Part 10

In illustration of the phenomena of the preceding case, Dr. Abercrombie gives the following very curious history: "A girl, aged seven years, an orphan of the lowest rank, residing in the house of a farmer, by whom she was employed in tending cattle, was accustomed to sleep in an apartment separated by a very thin partition from one which was frequently occupied by an itinerant fiddler. This person was a musician of very considerable skill, and often spent a part of the night in performing pieces of a refined description; but his performance was not taken notice of by the child, except as a disagreeable noise. After a residence of six months in this family she fell into bad health, and was removed to the house of a benevolent lady, where, on her recovery after a protracted illness, she was employed as a servant. Some years after she came to reside with this lady, the most beautiful music was often heard in the house during the night, which excited no small interest and wonder in the family; and many a waking hour was spent in endeavours to discover the invisible minstrel. At length the sound was traced to the sleeping-room of the girl, who was found fast asleep, but uttering from her lips a sound exactly resembling the sweetest tones of a small violin. On further observation it was found, that after being about two hours in bed, she became restless and began to mutter to herself; she then uttered sounds precisely resembling the tuning of a violin, and at length, after some prelude, dashed off into an elaborate piece of music, which she performed in a clear and accurate manner, and with a sound exactly resembling the most delicate modulation of the instrument, and then began exactly where she had stopped in the most correct manner. These paroxysms occurred at irregular intervals, varying from one to fourteen and even twenty nights; and they were generally followed by a degree of fever and pain over various parts of the body.

"After a year or two, her music was not confined to the imitation of the violin, but was often exchanged for that of a piano, of a very old description, which she was accustomed to hear in the house in which she now lived, and then she would begin to sing, imitating exactly the voices of several ladies of the family.

"In another year from this time she began to talk a great deal in her sleep, in which she fancied herself instructing a young companion. She often descanted with the utmost fluency and correctness on a variety of subjects, both political and religious, the men of the day, the historical parts of Scripture, public characters, and particularly the character of the members of the family and their visiters. In these discussions she showed the most wonderful discrimination, often combined with sarcasm, and astonishing powers of mimickry. Her language through the whole was fluent and correct, and her illustrations often forcible and even eloquent. She was fond of illustrating her subjects by what she called _a fable_, and in these, her imagery was both appropriate and correct. The justice and truth of her remarks on all subjects, excited the utmost astonishment in those who were acquainted with her limited means of acquiring information.

"She had been known to conjugate correctly Latin verbs, which she had probably heard in the school room of the family, and she was once heard to speak several sentences very correctly in French, at the same time stating that she had heard them from a foreign gentleman whom she had met accidentally in a shop. Being questioned on this subject when awake, she remembered having seen the gentleman, but could not repeat a word of what he had said.

"During her paroxysms it was almost impossible to awake her, and when her eyelids were raised and a candle brought near the eye, the pupil seemed insensible to the light. For several years she was, during the paroxysm, entirely unconscious of the presence of other persons, but about the age of sixteen, she began to observe those who were in the apartment, and she could tell correctly their number though the utmost care was taken to have the room darkened. She now also became capable of answering questions that were put to her, and of noticing remarks made in her presence, and, with regard to both, she showed astonishing acuteness. Her observations indeed were often of such a nature, and corresponded so accurately with character and events, that, by the country people, she was believed to be endowed with supernatural power.

"During the whole period of this remarkable affection, which seems to have gone on for at least ten or eleven years, she was, when awake, a dull awkward girl, very slow in receiving any kind of instruction, though much care was bestowed upon her; and in point of intellect, she was much inferior to the other servants of the family. In particular, she showed no kind of turn for music. She did not appear to have any recollection of what passed in her sleep; but during her nocturnal ramblings, she was more than once heard to lament her infirmity of speaking in her sleep, adding how fortunate it was she did not sleep among the other servants, as they teased her enough about it as it was.

"About the age of twenty-one she became immoral in her conduct, and was dismissed the family. Her propensity to talk in her sleep continued to the time of her dismissal, but a great change had taken place in her nocturnal conversation. It had gradually lost its acuteness and brilliancy, and latterly became the mere babbling of a vulgar mind, often mingled with insolent remarks against her superiors, and the most profane scoffing at morality and religion. It is believed that she afterwards became insane."

To what serious reflections does not this curious history give rise. Here there did unquestionably exist a double existence. The one a relative being surrounded with the realities of life; the other a natural condition, unshackled by constraint, and left entirely to the wild enjoyment of a luxuriant fancy and an apprehension quick and brilliant. In the former, the young creature found herself derided and degraded by her vulgar companions; her generous infirmities, if such they may be called, made the subject of low ribaldy. In her second existence, she became the free child of nature.

