Part 5

Three figures of women with washing spread on grass in foreground on the left; figures in boat on lake to right. The castle in middle distance near centre; view looking up the Rhône Valley with Dent du Midi in distance.

19. LURLEIBERG. 1817. J. M. W. TURNER, R.A.

7½ in. × 12 in. R.A., 1889 (No. 38), as “A Bend of the River”; ex Farnley Collection.

High rocky shore on each side; on left, in foreground, a road with figures; a ferry-boat is crossing the river. Evening sky.

20. RICHMOND BRIDGE--PLAY. _Circa_ 1830. (Plate XI.)

J. M. W. TURNER, R.A.

11¼ in. × 17⅛ in. Engraved by W. R. Smith, in “England and Wales” series, published 1837. Ex Ruskin Collection and that of Mr. G. P. Dewhurst.

Bridge in centre, with houses on hill beyond on left; group of trees by river-side on right; on meadow in foreground groups picnicking.

21. PATTERDALE OLD CHURCH. _Circa_ 1810. (Plate VIII.)

J. M. W. TURNER, R.A.

10¾ in. × 15⅜ in. Signed, “_J. M. W. Turner, R.A., P.P._” Christie’s, 1872 (Gillot); 1876 (Levy); R.A., 1886 (Sir William Agnew, Bart.).

Heavy thunder-storm breaking over valley; church in foreground.

22. PRUDHOE CASTLE. _Circa_ 1826. (Plate XXII.) J. M. W. TURNER, R.A.

11¼ in. × 16 in. Query, a signature scratched at bottom of drawing, on the left. Engraved by E. Goodall, and published in the “England and Wales” series, 1828. R.A., 1889 (Rev. W. Kingsley).

View looking up the Tyne; sunset sky.

23. SAUMUR. _Circa_ 1829. (Plate X.) J. M. W. TURNER, R.A.

11 in. × 16½ in. Engraved by R. Wallis, and published in “The Keepsake,” 1831. Forster’s, 1855 (J. Dillon); Manchester Art Treasures, 1857 (L. Loyd); Guildhall, 1899, No. 147 (Hon. W. F. D. Smith, M.P.); Christie’s, May 1917 (Sir Joseph Beecham).

Bridge running across river in middle distance; chateau on hill beyond on right; a boat moored beside bank in foreground is being unloaded.

24. WINDSOR CASTLE. _Circa_ 1829. J. M. W. TURNER, R.A.

11¼ in. × 17 in. Engraved by W. Miller, and published in “England and Wales” series, 1831. Moon’s Gallery, 1833 (Tomkinson); R.A., 1887 (Mrs. Moir); Guildhall, 1899 (George Agnew); Christie’s, 1870 (J. Smith), March 1908 (R. E. Tatham), May 1917 (Beecham), and 10 May, 1918.

Castle in centre stretching across drawing, with smoke rising from town below; the Thames in front, with barges on right and horses on tow-path to left. Sun behind castle.

25. WORCESTER. _Circa_ 1833. (Plate XII.) J. M. W. TURNER, R.A.

11¼ in. × 17¼ in. Engraved by T. Jeavons, and published in “England and Wales” series, 1835. Christie’s, May 1917 (Sir Joseph Beecham); ex Hon. W. F. D. Smith, M.P.

Cathedral on high ground to right; the river Severn stretches across the drawing in front, with boats and punt in foreground.

26. LAKE NEMI. _Circa_ 1840. (Plate XV.) J. M. W. TURNER, R.A.

13¼ in. × 20¼ in. Large single plate engraved by R. Wallis, and published June 1842; plate also published in “Finden’s Royal Gallery of British Art.” Ex Windus and Fordham Collections. B.F.A.C., 1871; R.A., 1889 (Sir John Fowler); Christie’s, 1899 (Fowler), and 8 June, 1917.

Lake in centre enclosed by wooded hills; town high on right; figures and goats in foreground.

