Part 5

SUSANNA ROWSON, born in Portsmouth, England, in 1762, died in Boston, Mass., March 2, 1824. She was an only daughter of Lieutenant William Haswell, of the British Navy, who was, at the beginning of the Revolution, attached to the revenue service, and resided at Nantucket, near Boston. His property was confiscated by the Continental authorities; and himself and family removed on parole to Hingham in 1775, and in 1777 to Abington. A cartel was finally arranged by which Lieutenant Haswell was exchanged and sent back to England with his family. Miss Haswell took employment as a governess in early life, and was greatly devoted to literature. She married William Rowson, a musician in one of the bands of the household troops. About the time of her marriage she wrote and published a novel entitled _Victoria_, which she dedicated to the Duchess of Devonshire, who introduced her to the Prince of Wales. She was enabled, by this acquaintance, to obtain a pension for her father. On account of the financial embarrassment of her husband, they went on the stage in 1792, in Edinburgh. In 1793 they came to America, and first appeared in Annapolis, Maryland. Thence they went to the theatre in Philadelphia, and, after a season there, became members of the Federal Street Theatre in Boston. Mrs. Rowson, who had, in 1790, published in England the celebrated novel _Charlotte Temple_, had continued writing, and the extraordinary popularity of her story of the unfortunate English girl made it easy for her to follow the cultivation of letters. She retired from the stage in 1797, and established a school for young ladies, which remained, during her life-time, the most select and popular in New England. Her last appearance was in May, 1797, in her own comedy, _Americans in England_. Her _Poems_ were published in Boston in 1804, and _Lucy Temple_, a sequel to _Charlotte Temple_, appeared in 1828.

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SLAVES IN ALGIERS; OR, A STRUGGLE FOR FREEDOM: A PLAY, INTERSPERSED WITH SONGS, IN THREE ACTS.

BY MRS. ROWSON, AS PERFORMED AT THE NEW THEATRES, IN PHILADELPHIA AND BALTIMORE.

_PHILADELPHIA:_

PRINTED FOR THE AUTHOR, BY WRIGLEY AND BERRIMAN, No. 149, CHESNUT-STREET.

M,DCC,XDIV.

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SLAVES IN ALGIERS; OR, A STRUGGLE FOR FREEDOM. A play interspersed with Songs, as performed at the New Theatres, in Philadelphia and Baltimore. Philadelphia, 1794. 12mo, pp. 74.

THE FEMALE PATRIOT. A Farce. Philadelphia, [?] 1794. 12mo.

Played in Philadelphia in 1795.

THE VOLUNTEERS. A Farce, founded on the Whisky Insurrection in Pennsylvania. Philadelphia, 1795. 12mo.

AMERICANS IN ENGLAND. A Comedy. Boston, 1796. 12mo.

This piece was acted for Mrs. Rowson's benefit and farewell to the stage.

Although the last three titles are mentioned by Sabin and other bibliographers, I doubt if they were ever published, as after a diligent search I have failed to locate a copy of any, and none of those who give the titles give collations--an almost certain indication that they have been unable to see copies of the plays.

SAWYER, LEMUEL

LEMUEL SAWYER was a native of North Carolina. He wrote a _Life of John Randolph_ [of Roanoke,] N. Y., 1844. Died 1844.

BLACKBEARD. A Comedy in Four Acts, founded on Fact. Washington, 1824. 16mo, pp. 66.

THE WRECK OF HONOR. A Tragedy. New York, 18--. 16mo, pp. 86.

SELDEN, ALMIRA

NAOMI. A Sacred Drama in Five Scenes.

Published in a volume of poems entitled _Effusions of the Heart_. Bennington, Vt., 1820. 16mo, pp. 152.

_The Irish Exiles in America_, a drama in five scenes, was also published in the above mentioned volume.

SEWALL, JONATHAN MITCHELL

JONATHAN MITCHELL SEWALL, born in Salem, Mass., in 1748, died in Portsmouth, N. H., March 29, 1808. He was graduated from Harvard and first entered business life, but eventually became a lawyer. He was Register of Probate for Grafton Co., N. H., in 1774. Author of the song _War and Washington_, very popular during the Revolution. His _Miscellaneous Poems_ were published in 1801.

