Early American Scientific Instruments and Their Makers

Part 6

Chapter 63,609 wordsPublic domain

The two most interesting and significant of the instrument makers' trade signs were those advertising the shop of Samuel Thaxter. The first of these was the carved wooden figure of "The Little Admiral," which was a favorite landmark at No. 1 Long Wharf in Boston for almost a century and a half. It was the handiwork of John Skillin, the 18th-century woodcarver of Boston, upon whose death on January 24, 1800, the _Chronicle_ commented that "he was for many years the most eminent of his profession." John Skillin and his brother Simeon worked in Boston from about 1777 and produced most of the figureheads that issued from that port during that period, as well as a number of other notable ornamental wooden figures.

According to Mrs. H. Ropes Cabot of the Bostonian Society, the figure of "The Little Admiral" (fig. 37) had been carved for William Williams, who brought it with him to Boston from Marblehead in 1770 when he established his shop. The figure was installed in front of the Crown Coffee House, and Williams's shop was thereafter designated by this symbol. The trade sign survived through the years of the Revolutionary War. When the original building of the Coffee House was burned, the carving was saved and installed on the new building erected in its place. In an account of Boston landmarks, Porter[79] related the figure to the Admiral Vernon Tavern at the eastern corner of Merchants Row. He was proved to have been in error, however, since the trade sign of that public-house was a portrait bust of Admiral Vernon and the place was known as the Vernon Head Tavern for half a century, even after the end of the Revolution.

When Samuel Thaxter purchased the business from Williams's estate he acquired the figure as well, and he moved it to each new location for his shop. The figure of "The Little Admiral" continued to designate the firm even after Thaxter's death, until the firm finally went out of existence at the beginning of the 20th century. When the old store was torn down in 1901, the figure was preserved, presumably by the last owner's family. In 1916 it was acquired for the Bostonian Society by several of its members, and the figure has been preserved in the Society's Council Chamber since that time.

The other interesting trade sign utilized by Samuel Thaxter is a carved figure of Father Time that is credited to John Skillin (see fig. 38). The figure is believed to have been commissioned by Thaxter during the last decade of the 18th century and installed by him in the interior of his shop. It is an important example of the American woodcarver's art, and is equivalent to the best work of the Skillin brothers.

The Makers

Surprisingly, the names of the craftsmen who produced wooden instruments are not noted among the instrument makers. With only one or two exceptions, their names are hitherto unknown in the history of American science, and for that reason it has been considered advisable to present all available information that could be accumulated about them.

_Joseph Halsy_

The earliest known maker of wooden scientific instruments of Boston was Joseph Halsy. He appears to have been one of the sons of the James Halsie I, who was mentioned in a land deed of 1674 as a mathematician.[80] The land records indicate that James I was the father of several children, including Rebecca, a spinster; John Halsey, a mariner who died before 1716; Sarah, who later became Mrs. Dorsan; another daughter, name unknown, who became the wife of a Joseph Gilbert and the mother of two daughters and a son who inherited her share of her father's estate; Nathaniel Halsie; and probably Joseph Halsy. James Halsie I appears to have owned property consisting of land, a wooden house, and wharves on the North End, on North Street between Sun Court and Fleet Street.[81]

The date of birth of Joseph Halsy of Boston has not been found, but mention is made of the fact that on January 29, 1697, he was married to Elizabeth Eldridge, the daughter of a mariner named Joseph Eldridge, and that five children resulted from the marriage, three sons and two daughters.[82] One son, Joseph, died in infancy and a daughter, Elizabeth, died at an early age.

On February 26, 1704/5 Halsy purchased from Rebecca Halsey, the spinster daughter of James, her share in the house and land of her late father on North Street between Sun Court and Fleet Street.

On April 19, 1714, Halsy and his wife deeded a house and land on North End, at the corner of Hanover and Salutation Streets, to a shipwright named Joseph Hood. Two years later, on March 2, 1716, he purchased from Jane, his sister-in-law, who was the widow of the mariner John Halsy, her share of the house and land of James Halsie, being the same property on North Street. On March 27 of the same year he purchased the share in the same property belonging to Sarah Dorsan, his widowed sister. In August 1719 he was forced to mortgage some of the property to a merchant named John Frizell, but the mortgage was cancelled in 1741.

