Chapter 3

I have ventured to enter into some details as to the earlier and obscurer years of my father's life, because I thought that they threw light upon human character, and that without them, indeed, a just appreciation of his career could hardly be formed. I am mistaken, if we do not recognise in his instance two very interesting qualities of life: predisposition and self-formation. There was a third, which I think is to be honoured, and that was his sympathy with his order. No one has written so much about authors, and so well. Indeed, before his time, the Literary Character had never been fairly placed before the world. He comprehended its idiosyncrasy: all its strength and all its weakness. He could soften, because he could explain, its infirmities; in the analysis and record of its power, he vindicated the right position of authors in the social scale. They stand between the governors and the governed, he impresses on us in the closing pages of his greatest work.[4] Though he shared none of the calamities, and scarcely any of the controversies, of literature, no one has sympathised so intimately with the sorrows, or so zealously and impartially registered the instructive disputes, of literary men. He loved to celebrate the exploits of great writers, and to show that, in these ages, the pen is a weapon as puissant as the sword. He was also the first writer who vindicated the position of the great artist in the history of genius. His pages are studded with pregnant instances and graceful details, borrowed from the life of Art and its votaries, and which his intimate and curious acquaintance with Italian letters readily and happily supplied. Above all writers, he has maintained the greatness of intellect, and the immortality of thought.

He was himself a complete literary character, a man who really passed his life in his library. Even marriage produced no change in these habits; he rose to enter the chamber where he lived alone with his books, and at night his lamp was ever lit within the same walls. Nothing, indeed, was more remarkable than the isolation of this prolonged existence; and it could only be accounted for by the united influence of three causes: his birth, which brought him no relations or family acquaintance; the bent of his disposition; and the circumstance of his inheriting an independent fortune, which rendered unnecessary those exertions that would have broken up his self-reliance. He disliked business, and he never required relaxation; he was absorbed in his pursuits. In London his only amusement was to ramble among booksellers; if he entered a club, it was only to go into the library. In the country, he scarcely ever left his room but to saunter in abstraction upon a terrace; muse over a chapter, or coin a sentence. He had not a single passion or prejudice: all his convictions were the result of his own studies, and were often opposed to the impressions which he had early imbibed. He not only never entered into the politics of the day, but he could never understand them. He never was connected with any particular body or set of men; comrades of school or college, or confederates in that public life which, in England, is, perhaps, the only foundation of real friendship. In the consideration of a question, his mind was quite undisturbed by traditionary preconceptions; and it was this exemption from passion and prejudice which, although his intelligence was naturally somewhat too ingenious and fanciful for the conduct of close argument, enabled him, in investigation, often to show many of the highest attributes of the judicial mind, and particularly to sum up evidence with singular happiness and ability.

Although in private life he was of a timid nature, his moral courage as a writer was unimpeachable. Most certainly, throughout his long career, he never wrote a sentence which he did not believe was true. He will generally be found to be the advocate of the discomfited and the oppressed. So his conclusions are often opposed to popular impressions. This was from no love of paradox, to which he was quite superior; but because in the conduct of his researches, he too often found that the unfortunate are calumniated. His vindication of King James the First, he has himself described as "an affair of literary conscience:" his greater work on the Life and Times of the son of the first Stuart arose from the same impulse. He had deeply studied our history during the first moiety of the seventeenth century; he looked upon it as a famous age; he was familiar with the works of its great writers, and there was scarcely one of its almost innumerable pamphlets with which he was not acquainted. During the thoughtful investigations of many years, he had arrived at results which were not adapted to please the passing multitude, but which, because he held them to be authentic, he was uneasy lest he should die without recording. Yet strong as were his convictions, although, notwithstanding his education in the revolutionary philosophy of the eighteenth century, his nature and his studies had made him a votary of loyalty and reverence, his pen was always prompt to do justice to those who might be looked upon as the adversaries of his own cause: and this was because his cause was really truth. If he has upheld Laud under unjust aspersions, the last labour of his literary life was to vindicate the character of Hugh Peters. If, from the recollection of the sufferings of his race, and from profound reflection on the principles of the Institution, he was hostile to the Papacy, no writer in our literature has done more complete justice to the conduct of the English Romanists. Who can read his history of Chidiock Titchbourne unmoved? or can refuse to sympathise with his account of the painful difficulties of the English Monarchs with their loyal subjects of the old faith? If in a parliamentary country he has dared to criticise the conduct of Parliaments, it was only because an impartial judgment had taught him, as he himself expresses it, that "Parliaments have their passions as well as individuals."