27. THE LONGSHIPS LIGHTHOUSE, LAND’S END. _Circa_ 1834. (Plate XIII.)

J. M. W. TURNER, R.A.

11 in. × 17 in. Engraved by W. R. Smith, and published in “England and Wales” series, 1837. International Exhibition, 1862 (Agnews); Christie’s, 1878 (Munro); R.A., 1891, and Guildhall, 1899 (J. E. Taylor); Christie’s, July 1912 (J. E. Taylor).

High cliffs on right on which a wild sea is breaking; lighthouse on horizon to left, wreckage among waves in foreground.

28. THE RIGI AT SUNRISE--LAKE OF LUCERNE (“The Blue Rigi”). 1841. (Plate XVII.) J. M. W. TURNER, R.A.

11⅞ in. × 17¾ in. Painted for Mr. Bicknell; see Ruskin’s “Epilogue.” Christie’s, 29 April, 1863 (Bicknell), July 1912 (J. E. Taylor); R.A., 1886 (J. E. Taylor); Guildhall, 1899 (J. E. Taylor).

Sun rising behind the mountain with morning star above; man in boat on left firing at wildfowl in foreground; a dog in water, another jumping from the boat.

29. FLORENCE, FROM NEAR SAN MINIATO. _Circa_ 1825. (Plate XVI.)

J. M. W. TURNER, R.A.

11 in. × 16¼ in. Ex Novar Collection. Guildhall, 1899, and Glasgow, 1901 (Hon. W. F. D. Smith, M.P.); Christie’s, 1897 (Pender), May 1917 (Beecham).

View overlooking city with the Arno on left; group of poplars in foreground with a gaily dressed group of figures.

30. SALTASH. 1825. (Plate XXI.) J. M. W. TURNER, R.A.

10½ in. × 16 in. Signed and dated, “_J. M. W. Turner, R.A._, 25.” Engraved by W. R. Smith, and published in “England and Wales” series, 1827. Moon’s Gallery, 1833 (Windus); Manchester, 1857 (D. R. Davies); Christie’s, 1865 (Knowles), 1872 (Leyland), 1908 (S. G. Holland), May 1917 (Beecham).

Harbour in front with many rowing-boats crowded with women and soldiers; town in distance, partly hidden by man-of-war; hulks on left.

31. LOWESTOFT. _Circa_ 1835. J. M. W. TURNER, R.A.

10¾ in. × 16¾ in. Engraved by W. R. Smith, and published in “England and Wales” series, 1837. Exhibited Worcester, 1882, and R.A., 1891 (Mrs. Sale); Christie’s, 9 July, 1915.

Lighthouse to right on cliff; town on left in deep shadow; rough sea in front with boats and wreckage; crescent moon.

32. SCARBOROUGH. 1818. J. M. W. TURNER, R.A.

10¾ in. × 15½ in. Signed and dated, “_J. M. W. Turner_, 1818.” Once in Mr. Ruskin’s Collection. Guildhall, 1899 (130), lent by Mr. Arthur Severn.

Distant view of town and cliff; two ladies in summer costume among rocks in foreground on the left; a starfish on the sand.

33. COVENTRY. _Circa_ 1832. J. M. W. TURNER, R.A.

11¼ in. × 17⅛ in. Engraved by S. Fisher, and published in “England and Wales” series, 1834. Moon’s Gallery, 1833 (C. Heath); Christie’s, 1877 (Munro of Novar), 11 May, 1917 (Mrs. C. W. Lea).

Town in distance with three spires; two coaches on hollow road in foreground to right; donkeys, cattle and sheep in foreground to left.

34. LAKE OF THUN. 1809. (Plate VI.) J. M. W. TURNER, R.A.

15 in. × 22 in. Signed and dated, “_J. M. W. Turner, R.A., P.P._, 1809.” Painted for Sir John E. Swinburne. R.A., 1887 (Miss Julia Swinburne); Christie’s, 26 May, 1916 (Miss Isabel Swinburne).

View looking across lake to mountains in distance; stretch of sandy beach in foreground with figures, boats, and merchandise; buildings on right.

