Day and Night Stories

Part 7

Chapter 74,298 wordsPublic domain

"See here, Arthur," I said plainly once again, "I don't know what your game is, but--there's something queer up here I don't quite get at. I'm only a business man, with classics and poetry all gone dry in me twenty years ago and more----"

He looked at me so strangely that I stopped, confused.

"But, Uncle Jim," he said as quietly as though we talked tobacco brands, "you needn't be alarmed. It's natural you should feel the place. You and I belong to it. We've both got _him_ in us. You're just as proud of him as I am, only in a different way." And then he added, with a touch of disappointment: "I thought you'd like it. You weren't afraid last night. You felt the beauty _then_."

Flattery is a darned subtle thing at any time. To see him standing over me in that superior way and talking down at my poor business mind--well, it just came over me that I was laying my cards on the table a bit too early. After so many years of city life----!

Anyway, I pulled myself together. "I was only kidding you, boy," I laughed. "I feel this beauty just as much as you do. Only, I guess, you're more accustomed to it than I am. Come on now," I added with energy, getting upon my feet, "let's push on and see the wood. I want to find that place again."

He pulled me with a hand of iron, laughing as he did so. Gee! I wished I had his teeth, as well as the muscles in his arm. Yet I felt younger, somehow, too--youth flowed more and more into my veins. I had forgotten how sweet the winds and woods and flowers could be. Something melted in me. For it was Spring, and the whole world was singing like a dream. Beauty was creeping over me. I don't know. I began to feel all big and tender and open to a thousand wonderful sensations. The thought of streets and houses seemed like death....

We went on again, not talking much; my breath got shorter and shorter, and he kept looking about him as though he expected something. But we passed no living soul, not even a peasant; there were no chalets, no cattle, no cattle shelters even. And then I realised that the valley lay at our feet in haze and that we had been climbing at least a couple of hours. "Why, last night I got home in twenty minutes at the outside," I said. He shook his head, smiling. "It seemed like that," he replied, "but you really took much longer. It was long after ten when I found you in the hall." I reflected a moment. "Now I come to think of it, you're right, Arthur. Seems curious, though, somehow." He looked closely at me. "I followed you all the way," he said.

"You followed me!"

"And you went at a good pace too. It was your feelings that made it seem so short--you were singing to yourself and happy as a dancing faun. We kept close behind you for a long way."

I think it was "we" he said, but for some reason or other I didn't care to ask.

"Maybe," I answered shortly, trying uncomfortably to recall what particular capers I had cut. "I guess that's right." And then I added something about the loneliness, and how deserted all this slope of mountain was. And he explained that the peasants were afraid of it and called it No Man's Land. From one year's end to another no human foot went up or down it; the hay was never cut; no cattle grazed along the splendid pastures; no chalet had even been built within a mile of the wood we slowly made for. "They're superstitious," he told me. "It was just the same a hundred years ago when _he_ discovered it--there was a little natural cave on the edge of the forest where he used to sleep sometimes--I'll show it to you presently--but for generations this entire mountain-side has been undisturbed. You'll never meet a living soul in any part of it." He stopped and pointed above us to where the pine wood hung in mid-air, like a dim blue carpet. "It's just the place for Them, you see."

And a thrill of power went smashing through me. I can't describe it. It drenched me like a waterfall. I thought of Greece--Mount Ida and a thousand songs! Something in me--it was like the click of a shutter--announced that the "change" was suddenly complete. I was another man; or rather a deeper part of me took command. My very language showed it.

The calm of halcyon weather lay over all. Overhead the peaks rose clear as crystal; below us the village lay in a bluish smudge of smoke and haze, as though a great finger had rubbed them softly into the earth. Absolute loneliness fell upon me like a clap. From the world of human beings we seemed quite shut off. And there began to steal over me again the strange elation of the night before.... We found ourselves almost at once against the edge of the wood.

