Part 22

But the most conspicuous result of the opposed contraction of the above-named muscles is exhibited by the peculiar furrows formed on the forehead. These muscles, when thus in conjoint yet opposed action, may be called, for the sake of brevity, the grief-muscles. When a person elevates his eyebrows by the contraction of the whole frontal muscle, transverse wrinkles extend across the whole breadth of the forehead; but, in the present case, the middle fasciæ alone are contracted; consequently, transverse furrows are formed across the middle part alone of the forehead. The skin over the exterior parts of both eyebrows is at the same time drawn downward and smoothed by the contraction of the outer portions of the orbicular muscles. The eyebrows are likewise brought together through the simultaneous contraction of the corrugators; and this latter action generates vertical furrows, separating the exterior and lowered part of the skin of the forehead from the central and raised part. The union of these vertical furrows with the central and transverse furrows produces a mark on the forehead which has been compared to a horseshoe; but the furrows more strictly form three sides of a quadrangle. They are often conspicuous on the foreheads of adult, or nearly adult, persons, when their eyebrows are made oblique; but with young children, owing to their skin not easily wrinkling, they are rarely seen, or mere traces of them can be detected.

VOLUNTARY POWER OVER THE GRIEF-MUSCLES.

[Page 183.]

Few persons, without some practice, can voluntarily act on their grief-muscles; but, after repeated trials, a considerable number succeed, while others never can. The degree of obliquity in the eyebrows, whether assumed voluntarily or unconsciously, differs much in different persons. With some who apparently have unusually strong pyramidal muscles, the contraction of the central fasciæ of the frontal muscle, although it may be energetic, as shown by the quadrangular furrows on the forehead, does not raise the inner ends of the eyebrows, but only prevents their being so much lowered as they otherwise would have been. As far as I have been able to observe, the grief-muscles are brought into action much more frequently by children and women than by men. They are rarely acted on, at least with grown-up persons, from bodily pain, but almost exclusively from mental distress. Two persons, who, after some practice, succeeded in acting on their grief-muscles, found by looking at a mirror that, when they made their eyebrows oblique, they unintentionally at the same time depressed the corners of their mouths; and this is often the case when the expression is naturally assumed.

The power to bring the grief-muscles freely into play appears to be hereditary, like almost every other human faculty. A lady belonging to a family famous for having produced an extraordinary number of great actors and actresses, and who can herself give this expression “with singular precision,” told Dr. Crichton Browne that all her family had possessed the power in a remarkable degree. The same hereditary tendency is said to have extended, as I likewise hear from Dr. Browne, to the last descendant of the family, which gave rise to Sir Walter Scott’s novel of “Red Gauntlet”; but the hero is described as contracting his forehead into a horseshoe mark from any strong emotion. I have also seen a young woman whose forehead seemed almost habitually thus contracted, independently of any emotion being at the time felt.

The grief-muscles are not very frequently brought into play; and, as the action is often momentary, it easily escapes observation. Although the expression, when observed, is universally and instantly recognized as that of grief or anxiety, yet not one person out of a thousand who has never studied the subject is able to say precisely what change passes over the sufferer’s face. Hence probably it is that this expression is not even alluded to, as far as I have noticed, in any work of fiction, with the exception of “Red Gauntlet” and of one other novel; and the authoress of the latter, as I am informed, belongs to the famous family of actors just alluded to; so that her attention may have been specially called to the subject.

“DOWN IN THE MOUTH.”

[Page 194.]

To say that a person “is down in the mouth” is synonymous with saying that he is out of spirits. The depression of the corners may often be seen, as already stated on the authority of Dr. Crichton Browne and Mr. Nicol, with the melancholic insane, and was well exhibited in some photographs, sent to me by the former gentleman, of patients with a strong tendency to suicide. It has been observed with men belonging to various races, namely, with Hindoos, the dark hill-tribes of India, Malays, and, as the Rev. Mr. Hagenauer informs me, with the aborigines of Australia.

When infants scream they firmly contract the muscles round their eyes, and this draws up the upper lip; and, as they have to keep their mouths widely open, the depressor muscles running to the corners are likewise brought into strong action. This generally, but not invariably, causes a slight angular bend in the lower lip on both sides, near the corners of the mouth.

* * * * *

[Page 195.]

It is remarkable how small a depression of the corners of the mouth gives to the countenance an expression of low spirits or dejection, so that an extremely slight contraction of these muscles would be sufficient to betray this state of mind.