35. ROLANDSWERTH NUNNERY AND DRACHENFELS. 1817. (Plate IX.)

J. M. W. TURNER, R.A.

7½ in. × 12 in. From the Farnley Collection. R.A., 1899 (No. 68); Christie’s, 1890 (Fawkes). Afterwards in collection of Sir Donald Currie.

Castle of Rolandseck on rock to left, with the Nunnery of Rolandswerth in centre at its base; beyond, on right, the Castle of Drachenfels; figures towing a boat in foreground on left; sailing-boat in mid-stream. View from near Oberwinter, looking north.

36. VALE OF PEVENSEY, FROM ROSEHILL PARK. _Circa_ 1816.

J. M. W. TURNER, R.A.

15 in. × 22 in. A privately printed plate engraved in aquatint by J. C. Stadler, and printed in colours. International Exhibition, 1862; R.A., 1886 (Sir A. Acland-Hood, Bt., inherited from Mr. J. Fuller, of Rosehill); Christie’s, 4 April, 1908 (93).

Slopes of wooded park in front, looking across country to the sea; Beachy Head in distance; summer-house on hill to right; labourers and sheep in foreground.

37. MAYENCE. 1817. J. M. W. TURNER, R.A.

8¾ in. × 14 in. From the Farnley Collection. R.A., 1889 (? 25); R.A., 1891 (92); Christie’s, 1890 (Fawkes), 1912 (J. E. Taylor).

View looking up river towards the bridge of boats, with town on left; hay-barge in foreground, with two other boats beyond. Sunset effect.

38. HIGH TORR, DERBYSHIRE. P. DE WINT

16¼ in. × 23 in. Perhaps the drawing exhibited at the Society of Painters in Water-Colours, 1829, as “Matlock High Tor” (No. 135).

River in foreground with mountain on left; cows in water on left bank, road with several figures on it in foreground on right.

39. THE RAINBOW. _Circa_ 1840. J. M. W. TURNER, R.A.

9¼ in. × 11¾ in. Christie’s, July 1912 (J. E. Taylor).

View over flat country, with a tower in distance; fiery sky and rainbow.

40. SUNSET ON ST. PETER’S, ROME. J. R. COZENS

10 in. × 14⅝ in. R.A., 1891, No. 24 (C. Morland Agnew).

Stone-pines in foreground, with shadows coming towards spectator; St. Peter’s seen through the trees in distance, with sun setting above it; deer in foreground on right.

41. IN THE FARNESINA GARDENS, ROME. (Plate XXVIII.) J. R. COZENS

9¾ in. × 14½ in.

Tomb among trees with gnarled trunks; campanile and trees in distance.

42. VILLA NEGRONI, ROME. (Plate XXIX.) J. R. COZENS

10⅛ in. × 14½ in. R.A., 1891, No. 19, “Italian Landscape” (C. Morland Agnew).

Grove of pines and cypresses on brow of hill, with statue, and sheep feeding; ruins and distant mountains beyond.

43. A SWISS VALLEY. (Plate XXVII.) J. R. COZENS

13 in. × 20½ in. Probably a scene at the Italian side of the Splügen Pass. There is a copy, in blue and black, of a similar view at Turner House, Penarth, attributed to Turner, which is described as “Near Chiavenna.”

Winding streams between mountains; snow-clad peaks in distance.

44. LAKE ALBANO. J. R. COZENS

17¼ in. × 25 in.

Castel Gandolfo on hill in middle distance to the right; group of large trees in foreground beside a road on which a man is driving goats. Sunset.

45. LAKE NEMI, 1790. (Plate XXX.) J. R. COZENS

14½ in. × 21 in. Signed and dated, “_John Cozens_, 1790.” I have seen copies in blue and black by Girtin or Turner of this drawing.

Lake in centre, surrounded by steep wooded banks; the town of Gensano on hill in middle distance, with the Mediterranean beyond. Buildings with pines and cypresses on right in foreground.

46. TEMPLE OF CERES, PÆSTUM. J. R. COZENS

10 in. × 14½ in.

Ruins standing dark against gloomy sunset.