It rose in front of us, a big wall of splendid trees, motionless as if cut out of dark green metal, the branches hanging stiff, and the crowd of trunks lost in the blue dimness underneath. I shaded my eyes with one hand, trying to peer into the solemn gloom. The contrast between the brilliant sunshine on the pastures and this region of heavy shadows blurred my sight.

"It's like the entrance to another world," I whispered.

"It is," said Arthur, watching me. "We will go in. You shall pluck asphodel...."

And, before I knew it, he had me by the hand. We were advancing. We left the light behind us. The cool air dropped upon me like a sheet. There was a temple silence. The sun ran down behind the sky, leaving a marvellous blue radiance everywhere. Nothing stirred. But through the stillness there rose power, power that has no name, power that hides at the foundations somewhere--foundations that are changeless, invisible, everlasting. What do I mean? My mind grew to the dimensions of a planet. We were among the roots of life--whence issues that _one thing_ in infinite guise that seeks so many temporary names from the protean minds of men.

"You shall pluck asphodel in the meadows this side of Erebus," Arthur was chanting. "Hermes himself, the Psychopomp, shall lead, and Malahide shall welcome us."

Malahide...!

To hear him use that name, the name of our scholar-ancestor, now dead and buried close upon a century--the way he half chanted it--gave me the goose-flesh. I stopped against a tree-stem, thinking of escape. No words came to me at the moment, for I didn't know what to say; but, on turning to find the bright green slopes just left behind, I saw only a crowd of trees and shadows hanging thick as a curtain--as though we had walked a mile. And it was a shock. The way out was lost. The trees closed up behind us like a tide.

"It's all right," said Arthur; "just keep an open mind and a heart alive with love. It has a shattering effect at first, but that will pass." He saw I was afraid, for I shrank visibly enough. He stood beside me in his grey flannel suit, with his brilliant eyes and his great shock of hair, looking more like a column of light than a human being. "It's all quite right and natural," he repeated; "we have passed the gateway, and Hecate, who presides over gateways, will let us out again. Do not make discord by feeling fear. This is a pine wood, and pines are the oldest, simplest trees; they are true primitives. They are an open channel; and in a pine wood where no human life has ever been you shall often find gateways where Hecate is kind to such as us."

He took my hand--he must have felt mine trembling, but his own was cool and strong and felt like silver--and led me forward into the depths of a wood that seemed to me quite endless. It felt endless, that is to say. I don't know what came over me. Fear slipped away, and elation took its place.... As we advanced over ground that seemed level, or slightly undulating, I saw bright pools of sunshine here and there upon the forest floor. Great shafts of light dropped in slantingly between the trunks. There was movement everywhere, though I never could see what moved. A delicious, scented air stirred through the lower branches. Running water sang not very far away. Figures I did not actually see; yet there were limbs and flowing draperies and flying hair from time to time, ever just beyond the pools of sunlight.... Surprise went from me too. I was on air. The atmosphere of dream came round me, but a dream of something just hovering outside the world I knew--a dream wrought in gold and silver, with shining eyes, with graceful beckoning hands, and with voices that rang like bells of music.... And the pools of light grew larger, merging one into another, until a delicate soft light shone equably throughout the entire forest. Into this zone of light we passed together. Then something fell abruptly at our feet, as though thrown down ... two marvellous, shining sprays of blossom such as I had never seen in all my days before!

"Asphodel!" cried my companion, stooping to pick them up and handing one to me. I took it from him with a delight I could not understand. "Keep it," he murmured; "it is the sign that we are welcome. For Malahide has dropped these on our path."

And at the use of that ancestral name it seemed that a spirit passed before my face and the hair of my head stood up. There was a sense of violent, unhappy contrast. A composite picture presented itself, then rushed away. What was it? My youth in England, music and poetry at Cambridge and my passionate love of Greek that lasted two terms at most, when Malahide's great books formed part of the curriculum. Over against this, then, the drag and smother of solid worldly business, the sordid weight of modern ugliness, the bitterness of an ambitious, over-striving life. And abruptly--beyond both pictures--a shining, marvellous Beauty that scattered stars beneath my feet and scarved the universe with gold. All this flashed before me with the utterance of that old family name. An alternative sprang up. There seemed some radical, elemental choice presented to me--to what I used to call my soul. My soul could take or leave it as it pleased....

