Early Letters of George Wm. Curtis to John S. Dwight; Brook Farm and Concord

Part 11

Chapter 114,365 wordsPublic domain

The chief value of Ole Bull is that he introduces us more nearly to art. It is the prerogative of genius to illustrate that; therefore he stood before us as one who had in rapt hours pierced a little further into the mystery which envelops life like an atmosphere and came to recite his vision. He had detected some of those fine sunbeams that make the air golden and give it warmth, and painted them for us as well as he could. Yet in his music there was the same melancholy strain, varied by wonderful and wild freaks, like the hysterics of the gods, that hitherto so emphatically characterizes the works of genius. Throughout his compositions there was the want of unity which expressed aspiration not fulfilment, scattered stones of a fairer temple than men have seen, which also are all works of art hitherto, yet each so fair that for these the old shrines are deserted, and here men worship. One perceived that the performance was the least part of the man. It was not his height and limit, a faint beacon-light, rather, trembling over the waters, marking the shore of a wide land, with deep ravines and towering mountains and endless woods fringing depthless seas, and yet a light so bright that we thought the sun was rising. For the genius which enables one to illustrate art is universal power, whose expression is inadequate because thought is quicker than execution. Every work of art represents an era past. Only the whole character of the artist is the present flower of his life. It is no matter of surprise that Ole Bull practises little, that his compositions are unique. A deep rhythm, a subdued, infinite harmony pervades them. The rugged Norway shows in them its influence upon the artist. The rocks and glens and forests of his fatherland are not painted, but their spiritual significance floats through his music, modified and moulded by the individuality of the man. All this appears in his aspect. As he advances, the strong, composed grace of his appearance, deferential not to individuals but to the mind which shall receive the song of his inspiration, destroys conventional ideas of grace, as Mont Blanc might destroy them. His tall, compact figure well becomes a priest of art. Out of his eyes shines the reflection of the perpetual fire of which all artists are the ministers and which communicates energy and warmth to his action. With a slight, respectful motion of the head and violin-bow towards the orchestra, the respect of Olympian power, he draws from them the first notes of the symphony; then, leaning his head upon his instrument caressingly, as if he gratefully heard at once what he is about to unfold to the audience, he draws his bow. Then that violin expresses with intense passion the undefined yearnings that haunt the private heart. It entreats and restrains. Its wildness harmonizes with the deep unrest of a great aspiring soul. Its solemn movement is like the progress of a brave man to an unknown destiny, and as the last yet distinct cadence floats away into the stillness, it is as if a dove disappeared in heaven. At his second concert he played an adagio of Mozart. It was full of tender delicacy and the graceful imagination that makes all his music romance. All this the artist felt, and every tone that followed his bow was exquisite. Then was it seen how all genius meets. It was as if the composer lay in the violin and sang the song anew, as if Raphael recited one of Shakespeare's sonnets.

With what has been said about the man one who realizes the genius has little to do. The music was not false, and that is his language. There has been stern opposition and prejudice and ill-will; but so we must all bring our gifts to the altar, and they who have not gold gifts must tender swine.

Not the least of his offices is that he has enabled us to appreciate Vieuxtemps. They will not be compared by the reverent worshipper at the shrine of art. The plant needs the sunshine and the dew. It was pleasant to feel that genius abides in one man and realize that one star differeth from another in glory. Surely the firmament of art is wide enough and yet deep enough to contain many planets.

Yet the artists are but messengers whom we send before into the undiscovered country. They return and sing to us songs familiar in the Eldorado of our hope, yet of which we have learned no note. Afloat upon the depthless sea we loose doves and ravens, who bear back to us olive boughs and flowers which we cannot analyze, but whose form and fragrance make our homes beautiful. When the first shock of delighted wonder is past we receive great men as the present attainment of an illimitable Nature, as the Earth receives the light of stars, unnoticed save of wandering lovers, and sweeps undisturbed on its way. If sometimes we are warped from our sphere by the apparition of noble persons, wise men presently recover themselves and serve with a milder and firmer persistence their own nature. The way is made clearer by these bright lights, universal nature is fairer that there are so many single stars; but they must be only stars in our heaven and fires on our hearth, nor turn out the heart by inserting themselves in the bosom.

