Chapter 15
His allegiance to Cytherea, though, was in part to the former, to youth; now it seemed to him he had preserved that through all his life. But the latter, at least in its devastating power, was new. Lee recognized it as passion, but passion to a degree beyond all former experience and comprehension. Why had it been quiescent so long to overwhelm him now? Or what had he done to open himself to such an invasion? A numbing poison couldn't have been very different. Then, contrarily, he was exhilarated by the knowledge of the vitality of his emotion; Lee reconsidered it with an amazement which resembled pride.
The penny kisses here--he was letting himself into the house--were like the candies Fanny had in a crystal dish on the sideboard, flavors of cinnamon and rose and sugary chocolate. They were hardly more than the fumes of alcohol. But the party showed no signs of ending, the piano continued to be played without a break; one sentimental song had been repeated, without the omission of a line, a held note, ten times, Lee was sure. Fanny paused breathlessly, with a hand on his arm:
“They are all having such a good time; it is absolutely successful. Isn't Borden sweet to bother teaching me that heel tap. Go in and talk to Mrs. Craddock again; I thought you liked her.”
In the hall the victrola had been started in opposition to the piano beyond, and the result was a pandemonium of mechanical sound and hysterical laughter. Cytherea was unmoved, enigmatic, fascinating; the gilt of her headdress shone in minute sparkles--Lee had turned on the lights by the mantel. “You always come back to her,” Mrs. Craddock said. When he replied that this time he had returned to her, she shook her head sceptically. “But I suppose you have to say it.” He dropped back into a corner of one of the benches; they were a jumble of skirts and reclining heads and elevated pumps. The victrola, at the end of a record and unattended, ran on with a shrill scratch. Cytherea had the appearance of floating in the restrained light; her smile was not now so mocking as it was satirical; from her detached attention she might have been regarding an extraordinary and unpredictable spectacle which she had indifferently brought about. It was evident that among what virtues she might possess charity was not present.
* * * * *
After the last automobile leaving--shifted through the diminishing clamor of its gears--had carried its illumination into the farther obscurity of the road, Fanny, uncomfortable in the presence of disorder, quickly obliterated the remaining traces of their party: she emptied the widely scattered ash trays into a brass bowl, gathered the tall whiskey glasses and the glasses with fragile stems and brilliantly enamelled belligerent roosters, the empty charged water bottles, on the dresser in the pantry, and returned chairs and flowers to their recognized places, while Lee locked up the decanters of whiskey. Fanny was tired but enthusiastic, and, as she went deftly about, rearranging her house with an unfailing surety of touch, she hummed fragments of the evening's songs.
Lee Randon was weary without any qualification; the past day, tomorrow--but it was already today--offered him no more than a burden, so many heavy hours, to be supported. The last particle of interest had silently gone from his existence. His condition was entirely different from the mental disquiet of a month ago; no philosophical considerations nor abstract ideas absorbed him now--it was a weariness not of the mind but of the spirit, a complete sterility of imagination and incentive, as though an announced and coveted prize had been arbitrarily withdrawn during the struggle it was to have rewarded. There was no reason Lee could think of for keeping up his diverse efforts. He sat laxly in his customary corner of the living room--Fanny, he felt, had disposed of him there as she had the other surrounding objects--his legs thrust out before him, too negative to smoke.
His wife leaned over and kissed him; she was, she had suddenly discovered, dead with fatigue. The kiss was no more than the contact of her lips on his. The clear realization of this startled him; now not an emotion, not even tenderness, responded to her gestures of love. His indifference had been absolute! There had been periods of short duration when, exasperated with Fanny, he had lost the consciousness of his affection for her; but then he had been filled with other stirred emotions; and now he was coldly empty of feeling. It was this vacancy that specially disturbed him: it had an appearance, new to all his processes, of permanence.