47. CONVENT AT VIETRI. J. R. COZENS

10⅛ in. × 14½ in.

Convent in centre among trees; another convent and buildings on brow of hill beyond; small stream in foreground in centre.

48. ISOLA BELLA, LAGO MAGGIORE. J. R. COZENS

10 in. × 14¾ in.

Terrace in foreground with building on left; two figures against the balustrade on right; mountains beyond lake with snow-clad peaks.

49. MOUNTAINOUS LANDSCAPE AND LAKE. 1788. F. WHEATLEY, R.A.

12 in. × 18½ in. Signed, “_F. W._, 1788.”

Lake surrounded by mountains, with ferry and cows in foreground on right. Probably an Irish scene.

50. A WELSH VILLAGE. J. C. IBBETSON

7¼ in. × 9¾ in.

Two women spinning outside a cottage; others at work in distance.

51. WEST FRONT, TOWN HALL, BATH, 1777. T. MALTON, Junr.

12¾ in. × 18⅞ in. Signed and dated, “_T. Malton_, 1777.”

“Hancock” and “White Lion Inn and Tavern” on building on left, at which a coach has stopped; the Town Hall beyond; Bath Abbey faces the spectator at the end of the street.

52. STOWMARKET. PAUL SANDBY, R.A.

12½ in. × 18¼ in.

Town near centre in middle distance, with hills beyond; woman milking cow in foreground; trees and barns behind her and a gateway leading into town.

53. MALMESBURY ABBEY. 1794. (Plate II.) J. M. W. TURNER, R.A.

14 in. × 10¼ in. Signed and dated, “_Turner_, 1794.” R.A., 1887; Christie’s, 1912 (J. E. Taylor).

View of abbey with ruined arch; hayrick on right and a pig feeding; milkman and dog in centre.

54. LLANRWST BRIDGE. J. C. IBBETSON

7¼ in. × 9¾ in.

Women washing clothes beside river; some at tubs set on trestles, some standing in the water; bridge beyond, and mountains.

55. PULTENEY BRIDGE, BATH. 1777. T. MALTON, Junr.

12¾ in. × 19 in. Signed and dated, “_T. Malton_, 1777.”

Building with domes and columns on left of roadway; “Wicksteed, Seal Engraver” over portico; figures and a one-horse chaise on roadway; glimpse of a distant hill on left.

56. RICHMOND HILL, 1798. J. I. RICHARDS, R.A.

12¾ in. × 20⅛ in.

Trees on left, with houses on right; other houses seen through trees in middle distance.

57. FOUNTAINS ABBEY. THOMAS GIRTIN

18¼ in. × 12⅝ in.

The ruins of the eastern transept and Lady Chapel.

58. OFF THE COAST OF BUTE. J. T. SERRES

9¾ in. × 16½ in. Signed, “_J. T. Serres, fect._”

Shipping in foreground; distant mountains with clouds floating across them.

59. MOUNTAINOUS LANDSCAPE, WITH CASTLE. PAUL SANDBY, R.A.

12¾ in. × 20½ in.

Castle on rock; bridge with stream and cascade at foot of rock on left; lady on horseback talking to woman and child in foreground.

60. PRISON OF THE CONCIERGERIE, PARIS. H. EDRIDGE, A.R.A.

13½ in. × 19½ in.

Prison on left; mounted cuirassiers passing along the quay; bridge in middle distance.

61. CASSIOBURY. THOMAS HEARNE

12¾ in. × 9¾ in.

Scene in the park, with road running between tall trees; felled timber lying on left of road; wagon passing down the road.

62. THE PRIORY CHURCH, TYNEMOUTH. _Circa_ 1798. EDWARD DAYES

19½ in. × 14½ in. Signed and dated, “_E. Dayes_, 1798 (?)”--the last figure is covered by the mount. Engraved in John Britton’s “Architectural Antiquities of Great Britain.”

Ruins seen through archway.

63. FISHING-BOATS ON THE SCHELDT. N. POCOCK

10 in. × 16 in. Signed, “_N. Pocock_.”