Might not proper care have saved this interesting creature from misery! It is admitted that "much care had been bestowed upon her instruction," but was she withdrawn from the low circle that surrounded her and placed in a society where, in her waking hours, she could have derived those advantages of a superior intercourse, which might have worked upon her vivid imagination as powerfully as the melodious sounds she had heard at other times? "She became immoral--scoffed at religion"--_in her sleep_. She was then in a state of nature; unconscious, to a certain extent, of immorality and religion, although conscious, no doubt, of relative good and evil. Is it not more than probable that when awake, not only were her ears assailed by profane and improper language, but is it not most likely that her ruin was perpetrated during her visionary slumbers, and ever after visited her mind during her paroxysms? Nor is it improbable that her affections had been bestowed upon her despoiler. Instead of being dismissed and cast upon the wide world, helpless, stigmatized, perhaps, with the odious epithet of witch--for we have seen that the lower order considered her such--might not a friendly hand have secured her in an abode where she might have been invited _to_ COME _and sin no more_! Alas! no wonder that the poor creature should have become insane! It is said that she was obtuse in intellect when awake. May not this be accounted for in some measure, by the exhaustion of her mental faculties during her paroxysms? It is to be lamented that the learned and philosophic Dr. Abercrombie, who has given this history, did not comment upon it. True Christianity and its benevolence breath in every line of the eloquent writer, and the poor Scotch _lassie_ might have afforded him a valuable theme. How proud would any humane person have felt in making this interesting object of pity what she might have been!

Dr. Dewar also relates the case of an ignorant servant-girl, who, during the paroxysm of somnambulism, showed an astonishing knowledge of geography and astronomy, and expressed herself, in her own language, in a manner which, though often ludicrous, showed an understanding of the subject. The alteration of the seasons, for example, she explained by saying the world was set _a gee_.

In many cases of somnambulism the sleeper is able to continue the occupation that he had previously carried on. Martinet mentions a watchmaker's apprentice, whose paroxysm came on once in the fortnight, and commenced in a sensation of heat ascending to the heart. This was followed by a confusion of thought and insensibility. His eyes were open, but fixed and vacant, and he was totally insensible to every thing around him. Yet he continued his usual employment, and was always much surprised when he awoke to find the progress that had taken place in his work. This case ended in epilepsy.

Horstius, whom we have already quoted, tells us of a noble youth of Breslau, living in the citadel, who used to steal out of a window during his sleep, muffled up in his cloak, and ascend the roof of the building, where one night he tore in pieces a magpie's nest, wrapped up the little ones in his cloak, and returned to bed. The following morning he mentioned the circumstance as having occurred in a dream, but could not be persuaded of the reality of the circumstance till the magpies in the cloak were shown to him.

Dr. Abercrombie has given a very remarkable case of a young woman of low rank, who, at the age of 19, became insane, but was gentle, and applied herself eagerly to various occupations. Before her insanity she had been only learning to read and to form a few letters; but during her lunacy she taught herself to write perfectly, though all attempts of others had failed; she had intervals of reason, which frequently continued three weeks and sometimes longer. During these she could neither read nor write, but immediately on the return of her insanity, she recovered the power of writing and reading.

The faculty of conversing in a state of somnambulism is too well authenticated to be doubted, although in many instances it may have been a fraudulent trick of animal magnetism. This singular power has been recorded by several of the ancient writers, many of whom pretended that divine inspiration illumined the sleepers. Cicero tells us that when the Lacedæmonian magistrates were embarrassed in their administration, they went to sleep in the temple of Pasiphae, thus named from _Pasi phainein_, or "communicative to all." Strabo mentions a cavern, sacred to Pluto and Juno, where the sick came to consult sleeping priests. Aristides is said to have delivered his opinion while fast asleep in the temple of Æsculapius. It would be endless to quote all the authorities on this subject. Modern magnetisers, however, outstrip the ancients in the wonders they relate in regard to somnambulent faculties developed by magnetism. In 1829, Cloquet, a very distinguished Parisian surgeon, assisted by Dr. Chapelain, removed the cancerous breast of a lady in her magnetic sleep, during which she continued her conversation, unconscious of the operation, which lasted twelve minutes.

The faculty of seeing through the closed eyelids was fully substantiated in the presence of a commission of investigation appointed by the Academy of Medicine of Paris, and in the presence of fifteen persons. They found a somnambulist, of the name of Paul, to all appearance fast asleep. On being requested to rise and approach the window, he complied immediately. His eyes were then covered in such a manner as not to awaken him, and a pack of cards having been shuffled by several persons, he recognised them without the slightest hesitation. Watches were then shown him, and he named the hour and minute, though the hands were repeatedly altered. A book was then presented to him,--it happened to be a collection of operas,--and he read _Cantor et Pollux_ instead of _Castor et Pollux, Tragédie Lyrique_: a volume of Horace was then submitted to him, but not knowing Latin, he returned it, saying, "This is some church-book." The celebrated Dr. Broussais laid before the same somnambulist a letter he had drawn from his pocket; to his utter surprise he read the first lines: the doctor then wrote a few words on a piece of paper in very small characters, which the somnambulist also read with the utmost facility; but, what was still more singular, when letters or books were applied to his breast, or between the shoulders, he also perused them with equal accuracy and ease. In one instance the queen of clubs was presented to his back; after a moment's hesitation he said, "This a club--the nine;" he was informed that he was in error, when he recovered himself and said, "No, 'tis the queen:" a ten of spades was then applied, when he hastily exclaimed, "At any rate this is not a court-card; it is--the ten of spades."