G.W.C.

XIII

CONCORD, _Friday evening, May 10th, 1844._

Since our arrival here I have been busy enough. From breakfast at 6 to dinner at 12-1/2, hard at work, and all the afternoon roaming over the country far and near. When we came the spring was just waking, now it is opening like a rose-bud, with continually deepening beauty. The apple-trees in full bloom, making the landscape so white, seem to present a synopsis of the future summer glory of the flower-world.

Our farm lies on one of the three hills of Concord. They call it Punkatassett. Before us, at the foot of the hill, is the river; and the slope between holds a large part of the Captain's orchard. Among the hills at one side we see the town, about a mile away; and a wide horizon all around, which Elizabeth Hoar tells me she has learned is the charm of Concord scenery. The summit of the hill on which we are is crowned with woods, and from a clearing commands a grand prospect. Wachusett rises alone upon the distance, and takes the place of the ocean in the landscape. There is a limitation in the prospect if one cannot see the sea or mountains. The Blue Hill, in a measure, supplies that want at West Roxbury. Otherwise the landscape is a garden which only pleases. We are much pleased with our host and his family. He is that Capt. Nathan Barrett to whom Messrs. Pratt and Brown came for seed, and who raises a good deal of seed for Ruggles, Nourse and Mason. We go into all work. The Captain turns us out with the oxen and plough, and we do our best. Already I have learned a good deal. The men are very courteous and generous.

Indeed, I am disposed to think it just the place we wanted. As yet I see no reason to doubt it. It is so still a life after the city, and after the family at Brook Farm. I am glad to be thrown so directly and almost alone into nature, and am more ready than ever to pay my debt in a human way by learning the names of her beautiful flowers and the places where they blossom. We study Botany daily, and have thus far kept pace with the season. I have found here the yellow violet, which I do not remember at West Roxbury. Already we have the rhodora and the columbine, which you have probably found. And with our afternoons surrendered to the meadows and hills, and our mornings to the fields, we find no heavy hours; but every Sunday surprises us. I am to bed at 9, and rise at 4-1/2 or 5. I practise the Orphic, which says: "Baptize thyself in pure water every morning when thou leavest thy couch," which I more concisely render, Wash betimes.

For the last three evenings I have been in the village, hearing Belinda Randall play and sing. With the smallest voice she sings so delicately, and understands her power so well, that I have been charmed. It was a beautiful crown to my day, not regal and majestic, like Frances O.'s in the ripe summer, but woven of spring flowers and buds. Last night I saw her at Mr. Hoar's, only herself and Miss E. Hoar, G.P. Bradford, Mr. and Mrs. Emerson, and myself and Mr. Hoar. She played Beethoven, sang the "Adelaide Serenade," "Fischer Madchen," "Amid this Green Wood." I walked home under the low, heavy, gray clouds; but the echo lingered about me like starlight.

We have a piano in the house, and a very good one. It was made by Currier, and is but a few years old. The evenings do not all pass without reminding me of the flute music of the last summer, and making me half long to hear it again. Yet I am too contented to wish to be back at the Farm. The country about us is wilder than there; but I need now this tender severity of nature and of friendship. With John Hosmer, Isaac, Geo. Bradford, and Burrill, I am not without some actual features of the Farm as I knew it. When I shall see you I cannot say. I shall not willingly break the circle of life here, though occasion will make me willing enough.

Let me not remain unmentioned to my friends at Brook Farm and in the village; and when you can _ungroup_ yourself for an hour paint me a portrait of the life you lead.

Yr friend,

G.W.C.