I may here mention a trifling observation, as it will serve to sum up our present subject. An old lady with a comfortable but absorbed expression sat nearly opposite to me in a railway-carriage. While I was looking at her I saw that her _depressores anguli oris_ became very slightly yet decidedly contracted; but, as her countenance remained as placid as ever, I reflected how meaningless was this contraction, and how easily one might be deceived. The thought had hardly occurred to me when I saw that her eyes suddenly became suffused with tears almost to overflowing, and her whole countenance fell. There could now be no doubt that some painful recollection, perhaps that of a long-lost child, was passing through her mind. As soon as her sensorium was thus affected, certain nerve-cells from long habit instantly transmitted an order to all the respiratory muscles, and to those round the mouth, to prepare for a fit of crying. But the order was countermanded by the will, or rather by a later acquired habit, and all the muscles were obedient, excepting in a slight degree the _depressores anguli oris_. The mouth was not even opened; the respiration was not hurried; and no muscle was affected except those which draw down the corners of the mouth.

LAUGHTER.

[Expression of the Emotions, page 200.]

Many curious discussions have been written on the causes of laughter with grown-up persons. The subject is extremely complex. Something incongruous or unaccountable, exciting surprise and some sense of superiority in the laughter, who must be in a happy frame of mind, seems to be the commonest cause. The circumstances must not be of a momentous nature; no poor man would laugh or smile on suddenly hearing that a large fortune had been bequeathed to him.

* * * * *

[Page 201.]

The imagination is sometimes said to be tickled, by a ludicrous idea; and this so-called tickling of the mind is curiously analogous with that of the body. Every one knows how immoderately children laugh and how their whole bodies are convulsed when they are tickled. The anthropoid apes, as we have seen, likewise utter a reiterated sound, corresponding with our laughter, when they are tickled, especially under the armpits. I touched with a bit of paper the sole of the foot of one of my infants, when only seven days old, and it was suddenly jerked away and the toes curled about, as in an older child. Such movements, as well as laughter from being tickled, are manifestly reflex actions; and this is likewise shown by the minute unstriped muscles, which serve to erect the separate hairs on the body, contracting near a tickled surface. Yet laughter from a ludicrous idea, though involuntary, can not be called a strictly reflex action. In this case, and in that of laughter from being tickled, the mind must be in a pleasurable condition; a young child, if tickled by a strange man, would scream from fear. The touch must be light, and an idea or event, to be ludicrous, must not be of grave import. The parts of the body which are most easily tickled are those which are not commonly touched, such as the armpits or between the toes, or parts such as the soles of the feet, which are habitually touched by a broad surface; but the surface on which we sit offers a marked exception to this rule.

* * * * *

[Page 202.]

The sound of laughter is produced by a deep inspiration followed by short, interrupted, spasmodic contractions of the chest, and especially of the diaphragm. Hence we hear of “laughter holding both his sides.” From the shaking of the body, the head nods to and fro. The lower jaw often quivers up and down, as is likewise the case with some species of baboons, when they are much pleased.

During laughter the mouth is opened more or less widely, with the corners drawn much backward, as well as a little upward; and the upper lip is somewhat raised. The drawing back of the corners is best seen in moderate laughter, and especially in a broad smile--the latter epithet showing how the mouth is widened.

* * * * *

[Page 208.]

Although we can hardly account for the shape of the mouth during laughter, which leads to wrinkles being formed beneath the eyes, nor for the peculiar reiterated sound of laughter, nor for the quivering of the jaws, nevertheless we may infer that all these effects are due to some common cause; for they are all characteristic and expressive of a pleased state of mind in various kinds of monkeys.

* * * * *

It is scarcely possible to point out any difference between the tear-stained face of a person after a paroxysm of excessive laughter and after a bitter crying-fit. It is probably due to the close similarity of the spasmodic movements caused by these widely different emotions that hysteric patients alternately cry and laugh with violence, and that young children sometimes pass suddenly from the one to the other state. Mr. Swinhoe informs me that he has often seen the Chinese, when suffering from deep grief, burst out into hysterical fits of laughter.

I was anxious to know whether tears are freely shed during excessive laughter by most of the races of men, and I hear from my correspondents that this is the case. One instance was observed with the Hindoos, and they themselves said that it often occurred. So it is with the Chinese. The women of a wild tribe of Malays in the Malacca Peninsula sometimes shed tears when they laugh heartily, though this seldom occurs. With the Dyaks of Borneo it must frequently be the case, at least with the women, for I hear from the Rajah C. Brooke that it is a common expression with them to say, “We nearly made tears from laughter.”

* * * * *

[Expression of the Emotions, page 133.]

