Crucial Instances

Chapter 2

Chapter 24,144 wordsPublic domain

“Well, the winter passed, and spring was well forward, when my grandmother one evening had a bad fright. That it was her own fault I won’t deny, for she’d been down the lime-walk with Antonio when her aunt fancied her to be stitching in her chamber; and seeing a sudden light in Nencia’s window, she took fright lest her disobedience be found out, and ran up quickly through the laurel-grove to the house. Her way lay by the chapel, and as she crept past it, meaning to slip in through the scullery, and groping her way, for the dark had fallen and the moon was scarce up, she heard a crash close behind her, as though someone had dropped from a window of the chapel. The young fool’s heart turned over, but she looked round as she ran, and there, sure enough, was a man scuttling across the terrace; and as he doubled the corner of the house my grandmother swore she caught the whisk of the chaplain’s skirts. Now that was a strange thing, certainly; for why should the chaplain be getting out of the chapel window when he might have passed through the door? For you may have noticed, sir, there’s a door leads from the chapel into the saloon on the ground floor; the only other way out being through the Duchess’s tribune.

“Well, my grandmother turned the matter over, and next time she met Antonio in the lime-walk (which, by reason of her fright, was not for some days) she laid before him what had happened; but to her surprise he only laughed and said, ‘You little simpleton, he wasn’t getting out of the window, he was trying to look in’; and not another word could she get from him.

“So the season moved on to Easter, and news came the Duke had gone to Rome for that holy festivity. His comings and goings made no change at the villa, and yet there was no one there but felt easier to think his yellow face was on the far side of the Apennines, unless perhaps it was the chaplain.

“Well, it was one day in May that the Duchess, who had walked long with Nencia on the terrace, rejoicing at the sweetness of the prospect and the pleasant scent of the gilly-flowers in the stone vases, the Duchess toward midday withdrew to her rooms, giving orders that her dinner should be served in her bed-chamber. My grandmother helped to carry in the dishes, and observed, she said, the singular beauty of the Duchess, who in honor of the fine weather had put on a gown of shot-silver and hung her bare shoulders with pearls, so that she looked fit to dance at court with an emperor. She had ordered, too, a rare repast for a lady that heeded so little what she ate--jellies, game-pasties, fruits in syrup, spiced cakes and a flagon of Greek wine; and she nodded and clapped her hands as the women set it before her, saying again and again, ‘I shall eat well to-day.’

“But presently another mood seized her; she turned from the table, called for her rosary, and said to Nencia: ‘The fine weather has made me neglect my devotions. I must say a litany before I dine.’

“She ordered the women out and barred the door, as her custom was; and Nencia and my grandmother went down-stairs to work in the linen-room.

“Now the linen-room gives on the court-yard, and suddenly my grandmother saw a strange sight approaching. First up the avenue came the Duke’s carriage (whom all thought to be in Rome), and after it, drawn by a long string of mules and oxen, a cart carrying what looked like a kneeling figure wrapped in death-clothes. The strangeness of it struck the girl dumb and the Duke’s coach was at the door before she had the wit to cry out that it was coming. Nencia, when she saw it, went white and ran out of the room. My grandmother followed, scared by her face, and the two fled along the corridor to the chapel. On the way they met the chaplain, deep in a book, who asked in surprise where they were running, and when they said, to announce the Duke’s arrival, he fell into such astonishment and asked them so many questions and uttered such ohs and ahs, that by the time he let them by the Duke was at their heels. Nencia reached the chapel-door first and cried out that the Duke was coming; and before she had a reply he was at her side, with the chaplain following.

“A moment later the door opened and there stood the Duchess. She held her rosary in one hand and had drawn a scarf over her shoulders; but they shone through it like the moon in a mist, and her countenance sparkled with beauty.

“The Duke took her hand with a bow. ‘Madam,’ he said, ‘I could have had no greater happiness than thus to surprise you at your devotions.’

“‘My own happiness,’ she replied, ‘would have been greater had your excellency prolonged it by giving me notice of your arrival.’

“‘Had you expected me, Madam,’ said he, ‘your appearance could scarcely have been more fitted to the occasion. Few ladies of your youth and beauty array themselves to venerate a saint as they would to welcome a lover.’

“‘Sir,’ she answered, ‘having never enjoyed the latter opportunity, I am constrained to make the most of the former.--What’s that?’ she cried, falling back, and the rosary dropped from her hand.

“There was a loud noise at the other end of the saloon, as of a heavy object being dragged down the passage; and presently a dozen men were seen haling across the threshold the shrouded thing from the oxcart. The Duke waved his hand toward it. ‘That,’ said he, ‘Madam, is a tribute to your extraordinary piety. I have heard with peculiar satisfaction of your devotion to the blessed relics in this chapel, and to commemorate a zeal which neither the rigors of winter nor the sultriness of summer could abate I have ordered a sculptured image of you, marvellously executed by the Cavaliere Bernini, to be placed before the altar over the entrance to the crypt.’