Boats in a choppy sea; storm effect.

64. THE SWAN INN, EDMONTON. (Plate XXV.) PAUL SANDBY, R.A.

14 in. × 21⅜ in.

Roadway in centre with figures, buildings on either side; sign of the Swan Inn in middle distance on the left.

65. BALA LAKE. JOHN VARLEY

12½ in. × 17⅝ in.

Lake in centre, with mountains reflected in its waters; evening effect.

66. BEN VENUE, FROM LANRICK. (Plate XLI.) G. F. ROBSON

18¼ in. × 25¾ in. Perhaps the drawing entitled “Ben Venue, from the head of Loch Achray,” exhibited by Robson at the Society of Painters in Water-Colours, 1815 (No. 312).

The mountain in distance with Loch Achray near foreground.

67. HOPE DALE, DERBYSHIRE. J. C. IBBETSON

12¼ in. × 17¼ in.

Horse and cart with figures coming up road on the right; distant valley in centre, with mountains beyond.

68. PASTORAL SCENE. J. C. IBBETSON

12 in. × 16 in. Signed and dated, “_J. Ibbetson_, 1798.”

Four cows lying in foreground, with boy talking to a woman; houses among trees beyond on right.

69. COUNTRY LANE, HARROW. H. EDRIDGE, A.R.A.

10¼ in. × 16 in.

Horse and cart on road to left; stream with overhanging trees on right; houses among trees in centre.

70. THE PILOT BOAT. (Plate XLII.) COPLEY FIELDING

24½ in. × 38½ in. Signed and dated, “_Copley Fielding_, 1831 (_?_).” Perhaps the “Vessels in a Stiff Breeze off Calshot Castle, Hampshire,” exhibited at the Society of Painters in Water-Colours, 1832 (No. 112).

Two boats in a stiff sea, with men-of-war in the offing.

71. A WELSH RIVER. JOHN VARLEY

10⅜ in. × 21½ in. Signed, “_J. Varley_.”

Road on left beside river in foreground; range of jagged peaks beyond which catch the rays of the setting sun.

72. CARNARVON CASTLE. J. B. PYNE

11¾ in. × 26 in.

Ship unloading beneath walls of the Castle; castle near the centre, with distant coast on right.

73. MOUNTAINOUS LANDSCAPE, WITH LAKE. JOHN VARLEY

9 in. × 12⅝ in.

Lake containing two small islands, surrounded by mountains.

74. GORMIRE LAKE, YORKSHIRE. (Plate XXXIV.) J. S. COTMAN

14½ in. × 21½ in. This is probably the drawing exhibited at the Royal Academy in 1804 as “Gormire, Yorkshire” (No. 928).

Man carrying two oars on his shoulder and a woman stooping in foreground, at edge of the lake; three cows standing in shallow water on right; cliffs beyond. Gormire Lake is the only considerable “tarn” of the East Yorkshire hills.

75. RIVER SCENE, WITH ROUND TOWER. P. DE WINT

12 in. × 18 in.

Buildings with tower seen through trees; stream with small bridge in foreground.

76. SEAFORD, FROM NEWHAVEN PIER. COPLEY FIELDING

25 in. × 38 in. Signed and dated, “_Copley Fielding_, 1830 (_?_).” Exhibited Royal Academy, 1908 (No. 222); in the catalogue the date is said to be 1858, but Fielding died in 1855. Perhaps the “Pier at Newhaven, Sussex,” exhibited at the Society of Painters in Water-Colours, 1830 (No. 85); or “Scene at Entrance of Newhaven Harbour,” exhibited in 1831 (No. 161).

A rough sea with pier-head on left; ships on right; town and line of coast in distance; blue sky, flecked with clouds.

77. KINGLEY VALE, WITH CHICHESTER CATHEDRAL IN THE DISTANCE.

(Plate XL.) WILLIAM TURNER of Oxford

10¾ in. × 16¾ in. Signed, “_W. Turner_.” Exhibited at the Society of Painters in Water-Colours, 1851 (No. 197). Kingley Valley is at the foot of Bow Hill, West Sussex, four miles N.N.W. of Chichester.

