long slab that lined the principal chamber of the most ancient palace at Nimroud. The King is in his chariot, drawn by three horses, which the charioteer is urging forward to escape the attack of an infuriated Lion that has already placed its fore-paws upon the back of the chariot. At this critical moment, the Royal descendant of the mighty hunter aims a deadly shaft at the head of the roaring and wounded Lion, the position of whose tail and limbs is finely indicative of rage and fury. Behind the Lion are two of the King's attendants, fully armed, and holding their daggers and shields, ready to defend themselves in case the prey should escape the arrow of the King. Before the chariot is a wounded Lion, crawling from under the horses' feet. The cringing agony conveyed in its entire action is well contrasted with the undaunted fury of the former. In another slab we have the continuation of the same Lion-hunt, representing the triumphant return of the King from the chase. At his feet lies the Lion subdued, but not dead.
Of the pageantry of the Lion, we read, in Bell's "Travels," that the monarch of Persia had, on days of audience, two great Lions chained on each side of the passage to the state-room, led there by keepers in golden chains.
Our early English Sovereigns had a menagerie in the Tower from the reign of Henry III. (1252.) In 1370 (44 Edward III.) are entries of payments made to "the Keeper of the King's Lions and Leopards" there, at the rate of 6_d._ a-day for his wages, and 6_d._ a-day for each beast. The number of beasts varied from four to seven. Two young Lions are specially mentioned; and "a Lion lately sent by the Lord the Prince, from Germany to England, to our Lord the King." And we read, in Lord Burghley's "Diary," 1586, of the grant of the keeping of the Lions in the Tower, with "the Fine of 12_d._ per diem, and 6_d._ for the Meat of those Lions." The first menagerie-building was the Lion Tower, to which was added a semicircular inclosure, where Lions and Bears were baited with dogs, with which James I. and his court were much delighted. A Lion was named after the reigning King; and it was popularly believed that "when the King dies, the Lion of that name dies after him." The last of the Tower animals were transferred to the Zoological Society's menagerie, in the Regent's-park, in 1834. The Tower menagerie is well described in a handsome volume, with woodcut portraits, by William Harvey.
The punishment of being _thrown to Lions_ is stated as common among the Romans of the first century; and numerous tales are extant, in which the fierce animals became meek and lamb-like before the holy virgins of the Church. This, indeed, is the origin of the superstition, nowhere more beautifully expressed than in Lord Byron's "Siege of Corinth":--
"'Tis said that a Lion will turn and flee From a maid in the pride of her purity."
Every wild beast show almost has its tame Lion, with which the keeper takes the greatest liberties; liberties which the beast will suffer, generally speaking, from none but him. Major Smith relates that he had seen the keeper of a Lioness stand upon the beast, drag her round the cage by her tail, open her jaws, and thrust his head between her teeth. Another keeper, at New York, had provided himself with a fur cap, the novelty of which attracted the notice of the Lion, which, making a sudden grapple, tore the cap off his head as he passed the cage; but, perceiving that the keeper was the person whose head he had thus uncovered, he immediately laid the cap down. Wombwell, in his menagerie, had a fine Lion, Nero, that allowed _strangers_ to enter his den, and even put their heads within his jaws. This tameness is not, however, to be trusted, since the natural ferocity of some Lions is never safely subdued. Lions which have been sometimes familiar, have, on other occasions, been known to kill their keepers, and dart at those who have incautiously approached too near their cage. All these exhibitions have been entirely eclipsed by the feats of Van Amburgh, in his exercise of complete control over Lions. The melancholy fate of "the Lion Queen," however, tells of the fatal result of her confidence. The Lion-killing feats of Captain Gordon Cumming had a more legitimate object in view--to render us more familiar with the zoological character of the Lion.