“The Duchess, who had grown pale, nevertheless smiled playfully at this. ‘As to commemorating my piety,” she said, ‘I recognize there one of your excellency’s pleasantries--’

“‘A pleasantry?’ the Duke interrupted; and he made a sign to the men, who had now reached the threshold of the chapel. In an instant the wrappings fell from the figure, and there knelt the Duchess to the life. A cry of wonder rose from all, but the Duchess herself stood whiter than the marble.

“‘You will see,’ says the Duke, ‘this is no pleasantry, but a triumph of the incomparable Bernini’s chisel. The likeness was done from your miniature portrait by the divine Elisabetta Sirani, which I sent to the master some six months ago, with what results all must admire.’

“‘Six months!’ cried the Duchess, and seemed about to fall; but his excellency caught her by the hand.

“‘Nothing,’ he said, ‘could better please me than the excessive emotion you display, for true piety is ever modest, and your thanks could not take a form that better became you. And now,’ says he to the men, ‘let the image be put in place.’

“By this, life seemed to have returned to the Duchess, and she answered him with a deep reverence. ‘That I should be overcome by so unexpected a grace, your excellency admits to be natural; but what honors you accord it is my privilege to accept, and I entreat only that in mercy to my modesty the image be placed in the remotest part of the chapel.’

“At that the Duke darkened. ‘What! You would have this masterpiece of a renowned chisel, which, I disguise not, cost me the price of a good vineyard in gold pieces, you would have it thrust out of sight like the work of a village stonecutter?’

“‘It is my semblance, not the sculptor’s work, I desire to conceal.’

“‘It you are fit for my house, Madam, you are fit for God’s, and entitled to the place of honor in both. Bring the statue forward, you dawdlers!’ he called out to the men.

“The Duchess fell back submissively. ‘You are right, sir, as always; but I would at least have the image stand on the left of the altar, that, looking up, it may behold your excellency’s seat in the tribune.’

“‘A pretty thought, Madam, for which I thank you; but I design before long to put my companion image on the other side of the altar; and the wife’s place, as you know, is at her husband’s right hand.’

“‘True, my lord--but, again, if my poor presentment is to have the unmerited honor of kneeling beside yours, why not place both before the altar, where it is our habit to pray in life?’

“‘And where, Madam, should we kneel if they took our places? Besides,’ says the Duke, still speaking very blandly, ‘I have a more particular purpose in placing your image over the entrance to the crypt; for not only would I thereby mark your special devotion to the blessed saint who rests there, but, by sealing up the opening in the pavement, would assure the perpetual preservation of that holy martyr’s bones, which hitherto have been too thoughtlessly exposed to sacrilegious attempts.’

“‘What attempts, my lord?’ cries the Duchess. ‘No one enters this chapel without my leave.’

“‘So I have understood, and can well believe from what I have learned of your piety; yet at night a malefactor might break in through a window, Madam, and your excellency not know it.’

“‘I’m a light sleeper,’ said the Duchess.

“The Duke looked at her gravely. ‘Indeed?’ said he. ‘A bad sign at your age. I must see that you are provided with a sleeping-draught.’

“The Duchess’s eyes filled. ‘You would deprive me, then, of the consolation of visiting those venerable relics?’

“‘I would have you keep eternal guard over them, knowing no one to whose care they may more fittingly be entrusted.’

“By this the image was brought close to the wooden slab that covered the entrance to the crypt, when the Duchess, springing forward, placed herself in the way.

“‘Sir, let the statue be put in place to-morrow, and suffer me, to-night, to say a last prayer beside those holy bones.’

“The Duke stepped instantly to her side. ‘Well thought, Madam; I will go down with you now, and we will pray together.’

“‘Sir, your long absences have, alas! given me the habit of solitary devotion, and I confess that any presence is distracting.’

“‘Madam, I accept your rebuke. Hitherto, it is true, the duties of my station have constrained me to long absences; but henceforward I remain with you while you live. Shall we go down into the crypt together?”

“‘No; for I fear for your excellency’s ague. The air there is excessively damp.’

“‘The more reason you should no longer be exposed to it; and to prevent the intemperance of your zeal I will at once make the place inaccessible.’

“The Duchess at this fell on her knees on the slab, weeping excessively and lifting her hands to heaven.

“‘Oh,’ she cried, ‘you are cruel, sir, to deprive me of access to the sacred relics that have enabled me to support with resignation the solitude to which your excellency’s duties have condemned me; and if prayer and meditation give me any authority to pronounce on such matters, suffer me to warn you, sir, that I fear the blessed Saint Blandina will punish us for thus abandoning her venerable remains!’