Outside his will the fact was pronounced for him that--for a long or short period--he had ceased to love his wife. There was something so intimately and conventionally discourteous in his realization that he avoided it even in his thoughts. But it would not be ignored; it was too robust a truth to be suppressed by weakened instincts. He didn't love Fanny and Fanny did love him ... a condition, he felt indignantly, which should be automatically provided against; none of the ethics of decency or conduct provided for that. It wasn't for a second, without the single, the familiar and ancient, cause, allowed. Fanny, least of any imaginable woman, had given him a pretext for complaint. Yet, with everyone acknowledging her to be the perfect wife, and he at the fore of such praise, he had incontestably stopped caring for her. It was a detestable situation.
In the whole body of preconceived thought and action there wasn't a word, a possible movement, left for him. He was, simply, a hyena; that description, not innocent of humor, was still strikingly close to what he would generally hear if the state of his mind were known. It was paralyzing, but absolutely no provision had been made for men, decent enough, who had stopped loving decent wives. Lee was not, here, considering the part of his life involved with Savina Grove: Savina had nothing to do with his attitude toward Fanny. This didn't hang on the affection he might have for one at the superficial expense of the other: Savina--while it was undeniable that she had done exactly this in the vulgar physical sense--hadn't essentially taken him away from Fanny. He had gone self-directed, or, rather, in the blind manner of an object obeying the law of gravity. He couldn't argue that he had been swept away.
It wasn't, either, that he overwhelmingly wanted to go to Savina Grove, he overwhelmingly didn't; and the strangling emotion, the desire, that had possessed him earlier in the evening had been sufficiently unwelcome. His only reaction to that was the vigorous hope that it wouldn't come back. No, he had, mentally, settled the affair with Savina in the best possible manner; now he was strictly concerned with the bond between his wife and himself. The most reliable advice, self-administered or obtained from without, he could hope for would demand that he devote the rest of his life, delicately considerate, to Fanny. She must never know the truth. This was the crown of a present conception of necessity and unassailable conduct, of nobility. But, against this, Lee Randon was obliged to admit that he was not a particle noble; he wasn't certain that he wanted to be; he suspected it. Putting aside, for the moment, the doubtfulness of his being able to maintain successfully, through years, such an imposition, there was something dark, equally dubious, in its performance. He might manage it publicly, even superficially in private, and as a father; but marriage wasn't primarily a superficial relationship. It was very much the reverse. Its fundamental condition was the profoundest instinct that controlled living; there no merely admirable conduct could manage to be more than a false and degrading, a temporary, lie. How could he with a pandering smugness meet Fanny's purity of feeling? Yet, it seemed, exactly this was being done by countless other applauded men. But, probably, the difference between them and himself was that they had no objective consciousness of their course; happily they never stopped to think. It was thought, he began to see, and not feeling that created nearly all his difficulties.
In a flash of perception he grasped that formal thought, in its aspect of right conduct, was utterly opposed to feeling. While the former condemned the surrender of Savina and himself to passion, the latter, making it imperative, had brushed aside the barriers of recognized morals. It had been a tragic, it might well be a fatal, error to oppose religion--as it affected both this world and the impossible next--to nature.
Yet men could no longer exist as animals; he saw that plainly. They had surrendered the natural in favor of an artificial purity. In a land where sea shells were the standard of value, rubies and soft gold were worthless. Lee was opposed to his entire world; he had nothing but his questioning, his infinitesimal entity, for his assistance. Literally there wasn't a man to whom he could turn whose answer and advice weren't as predictable as useless. There was nothing for him but to accept his position and, discharging it where he was able, fail where he must.