I looked at Arthur moving beside me like a shaft of light. What had come over me? How had our walk and talk and mood, our quite recent everyday and ordinary view, our normal relationship with the things of the world--how had it all slipped into this? So insensibly, so easily, so naturally!

"Was it worth while?"

The question--_I_ didn't ask it--jumped up in me of its own accord. Was "what" worth while? Why, my present life of commonplace and grubbing toil, of course; my city existence, with its meagre, unremunerative ambitions. Ah, it was this new Beauty calling me, this shining dream that lay beyond the two pictures I have mentioned.... I did not argue it, even to myself. But I understood. There was a radical change in me. The buried poet, too long hidden, rushed into the air like some great singing bird.

I glanced again at Arthur moving along lightly by my side, half dancing almost in his brimming happiness. "Wait till you see Them," I heard him singing. "Wait till you hear the call of Artemis and the footsteps of her flying nymphs. Wait till Orion thunders overhead and Selene, crowned with the crescent moon, drives up the zenith in her white-horsed chariot. The choice will be beyond all question then...!"

A great silent bird, with soft brown plumage, whirred across our path, pausing an instant as though to peep, then disappearing with a muted sound into an eddy of the wind it made. The big trees hid it. It was an owl. The same moment I heard a rush of liquid song come pouring through the forest with a gush of almost human notes, and a pair of glossy wings flashed past us, swerving upwards to find the open sky--blue-black, pointed wings.

"His favourites!" exclaimed my companion with clear joy in his voice. "They all are here! Athene's bird, Procne and Philomela too! The owl--the swallow--and the nightingale! Tereus and Itys are not far away." And the entire forest, as he said it, stirred with movement, as though that great bird's quiet wings had waked the sea of ancient shadows. There were voices too--ringing, laughing voices, as though his words woke echoes that had been listening for it. For I heard sweet singing in the distance. The names he had used perplexed me. Yet even I, stranger as I was to such refined delights, could not mistake the passion of the nightingale and the dart of the eager swallow. That wild burst of music, that curve of swift escape, were unmistakable.

And I struck a stalwart tree-stem with my open hand, feeling the need of hearing, touching, sensing it. My link with known, remembered things was breaking. I craved the satisfaction of the commonplace. I got that satisfaction; but I got something more as well. For the trunk was round and smooth and comely. It was no dead thing I struck. Somehow it brushed me into intercourse with inanimate Nature. And next the desire came to hear my voice--my own familiar, high-pitched voice with the twang and accent the New World climate brings, so-called American:

"Exchange Place, Noo York City. I'm in that business, buying and selling of exchange between the banks of two civilised countries, one of them stoopid and old-fashioned, the other leading all creation...!"

It was an effort; but I made it firmly. It sounded odd, remote, unreal.

"Sunlit woods and a wind among the branches", followed close and sweet upon my words. But who, in the name of Wall Street, said it?

"England's buying gold," I tried again. "We've had a private wire. Cut in quick. First National is selling!"

Great-faced Hephæstus, how ridiculous! It was like saying, "I'll take your scalp unless you give me meat." It was barbaric, savage, centuries ago. Again there came another voice that caught up my own and turned it into common syntax. Some heady beauty of the Earth rose about me like a cloud.

"Hark! Night comes, with the dusk upon her eyelids. She brings those dreams that every dew-drop holds at dawn. Daughter of Thanatos and Hypnos...!"

But again--who said the words? It surely was not Arthur, my nephew Arthur, of To-day, learning French in a Swiss mountain village! I felt--well, what did I feel? In the name of the Stock Exchange and Wall Street, what was the cash surrender of amazing feelings?