The many astute tricks played by animal magnetisers, and frequently detected, naturally induced most persons to doubt the veracity of these experiments; but when we find that they were witnessed by seventy-eight medical men, most of them decidedly hostile to magnetism, and sixty-three intelligent individuals not belonging to the profession, and in every respect disinterested, what are we to say?--perhaps, exclaim with Hamlet,

There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy!

I cannot better conclude this article than by the following quotation from Dr. Pritchard's valuable work:[8] "There is an obvious relation between the state of the faculties in somnambulism and that which exists during dreams. It is indeed probable that somnambulism is dreaming in a manner so modified, that the will recovers its usual power over muscular motion, and likewise becomes endued with a peculiar control over the organs of sense and perception. This power, which gives rise to the most curious phenomena of somnambulism, is of such a kind, that, while the senses are in general obscured, as in sleep, and all other objects are unperceived, the somnambulator manifests a faculty of seeing, feeling, or otherwise discovering those particular objects of which he is in pursuit, towards which his attention is by inward movement directed, or with which the internal operations of his mind bring him into relation. As in dreams, so likewise in somnambulism the individual is intent on the pursuit of objects towards which his mind had been previously directed in a powerful manner, and his attention strongly roused; he is in both states impelled by habit, under the influence of which he repeats the routine of his daily observances. A somnambulator is a dreamer who is able to act his dreams."

MEDICAL POWERS OF MUSIC.

The powerful influence of music on our intellectual faculties, and consequently on our health, has long been ascertained, either in raising the energies of the mind, or producing despondency and melancholy associations of ideas. Impressed with its sublime nature, the ancients gave it a divine origin. Diodorus tells us that it was a boon bestowed on mankind after the deluge, and owed its discovery to the sound produced by the wind when whistling through the reeds that grew on the banks of the Nile. This science became the early study of philosophers and physicians. Herophilus explained the alterations of the pulse by the various modes and rhythms of music. In the sacred writings we have many instances of its influence in producing an aptitude for divine consolation. The derangement of Saul yielded to the harp of David, and the hand of the Lord came upon Elisha as the minstrel played. In Egypt certain songs were legally ordained in the education of youth, to promote virtue and morality. Polybius assures us that music was required to soften the manners of the Arcadians, whose climate was heavy and impure; while the inhabitants of Cynæthe, who neglected this science, were the most barbarous in Greece. The medical power of harmonious sounds was also fully admitted. We find Pythagoras directing certain mental disorders to be treated by music. Thales, called from Crete to Sparta, cured a disastrous pestilence by its means. Martinus Capella affirms that fevers were thus removed. Xenocrates cured maniacs by melodious sounds, and Asclepiades conquered deafness with a trumpet. In modern times it has been related of a deaf lady that she could only hear while a drum was beating, and a drummer was kept in the house for the purpose of enabling her to converse. Aulus Gellius tells us that a case of sciatica was cured by gentle modulations, and Theophrastus maintains that the bites of serpents and other venomous reptiles can be relieved by similar means. Ancient physicians, who attributed many diseases to the influence of evil spirits, fancied that harmonious sounds drove them away, more especially when accompanied by incantations; and we find in Luther, "that music is one of the most beautiful and glorious gifts of God, to which Satan is a bitter enemy."

In more modern times we have several instances of the medical powers of music, and the effect produced by Farinelli on Philip of Spain is well known. This monarch was in such a deplorable state of despondency from ill health, that he refused to be shaved or to appear in public. On the arrival of Farinelli, the Queen was resolved to try the power of music, and a concert was ordered in a room adjoining the King's chamber: Farinelli sang two of his best airs,[9] which so overcame Philip that he desired he might be brought into his presence, when he promised to grant him any reasonable request he might make. The performer, in the most respectful manner, then begged of the King to allow himself to be shaved and attended by his domestics, to which Philip consented. Farinelli continued to sing to him daily until a perfect cure was effected.--The story of Tartini is rather curious: in a moment of musical enthusiasm he fell asleep, when the devil appeared to him playing on the violin, bidding him with a horrible grin to play as well as he did; struck with the vision, the musician awoke, ran to his harpsichord, and produced the splendid sonata which he entitled "_the Devil's_." Brückmann, and Hufeland relate cases of St. Vitus's dance, cured by music, which, according to Desessarts, also relieved Catalepsy. Schneider and Becker have ascertained its influence in hysteric and hypochondriac affections.