There was, however, no need for that failure to be absolute; and the underlying responsibility he had fully considered, subject to its own attained code, would have to do service as best it could. Here he paused to realize that the improved manners he had determined on were no more than the expression of his growing, his grown, indifference. It should be easy to be restrained in a situation that had small meaning or importance. What struck him again was the fact that his connection with Fanny was of far greater moment than that with Helena and Gregory. His responsibility to them was a minor affair compared to the weight increasingly laid upon their elders. Somehow, they didn't seem to need him as sharply as Fanny did. Materially they were all three more than sufficiently provided for, and spiritually, as he had so often reflected, he had little or no part in his children's well-being. Perhaps this, he had told himself, could be changed; certainly he was solely to blame if he had stood aside from their education.
He would see more of them--four days a week were now plenty for the conducting of his successful enterprises in the city--and give them what benefits his affection and experience held. In this he mustn't contradict the influence of their mother; that, so late, would only be followed by chaos; he'd merely be more with them. Helena was old enough for a small tractable horse and Gregory must have a pony. All four, Fanny and he and the children, would jog out in the spring together. From that mental picture he got a measure of reassurance; a condition resembling peace of mind again returned. As much as possible, against the elements of danger, was in his favor. He might have had a wife who, on the prevalent tide of gin and orange juice, of inordinate luxuriousness, degraded him with small betrayals. Or he might have been any one of a hundred unfortunate things. He took life too seriously, that was evident; a larger degree of mental irresponsibility would be followed by a more responsible accomplishment of the realities which bore no more heavily on him than on other men; and in this the cocktails had their office.
* * * * *
Lee agreed readily, therefore, when, on Friday afternoon, Fanny asked him to bring Helena and Gregory from dancing-school. This was held in the Armory; and, past five o'clock, mounting the wide stone steps in the early gloom and going through the bare echoing hall, he joined the complacent mothers ranged in chairs pushed against the wall in a spirit of interested attention. The Armory, following the general literal interpretation of the sternness of military usage, was gaunt, with a wide yellow floor and walls of unconcealed brick. In a far corner, on a temporary and unpainted platform, the pianist sat with her hands raised, her wrists rigid, preparatory to the next demand upon her strongly accentuated playing. Lee was surprised at the large number of children ranged in an irregular ring about the erect brittle presence and insistent voice of the instructor.
What scant hair he possessed, carefully disposed to cover its meagreness, was grey, and its color permeated, suggested, the tone of his thin face. Surrounded by the cruel exuberance of the children, he seemed incalculably worn, permanently weary, although he was surprisingly sharp-eyed and adequate. It was, Lee thought unsympathetically, a curiously negative occupation for a man; the small graces of the dancing teacher, the bows gravely exchanged with childish bows, the bent dancing with diminutive slips, the occasional fretful tone of his voice, further alienated Lee Randon. But the children were a source of entertainment and speculation.
He saw Gregory at once, short and sturdy-legged, in a belted jacket and white breeches; his son was standing peaceably, attentive, clasping the hand of a girl smaller than himself with obstinate bobbed hair. This, the high pointed voice in the center of the floor continued, was an Irish folk dance; they would try it again; and the reiterated details were followed by the sounding of a whistle and music. Lee had no idea of the exact number of children engaged, but he was certain that there were just as many totally different executions of the steps before them. Not one had grasped an essential of the carefully illustrated instruction; he could see nowhere an evidence of grace or rhythm. But, with a few notable exceptions, all boys, there was an entire solemnity of effort; the swinging of bare short legs, the rapid awkward bobs, were undertaken with a deep sense of their importance.
The Irish folk dance was attempted for a third time, and then relinquished in favor of a waltz. Miniature couples circled and staggered, the girls again prim, the boys stolid or with working mouths, or as smooth and vacuous as chestnuts, little sailors and apparitions in white, obviously enjoying their employment. During this not a word was exchanged; except for the shuffling feet, the piano, an occasional phrase of encouragement from the instructor, himself gliding with a dab of fat in exaggerated ribbons, there wasn't a sound. To Lee it had the appearance of the negation of pleasure; it was, in its way, as bad as the determined dancing of adults; it had the look of a travesty of that. Helena conducted a restive partner, trying vainly to create the impression that he was leading, wherever she considered it advantageous for him to go. The thick flood of her gold hair shimmered about her uncompromising shoulders, her embroidered skirt fluttered over the firmness of her body.