Colonization has scarcely yet extirpated the Lion in Algeria, where the French colonists make fine sport of "the King of the Beasts." M. Jules Gerard, a Nimroud in his way, has been noted for his Lion-killing feats. We read of his tracking a large old Lion in the Smauls country, one hundred leagues in ten days, without catching a glimpse of anything but his foot-prints. At length, accompanied by a native of the country and a spahi, Gerard took up his quarters at the foot of a tree upon the path which the old Lion had taken. It was moonlight, and Gerard made out two Lions sitting about one hundred paces off, and exactly in the shadow of the tree. The Arab lay snoring ten paces off, in the full light of the moon, and had, doubtless, attracted the attention of the Lions. Gerard expressly forbade the spahi to wake the Arab. Our Lion-hunter then got up the hill to reconnoitre; the boldest of the Lions came up to within ten paces of Gerard, and fifteen of the Arab: the Lion's eye was fixed on the latter, and the second Lion placed himself on a level with, and four or five paces from, the first. They proved to be both full-grown Lionesses. Gerard took aim at the first as she came rolling and roaring down to the foot of the tree. The Arab was scarcely awakened, when a second ball stretched the Lioness dead upon the spot. Gerard then looked out for the second Lioness, who was standing up within fifteen paces, looking around her. He fired, and she fell down roaring, and disappeared in a field of maize; she fell, but was still alive. Next morning at daybreak, at the spot where the Lioness had fallen, were blood marks, denoting her track in the direction of a wood. After sending off the dead Lioness. Gerard returned to his post of the preceding night. A little after sunset the Lion roared in his lair, and continued roaring all night. Convinced that the wounded Lioness was there, Gerard sent two Arabs to explore the cover, but they durst not. He next evening reached the lair, taking with him a goat, which he left with the Arabs: the Lioness appeared. Gerard fired, and she fell without a struggle; she was believed dead, but she got up again as though nothing was the matter, and showed all her teeth. One of the Arabs, within six paces of her, seeing her get up, clung to the lower branches of a tree and disappeared like a squirrel. The Lioness fell dead at the foot of the tree, a second bullet piercing her heart: the first had passed out of the nape of the neck without breaking the skull-bone.
The Lions presented by Lord Prudhoe to the British Museum are the best sculptured representations of the animal in this country. Although the Lion is our national hieroglyphic, and there are many statues of him, yet not one among them all appears without a defect, which makes our representations of him belong to the class _canis_ instead of _felis_, a fault not found in any Egyptian sculpture.[9]
FOOTNOTES:
[8] Bonomi; "Nineveh and its Palaces," p. 249.
[9] Bonomi; "Proc. Royal Soc., Literature."
BIRD-LIFE.
"Behold the fowls of the air: for they sow not, neither do they reap, nor gather into barns; yet your Heavenly Father feedeth them."--Matthew vi. 26.
"Free tenants of land, air, and ocean, Their forms all symmetry, their motions grace; In plumage delicate and beautiful, Thick without burthen, close as fishes' scales, Or loose as full-blown poppies on the gales; With wings that seem as they'd a soul within them, They bear their owners with such sweet enchantment."
_James Montgomery._
Birds, as regards structure, are perhaps the most perfectly endowed, as they are certainly the most beautiful and interesting, of all the lower animals. In Birds there is an admirable mechanism and adaptation both for gliding in the air and swimming in the water. They surpass all other animals in the faculty of continuing their motion without resting, as well as in its rapidity. The fleetest courser can scarcely ever run more than a mile in a minute, nor support that speed beyond five or six such exertions. But the joyous Swallow does this tenfold for pleasure. In his usual way he flies at the rate of one mile in a minute; and Wilson, the ornithologist, ascertained that the Swallow is so engaged for ten hours every day. So can the Blue-bird of America, for a space of 600 miles. Our Carrier-pigeons move with half that celerity: one flew from Liskeard to London, 220 miles, in six hours. The Golden Eagle is supposed to dart through the fiercest storm at the rate of 160 miles an hour; but one of our smallest Birds, the Swift, can even quadruple the most excited quickness of the race-horse for a distance. Spallanzani thought that the little Swift travelled at the rate of 250 miles an hour.
Inquiries into the phenomena of the flight of Birds would lead us far beyond our limits. The subject is beset with error. Thus, we read:--"Every one has remarked the manner in which Birds of prey float, as it were, without any effort, and with steady expanded wings, at great heights in the atmosphere. This they are enabled to do from the quantity of air contained in the air-cells of their bodies, which air being taken in at a low level in the atmosphere, of course rarefies and expands as the Bird ascends into higher regions. Their rapidity of descent must be accomplished by the sudden expulsion of this air, aided by their muscular efforts."