At a performance of Addison's _Cato_ in the Bow Street Theatre, N. H., in 1778, an epilogue, written by Colonel Sewall, was spoken, the closing lines of which are:

No pent up Utica contracts your powers, But the whole boundless Continent is yours.

A CURE FOR THE SPLEEN; OR, AMUSEMENT FOR A WINTER'S EVENING. Being the substance of a conversation on the times over a friendly tankard and pipe, between Sharp, a country Parson; Bumper, a country Justice; Fillpot, an innkeeper; Graveairs, a Deacon; Trim, a Barber; Brim, Quaker; Puff, a late Representative. Taken in shorthand by Roger de Coverly. America, 1775. 8vo, pp. 32.

A Tory protest against the Revolution.

Another edition with the title: _Americans Aroused in a Cure for the Spleen_, etc., New York: Reprinted by James Rivington, n. d. [1775]. 8vo, pp. 32.

SIMMONS, JAMES WRIGHT

JAMES WRIGHT SIMMONS, born at Charleston, S. C., studied at Harvard and made an extensive tour of Europe, whence he came to New York and was for a time a writer for the _New York Mirror_. He was also connected with other New York papers. He afterward held the office of Comptroller General and Treasurer of the Republic of Texas. Died at Memphis, Tenn., aged 68 years.

JULIAN. A Dramatic Fragment, n. p., n. d. [1823]. 12mo.

SMITH, CHARLES

CHARLES SMITH was born about 1768. He was for a time a bookseller in New York, and was the editor of the _Monthly Military Repository_. The following are all translations from Kotzebue:--

THE COUNT OF BURGUNDY.[A] A Tragedy in Four Acts. New York, 1798. 8vo.

Another edition, New York, 1800. 8vo, pp. vi.-69.

SELF IMMOLATION; OR, THE SACRIFICE OF LOVE. A Play in Three Acts. New York, 1800. 8vo, pp. 54.

THE WILD YOUTH. A Comedy for Digestion in Three Acts. New York, 1800. 8vo, pp. 74.

LE PEROUSE[A]. A Comedy in Two Acts. New York, 1800. 8vo, pp. 40.

THE VIRGIN OF THE SUN.[A] A Play in Five Acts. New York, 1800. 8vo, pp. 96.

ADELAIDE OF WULFINGEN. A Tragedy in Four Acts, (exemplifying the Barbarity which prevailed during the Thirteenth Century). New York, 1800. 8vo, pp. 67.

THE FORCE OF CALUMNY.[A] A Play in Five Acts. New York, 1800. 8vo, pp. 124.

THE HAPPY FAMILY. A Drama in Five Acts. New York, 1800. 12mo, pp. 84.

PIZARRO; OR, THE SPANIARDS IN PERU.[A] A Tragedy in Five Acts. New York, 1800. 8vo, pp. 62.

THE EAST INDIAN. A Comedy in Three Acts. New York, 1800. 8vo, pp. 88.

INDIGENCE, AND NOBLENESS OF MIND. A Comedy in Five Acts. New York, 1800. 12mo, pp. 64.

THE WIDOW AND THE RIDING HORSE. A Dramatic Trifle in One Act. New York. 1800. 8vo, pp. 26.

ABBÉ DE L'EPÉE; OR, THE ORPHAN.[A] New York, 1801. 8vo, pp. 42.

FALSE SHAME; OR, THE AMERICAN ORPHAN IN GERMANY.[A] Newark [?], 1800. 12mo, pp. 63.

[Footnote A: All these titles are Dunlap's. In the list of Dramatic Authors in the Appendix to Dunlap's _History of the American Theatre_ (first edition, New York, 1832), Mr. Dunlap includes this name with the comprehensive line, "Several bad translations from Kotzebue."]

FRATERNAL DISCORD. A Comedy in Five Acts. New York, 1801. 8vo, pp. 74.

THE WRITING DESK; OR, YOUTH IN DANGER. A Play in Four Acts. New York, 1801. 8vo, pp. 72, last page misnumbered 27.

THE BEAUTIFUL UNKNOWN. A Dramatic History. New York, 1803. 12mo, pp. 50, [2].