She was as personable a little girl as any present; and, while she hadn't Gregory's earnestness in what he attempted, she got on smoothly enough. Seeing Lee, she smiled and waved a hand almost negligently; but Gregory, at his presence, grew visibly embarrassed; he almost stopped. Lee Randon nodded for him to go ahead. There were various minor cataclysms--Helena flatly refused to dance with a boy who pursued her with an urging hand. At this conspicuous reverse he sat on a chair until the teacher brought him forcibly out and precipitated him into the willing arms of a girl larger and, if possible, more inelastic than the others. The ring was again assembled, and the complicated process of alternating a boy with a girl was accomplished.
“Never mind what he does,” the instructor directed sharply; “always be sure you are right.” A shift was made further around in the line, and the elder wisdom was vindicated. “Now, the chain.” The whistle blew. “Left and right, left and right.” In spite of this there was an equal engagement of rights with lefts. The assumption of gravity acutely bothered Lee Randon: they had no business, he thought, to be already such social animals. Their training in set forms, mechanical gestures and ideas, was too soon hardening their mobility and instinctive independence. Yes, they were a caricature of what they were to become. He hadn't more sympathy with what he had resolved to encourage, applaud, but less. The task of making any headway against that schooling was beyond him.
The dancing reached a pause, and, with it, the silence: a confusion of clear undiversified voices rose: the face of an infant with long belled trousers and solidified hair took on a gleam of impish humor; older and more robust boys scuffled together with half-subdued hails and large pretentions; groups of girls settled their skirts and brushed, with instinctive pats, their braids into order; and there was a murmur of exchanged approbation from the supporting, white-gloved mothers. Gregory appeared at Lee's side; his cheeks were crimson with health, his serious eyes glowed:
“Well, do you like it?”
“Yes,” Gregory answered shyly. He lingered while Lee Randon tried to think of something else appropriate to say, and then he ran abruptly off. His children were affectionate enough, but they took him absolutely for granted; they regarded him very much as they did their cat; except for the conventional obeisance they made him, not so voluntary as it was trained into them, they were far more involved with Martha, their black nurse. Everywhere, Lee felt, they repelled him. Was he, then, lacking in the qualities, the warmth, of paternity? Again, as he was helpless where Fanny lately was concerned, he was unable to be other.
It was increasingly evident that he had not been absorbed, obliterated, in marriage; an institution which, from the beginning, had tried--like religion--to hold within its narrow walls the unconfinable instincts of creation. It hadn't, among other things, considered the fascination of Cytherea; a name, a tag, as intelligible as any for all his dissent. But cases like his were growing more prevalent; however, usually, in women. Men were the last stronghold of sentimentality. His thoughts were interrupted by a dramatic rift in the discipline of the class: a boy, stubbornly seated, swollen, crimson, with wrath and heroically withheld tears, was being vainly argued with by the dancing master. He wouldn't stir, he wouldn't dance. The man, grasping a shoulder, shook him in a short violence, and then issued a final uncompromising order.
The boy rose and, marching with an increasing rapidity toward the entrance, he struck aside a placid and justifiably injured child, dragged open the door, and slammed it after him with a prodigious and long echoing report. His contempt, holding its proportion in the reduced propriety of the occasion, was like a clap of communistic thunder in an ultra-conservative assembly. For a moment, together with all the others, Lee Randon was outraged; then, with a suppression of his unorderly amusement, he had a far different conception--he saw himself, for no easily established reason, in the person of the rebel who had left behind him the loud announcement of his angry dissent. Helena sought Lee immediately.