Shepherd and sheep in foreground; beyond, dark masses of foliage, a valley, and gently sloping hills; spire of cathedral and sea in distance.

78. BRIDGE OVER RIVER NEAR A TOWN. (Plate XXXIII.) J. S. COTMAN

13¾ in. × 21¼ in. Signed, “_J. S. Cotman_, 1803.”

River running across drawing in foreground; bridge on left, with town beyond. This is, I think, the old Welsh Bridge at Shrewsbury.

79. COAST SCENE. SAMUEL PROUT

10¼ in. × 17 in. Signed with monogram, “_S.P._”

Fishermen dragging a net beside a wooden breakwater; two vessels fully rigged in middle distance; flight of seagulls.

80. CONWAY. W. PAYNE

12 in. × 16½ in. Signed, “_W. Payne_.”

Looking down on the castle from heights above; the sea in distance with Great Orme’s Head on right.

81. CISSBURY: EARLY MORNING. H. G. HINE

7¾ in. × 18¼ in. Signed and dated, “_H. G. Hine_. 1865.”

Sheep entering valley in foreground, followed by shepherd and dog; mists rising round Cissbury Hill; pale crescent moon above.

82. BEESTON CASTLE. (Plate XLIV.) T. COLLIER

22½ in. × 35¼ in. Signed and dated, “_Thos. Collier_. 1877” (or ’71).

The castle in middle distance on left; flock of sheep in meadow in foreground; a small stream, bordered with trees, runs across the picture on the right.

83. CHANCTONBURY RING. H. G. HINE

11½ in. × 21½ in. Signed and dated, “_H. G. Hine_. 1874.”

Hayricks, cottages and trees, with range of hills beyond: a sunny early morning.

84. CARNARVON. W. PAYNE

11¾ in. × 16½ in. Signed, “_W. Payne_.”

Shepherd with sheep and dog on road in foreground, with large, overhanging trees; castle in middle distance.

85. TEMPLE OF BAALBEC. DAVID ROBERTS, R.A.

13 in. × 19 in. Pencil on grey paper, with touches of body-colour. Inscribed, “Ruins of the Eastern Portico of the Temple of Baalbec. May 6th, 1839. David Roberts, R.A.”

Figures seated on ruins in foreground, and a small group on the right.

86. FOLKESTONE. (Plate XXXIX.) SAMUEL PROUT

18 in. × 25 in.

Roughly built wooden houses in foreground on the shore; church in distance, above on the left; cliffs in centre, with sea on right.

87. CISSBURY: MIST RISING. H. G. HINE

13 in. × 19 in. Signed, “_H. G. Hine, Cisbury Camp_.”

Mists rising round the hill; moon and star above.

88. GRANADA. (Plate XLIII.) DAVID ROBERTS, R.A.

15¾ in. × 11 in. Inscribed, “Granada.” Roberts was in Granada in 1833.

River running through the town; bridge in middle distance, with buildings and tall tower on right.

89. ITALICA, BIRTHPLACE OF THE EMPEROR TRAJAN. W. E. LOCKHART

14 in. × 21½ in. Signed and dated, “_W. E. Lockhart, R.H.A._, 1870-83.” Inscribed, “Italica. Birthplace of the Emperor Tragan” [_sic!_].

Peasant with two oxen on road in foreground; buildings on slight eminence on left.

90. HARVEST TIME. T. COLLIER

91. ACROSS THE HEATH. E. M. WIMPERIS

9½ in. × 14 in. Signed with initials, “_E. M. W._”

Horse and cart with two men on common in foreground; a forked road leading over ridge of hill near centre; roofs of houses and tops of trees seen over crest of hill, with mountains beyond.

92. LANDSCAPE, WITH RABBITS. DAVID COX

6 in. × 9¼ in.

Rabbits on hill-side, with foxgloves; distant hills.

93. ETON PLAYING-FIELDS. DAVID COX

6¾ in. × 9¾ in.

