Dramatic Technique

Scene 1. George Lillo. Sir A.W. Ward, ed. Belles-Lettres Series. D.

Chapter 68629 wordsPublic domain

C. Heath & Co., Boston and New York.

[12] _Works_, R.W. Bond, ed. Clarendon Press, Oxford.

[13] _Selected Dramas of John Dryden. Conquest of Granada_. G. R. Noyes, ed.

[14] Belles-Lettres Series. Sir A. W. Ward, ed. D. C. Heath & Co., Boston and New York.

[15] _L'Annee Psychologique_, 1894, p. 120.

[16] _The Nigger_, Act I. Edward Sheldon. The Macmillan Co., New York.

[17] _The Devonshire Hamlets_, p. 99.

[18] _Letters of Bulwer-Lytton to Macready_, p. 130. B. Matthews, ed.

[19] _Fortune by Land and Sea._ T. Heywood and W. Rowley. W. B. Clarke Co, Boston.

[20] _From Ibsen's Workshop_, p. 162. Chas. Scribner's Sons, New York.

[21] _Prose Dramas_, vol. 1, p. 377. _Idem_.

[22] _From Ibsen's Workshop_, p. 171. Chas. Scribner's Sons, New York.

[23] _Prose Dramas_, vol. i, p. 386. _Idem_.

[24] _The Ambassador._ T. Fisher Unwin, London.

[25] Samuel French, New York.

[26] _Mistress Beatrice Cope._ M. E. Le Clerc. D. Appleton & Co., New York.

[27] _The Devonshire Hamlets_, pp. 4, 6.

[28] _Becket._ Tennyson. The Macmillan Co.

[29] _Becket._ Arranged by Sir Henry Irving. _Idem._

[30] _George Riddle's Readings._ Walter H. Baker & Co., Boston.

[31] _The Origin of the English Drama_, vol. II, p. 48. T. Hawkins, ed. Clarendon Press, Oxford, 1773.

[32] _Antony and Cleopatra_, Act I, Scene 1.

[33] Belles-Lettres Series. K. L. Bates, ed. D. C. Heath & Co., Boston and New York.

[34] _Pre-Shakesperean Drama_, vol. 1, p. 300. J. M. Manly. Ginn & Co., Boston.

[35] _Early Plays_, p. 72. C. G. Child. Riverside Literature Series, No. 191. Houghton Mifflin Co., Boston.

[36] Samuel French, New York.

[37] Note that this is a literary detail effective for readers only. At best the first row of spectators alone could identify the title of the book.

[38] _Justice._ Copyright, 1910, by John Galsworthy. Chas. Scribner's Sons, New York.

[39] _Die Frau im Fenster._ Theater in Versen. H. von Hofmannsthal. S. Fischer, Berlin.

[40] The final scene of Act IV of _Nathan Hale_ shows effective use of pantomime.

[41] Walter H. Baker & Co., Boston; W. Heinemann, London.

[42] _The Great Divide_, Act I. The Macmillan Co., New York.

[43] Translated by Arthur Symons. Brentano, New York.

[44] For such skilful substitution of pantomime for words, see pp. 388-89, _Lady Windermere's Fan_.

[45] _Robert Louis Stevenson, the Dramatist_, p. 15. Sir A.W. Pinero. Chiswick Press, London. For the play see _Three Plays_, Henley and Stevenson. Chas. Scribner's Sons, New York.

[46] Samuel French, New York.

[47] _The Duchesse of Malfi_, Act V, Scene 4. Belles-Lettres Series. M. W. Sampson, ed. D. C. Heath & Co., Boston and New York.

[48] _Othello_, Act II, Scene 1.

[49] _Othello_, Act III, Scene 3.

[50] _Drama League Series_. Hannah Lynch, tr. Doubleday, Page & Co.

[51] _Plays_, vol. 1. J. W. Luce & Co., Boston.

[52] _Plays_, vol. 1. J. W. Luce & Co., Boston.

[53] _Introduction to Browning_, pp. 85-86. H. Corson. D. C. Heath & Co.

[54] _The Ring and the Book_. Robert Browning. Tauchnitz ed., vol. IV. Leipzig.

[55] Act II, Scene 2. Samuel French, New York.

[56] _Plays_, vol. II, pp. 150-51. J. Tonson. London, 1730.

[57] _The Foundations of a National Drama_, p. 23. H. A. Jones. George H. Doran Company, New York.

[58] _Concerning Humour in Comedy. A Letter. European Theories of the Drama_, pp. 213-214. Ed. B. H. Clark. Stewart and Kidd Co., Cincinnati.

[59] _The Devonshire Hamlets_, p. 28.

[60] Belles-Lettres Series, pp. 271-273. A. Bates, ed. D.C. Heath & Co., Boston.

[61] _Plays of Oscar Wilde_, vol. 1, _Lady Windermere's Fan_. J. W. Luce & Co., Boston.

[62] _Idem_, vol. II. _The Importance of Being Earnest._

[63] _Plays of Oscar Wilde_, vol. 1. J. W. Luce & Co., Boston.

[64] Walter H. Baker Co., Boston.

[65] _Dramatic Works_, vol. II, pp. 222-223. London, 1773.

[66] Geo. Villiers, Duke of Buckingham. _Selected Dramas of John Dryden, with The Rehearsal_, p. 399. G.R. Noyes, ed. Scott, Freeman & Co.

[67] _Richard the Second_, Act IV. Scene 1.

[68] _Twelfth Night_, Act I, Scene 5.

[69] _Plays of Oscar Wilde_, vol. II. J. W. Luce & Co., Boston.

[70] _Dramatic Works of William Congreve_, vol. II. pp. 111-117. S. Crowder, London, 1773.

[71] J. W. Luce & Co., Boston.

[72] _The Letters of Henrik Ibsen_, p. 269. Letter to Edmund Gosse, January 15, 1874. Fox, Duffield & Co., New York.