Halsy was married for a second time on January 10, 1731, to Mrs. Anna Lloyd, a widow.[83]

During the 1730's, Halsy continued to buy out the heirs of James Halsie. On March 6, 1730, he acquired the share of Mary Gilbert, a granddaughter, and on the same date he purchased from the James Halsey heirs their inheritance "part to land, wharf, house, shop and buildings on North Street." Other heirs remained, for in June 9, 1732, he bought out the share of Marty Partridge, another granddaughter, and on June 27 the share of Joseph Gilbert, Jr., a grandson. In October 1740 he was forced to mortgage as security to James Bowdoin a house and land on the southwest side of North Street, but this was cancelled when on August 26, 1751, Joseph Halsey and his wife, Anna, deeded to James Noble the land, wooden house, and wharves near Fish Street on North Street between Sun Court and Fleet Street, which apparently was formerly the property of James Halsey that Joseph had acquired with so much trouble over a period of 40 years.[84]

The following advertisement relating to instruments sold by Halsy appeared in the issues of _The Boston Gazette_ for the months of September and October 1738:

Made and sold by Joseph Halsey jun. Hadley's New Invented Quadrant or Octant the best and exacted Instrument for taking the Latitude or Other Altitudes at Sea, as ever yet Invented.[85]

The last dated record relating to Joseph Halsy which has been found is a letter dated February 3, 1762, that he wrote to Robert Treat Paine concerning legal matters.

Only one complete instrument produced by Joseph Halsy appears to have survived--an especially fine wooden surveyors compass (fig. 39) in the collection of the New Hampshire Historical Society. It is made of maple. The compass card, probably the most interesting of any found in the wooden instruments, is hand-colored in black, blue, red, and gold. A fleur-de-lis marks the North point, and triangular pointers indicate the other compass directions. Inside the pointers are crudely painted female figures representing the seven arts: NW, Grammar; W, Logick; SW, Geometry; S, Arithmetick; SE, Astronomy; E, Rhetorick; and NE, Musick. Within a medallion at the center of the compass card is depicted a sailing vessel at sea; surrounding the medallion is a riband inscribed "Made and Sold by JOSEPH HALSY Boston--New England."[86]

Another, but much less elaborate, compass card used by Joseph Halsy, is an engraved example (fig. 40) found glued in Thomas Paine's own manuscript copy of Charles Morton's _Compendium Physicae_, which is preserved in the collection of the Massachusetts Historical Society.

John Halsy (fl. 1700-1750), also a mathematical instrument maker, had a shop on Green Street, in Boston, according to the Record Commissioner's "Report of the City of Boston." He was married on December 10, 1700, by the Reverend Cotton Mather. He probably was a brother of Joseph Halsy who worked in the same period.

John Halsy subsequently abandoned his instrument-making business to become a pirate. He went out to Madagascar, where it is reported that he died in his own bed. He was buried with the rites of the Church of England in his own watermelon patch.

_James Halsy II_

James Halsy II (1695-1767), a mathematical instrument maker, was born in Boston on April 10, 1695, the son of Nathaniel and Hannah (Gross) Halsie. The parents had been married by the Reverend Cotton Mather in June 1693.[87] In 1716 young James Halsy was a member of the Artillery Company, and by 1720 he had the rating of 4th sergeant. He held town offices and was one of the founders of the New Brick Church of Boston. On May 30, 1717, he married Anna Gutridge (Goodrich). Ten years later, on September 22, 1727, he bought a house and land on North Bennett and Tileston Streets from Hugh Hall, a merchant; at the same time he deeded to Hall some land and a house adjacent to the latter on the southwest side of Green Street. On January 5, 1837, he deeded to his aunt(?), a single woman named Huldah Gross, a house and land on Ann Street that he had inherited from Thomas Gross, his grandfather. Several more real estate negotiations were recorded in the course of the next few years. In October 1740 he purchased a house and land on the north side of North Bennet Street from John Endicott; in January 1741 land on the east side of North Bennett Street; and in November 1748 half of the house and land of Edward Pell, adjacent to Huldah Gross, on Cross Street; finally, in October 1753, he purchased land on Tileston and North Bennett Streets from John Grant.[88]

Halsy died on January 2, 1767, at the age of 72. In his will dated May 1, 1766, and probated January 2, 1767, by which his wife Anna was the executrix of his estate, he left her the income of his real and personal estate. He apparently was survived by three daughters and a son, also named James Halsy. He divided his real estate in Boston amongst his daughters, and to his son he left land in New Hampshire.[89]

The only known surviving instrument bearing James Halsy's name is a wooden surveying compass (fig. 41) in the collection of the Peabody Museum in Salem. The engraved compass card is quite similar to the one used by Thomas Greenough. In the central medallion is an elaborate royal crown, and in the circle around the medallion is inscribed "Made and Sold by JAMES HALSY near Ye Draw Bridge in Boston."[90]

_Thomas Greenough_

Contemporary with James Halsy II was Thomas Greenough (1710-1785), who was born in Boston in 1710, the son of John and Elizabeth (Gross) Greenough. His father was a shipwright in the North End of Boston, and one of Thomas's brothers, Newman Greenough, became a sailmaker. Thomas also had a sister named Jerusha, who later figured in his real estate negotiations.