3

And, turning to look at him, I made a discovery. I don't know how to tell it quite; such shadowy marvels have never been my line of goods. He looked several things at once--taller, slighter, sweeter, but chiefly--it sounds so crazy when I write it down--grander is the word, I think. And all spread out with some power that flowed like Spring when it pours upon a landscape. Eternally young and glorious--young, I mean, in the sense of a field of flowers in the Spring looks young; and glorious in the sense the sky looks glorious at dawn or sunset. Something big shone through him like a storm, something that would go on for ever just as the Earth goes on, always renewing itself, something of gigantic life that in the human sense could never age at all--something the old gods had. But the figure, so far as there was any figure at all, was that old family picture come to life. Our great ancestor and Arthur were one being, and that one being was vaster than a million people. Yet it was Malahide I saw....

"They laid me in the earth I loved," he said in a strange, thrilling voice like running wind and water, "and I found eternal life. I live now for ever in Their divine existence. I share the life that changes yet can never pass away."

I felt myself rising like a cloud as he said it. A roaring beauty captured me completely. If I could tell it in honest newspaper language--the common language used in flats and offices--why, I guess I could patent a new meaning in ordinary words, a new power of expression, the thing that all the churches and poets and thinkers have been trying to say since the world began. I caught on to a fact so fine and simple that it knocked me silly to think I'd never realised it before. I had read it, yes; but now I _knew_ it. The Earth, the whole bustling universe, was nothing after all but a visible production of eternal, living Powers--spiritual powers, mind you--that just happened to include the particular little type of strutting creature we called mankind. And these Powers, as seen in Nature, were the gods. It was our refusal of their grand appeal, so wild and sweet and beautiful, that caused "evil." It was this barrier between ourselves and the rest of ...

My thoughts and feelings swept away upon the rising flood as the "figure" came upon me like a shaft of moonlight, melting the last remnant of opposition that was in me. I took my brain, my reason, chucking them aside for the futile little mechanism I suddenly saw them to be. In place of them came--oh, God, I hate to say it, for only nursery talk can get within a mile of it, and yet what I need is something simpler even than the words that children use. Under one arm I carried a whole forest breathing in the wind, and beneath the other a hundred meadows full of singing streams with golden marigolds and blue forget-me-nots along their banks. Upon my back and shoulders lay the clouded hills with dew and moonlight in their brimmed, capacious hollows. Thick in my hair hung the unaging powers that are stars and sunlight; though the sun was far away, it sweetened the currents of my blood with liquid gold. Breast and throat and face, as I advanced, met all the rivers of the world and all the winds of heaven, their strength and swiftness melting into me as light melts into everything it touches. And into my eyes passed all the radiant colours that weave the cloth of Nature as she takes the sun.

And this "figure," pouring upon me like a burst of moonlight, spoke:

"They all are in you--air, and fire, and water...."

"And I--my feet stand--on the _Earth_," my own voice interrupted, deep power lifting through the sound of it.

"The Earth!" He laughed gigantically. He spread. He seemed everywhere about me. He seemed a race of men. My life swam forth in waves of some immense sensation that issued from the mountain and the forest, then returned to them again. I reeled. I clutched at something in me that was slipping beyond control, slipping down a bank towards a deep, dark river flowing at my feet. A shadowy boat appeared, a still more shadowy outline at the helm. I was in the act of stepping into it. For the tree I caught at was only air. I couldn't stop myself. I tried to scream.

"You have plucked asphodel," sang the voice beside me, "and you shall pluck more...."

I slipped and slipped, the speed increasing horribly. Then something caught, as though a cog held fast and stopped me. I remembered my business in New York City.

"Arthur!" I yelled. "Arthur!" I shouted again as hard as I could shout. There was frantic terror in me. I felt as though I should never get back to myself again. Death!

The answer came in his normal voice: "Keep close to me. I know the way...."