XIV

CONCORD, _May 24th, '44._

My dear Friend,--I heard of you at Ole Bull's concert, and have sympathized with you in your delight. I was in Worcester that evening, and had hoped to have come down to Boston and heard him once more. But so many were listening with that pleasure which can come but once, and I knew so many must try in vain to hear, that I was content others should then express that admiration which lies so deeply in my heart. But who of all heard? Was it not as if he walked above the earth, and of his sublime conversation you heard now and then the notes? Did not the singular beauty of the man unite with his performance to make the completest musical festival you have had?

Indeed, I owe more to him than one can know, except as he feels the same debt; are you not that one?

To Belinda Randall, who has been here, as I told you, I was obliged for revealing Beethoven's tenderness. She is so soft and tender herself that she could not fail unconsciously to express it in her playing. I passed some fine evenings with her. Since I had been here I had heard no music, and felt that I needed to hear some as an adequate expression of all that I felt. When she came that demand was satisfied. Ole Bull satisfies the claim of the same nature which our whole life makes, and of itself creates, rather reveals newer and deeper demands, and so on, I suppose, until the celestial harmonies are heard by us.

I heard from a friend of the last Philharmonic in New York. It seems they have made Vieux-temps an honorary member, and he played for them. On the same evening they performed one of Beethoven's symphonies. It is one of those accounts whose beauty is their nakedness. To lovers of music a bare description is as an outline to a painter which he can readily fill up and supply with the shadows and sunlight. Yet not he so magnificently as sunlight and shadows sweep over this landscape. It seems to me that a century of splendor has been rushing by since I have been here.

The persons who make Concord famous I have hardly seen. The consciousness of their presence is like the feeling of lofty mountains whom the night and thick forests hide. Of one of them, E. Hoar, I need to say nothing to you. One evening I sat with her and Waldo Emerson and Geo. P. Bradford while Belinda Randall played and sang.

Isaac brings you this, and will himself best tell you of himself. Burrill is well, and unites with me in remembrance to all who remember.

Your friend,

G.W.C.

XV

CONCORD, _June 26th, 1844._

These are Tophetic times. I doubt if the sturdy faith of those heroes, Shadrack and co., would carry them through this fervor unliquefied. Their much vaunted furnace was but a cool retreat where thoughts of great-coats were possible, compared with this. And if that nether region of whose fires so much is sung by poets and other men possessed, can offer hotter heats, let them be produced. Those Purgatorial ardencies for the gentle suggestion of torment to thin shades can have little in common with these perspiration-compelling torridities. Why does not some ingenious Yankee improve such times for the purchase, at a ruinous discount, of all thick clothes? I tremble lest some one should offer me an ice-cream for my best woollens! Is it human to resist such an offer? Does it not savor something of Devildom, and a too great familiarity with that lower Torrid Zone, to entertain such a proposition cool-ly? when such a word grows suddenly obsolete in such seasons? If I venture to move, such an atmosphere of heat is created immediately around my body that all cool breezes (if the imagination is competent to such a conception) are like arid airs when they reach my mouth. Perhaps we are tending to those final, fiery days of which Miller is a prophet. We are slowly sinking, perhaps, from heat to heat, until entire rarefication and evanishment in imperceptible vapor ensues; and so the great experiment of a world may end in smoke, as many minor ones have ended. If it were not so hot, I should love to think about these things.

June 28th. So far I had proceeded on the afternoon I returned to Concord. When I desisted I supposed I had inscribed my final manuscript, and that only a cinder would be found sitting over it when some one should enter. Yet by the providence of God I am preserved for the experience of greater heats. I did not know before what was the capacity of endurance of the human frame. I begin to suspect we are of nearer kin to the Salamander than our pride will allow; and since Devils only are admitted to nether fire, I begin to lapse into the credence of total depravity!! Reflect upon my deplorable condition! As Shelley's body, when lifeless, was caused to disappear in flames and smoke, so may mine before its tenant is departed. Was it not prophetic that on Sunday afternoon the following lines came to me while thinking of that poet?

SHELLEY

A smoke that delicately curled to heaven, Mingling its blueness with the infinite blue, So to the air the faded form was given, So unto fame the gentle spirit grew.