SMITH, ELIHU HUBBARD

ELIHU HUBBARD SMITH, born in Litchfield, Conn., September 4, 1771, died in New York, September 21, 1798, a graduate of Yale and physician of Philadelphia, where his father was also a noted doctor. He wrote a number of poems and sonnets for the magazines. He edited the first collection (1793) ever made of American poetry. Founder with Drs. Edward Miller and Samuel L. Mitchell of _The Medical Repository_. His death was caused by yellow fever contracted from a patient, a stranger who was taken by him into his own house for treatment.

EDWIN AND ANGELINA; OR, THE BANDITTI. An Opera in Three Acts. New York: T. and J. Swords, 1797. 8vo, pp. 72.

Played at the John Street Theatre, New York, December 19, 1796. When printed it was preceded by a dedication to Reuben and Abigail Smith, the author's parents.

SMITH, JONATHAN S.

THE SIEGE OF ALGIERS; OR, THE DOWNFALL OF HADGI-ALI BASHAW. A Tragi-Comedy. Philadelphia, 1823. 8vo, pp. 140.

SMITH, RICHARD PENN

RICHARD PENN SMITH, born in Philadelphia in 1790, died there in 1854. He was educated as a lawyer. For five years he was editor of _The Aurora_, and contributed to a number of other periodicals. His books, not dramatic, were a novel, in 1831, called _The Forsaken_, in two volumes; and _The Actress of Padua and Other Tales_. He died August 12, 1854. He wrote fifteen plays in all.

THE 8TH OF JANUARY. A Drama in Three Acts. Philadelphia, 1829. 16mo, pp. iv.-54.

THE DEFORMED; OR, WOMAN'S TRIAL. A Play, Philadelphia, 1830. 12mo, pp. 87.

THE DISOWNED; OR, THE PRODIGALS. A Play. Philadelphia, 1830. 12mo, pp. 67.

SNAPDRAGON, HECTOR (PSEUDONYM)

THE RUSSIAN BANQUET. A Drama. Boston [1813]. 16mo, pp. 12.

STEARNS, CHARLES

CHARLES STEARNS, born in Massachusetts in 1753, died 1826. He was a Unitarian clergyman, and from 1785 to his death was pastor of a church at Lincoln, in Massachusetts. He wrote many good poems, and a variety of religious works.

DRAMATIC DIALOGUES. Leominster, Mass., 1798. 12mo, pp. 540.

STOKES, J.

THE FOREST OF ROSENWALD; OR, THE TRAVELLERS BENIGHTED. A Melodrama in Two Acts, as performed at the New York Theatre. New York, E. Murden, 1821. 16mo, pp. 33.

Another edition, New York, 1832. 16mo.

Played at the Park Theatre, New York, April 26, 1820, under the title of _The Forest of Rosenwald; or, The Bleeding Nun_.

STONE, JOHN AUGUSTUS

JOHN AUGUSTUS STONE, an actor, born in Concord, Mass., in 1801, died near Philadelphia, Pa., June 1, 1834. His first appearance on the stage was made in Boston, and his début in New York occurred July 10, 1822, at the Park Theatre, as _Old Hardy_ in _The Belle's Stratagem_, and _Old Pickle_ in _The Spoiled Child_. He was for a long time identified with the Bowery and Chatham Theatres. The prize of five hundred dollars offered by Mr. Edwin Forrest for the best American play, was awarded to Mr. Stone in 1829, for his drama in verse, _Metamora_, long and successfully played by Mr. Forrest. He subsequently received from Mr. Forrest one thousand dollars for his drama, _The Ancient Briton_, which, as well as another drama from his pen, _Fauntleroy, the Banker of Rome_, were produced by Forrest. He was also author of _La Roque_, _The Regicide_, _Tancred of Sicily_, and Yankee Hill's famous play, _The Knight of the Golden Fleece_, always the most popular of that comedian's plays. He drowned himself in the Schuylkill River, near Philadelphia, in a fit of mental derangement. Mr. Forrest erected a very handsome monument to his memory.

TANCRED; OR, THE SIEGE OF ANTIOCH. A Drama in Three Acts. Philadelphia, 1827. 16mo, pp. 45.

STRONG, HENRY K.

THE FALL OF ITURBIDE; OR, MEXICO DELIVERED. A Tragedy in Five Acts. Pittsfield, Phineas Allen, 1823. 12mo, pp. 38.

TALBOT, CHARLES S.

SQUIRE HARTLEY. A Farce. Albany, 1827. 12mo.

CAPTAIN MORGAN. A Play. Albany [?] 1827. 12mo.