The scenery dwindled suddenly; the trees came back. I was walking in the forest beside my nephew, and the moonlight lay in patches and little shafts of silver. The crests of the pines just murmured in a wind that scarcely stirred, and through an opening on our right I saw the deep valley clasped about the twinkling village lights. Towering in splendour the spectral snowfields hung upon the sky, huge summits guarding them. And Arthur took my arm--oh, solidly enough this time. Thank heaven, he asked no questions of me.

"There's a smell of myrrh," he whispered, "and we are very near the undying, ancient things."

I said something about the resin from the trees, but he took no notice.

"It enclosed its body in an egg of myrrh," he went on, smiling down at me; "then, setting it on fire, rose from the ashes with its life renewed. Once every five hundred years, you see----"

"What did?" I cried, feeling that loss of self stealing over me again. And his answer came like a blow between the eyes:

"The Phoenix. They called it a bird, but, of course, the true ..."

"But my life's insured in that," I cried, for he had named the company that took large yearly premiums from me; "and I pay ..."

"Your life's insured in _this_," he said quietly, waving his arms to indicate the Earth. "Your love of Nature and your sympathy with it make you safe." He gazed at me. There was a marvellous expression in his eyes. I understood why poets talked of stars and flowers in a human face. But behind the face crept back another look as well. There grew about his figure an indeterminate extension. The outline of Malahide again stirred through his own. A pale, delicate hand reached out to take my own. And something broke in me.

I was conscious of two things--a burst of joy that meant losing myself entirely, and a rush of terror that meant staying as I was, a small, painful, struggling item of individual life. Another spray of that awful asphodel fell fluttering through the air in front of my face. It rested on the earth against my feet. And Arthur--this weirdly changing Arthur--stooped to pick it for me. I kicked it with my foot beyond his reach ... then turned and ran as though the Furies of that ancient world were after me. I ran for my very life. How I escaped from that thick wood without banging my body to bits against the trees I can't explain. I ran from something I desired and yet feared. I leaped along in a succession of flying bounds. Each tree I passed turned of its own accord and flung after me until the entire forest followed. But I got out. I reached the open. Upon the sloping field in the full, clear light of the moon I collapsed in a panting heap. The Earth drew back with a great shuddering sigh behind me. There was this strange, tumultuous sound upon the night. I lay beneath the open heavens that were full of moonlight. I was myself--but there were tears in me. Beauty too high for understanding had slipped between my fingers. I had lost Malahide. I had lost the gods of Earth.... Yet I had seen ... and felt. I had not lost all. Something remained that I could never lose again....

I don't know how it happened exactly, but presently I heard Arthur saying: "You'll catch your death of cold if you lie on that soaking grass," and felt his hand seize mine to pull me to my feet.

"I feel safer on earth," I believe I answered. And then he said: "Yes, but it's such a stupid way to die--a chill!"

4

I got up then, and we went downhill together towards the village lights. I danced--oh, I admit it--I sang as well. There was a flood of joy and power about me that beat anything I'd ever felt before. I didn't think or hesitate; there was no self-consciousness; I just let it rip for all there was, and if there had been ten thousand people there in front of me, I could have made them feel it too. That was the kind of feeling--power and confidence and a sort of raging happiness. I think I know what it was too. I say this soberly, with reverence ... all wool and no fading. There was a bit of God in me, God's power that drives the Earth and pours through Nature--the imperishable Beauty expressed in those old-world nature-deities!

And the fear I'd felt was nothing but the little tickling point of losing my ordinary two-cent self, the dread of letting go, the shrinking before the plunge--what a fellow feels when he's falling in love, and hesitates, and tries to think it out and hold back, and is afraid to let the enormous tide flow in and drown him.

Oh, yes, I began to think it over a bit as we raced down the mountain-side that glorious night. I've read some in my day; my brain's all right; I've heard of dual personality and subliminal uprush and conversion--no new line of goods, all that. But somehow these stunts of the psychologists and philosophers didn't cut any ice with me just then, because I'd _experienced_ what they merely _explained_. And explanation was just a bargain sale. The best things can't be explained at all. There's no real value in a bargain sale.