Young orangs, when tickled, grin and make a chuckling sound; and Mr. Martin says that their eyes grow brighter. As soon as their laughter ceases, an expression may be detected passing over their faces, which, as Mr. Wallace remarked to me, may be called a smile. I have also noticed something of the same kind with the chimpanzee. Dr. Duchenne--and I can not quote a better authority--informs me that he kept a very tame monkey in his house for a year; and, when he gave it during meal-times some choice delicacy, he observed that the corners of its mouth were slightly raised; thus an expression of satisfaction, partaking of the nature of an incipient smile, and resembling that often seen on the face of man, could be plainly perceived in this animal.

EXPRESSION OF THE DEVOUT EMOTIONS.

[Page 220.]

With some sects, both past and present, religion and love have been strangely combined; and it has even been maintained, lamentable as the fact may be, that the holy kiss of love differs but little from that which a man bestows on a woman, or a woman on a man. Devotion is chiefly expressed by the face being directed toward the heavens, with the eyeballs upturned. Sir C. Bell remarks that, at the approach of sleep, or of a fainting-fit, or of death, the pupils are drawn upward and inward; and he believes that “when we are rapt in devotional feelings, and outward impressions are unheeded, the eyes are raised by an action neither taught nor acquired”; and that this is due to the same cause as in the above cases. That the eyes are upturned during sleep is, as I hear from Professor Donders, certain. With babies, while sucking their mother’s breast, this movement of the eyeballs often gives to them an absurd appearance of ecstatic delight; and here it may be clearly perceived that a struggle is going on against the position naturally assumed during sleep. But Sir C. Bell’s explanation of the fact, which rests on the assumption that certain muscles are more under the control of the will than others, is, as I hear from Professor Donders, incorrect. As the eyes are often turned up in prayer, without the mind being so much absorbed in thought as to approach to the unconsciousness of sleep, the movement is probably a conventional one--the result of the common belief that Heaven, the source of Divine power to which we pray, is seated above us.

A humble kneeling posture, with the hands upturned and palms joined, appears to us, from long habit, a gesture so appropriate to devotion, that it might be thought to be innate; but I have not met with any evidence to this effect with the various extra-European races of mankind. During the classical period of Roman history it does not appear, as I hear from an excellent classic, that the hands were thus joined during prayer. Mr. Hensleigh Wedgwood has apparently given the true explanation, though this implies that the attitude is one of slavish subjection. “When the suppliant kneels and holds up his hands with the palms joined, he represents a captive who proves the completeness of his submission by offering up his hands to be bound by the victor. It is the pictorial representation of the Latin _dare manus_, to signify submission.” Hence it is not probable that either the uplifting of the eyes or the joining of the open hands, under the influence of devotional feelings, is an innate or a truly expressive action; and this could hardly have been expected, for it is very doubtful whether feelings such as we should now rank as devotional affected the hearts of men while they remained during past ages in an uncivilized condition.

FROWNING.

[Expression of the Emotions, page 225.]

We may now inquire how it is that a frown should express the perception of something difficult or disagreeable, either in thought or action. In the same way as naturalists find it advisable to trace the embryological development of an organ in order fully to understand its structure, so with the movements of expression it is advisable to follow as nearly as possible the same plan. The earliest and almost sole expression seen during the first days of infancy, and then often exhibited, is that displayed during the act of screaming; and screaming is excited, both at first and for some time afterward, by every distressing or displeasing sensation and emotion--by hunger, pain, anger, jealousy, fear, etc. At such times the muscles round the eyes are strongly contracted; and this, as I believe, explains to a large extent the act of frowning during the remainder of our lives. I repeatedly observed my own infants, from under the age of one week to that of two or three months, and found that, when a screaming-fit came on gradually, the first sign was the contraction of the corrugators, which produced a slight frown, quickly followed by the contraction of the other muscles round the eyes.

* * * * *

[Page 226.]

Screaming or weeping begins to be voluntarily restrained at an early period of life, whereas frowning is hardly ever restrained at any age. It is perhaps worth notice that, with children much given to weeping, anything which perplexes their minds, and which would cause most other children merely to frown, readily makes them weep. So with certain classes of the insane, any effort of mind, however slight, which with an habitual frowner would cause a slight frown, leads to their weeping in an unrestrained manner. It is not more surprising that the habit of contracting the brows at the first perception of something distressing, although gained during infancy, should be retained during the rest of our lives, than that many other associated habits acquired at an early age should be permanently retained both by man and the lower animals. For instance, full-grown cats, when feeling warm and comfortable, often retain the habit of alternately protruding their fore-feet with extended toes, which habit they practiced for a definite purpose while sucking their mothers.

POUTING.