PADDY'S TRIP TO AMERICA: OR, THE HUSBAND WITH THREE WIVES. A Farce in Two Acts. New York, 1822. 16mo, pp. 48.

TAYLOR, V.

THINGS AS THEY WILL BE; OR, ALL BARKERS ARE NOT BITERS. A Farce in Three Acts, by Who d'ye think. New York, 1819. 18mo, pp. 17.

Same. Second edition. New York, 1819. 16mo, pp. [3]; 4-17.

THE BANKER; OR, THINGS AS THEY HAVE BEEN. A Farce in Three Acts. Respectfully dedicated to the purchasers of _Things As They Will Be_, etc. By a Tyro. New York, 1819. 16mo, pp. [3], 4-16.

TURNBULL, JOHN D.

RUDOLPH; OR, THE ROBBERS OF CALABRIA. A Melodrama in Three Acts, as performed at the Boston Theatre. Boston, 1799. 18mo, pp. 141.

Several editions were published of this play.

WOOD DÆMON; OR, THE CLOCK HAS STRUCK. A Drama. Boston, 1808. 24mo, pp. 34.

TYLER, ROYALL

ROYALL TYLER was born in Boston on July 18, 1758, died in Brattleboro, Vt., August 16, 1826. He was graduated from Harvard in 1776 and studied law in the office of John Adams. He was aide-de-camp to General Benjamin Lincoln in the Revolution and in Shay's Rebellion in 1786. He contributed to the _Farmer's Museum_, and when Dennie became editor, Tyler was called in to assist him. He published a series of papers in the _Port-Folio_ for 1801. In 1797 he published, at Walpole, N. H., his _Algerine Captive, or the Life and Adventures of Doctor Updike Underhill, Six Years a Prisoner among the Algerines_; 2 vols. In 1804 he contributed to the _Columbian Sentinel_. In 1800 he was elected Chief Justice of the Supreme Court of Vermont. He also contributed to _The New England Galaxy and Polyanthus_. In 1809 he published _Reports of Cases in the Supreme Court of Vermont_.

THE CONTRAST. A Comedy in Five Acts. Written by a Citizen of the United States. Performed with applause at the theatres in New York, Philadelphia and Maryland; and published (under an assignment of the copyright) by Thomas Wignell. Philadelphia: From the press of Prichard & Hall, in Market Street, between Second and Front Streets. M.DCC.XC. Plate. Sm. 8vo, pp. xxii-107.

First played at the John Street Theatre, April 16, 1787.

Reprinted by the Dunlap Society, New York, 1887.

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As the great business of the polite world is the eager pursuit of amusement, and as the Public diversions of the season have been interrupted by the hostile parade in the capital; the exhibition of a new farce may not be unentertaining.

THE GROUP,

As lately acted, and to be re-acted to the wonder of all superior intelligences, nigh head-quarters at Amboyne.

The author had thought proper to borrow the following spirited lines from a late celebrated poet, and offer to the public by way of PROLOGUE, which cannot fail of pleasing at this crisis.

_What! arm'd for virtue, and not point the pen, Brand the bold front of shameless guilty men, Dash the proud Gamester from his gilded car, Bare the mean heart which lurks beneath a star,_

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_Shall I not strip the gilding off a knave, Unplac'd, unpension'd, no man's heir or slave? I will or perish in the gen'rous cause; Hear this and tremble, ye who 'scape the laws; Yes, while I live, no rich or noble, knave, Shall walk the world in credit to his grave; To virtue only, and her friends, a friend. The world beside may murmur, or commend._

_BOSTON_: printed and sold by EDES and GILL, in _Queen-Street_. 1775.

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THE GEORGIA SPEC; OR, LAND IN THE MOON. A Comedy in Three Acts. Boston, 1797. 8vo.

This comedy was written to ridicule the speculating mania in wild Yazoo Lands, and was performed in Boston with success.

WALLACK, W. H.

PAUL JONES; OR, THE PILOT OF THE GERMAN OCEAN. A Melodrama in Three Acts, adapted to the New York Theatres. New York, 1828. 16mo, pp. 52.