The earliest known record relating to Greenough is of his marriage in 1734 to Martha Clarke, daughter of William and Sarah Clarke of Boston. Nine children resulted from this marriage over the course of the next 16 years; four of these were sons. On January 27 of the year of his marriage he purchased a house on the northwest side of North Street, between Mill Creek and Union Street, from John White and Nathaniel Roberts. On August 1, 1736, Greenough purchased the house and land of his father-in-law, William Clarke, on the south side of Portland Street. On October 28 he mortgaged to his mother his house on Ann Street (which appears to have been the house he had purchased on North Street), and at the same time he deeded to his brother Newman all his right and title in his father's estate at the North End. Greenough was only 24 at the time of his marriage, and he apparently became involved in real estate, by choice or by necessity, to a considerable degree.

Greenough, in 1744, was a member of a militia company in Boston,[91] and three years later, in 1747, he was listed as third sergeant. He was a firm patriot, held a town office, and was a founder and deacon of the New Brick Church in Boston.

Greenough had a substantial interest in the holdings of his late father-in-law. For example, on August 11, 1744, he and his wife deeded to a merchant named James Pitts the seawall, or new wharf, "before the Town of Boston in the front and rear lying to the northward of King Street Pier, North Wharf and flats of James Bowdoin," all of which was part of the estate of his deceased father-in-law that apparently had been inherited by his wife. In the following year, on November 1, 1745, he purchased a house and land on Portland Street from his widowed mother-in-law and then on March 31, 1746, he and his wife deeded the same house and land to a merchant named Stephen Hall. Numerous other negotiations of the same nature are on record.

At some time between 1748 and 1750 Greenough's first wife, Martha, died, and in 1750 he married Sarah Stoddard. Three more children, all sons, resulted from this second marriage. His real estate negotiations continued full pace during the second marriage as during the first.[92]

Greenough's second wife preceded him in death, and Greenough died in 1785 at the age of 75. His will, probated on August 23, 1785, had been made on May 21, 1782;[93] it contained some interesting bequests:

Executors: my two sons, David S. and William Greenough. Legatees: to the children of my son Thomas, deceased, Rachel, Ann, and Sally Greenough, £13.6.8 each. To their sister Betty £5. To the children of my son John deceased, 200 acres of land. I also give his eldest son John my silver can, fellow to the one I gave his father. To his sons Wm. and David, and to his daughters, Sarah, Abigail, and Mehitible £5 each and the house they live in. My daughter, Sarah Edwards, £10 and a silver chafing dish. My daughter Martha Stone all my lands in the County of York, Cape Porpoise, and Wells, and my silver salver, and her son Thomas £5 and a silver porringer. My daughter Elizabeth Brooks £10 and a silver tea pot. My daughter Mary Savage £40 and to her son Thomas one silver porringer. To the children of my daughter Jerusha, deceased, Martha Clark Lepear and Sally Lepear each of them, £50, and a pair of salt shovels, and a pepper box, silver. All the rest of my estate to my two sons, David Stoddard Greenough, and Wm. Greenough. The late Shute Shrimpton Yeoman, Esq., left an estate to my late spouse Sarah, and to her children, in the Island of Antigua. In case my son David should have a legal possession of same, and Wm. no part, in that case I give my son David £100 and sundry pieces as per schedule amount to £63.11.3. All the rest of my estate to my son, William Greenough.

Of particular interest with relation to Greenough's business in instruments is the following advertisement that appeared on May 11, 1742, in _The Boston Gazette_:

To be sold by Capt. Cyprian Southack at his House near the Orange Tree and at Mr. Tho. Greenough's Mathematical Instrument Maker near the Draw Bridge, said Southack's Char[t]s of the Coast from Sandy Point of New York to Canso.

Invaluable for this study are Thomas Greenough's manuscript accounts that have survived in the collections of the Massachusetts Historical Society. The following itemized entries are selected from Greenough's business accounts over a period of two decades to provide data on the prices current in the second half of the 18th century for new instruments and for repairing others:

In Account with Thomas James Gruchy: 1754, April 27: 1 Compass for the Schooner _Sea Flour_ £0.8.0. 1758, Nov. 28: 1 Spyglass £1.13.8. 1759, Jan. 25: Mending 3 Compasses for the Schooner _Susanna_ £0.6.0.