Now, Dr. Crisp has read to the Zoological Society a paper "On the Presence or Absence of Air in the Bones of Birds," for the purpose of showing the prevailing error upon the subject--viz., "that the bones of the Bird are filled with air." Of fifty-two British Birds recently dissected by him, only one, the Sparrow-hawk, had the bones generally perforated for the admission of air. In thirteen others, the humeri only were hollow, and among these were several Birds of short flight. In the remaining thirty-eight, neither the _humeri_ nor _femora_ contained air, although in this list were several Birds of passage and of rapid flight--Dr. Crisp's conclusion being, that the majority of British Birds have no air in their bones, and that, with the exception of the Falcons, but very few British Birds have hollow femora.
Mr. Gould records a most remarkable instance of rapid and sustained flight, which he witnessed on his return from North America, whither he had proceeded for the purpose of studying the habits and manners of the species of _Trochilus_ (Humming Bird), frequenting that portion of America. Having remarked that he arrived just prior to the period of the migration of this Bird from Mexico to the north, and had ample opportunities for observing it in a state of nature, he noticed that its actions were very peculiar, and quite different from those of all other birds: the flight is performed by a motion of the wings so rapid as to be almost imperceptible; indeed, the muscular power of this little creature appears to be very great in every respect, as, independently of its rapid and sustained flight, it grasps the small twigs, flowers, &c., upon which it alights with the utmost tenacity. It appears to be most active in the morning and evening, and to pass the middle of the day in a state of sleepy torpor. Occasionally it occurs in such numbers that fifty or sixty birds may be seen in a single tree. When captured it so speedily becomes tame that it will feed from the hand or mouth within half an hour. Mr. Gould having been successful in keeping a Humming-Bird alive in a gauze bag attached to his breast button for three days, during which it readily fed from a bottle filled with a syrup of brown sugar and water, he determined to make an attempt to bring some living examples to England, in which he succeeded; but unfortunately they did not long survive their arrival.
The adaptation of colour in Birds to their haunts strikingly tends to their preservation. The small Birds which frequent hedges have backs of a brownish or brownish-green hue; and their bellies are generally whitish, or light-coloured, so as to harmonize with the sky. Thus, they become less visible to the hawk or cat that passes above or below them. The wayfarer across the fields also treads upon the Skylark before he sees it warbling to heaven's gate. The Goldfinch or Thistlefinch passes much of its time among flowers, and is vividly coloured accordingly. The Partridge can hardly be distinguished from the fallow or stubble among which it crouches; and it is considered an accomplishment among sportsmen to have a good eye for finding a Hare sitting. In northern countries the winter dress of the Hares and Ptarmigans is white, to prevent detection among the snows of those inclement regions.
The Song of Birds is popularly explained by the author of a work, entitled, "The Music of Nature," in which he illustrates the vocal machinery of Birds as follows:--"It is difficult to account for so small a creature as a Bird making a tone as loud as some animal a thousand times its size; but a recent discovery shows that in birds the lungs have several openings communicating with corresponding air-bags or cells, which fill the whole cavity of the body from the neck downward, and into which the air passes and repasses in the progress of breathing. This is not all. The very bones are hollow, from which air-pipes are conveyed to the most solid parts of the body, even into the quills and feathers. The air being rarefied by the heat of their body, adds to their levity. By forcing the air out of their body, they can dart down from the greatest heights with astonishing velocity. No doubt the same machinery forms the basis of their vocal powers, and at once resolves the mystery into a natural ordering of parts." This is a very pretty story; but, unfortunately, it is not correct, as already shown.
A correspondent of the "Athenæum," writing in 1866, says:--"He would be a bold man who should say that Birds have no delight in their own songs. I have been led to conclude from experiments which I have made, and from other observations, that certain animals, especially Birds, have not only an ear for fine sounds, but also a preference for the things they see out of respect to fine colours or other pleasing external features. It is chiefly among Birds, when we consider the case of animals, that a taste for ornament and for glittering objects, often very startling and human-like, is to be found. The habits of the Pheasant, Peacock, Turkey, Bird of Paradise, several Birds of the Pigeon and Crow kind, and certain Singing Birds, are evidence. The Australian Satin Bower-Bird is the most remarkable of that class which exhibit taste for beauty or for glittering objects out of themselves--that is, beauty not directly personal; collecting, in fact, little museums of shells, gaudy feathers, shining glass, or bits of coloured cloth or pottery. It will be found with many Birds that fine plumes, a mirror, and an admirer, are not altogether objects devoid of interest.