WARREN, MERCY

MERCY WARREN, born in Barnstable, Mass., September 25, 1728, died in Plymouth, Mass., October 19, 1814. She was the third child of Colonel James Otis. She married James Warren, of Plymouth, who was appointed high sheriff in 1757, which place he held up to the breaking out of the Revolution, when he became general of the American forces about Boston. She was one of the foremost friends of liberty, and corresponded with most of the great men of her time. She published a _History of the American Revolution_. Her correspondence with John Adams was published by the Massachusetts Historical Society, 1878.

THE ADULATEUR. A Tragedy, as it is now acted in Upper Servia. [6 lines of poetry]. Boston: Printed and sold at the New Printing Office, near Concert Hall, 1773. 8vo, pp. 30.

THE GROUP. As lately acted and to be re-acted to the wonder of all superior intelligences, nigh head-quarters at Amboyne. Boston: Printed and sold by Edes and Gill, in Queen Street, 1775.

A political satire in two acts in verse, published the day before the Battle of Lexington.

Another edition, New York: John Anderson, n. d. [1775]. With second and third scenes of Act II. omitted. 8vo, pp. 15.

THE BLOCKHEADS; OR, THE AFFRIGHTED OFFICERS. A Farce. Boston: Printed in Queen Street, 1776.

A counter-farce to Burgoyne's _Blockade_. Published without name (attributed to Mrs. Warren) in the _Literary History of the Revolution_. New York, 1897.

THE SACK OF ROME. A Tragedy.

THE LADIES OF CASTILE. A Tragedy.

The above plays were published in a volume of _Poems, Dramatic and Miscellaneous_. Boston, 1790.

THE MOTLEY ASSEMBLY. A Farce. Published for the entertainment of the Curious. Boston: N. Loverly, 1779. 12mo, pp. 15.

Published without name (attributed to Mrs. Warren), by Paul L. Ford, in _Beginnings of American Dramatic Literature_.

WATTERSON, GEORGE

GEORGE WATTERSON, born in New York in 1783, died in Washington, D. C., 1854. He was a lawyer in Washington, and was the first Librarian of Congress. He published several books on law and the topography of Washington. He also published the _Letters of General Washington_.

THE CHILD OF FEELING. A Comedy. Georgetown, 1809. 18mo, pp. 113.

WETMORE, ALPHONSO

THE PEDLAR. A Farce in Three Acts. Written for the St. Louis Thespians, by whom it was performed with great applause. St. Louis: John A. Paxton, 1821. 16mo, pp. 35.

WHITE, JOHN BLAKE

JOHN BLAKE WHITE, born in South Carolina in 1783, died 1859. He was an artist, lawyer and dramatist, residing in Charleston.

FOSCARI; OR, THE VENETIAN EXILE. A Tragedy in Five Acts, as performed at the Charleston Theatre. Charleston, 1806. 12mo, pp. 52.

THE MYSTERIES OF THE CASTLE; OR, THE VICTIM OF REVENGE. A Drama in Five Acts. Charleston, 1807. 16mo, pp. 65.

MODERN HONOUR; OR, THE VICTIM OF REVENGE. A Tragedy. Charleston, 1812. 12mo.

TRIUMPH OF LIBERTY; OR, LOUISIANA PRESERVED. A National Drama. Charleston, 1819. 12mo.

THE FORGERS. A Drama. Played at Charleston, S. C., 1825.

Published in _The Southern Literary Messenger_, March, 1857, and reprinted New York, 1899.

WHITE, WILLIAM CHARLES

WILLIAM CHARLES WHITE, born in Worcester, Mass., made his début on the stage in Boston in 1796, and in New York, at the Park Theatre, January 19, 1801, as _Young Norval_. He afterwards studied law and gave up the stage.

ORLANDO; OR, PARENTAL PERSECUTION. A Tragedy, as performed at the Theatre, Federal Street, Boston. Boston, 1797. Portrait of Wm. C. White. 18mo, pp. 64.

THE CLERGYMAN'S DAUGHTER. A Tragedy in Five Acts, as performed at the Boston Theatre, with the Epilogue by R. T. Paine, Jr. Boston, 1810. 16mo, pp. 96.

WILLIAMSON, A. J.

PRESERVATION; OR, THE HOVEL OF THE ROCKS. A Play in Five Acts. Charleston, 1800. 8vo, pp. vii.-75.

WILMER, LAMBERT A.