“That's his mother,” she said in a penetrating whisper, indicating a woman with a resolutely abstracted expression and constrained hands. The children were gathered finally and formed into a line which, to the drumming piano, moved and halted, divided and subdivided. Led by the instructor it was involved in an apparently issueless tangle and then straightened smoothly out. The dancing class at an end, Helena and Gregory, wedged into the seat with Lee in the car, swept into an eager chatter, a rush of questions, that he was unable to follow. A Sara Lane was announced by Helena to be the object of Gregory's affection, and Gregory smugly admitted this to be true. He was going to marry her, he declared further.
“Perhaps,” Lee suggested, “you'll change your mind.”
“Why, Gregory has four girls,” Helena instructed him.
“Well,” Gregory retorted, “I can marry them all.”
But what, under this reflected chatter, was his son like? What would he be? And Helena! They eluded him like bright and featureless bits of glass. His effort to draw closer to them was proving a failure; what could he give them safer than their attachment to the imponderable body of public opinion and approval? He had nothing but doubts, unanswerable questions; and a mental, a moral, isolation. It was easier to remain in the dancing class than to be sent out in an agony of revolt and strangling shame.
* * * * *
Often, during his conversations with Fanny, she returned to the subject of his late New York trip and stay with the Groves. She asked small interested questions, commented on the lavish running of the Grove house; she couldn't, she explained, get nectarines and Belgian grapes in Eastlake; but when she was in the city again she'd bring some out. “Mina Raff's limousine sounds luxurious,” she acknowledged. But Fanny wasn't curious about Mina; after the first queries she accepted her placidly; now that she had withdrawn from the Morrises' lives, Fanny regarded her in the light of a past episode that cast them all together on a romantic screen. What mostly she asked touched upon Savina Grove. “Did they seem happy?” she inquired about the Groves. He replied:
“Very. William Grove was quite affectionate when he left for Washington.”
A momentary and ominous suspense followed a sudden stopping of his voice.
“You didn't say anything about that before,” she observed carefully. “When did he go, how long was he away?” She put aside what she was doing, waiting.
“He left unexpectedly; just when I forget; but during the last day I was there.”
“Lee, why didn't you say that Mr. Grove had gone to Washington? It seems very peculiar.”
“I told you it had slipped my mind,” he retorted, striving, in a level tone, to hide his chagrin and an increasing irritation at her persistence.
“When did he come back?”
“I don't know.” Suddenly he gave way to a complete frankness. “He may not be back yet.”
“Then you had dinner at the restaurant and went to the theatre alone with her.”
“If it's possible to be alone with anyone, you are correct. What, in the name of heaven, are you getting at?”
“Only this--that, for some reason I can't gather, you lied to me. I have had the most uncomfortable impression about her all along. Why?” Her demand had a quality of unsteady emotion. “I have been so close to you, Lee, we have had each other so completely, that I have feelings I can't account for. I always know when--when you've been a little silly; there is something in your eyes; but I have never felt like this before. Lee,” she leaned suddenly forward, her hands clasping the sides of her chair, “you must be absolutely truthful with me, it's the only way I can live. I love you so much; you're all I have; I don't care for anyone else now. You have taken me away from my family; you are my family. Ours isn't an ordinary marriage, like the Lucians', but worlds deeper.”
Yet, he told himself, in spite of her assurances the truth would ruin them; besides, as he had recognized, it didn't belong exclusively to him; it was, as well, Savina's truth. At any cost he had to protect her. Lee replied by saying that it was useless to tell her facts in her present unreasonable humor. “Why didn't you tell me he had gone to Washington?” she repeated; her tone had a sharper edge. “Was there anything you needed to hide?” Just what, he demanded, did she suspect? Fanny didn't know.
“Only I have had this worrying feeling. Did you go straight back from the theatre or take a drive?” He was amazed at her searching prescient questions; but his manner was admirable.
“New Yorkers are not very apt to drive around their Park at night. They are rather familiar with it. There's the afternoon for that, and the morning for the bridle paths. I won't go on, though, in such a senseless and positively insulting conversation.”