[Page 232.]

With young children sulkiness is shown by pouting, or, as it is sometimes called, “making a snout.” When the corners of the mouth are much depressed, the lower lip is a little everted and protruded; and this is likewise called a pout. But the pouting here referred to consists of the protrusion of both lips into a tubular form, sometimes to such an extent as to project as far as the end of the nose, if this be short. Pouting is generally accompanied by frowning, and sometimes by the utterance of a booing or whooing noise. This expression is remarkable, as almost the sole one, as far as I know, which is exhibited much more plainly during childhood, at least with Europeans, than during maturity. There is, however, some tendency to the protrusion of the lips with the adults of all races under the influence of great rage. Some children pout when they are shy, and they can then hardly be called sulky.

* * * * *

[Page 234.]

Young orangs and chimpanzees protrude their lips to an extraordinary degree, when they are discontented, somewhat angry, or sulky; also when they are surprised, a little frightened, and even when slightly pleased. Their mouths are protruded apparently for the sake of making the various noises proper to these several states of mind; and its shape, as I observed with the chimpanzee, differed slightly when the cry of pleasure and that of anger were uttered. As soon as these animals become enraged, the shape of the mouth wholly changes, and the teeth are exposed. The adult orang when wounded is said to emit “a singular cry, consisting at first of high notes, which at length deepen into a low roar. While giving out the high notes he thrusts out his lips into a funnel shape, but in uttering the low notes he holds his mouth wide open.” With the gorilla, the lower lip is said to be capable of great elongation. If, then, our semi-human progenitors protruded their lips when sulky or a little angered, in the same manner as do the existing anthropoid apes, it is not an anomalous, though a curious fact, that our children should exhibit, when similarly affected, a trace of the same expression, together with some tendency to utter a noise. For it is not at all unusual for animals to retain, more or less perfectly, during early youth, and subsequently to lose, characters which were aboriginally possessed by their adult progenitors, and which are still retained by distinct species, their near relations.

DECISION AT THE MOUTH.

[Page 236.]

No determined man probably ever had an habitually gaping mouth. Hence, also, a small and weak lower jaw, which seems to indicate that the mouth is not habitually and firmly closed, is commonly thought to be characteristic of feebleness of character. A prolonged effort of any kind, whether of body or mind, implies previous determination; and if it can be shown that the mouth is generally closed with firmness before and during a great and continued exertion of the muscular system, then, through the principle of association, the mouth would almost certainly be closed as soon as any determined resolution was taken.

ANGER.

[Expression of the Emotions, page 243.]

The lips are sometimes protruded during rage in a manner the meaning of which I do not understand, unless it depends on our descent from some ape-like animal. Instances have been observed, not only with Europeans, but with the Australians and Hindoos. The lips, however, are much more commonly retracted, the grinning or clinched teeth being thus exposed. This has been noticed by almost every one who has written on expression. The appearance is as if the teeth were uncovered, ready for seizing or tearing an enemy, though there may be no intention of acting in this manner. Mr. Dyson Lacy has seen this grinning expression with the Australians, when quarreling, and so has Gaika with the Caffres of South Africa. Dickens, in speaking of an atrocious murderer who had just been caught, and was surrounded by a furious mob, describes “the people as jumping up one behind another, snarling with their teeth, and making at him like wild beasts.” Every one who has had much to do with young children must have seen how naturally they take to biting, when in a passion. It seems as instinctive in them as in young crocodiles, who snap their little jaws as soon as they emerge from the egg.

SNEERING.

[Expression of the Emotions, page 253.]

The expression here considered, whether that of a playful sneer or ferocious snarl, is one of the most curious which occurs in man. It reveals his animal descent; for no one, even if rolling on the ground in a deadly grapple with an enemy, and attempting to bite him, would try to use his canine teeth more than his other teeth. We may readily believe from our affinity to the anthropomorphous apes that our male semi-human progenitors possessed great canine teeth, and men are now occasionally born having them of unusually large size, with interspaces in the opposite jaw for their reception. We may further suspect, notwithstanding that we have no support from analogy, that our semi-human progenitors uncovered their canine teeth when prepared for battle, as we still do when feeling ferocious, or when merely sneering at or defying some one, without any intention of making a real attack with our teeth.

DISGUST.

[Expression of the Emotions, page 258.]

Extreme disgust is expressed by movements round the mouth identical with those preparatory to the act of vomiting. The mouth is opened widely, with the upper lip strongly retracted, which wrinkles the sides of the nose, and with the lower lip protruded and everted as much as possible. This latter movement requires the contraction of the muscles which draw downward the corners of the mouth.