Buildings and trees, with visitors.

94. ROUNDING OLD CALAIS PIER: A CALM. DAVID COX

7¼ in. × 10¾ in. Signed, “_D. Cox_,” with (?) “1832.” Probably exhibited at Society of Painters in Water-Colours, 1833.

Pier on right with many figures; two sailing vessels with sails set arriving at pier in centre; two fishing-boats nearer foreground. Sunset.

95. RIVER SCENE: SUNSET. G. BARRET

5¾ in. × 8¾ in.

Two boats on centre of river, with trees on bank to left; storm-clouds passing over crescent moon.

96. WELSH RIVER SCENE. DAVID COX

6¾ in. × 8½ in. Signed and dated, “_D. Cox_, 1827.” Engraved in “The Social Day.”

97. SUNSET. R. P. BONINGTON

5½ in. × 7½ in.

Cattle near foreground; distant trees dark against sunset sky; flight of birds on right.

98. STOKESAY CASTLE. DAVID COX

5¼ in. × 7¾ in.

Peasant woman and girl carrying bundles on road in foreground; castle beyond, on right, with dark mountains in distance. Stormy sky.

99. THE MOUTH OF THE THAMES: A GREY DAY. DAVID COX

6¾ in. × 10 in. Signed and dated, “_D. Cox_, 1832.”

Passengers in rowing-boat, with sailing vessels beyond.

100. ON THE MOSELLE. P. DE WINT

8½ in. × 12¾ in.

Road leading to village, with church-spire and castle on left; river on right, with rocky banks.

101. BARNARD CASTLE. P. DE WINT

5¼ in. × 9¾ in.

Ruins of castle on hill in distance to right; rocks and trees in foreground.

102. LANDSCAPE, WITH CASTLE. DAVID COX

7¼ in. × 10½ in. Query, Powys Castle.

Castle among trees, seen from above; shepherd and dog in foreground; mountain ranges in distance.

103. UNDERCLIFF, VENTNOR. P. DE WINT

10¼ in. × 13½ in.

Figure sketching in foreground, among rocks.

104. ON THE MOOR. T. COLLIER

6½ in. × 9½ in.

A stretch of moorland, with moving clouds.

105. THE MID-DAY MEAL. J. LINNELL

4 in. × 7 in. Signed, “_J. Linnell_.”

Figures seated under a tree.

106. THE QUAY. DAVID COX

5½ in. × 8½ in.

Quay of red brick and stone, with crane on it; barges moored beside it.

107. WARWICK CASTLE. G. BARRET

7 in. × 10 in. Signed and dated, “_Geo. Barret_. 1821” (or 1826).

River in foreground; castle seen against the sunset.

108. THE CASTLE BY THE RIVER. JOHN VARLEY

5¾ in. × 10¼ in.

Castle with trees on a hill; bridge in middle distance; distant blue mountains. A composition.

109. A RUINED ABBEY. DAVID ROBERTS, R.A.

8¼ in. × 11¼ in. Signed, “_D. Roberts, R.A._” Chalk on grey paper, heightened in parts with body-colour.

Evidently Melrose Abbey.

110. DRAWING-ROOM AT CASSIOBURY, 1821. W. HUNT

9¾ in. × 13¼ in. Signed and dated, “_W. Hunt_. 1821.”

Windows on left, fireplace and wall covered with pictures on right; round mahogany table in centre. Trees of the park seen through window at end of room.

111. IN KENSINGTON GARDENS. T. HEARNE

7¼ in. × 10⅛ in. Signed, “_T. Hearne_.”

Road, bordered with trees, in centre, running into drawing; group of haymakers in middle distance on left.

112. LAKE SCENE. JOHN VARLEY

8¼ in. × 13¼ in.

Ruined castle on lake, which is surrounded by mountains.

113. IN A NORMANDY TOWN. SAMUEL PROUT

10¼ in. × 7½ in. Signed, “_S. Prout_.”

Figures outside doorway of a picturesque old French house.

114. HAMPSTEAD. W. OLIVER