He was five years in the composition of his work on the "Life and Reign of Charles the First," and the five volumes appeared at intervals between 1828 and 1831. It was feared by his publisher, that the distracted epoch at which this work was issued, and the tendency of the times, apparently so adverse to his own views, might prove very injurious to its reception. But the effect of these circumstances was the reverse. The minds of men were inclined to the grave and national considerations that were involved in these investigations. The principles of political institutions, the rival claims of the two Houses of Parliament, the authority of the Established Church, the demands of religious sects, were, after a long lapse of years, anew the theme of public discussion. Men were attracted to a writer who traced the origin of the anti-monarchical principle in modern Europe; treated of the arts of insurgency; gave them, at the same time, a critical history of the Puritans, and a treatise on the genius of the Papacy; scrutinised the conduct of triumphant patriots, and vindicated a decapitated monarch. The success of this work was eminent; and its author appeared for the first and only time of his life in public, when amidst the cheers of under-graduates, and the applause of graver men, the solitary student received an honorary degree from the University of Oxford, a fitting homage, in the language of the great University, "OPTIMI REGIS OPTIMO VINDICI."

I cannot but recall a trait that happened on this occasion. After my father returned to his hotel from the theatre, a stranger requested an interview with him. A Swiss gentleman, travelling in England at the time, who had witnessed the scene just closed, begged to express the reason why he presumed thus personally and cordially to congratulate the new Doctor of Civil Law. He was the son of my grandfather's chief clerk, and remembered his parent's employer; whom he regretted did not survive to be aware of this honourable day. Thus, amid all the strange vicissitudes of life, we are ever, as it were, moving in a circle.

Notwithstanding he was now approaching his seventieth year, his health being unbroken and his constitution very robust, my father resolved vigorously to devote himself to the composition of the history of our vernacular Literature. He hesitated for a moment, whether he should at once address himself to this greater task, or whether he should first complete a Life of Pope, for which he had made great preparations, and which had long occupied his thoughts. His review of "Spence's Anecdotes" in the Quarterly, so far back as 1820, which gave rise to the celebrated Pope Controversy, in which Mr. Campbell, Lord Byron, Mr. Bowles, Mr. Roscoe, and others less eminent broke lances, would prove how well qualified, even at that distant date, the critic was to become the biographer of the great writer, whose literary excellency and moral conduct he, on that occasion, alike vindicated. But, unfortunately as it turned out, my father was persuaded to address himself to the weightier task. Hitherto, in his publications, he had always felt an extreme reluctance to travel over ground which others had previously visited. He liked to give new matter, and devote himself to detached points, on which he entertained different opinions from those prevalent. Thus his works are generally of a supplementary character, and assume in their readers a certain degree of preliminary knowledge. In the present instance he was induced to frame his undertaking on a different scale, and to prepare a history which should be complete in itself, and supply the reader with a perfect view of the gradual formation of our language and literature. He proposed to effect this in six volumes; though, I apprehend, he would not have succeeded in fulfilling his intentions within that limit. His treatment of the period of Queen Anne would have been very ample, and he would also have accomplished in this general work a purpose which he had also long contemplated, and for which he had made curious and extensive collections, namely, a History of the English Freethinkers.

But all these great plans were destined to a terrible defeat. Towards the end of the year 1839, still in the full vigour of his health and intellect, he suffered a paralysis of the optic nerve; and that eye, which for so long a term had kindled with critical interest over the volumes of so many literatures and so many languages, was doomed to pursue its animated course no more. Considering the bitterness of such a calamity to one whose powers were otherwise not in the least impaired, he bore on the whole his fate with magnanimity, even with cheerfulness. Unhappily, his previous habits of study and composition rendered the habit of dictation intolerable, even impossible to him. But with the assistance of his daughter, whose intelligent solicitude he has commemorated in more than one grateful passage, he selected from his manuscripts three volumes, which he wished to have published under the becoming title of "A Fragment of a History of English Literature," but which were eventually given to the public under that of "Amenities of Literature."

He was also enabled during these last years of physical, though not of moral, gloom, to prepare a new edition of his work on the Life and Times of Charles the First, which had been for some time out of print. He contrived, though slowly, and with great labour, very carefully to revise, and improve, and enrich these volumes. He was wont to say that the best monument to an author was a good edition of his works: it is my purpose that he should possess this memorial. He has been described by a great authority as a writer sui generis; and indeed had he never written, it appears to me, that there would have been a gap in our libraries, which it would have been difficult to supply. Of him it might be added that, for an author, his end was an euthanasia, for on the day before he was seized by that fatal epidemic, of the danger of which, to the last moment, he was unconscious, he was apprised by his publishers, that all his works were out of print, and that their re-publication could no longer be delayed.

In this notice of the career of my father, I have ventured to draw attention to three circumstances which I thought would be esteemed interesting; namely, predisposition, self-formation, and sympathy with his order. There is yet another which completes and crowns the character,--constancy of purpose; and it is only in considering his course as a whole, that we see how harmonious and consistent have been that life and its labours, which, in a partial and brief view, might be supposed to have been somewhat desultory and fragmentary.

On his moral character I shall scarcely presume to dwell. The philosophic sweetness of his disposition, the serenity of his lot, and the elevating nature of his pursuits, combined to enable him to pass through life without an evil act, almost without an evil thought. As the world has always been fond of personal details respecting men who have been celebrated, I will mention that he was fair, with a Bourbon nose, and brown eyes of extraordinary beauty and lustre. He wore a small black velvet cap, but his white hair latterly touched his shoulders in curls almost as flowing as in his boyhood. His extremities were delicate and well-formed, and his leg, at his last hour, as shapely as in his youth, which showed the vigour of his frame. Latterly he had become corpulent. He did not excel in conversation, though in his domestic circle he was garrulous. Everything interested him; and blind, and eighty-two, he was still as susceptible as a child. One of his last acts was to compose some verses of gay gratitude to his daughter-in-law, who was his London correspondent, and to whose lively pen his last years were indebted for constant amusement. He had by nature a singular volatility which never deserted him. His feelings, though always amiable, were not painfully deep, and amid joy or sorrow, the philosophic vein was ever evident. He more resembled Goldsmith than any man that I can compare him to: in his conversation, his apparent confusion of ideas ending with some felicitous phrase of genius, his naïveté, his simplicity not untouched with a dash of sarcasm affecting innocence--one was often reminded of the gifted and interesting friend of Burke and Johnson. There was, however, one trait in which my father did not resemble Goldsmith: he had no vanity. Indeed, one of his few infirmities was rather a deficiency of self-esteem.

On the whole, I hope--nay I believe--that taking all into consideration--the integrity and completeness of his existence, the fact that, for sixty years, he largely contributed to form the taste, charm the leisure, and direct the studious dispositions, of the great body of the public, and that his works have extensively and curiously illustrated the literary and political history of our country, it will be conceded, that in his life and labours, he repaid England for the protection and the hospitality which this country accorded to his father a century ago. D.

HUGHENDEN MANOR, _Christmas_, 1848.

FOOTNOTES:

[Footnote 1: "Essay on the Literary Character," Vol. I. chap. v.]

[Footnote 2: Sir Walter was sincere, for he inserted the poem in the "English Minstrelsy." It may now be found in these volumes, Vol. I. p. 230, where, in consequence of the recollection of Sir Walter, and as illustrative of manners now obsolete, it was subsequently inserted.]

[Footnote 3: "The present inquiry originates in an affair of literary conscience. Many years ago I set off with the popular notions of the character of James the First; but in the course of study, and with a more enlarged comprehension of the age, I was frequently struck by the contrast between his real and his apparent character. * * * * It would be a cowardly silence to shrink from encountering all that popular prejudice and party feeling may oppose; this would be incompatible with that constant search after truth, which at least may be expected from the retired student."--_Preface to the Inquiry._]

[Footnote 4: "Essay on the Literary Character," Vol. II. chap. XXV.]

* * * * *

CURIOSITIES OF LITERATURE.

BY

I. DISRAELI.

* * * * *

TO

FRANCIS DOUCE, ESQ.

THESE VOLUMES OF SOME LITERARY RESEARCHES

ARE INSCRIBED;

AS A SLIGHT MEMORIAL OF FRIENDSHIP

AND

A GRATEFUL ACKNOWLEDGMENT

TO

A LOVER OF LITERATURE.

* * * * *

PREFACE.

Of a work which long has been placed on that shelf which Voltaire has discriminated as _la Bibliothèque du Monde_, it is never mistimed for the author to offer the many, who are familiar with its pages, a settled conception of its design.

The "Curiosities of Literature," commenced fifty years since, have been composed at various periods, and necessarily partake of those successive characters which mark the eras of the intellectual habits of the writer.

In my youth, the taste for modern literary history was only of recent date. The first elegant scholar who opened a richer vein in the mine of MODERN LITERATURE was JOSEPH WARTON;--he had a fragmentary mind, and he was a rambler in discursive criticism. Dr. JOHNSON was a famished man for anecdotical literature, and sorely complained of the penury of our literary history.

THOMAS WARTON must have found, in the taste of his brother and the energy of Johnson, his happiest prototypes; but he had too frequently to wrestle with barren antiquarianism, and was lost to us at the gates of that paradise which had hardly opened on him. These were the true founders of that more elegant literature in which France had preceded us. These works created a more pleasing species of erudition:--the age of taste and genius had come; but the age of philosophical thinking was yet but in its dawn.

Among my earliest literary friends, two distinguished themselves by their anecdotical literature: JAMES PETIT ANDREWS, by his "Anecdotes, Ancient and Modern," and WILLIAM SEWARD, by his "Anecdotes of Distinguished Persons." These volumes were favourably received, and to such a degree, that a wit of that day, and who is still a wit as well as a poet, considered that we were far gone in our "Anecdotage."

I was a guest at the banquet, but it seemed to me to consist wholly of confectionery. I conceived the idea of a collection of a different complexion. I was then seeking for instruction in modern literature; and our language afforded no collection of the _res litterariæ_. In the diversified volumes of the French _Ana_, I found, among the best, materials to work on. I improved my subjects with as much of our own literature as my limited studies afforded. The volume, without a name, was left to its own unprotected condition. I had not miscalculated the wants of others by my own.

This first volume had reminded the learned of much which it is grateful to remember, and those who were restricted by their classical studies, or lounged only in perishable novelties, were in modern literature but dry wells, for which I had opened clear waters from a fresh spring. The work had effected its design in stimulating the literary curiosity of those, who, with a taste for its tranquil pursuits, are impeded in their acquirement. Imitations were numerous. My reading became more various, and the second volume of "Curiosities of Literature" appeared, with a slight effort at more original investigation. The two brother volumes remained favourites during an interval of twenty years.

It was as late as 1817 that I sent forth the third volume; without a word of preface. I had no longer anxieties to conceal or promises to perform. The subjects chosen were novel, and investigated with more original composition. The motto prefixed to this third volume from the Marquis of Halifax is lost in the republications, but expresses the peculiar delight of all literary researches for those who love them: "The struggling for knowledge hath a pleasure in it like that of wrestling with a fine woman."

The notice which the third volume obtained, returned me to the dream of my youth. I considered that essay writing, from Addison to the successors of Johnson, which had formed one of the most original features of our national literature, would now fail in its attraction, even if some of those elegant writers themselves had appeared in a form which their own excellence had rendered familiar and deprived of all novelty. I was struck by an observation which Johnson has thrown out. That sage, himself an essayist and who had lived among our essayists, fancied that "mankind may come in time to write all aphoristically;" and so athirst was that first of our great moral biographers for the details of human life and the incidental characteristics of individuals, that he was desirous of obtaining anecdotes without preparation or connexion. "If a man," said this lover of literary anecdotes, "is to wait till he weaves anecdotes, we may be long in getting them, and get but few in comparison to what we might get." Another observation, of Lord Bolingbroke, had long dwelt in my mind, that "when examples are pointed out to us, there is a kind of appeal with which we are flattered made to our senses as well as our understandings." An induction from a variety of particulars seemed to me to combine that delight, which Johnson derived from anecdotes, with that philosophy which Bolingbroke founded on examples; and on this principle the last three volumes of the "Curiosities of Literature" were constructed, freed from the formality of dissertation, and the vagueness of the lighter essay.

These "Curiosities of Literature" have passed through a remarkable ordeal of time; they have survived a generation of rivals; they are found wherever books are bought, and they have been repeatedly reprinted at foreign presses, as well as translated. These volumes have imbued our youth with their first tastes for modern literature, have diffused a delight in critical and philosophical speculation among circles of readers who were not accustomed to literary topics; and finally, they have been honoured by eminent contemporaries, who have long consulted them and set their stamp on the metal.

A voluminous miscellany, composed at various periods, cannot be exempt from slight inadvertencies. Such a circuit of multifarious knowledge could not be traced were we to measure and count each step by some critical pedometer; life would be too short to effect any reasonable progress. Every work must be judged by its design, and is to be valued by its result.

BRADENHAM HOUSE,

_March_, 1839.

CONTENTS OF VOLUME I.

LIBRARIES 1

THE BIBLIOMANIA 9

LITERARY JOURNALS 12

RECOVERY OF MANUSCRIPTS 17

SKETCHES OF CRITICISM 24

THE PERSECUTED LEARNED 27

POVERTY OF THE LEARNED 29

IMPRISONMENT OF THE LEARNED 35

AMUSEMENTS OF THE LEARNED 38

PORTRAITS OF AUTHORS 42

DESTRUCTION OF BOOKS 47

SOME NOTIONS OF LOST WORKS 58

QUODLIBETS, OR SCHOLASTIC DISQUISITIONS 60

FAME CONTEMNED 66

THE SIX FOLLIES OF SCIENCE 66