The following curious case is recorded by Paret:--"Une jeune fille d'environ 11 ans, fort prématurée relativement aux facultés, ayant le genre nerveux très sensible et très irritable, fut attaquée, il y a environ deux ans, de douleurs violentes dans tout le corps, avec insomnie, tension excessive et fort douleureuse des muscles de l'abdomen, accompagnée de fièvre. Deux ans après, des convulsions se déclarèrent, avec une violence qui surpassa tout ce que je craignais; les bonds, les élans, furent, pendant quatre or cinq jours et autant de nuits, si forts, qu'il fallait deux hommes pour retenir dans le lit la jeune personne, d'ailleurs faible et délicate. Enfin, je proposai d'employer la musique. On fit, en conséquence, entrer deux ménestriers, disposés à donner leur premier coup d'archet; à l'instant de leur apparition les convulsions cessèrent d'abord et-reparurent peu de tems après: on changea d'air, et les convulsions cessèrent encore pour reparaître, aussi au troisième air, qui sans doute se trouva plus au goût de la malade, elle demanda un violon, qu'on lui donna, et quoiqu'elle n'eût jamais fait d'autre essai, son oeil fixé sur les joueurs, son attention fut si grande, et ses mouvemens si rapides, qu'elle suivait ceux des ménétriers sans causer aucune discordance. Des connaisseurs ne pouvaient s'empêcher de convenir de la justesse et de la précision qu'elle observait. Son oreille était même si délicate, qu'elle faisait des reproches aux ménétriers, qui, obligés de jouer une grande partie de la nuit, se trouvaient eux-mêmes dans le cas de manquer de mésure.

La petite malade continua de jouer pendant plus de 30 heures de suite, sans autre interruption que celle qu'il fallait pour prendre ses bouillons, et dans ce court intervalle on voyait les contractions des tendons se renouveller, quoique moins fortes. Les musiciens fatigués, elle se contenta de la voix, qu'elle accompagna de son instrument. Au bout de ce terme, un sommeil de six ou sept heures, qui vint très naturellement, produisit une augmentation de calme. Au réveil, on varia les exercices, et ainsi se termina la scène qui avait duré 48 heures, après laquelle les convulsions cessèrent totalement. Trois jours après, la malade se trouva parfaitement bien; et ne restait que des convulsions très faibles, et la maladie se termina après trois mois de durée."

A still more singular effect of music is related by Roger in the case of a poor wretch broken upon the wheel. In his agonies he blasphemed in the most fearful manner, and cordially damned the spiritual comforter who sought to reconcile him to his sufferings. Some itinerant musicians chanced to pass by, they were stopped by the priest and requested to play to the patient, when to the surprise of all around, he seemed relieved, and became so tranquil, that he attended with calm resignation to their exhortations, confessed his manifold offences, and died like a good Christian.

Rousseau, who entertained a sovereign contempt for French music, observes, that the _Cantates_ of Bernier cured the fever of a French musician, while they most probably would have given a fever to a musician of any other country.

This remark of Rousseau reminds me of the French philosophical traveller (I believe it was Diderot), who on his journey to London from Dover, while horses were changing, had the curiosity to see a sick ostler with a raging fever attended by a country practitioner, who, despairing most probably of his patient, said, that he might be allowed to eat any thing he wished for. The man asked for a red-herring, which was forthwith given to him. Our tourist, generalizing like most of his brethren, immediately noted in his diary--_English Physicians allow red-herrings to fever patients_.

Some months after he changed horses at the same inn, and asked how long the unfortunate creature had survived his herring, when, to his utter surprise, he was informed that the hale, hearty fellow who was bringing out the relays, was the very man. He of course pulled out his journal and entered--_red-herrings cure the fever of Englishmen_.

Our traveller crossed over, and having accidentally seen in a French inn a poor devil whose case appeared to him similar to the sturdy ostler, he ventured to prescribe a similar remedy, which the patient only survived an hour or two; when his death was announced, he philosophically shrugged up his shoulders, and wrote in his book--_Though red-herrings cure fevers in England, they most decidedly kill in France_.

Mad musicians seem to be more mad than others; for Fodéré gives us the following strange account of some of them. "Les plus grands musiciens ne reconnaissent souvent plus leurs instruments: l'un prenant son violon, que je lui avais mis dans les mains, pour un vase de nuit, et un autre prenant sa flûte pour un sabre, et voulait m'en frapper."

We, however, frequently meet with lunatics who, although they have no remembrance of the past circumstances of their life, recollect and perform airs which they had formerly played.