LAMBERT A. WILMER, born in 1805, died in Brooklyn, December 21, 1863, was editor of the Brooklyn _Saturday Visitor_, and of _The Pennsylvanian_ in Philadelphia. He was the author of _The Quacks of Helicon_.

MERLIN. A Drama. Philadelphia, 1823. 12mo.

GLORIANA; OR, THE ENCHANTRESS OF ELBA. A Drama.

Published in a weekly paper in Philadelphia about 1828.

WOODWORTH, SAMUEL

SAMUEL WOODWORTH, born in Scituate, Mass., January 13, 1785, died in New York City, December 9, 1842. His father was a soldier of the Revolution. In early life he chose the profession of a printer, and went to Boston, where he bound himself apprentice to Benjamin Russell, editor of _The Columbian Sentinel_. During this time he employed his leisure in writing poetry for different periodicals in that city over the signature of "Selim." In 1807 he published a weekly paper in New Haven called _The Belles-Lettres Repository_. The next year he went to Baltimore, where many of his best poems were published. He came to New York in 1810, and during the War of 1812 published a weekly newspaper entitled _The War_. He also edited, at different times, _The Halcyon Luminary and Theological Repository_, _The Casket_, _The Parthenon_, and _The Literary Gazette_. He also was one of the founders and editors of _The New York Mirror_. In 1816 he published _Champions of Freedom_.

THE DEED OF GIFT. A Comic Opera in Three Acts, as performed at the Boston Theatre. New York, 1822. 18mo, pp. 72.

First acted at the City Theatre in Warren Street, New York, January 20, 1823.

LAFAYETTE; OR, THE CASTLE OF OLMUTZ. A Drama in Three Acts, as performed at the New York Park Theatre. New York, 1824. 16mo, pp. 50.

First acted at the Park Theatre, New York, February 23, 1824.

THE FOREST ROSE; OR, AMERICAN FARMERS. A Pastoral Opera in Two Acts, as performed at the Chatham Theatre, New York. New York, 1825. 18mo, pp. 42.

First acted at the Chatham Theatre, New York, October 6, 1825.

THE WIDOW'S SON; OR, WHICH IS THE TRAITOR? A Melodrama in Three Acts. New York, 1825. 16mo, pp. 82.

First acted at the Park Theatre, New York, December 15, 1825.

KING'S BRIDGE COTTAGE. A Revolutionary Tale Founded on an Incident which occurred a few days previous to the Evacuation of N. York by the British. A Drama in Two Acts, written by a Gentleman of New York and performed at the Amateur Theatre. New York, 1826. 18mo, pp. 23, [1].

WORKMAN, JAMES

LIBERTY IN LOUISIANA. A Comedy. Charleston, 1803. 12mo.

Played at the Charleston Theatre in 1803.

WRIGHT, FRANCES ("FANNY")

FRANCES WRIGHT, born in Dundee, Scotland, September 6, 1795, died in Cincinnati, O., December 14, 1852. She became, early in life, imbued with French liberalism, and was an admiring friend of Lafayette. She first came to the United States in 1818, and was introduced in literary circles here by Joseph Rodman Drake. After a time spent in Paris she came again to the United States in 1825, and purchased 2400 acres of land in Tennessee, at Neshoba (now Memphis). Here she established a colony of freed slaves. The State authorities compelled the relinquishment of the scheme as contrary to the law of the commonwealth, and the land, which was held for her in trust by Lafayette, was reconveyed to her. The negroes were sent to Hayti, and Miss Wright spent three years in lecturing on slavery and social topics in the United States, especially upon woman suffrage, of which she was the first considerable advocate. She went again to France, where she married Monsieur d'Arnsmont, with whom, however, she lived but a short time, returning finally to Cincinnati, Ohio, where she made her final home.

ALTORF. A Tragedy, first represented in the Theatre of New York, February 19, 1819. Philadelphia, 1819. 12mo, pp. 83.

This play was produced in different cities, but was not a success.

Another edition, New York, 1819. 12mo.

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PLAYS IN MANUSCRIPT

Many more titles could be added to the following list, but these will suffice. Ireland's _Records of the New York Stage_, Dunlap's _American Theatre_ and Rees's _Dramatic Authors of America_ give many additional titles, but as unpublished plays really do not deserve a place in a bibliography, I have inserted this list only for the purpose of comparison between those printed and those unpublished.

ANONYMOUS: