Chapter 14

Mrs. Breen hesitated between the duty of accompanying the young couple on their European travels, and that of going to the village where Libby’s mills were situated,—in southern New Hampshire. She was not strongly urged to a decision by her children, and she finally chose the latter course. The mill property had been a long time abandoned before Libby’s father bought it, and put it in a repair which he did not hasten to extend to the village. This had remained in a sort of picturesque neglect, which harmonized with the scenery of the wild little valley where it nestled; and Mrs. Breen found, upon the vigorous inquiry which she set on foot, that the operatives were deplorably destitute of culture and drainage. She at once devoted herself to the establishment of a circulating library and an enlightened system of cess-pools, to such an effect of ingratitude in her beneficiaries that she was quite ready to remand them to their former squalor when her son-in-law returned. But he found her work all so good that he mediated between her and the inhabitants, and adopted it with a hearty appreciation that went far to console her, and finally popularized it. In fact, he entered into the spirit of all practical reforms with an energy and intelligence that quite reconciled her to him. It was rather with Grace than with him that she had fault to find. She believed that the girl had returned from Europe materialized and corrupted; and she regarded the souvenirs of travel with which the house was filled as so many tokens of moral decay. It is undeniable that Grace seemed for a time, to have softened to, a certain degree of self-indulgence. During the brief opera season the first winter after her return, she spent a week in Boston; she often came to the city, and went to the theatres and the exhibitions of pictures. It was for some time Miss Gleason’s opinion that these escapades were the struggles of a magnanimous nature, unequally mated, to forget itself. When they met she indulged the habit of regarding Mrs. Libby with eyes of latent pity, till one day she heard something that gave her more relief than she could ever have hoped for. This was the fact, perfectly ascertained by some summer sojourners in the neighborhood; that Mrs. Libby was turning her professional training to account by treating the sick children among her husband’s operatives.

In the fall Miss Gleason saw her heroine at an exhibition of pictures. She rushed across the main hall of the Museum to greet her. “Congratulate you!” she deeply whispered, “on realizing your _dream!_ Now you are _happy_, now you can be at _peace!_”

“Happy? At peace?”

“In the good _work_ you have taken up. Oh, nothing, under Gawd, is lost!” she exclaimed, getting ready to run away, and speaking with her face turned over her shoulder towards Mrs. Libby.

“Dream? Good work? What do you mean?”

“Those factory children!”

“Oh!” said Mrs. Libby coldly, “that was my husband’s idea.”

“Your husband’s!” cried Miss Gleason, facing about again, and trying to let a whole history of suddenly relieved anxiety speak in her eyes. “_How_ happy you make me! _Do_ let me thank you!”

In the effort to shake hands with Mrs. Libby she knocked the catalogue out of her hold, and vanished in the crowd without knowing it. Some gentleman picked it up, and gave it to her again, with a bow of burlesque devotion.

Mrs. Libby flushed tenderly. “I might have known it would be you, Walter. Where _did_ you spring from?”

“I’ve been here ever since you came.”

“What in the world doing?”

“Oh, enjoying myself.”

“Looking at the pictures?”

“Watching you walk round:”

“I thought you couldn’t be enjoying the pictures,” she said simply. “I’m not.”

She was not happy, indeed, in any of the aesthetic dissipations into which she had plunged, and it was doubtless from a shrewder knowledge of her nature than she had herself that her husband had proposed this active usefulness, which she once intended under such different conditions. At the end of the ends she was a Puritan; belated, misdated, if the reader will, and cast upon good works for the consolation which the Puritans formerly found in a creed. Riches and ease were sinful to her, and somehow to be atoned for; and she had no real love for anything that was not of an immediate humane and spiritual effect. Under the shelter of her husband’s name the benevolent use of her skill was no queerer than the charity to which many ladies devote themselves; though they are neither of them people to have felt the anguish which comes from the fear of what other people will think. They go their way in life, and are probably not disturbed by any misgivings concerning them. It is thought, on one hand, that he is a man of excellent head, and of a heart so generous that his deference to her in certain matters is part of the devoted flattery which would spoil any other woman, but that she consults his judgment in every action of her life, and trusts his sense with the same completeness that she trusts his love. On the other hand, when it is felt that she ought to have done for the sake of woman what she could not do for herself, she is regarded as sacrificed in her marriage. If, it is feared, she is not infatuated with her husband, she is in a disgraceful subjection, without the hope of better or higher things. If she had children, they might be a compensation and refuge for her; in that case, to be sure, she must be cut off from her present resource in caring for the children of others; though the conditions under which she now exercises her skill certainly amount to begging the whole question of woman’s fitness for the career she had chosen.

Both parties to this contention are, strange to say, ladies. If it has not been made clear from the events and characters of the foregoing history which opinion is right, I am unable to decide. It is well, perhaps, not to be too explicitly in the confidence of one’s heroine. After her marriage perhaps it is not even decorous.