And as Shelley and Keats are associated always together in my mind, immediately the Muse gave me this:

KEATS

A youth did plight his troth to Poesy. "Thee only," were the fervent words he said, Then sadly sailed across the foaming sea, And lay beneath the southern sunset dead.

I was glad that once I could express what I think about those men. These will show you, but you must write your own poem upon them before you will be satisfied. Is it not so always? We cannot speak much about poets until our thought of them sings itself.

The day I left you was very hot in Boston. Anna Shaw and Rose Russell passed me like beautiful spirits; one like a fresh morning, the other like an Oriental night. Then I did my business, and met James Sturgis, who carried me to see his head cut in cameo by Mr. King. It is quite good, though it gives him rather a finer head than he has; but that's a good failing. I went to the Athenaeum. There I saw one or two pictures, and much paint upon canvas. Those that I liked I saw belonged to the Athenaeum, and I suppose were old objects to those who are familiar with the gallery. A face of Ophelia interested me. It was very simple and sweet. But I was so warm that I could do little more than lay upon a bench and catch dreamy glimpses of the walls. The sculpture gallery, full of white marble heads, seemed quite cool.

My dear Friend, I shall melt and be mailed in this letter as a spot if I do not surcease. May you be blest with frigidity, a blessing far removed from my hope. Of course I must be warmly, nay, _hotly_ remembered to Charles.

Yrs ever,

G.W.C.

XVI

CONCORD, _August 7th, 1844._

My regret at not seeing you was only lessened by the beautiful day I passed with Mr. Hawthorne. His life is so harmonious with the antique repose of his house, and so redeemed into the present by his infant, that it is much better to sit an hour with him than hear the Rev. Barzillai Frost! His baby is the most serenely happy I ever saw. It is very beautiful, and lies amid such placid influences that it too may have a milk-white lamb as emblem; and Mrs. Hawthorne is so tenderly respectful towards her husband that all the romance we picture in a cottage of lovers dwells subdued and dignified with them. I see them very seldom. The people here who are worth knowing, I find, live very quietly and retired. In the country, friendship seems not to be of that consuming, absorbing character that city circumstances give it, but to be quite content to feel rather than hear or do; and that very independence which withdraws them into the privacy of their homes is the charm which draws thither.

Mr. Emerson read an address before the anti-slavery "friends" last Thursday. It was very fine. Not of that cold, clear, intellectual character which so many dislike, but ardent and strong. His recent reading of the history of the cause has given him new light and warmed a fine enthusiasm. It commenced with allusions to the day "which gives the immense fortification of a fact to a great principle," and then drew in strong, bold outline the progress of British emancipation. Thence to slavery in its influence upon the holders, to the remark that this event hushed the old slander about inferior natures in the negro, thence to the philosophy of slavery, and so through many detached thoughts to the end. It was nearly two hours long, but was very commanding. He looked genial and benevolent, as who should smilingly defy the world, the flesh, and the devil to ensnare him. The address will be published by the society; and he will probably write it more fully, and chisel it into fitter grace for the public criticism. He spoke of your unfortunate call, but said you bore the sulkiness very well. George Bradford was also very sorry; and it was bad that you should come so far, with the faces of friends for a hospitable city before you, and find a mirage only, or (begging Burrill's pardon) one house.