In Account with Nathaniel Bethune: 1760, August: A gauging rod £0.6.0. Mending a telescope £0.3.0.

In Account with Captain McAndrew Mirick of Nantucket: 1772, March 21: For 2 compasses, 1 leaded £0.16.8.

In Account with Captain Roberson Crockett: 1773, April: For mending 2 Compasses £0.6.2. For mending 1 Hanging Compass £0.3.2.

In Account with Captain Reworth of the Brig _Fortune_: 1774, March 30: For mending 2 compasses & Glasses £0.7.0.

In Account with Captain Thomas Godfrey: 1774, April 7: For 1 Telescope £0.8.0.

Other documents in the same collection indicate that Greenough's business interests were substantial and not limited merely to the construction of instruments. On July 31, 1769, Greenough's name appeared on the Boston Citizens' Non-Importation Agreement. Subsequently, on December 14, 1774, there is Greenough's signed receipt, with the amount left blank, stating that he had "REC'D. of Capt. Thomas Godfrey the Sum of ---- in full for my Negro man Cuffes Shair in the Whaling Voige ----."

Greenough apparently was succeeded in business by his son William Greenough. Mr. Lawrence B. Romaine of Middleboro, Massachusetts, in 1939 described a wooden surveying compass with its own hand-whittled tripod made of oak which bore a compass card inscribed "Made by William Greenough, Boston, N.E."[94] The compass was protected by a pine cover that fitted closely between the sights. The present location of this instrument is not known, but it appears to be the only known example by William Greenough made of wood.[95]

In the Greenough family at the present time is a brass surveying compass (fig. 42) of fine quality and of the period before or during the American Revolution. The dial is finely engraved with a Tudor rose at its center, and around it is the inscription "THOMAS GREENOUGH BOSTON Fecit." The compass face is mounted to the main blade with two copper rivets. The holding screws for the vane and tripod mounting are rather crudely hand cut with wing-nut ends.[96]

Five other surveying compasses made by Thomas Greenough are known, and all are made of wood: the one in the Franklin Institute is made of gum (fig. 43), one in Old Sturbridge is made of maple, one in the Bucks County Historical collection at the Mercer Museum is made of cherry, one owned by this writer is made of basswood, and one on loan to the U.S. National Museum from Mr. Laurits C. Eichner is made of hickory (fig. 44).

The compass at the Mercer Museum forms part of the surveyor's gear used to lay out the town of Weymouth, Massachusetts. The example in hickory on loan to the U.S. National Museum, as is usually the case with the compass cards of the Thomas Greenough instruments, has the central ring printed in gilt, and the inscription has turned black, making the inscription almost illegible. This specimen was owned by Joseph Frye, who was given a land grant in what is now Fryeburg, Maine, in 1762. He allegedly used this compass for surveying that land. In 1783 he assembled a manuscript book of tables (see fig. 45) for use in surveying for his son Joseph Frye, Jr. This manuscript also is part of the loan to the U.S. National Museum.[97]

The compass card in each of these five instruments is identical, designed for use in the mariner's compass (see fig. 46). A gentleman in the dress of about 1740 stands on the shore using a Davis quadrant. Offshore in the harbor is a schooner of the 1750 period. Minor features of the scene are touched up in red, presumably printed, since they are consistent in all of the cards.

_William Williams_

Although not one of the earliest instrument makers in Boston, but certainly one of the more significant, was William Williams (1737/8-1792). He was the son of Capt. John Williams, a shopkeeper who died on March 22, 1748, at the age of 41, and who was buried in King's Chapel Burial Ground.[98]

William Williams was born in 1737 or 1738. He was ten years of age when his father died, and he had two brothers and two sisters. His father left a substantial estate of £6,575, of which £4,544/9/4 was for the inventory of the shop merchandise. One of the appraisers for his estate, Jotham Maverick, married the widowed Mrs. Williams less than a year later, on January 20, 1748/9.[99]

In 1770 William Williams established himself as a mathematical instrument maker and clockmaker at No. 1 Long Wharf, at the Crown Coffee House, as it was then known. The shop was located on the corner of State and Chatham Streets, on premises owned by Robert Shillcock.

Williams may have worked as an instrument maker in Marblehead before returning to his native Boston. According to Felt,[100] an instrument maker named William Williams at Marblehead advertised in the Salem newspapers in the early 1770's. However, in 1768 Williams was producing instruments from an address in King Street, Boston. (See figure 48.) An advertisement inserted by Williams appeared in the March 12, 1770, issue of _The Boston Gazette_. It was this same issue that reported the Boston Massacre. One of the victims was Williams' step-brother Samuel Maverick, the son of his stepfather Jotham Maverick by a first marriage.