For the last six weeks I have been learning what hard work is. Afternoon leisure is now remembered with the holiday which Saturday brought to the school-boy. During the haying we have devoted all our time and faculty to the making of hay, leaving the body at night fit only to be devoted to sheets and pillows, and not to grave or even friendly epistolary intercourse. Oh friends! live upon faith, say I, as I pitch into bed with the ghosts of Sunday morning resolutions of letters tickling my sides or thumping my back, and then sink into dreams where every day seems a day in the valley of Ajalon, and innumerable Joshuas command the sun and moon to stay, and universal leisure spreads over the universe like a great wind. Then comes morning and wakefulness and boots and breakfast and scythes and heat and fatigue, and all my venerable Joshuas endeavor in vain to make oxen stand still, and I heartily wish them and I back in our valley ruling the heavens and not bending scythes over unseen hassocks which do sometimes bend the words of our mouths into shapes resembling oaths! those most crooked of all speech, but therefore best and fittest for the occasional crooks of life, particularly mowing. Yet I mow and sweat and get tired very heartily, for I want to drink this cup of farming to the bottom and taste not only the morning froth but the afternoon and evening strength of dregs and bitterness, if there be any. When haying is over, which event will take place on Saturday night of this week, fair weather being vouchsafed, I shall return to my moderation. Towards the latter part of the month I shall stray away towards Providence and Newport and sit down by the sea, and in it, too, probably. So I shall pass until harvest. Where the snows will fall upon me I cannot yet say.

Say to Charles that I was sorry not to have seen him; but if persons of consequence will travel without previous annunciation, they may chance to find even the humblest of their servants not at home. I know you will write when the time comes, so I say nothing but that I am your friend ever.

G.W.C.

XVII

CONCORD, _Sept. 23, 1844._

Shall we not see you on the day of the cattle-show? Certainly Brook Farm will be represented; and I think you may, by this time, be farmer enough to enjoy the cattle and the ploughing. Besides, as I remember a similar excursion last year at which I assisted, the splendor of the early morning, which was not yet awake when we came away from the Farm, will amply repay any extraordinary effort. And still another besides; I do not want the winter to build its white, impenetrable walls between us before I have heard your voice once more. I should hope to come and look at you for one day, at least, in West Roxbury; but our Captain has work, autumnal work, the end whereof is not comprehended by the unassisted human vision. Potato-digging, apple-picking, thrashing, the gathering of innumerable seeds, must be done before winter; and yet to-day is like a despatch from December to announce that snow and ice and wind are to be just as cold this winter as they were the last.

And I have had a long vacation, too. I think, on the very day after I wrote my last letter to you, as I was whetting my scythe for the last swath of the season, my hat half fell off, and suddenly raising my hand to catch it, I thrust it against the scythe and cut my thumb just upon the joint. It has healed, but I shall never find it quite as agile as formerly. I could not use the hand--my right hand--for more than a fortnight. It was like losing a sense to lose its use. After a week of inaction in Concord, I went to Rhode Island and remained three weeks, and am now at home a fortnight. I came back more charmed than ever with Concord, which hides under a quiet surface most precious scenes. I suppose we see more deeply into the spirit of a landscape where we have been happy. Then we behold the summer bloom. It is spring or autumn or winter to men generally.

We shall remain with Capt. Barrett through the winter. The spring will bring its own arrangements, or rather the conclusion of those which are formed during the winter. I suspect that our affections, like our bodies, have been transplanted to Massachusetts, and that our lives will grow in the new soil. Not at all ambitious of settling and becoming a citizen, I am very well content with the nomadic life until obedience to the law of things shall plant me in some home.

And are you still at home in the Farm? Rumors, whose faces I cannot fairly see, pass by me sometimes, breathing your name and others. But I have long ago turned rumor out-of-doors as an impostor and impertinent person, who apes the manners and appearance of its betters. I shall receive none as from you, however loudly they may shout your name, except they show your hand and seal.

Autumn has already begun to leave the traces of her golden fingers upon the brakes, and occasionally upon some tall nut-trees. It seems as if she were trying her skill before she comes like a wind over the landscape. She warbles a few glittering notes before the mournful, majestic Death-song.

Dear friend, why should I send you this chip of ore out of the mine of regard which is yours in my heart? Come and dig in it.

Your friend,

G.W. CURTIS.

XVIII

CONCORD, _January 12, '45._

My dear Friend,--I have written Burrill to look at the Custom-house, and inquire about the method of warming by water. He replies that he has been there, but defers writing to you until he learns more about the matter. Through him I received a message from Isaac to tell you that he (I) can procure an edition of the Beethoven Sonatas (26, I believe) for about $10.