“The Duke at this seemed to pause, for he was a pious man, and my grandmother thought she saw him exchange a glance with the chaplain; who, stepping timidly forward, with his eyes on the ground, said, ‘There is indeed much wisdom in her excellency’s words, but I would suggest, sir, that her pious wish might be met, and the saint more conspicuously honored, by transferring the relics from the crypt to a place beneath the altar.’

“‘True!’ cried the Duke, ‘and it shall be done at once.’

“But thereat the Duchess rose to her feet with a terrible look.

“‘No,’ she cried, ‘by the body of God! For it shall not be said that, after your excellency has chosen to deny every request I addressed to him, I owe his consent to the solicitation of another!’

“The chaplain turned red and the Duke yellow, and for a moment neither spoke.

“Then the Duke said, ‘Here are words enough, Madam. Do you wish the relics brought up from the crypt?’

“‘I wish nothing that I owe to another’s intervention!’

“‘Put the image in place then,’ says the Duke furiously; and handed her grace to a chair.

“She sat there, my grandmother said, straight as an arrow, her hands locked, her head high, her eyes on the Duke, while the statue was dragged to its place; then she stood up and turned away. As she passed by Nencia, ‘Call me Antonio,’ she whispered; but before the words were out of her mouth the Duke stepped between them.

“‘Madam,’ says he, all smiles now, ‘I have travelled straight from Rome to bring you the sooner this proof of my esteem. I lay last night at Monselice and have been on the road since daybreak. Will you not invite me to supper?’

“‘Surely, my lord,’ said the Duchess. ‘It shall be laid in the dining-parlor within the hour.’

“‘Why not in your chamber and at once, Madam? Since I believe it is your custom to sup there.’

“‘In my chamber?’ says the Duchess, in disorder.

“‘Have you anything against it?’ he asked.

“‘Assuredly not, sir, if you will give me time to prepare myself.’

“‘I will wait in your cabinet,’ said the Duke.

“At that, said my grandmother, the Duchess gave one look, as the souls in hell may have looked when the gates closed on our Lord; then she called Nencia and passed to her chamber.

“What happened there my grandmother could never learn, but that the Duchess, in great haste, dressed herself with extraordinary splendor, powdering her hair with gold, painting her face and bosom, and covering herself with jewels till she shone like our Lady of Loreto; and hardly were these preparations complete when the Duke entered from the cabinet, followed by the servants carrying supper. Thereupon the Duchess dismissed Nencia, and what follows my grandmother learned from a pantry-lad who brought up the dishes and waited in the cabinet; for only the Duke’s body-servant entered the bed-chamber.

“Well, according to this boy, sir, who was looking and listening with his whole body, as it were, because he had never before been suffered so near the Duchess, it appears that the noble couple sat down in great good humor, the Duchess playfully reproving her husband for his long absence, while the Duke swore that to look so beautiful was the best way of punishing him. In this tone the talk continued, with such gay sallies on the part of the Duchess, such tender advances on the Duke’s, that the lad declared they were for all the world like a pair of lovers courting on a summer’s night in the vineyard; and so it went till the servant brought in the mulled wine.

“‘Ah,’ the Duke was saying at that moment, ‘this agreeable evening repays me for the many dull ones I have spent away from you; nor do I remember to have enjoyed such laughter since the afternoon last year when we drank chocolate in the gazebo with my cousin Ascanio. And that reminds me,’ he said, ‘is my cousin in good health?’

“‘I have no reports of it,’ says the Duchess. ‘But your excellency should taste these figs stewed in malmsey--’

“‘I am in the mood to taste whatever you offer,’ said he; and as she helped him to the figs he added, ‘If my enjoyment were not complete as it is, I could almost wish my cousin Ascanio were with us. The fellow is rare good company at supper. What do you say, Madam? I hear he’s still in the country; shall we send for him to join us?’

“‘Ah,’ said the Duchess, with a sigh and a languishing look, ‘I see your excellency wearies of me already.’

“‘I, Madam? Ascanio is a capital good fellow, but to my mind his chief merit at this moment is his absence. It inclines me so tenderly to him that, by God, I could empty a glass to his good health.’

“With that the Duke caught up his goblet and signed to the servant to fill the Duchess’s.

“‘Here’s to the cousin,’ he cried, standing, ‘who has the good taste to stay away when he’s not wanted. I drink to his very long life--and you, Madam?’

“At this the Duchess, who had sat staring at him with a changed face, rose also and lifted her glass to her lips.

“‘And I to his happy death,’ says she in a wild voice; and as she spoke the empty goblet dropped from her hand and she fell face down on the floor.

“The Duke shouted to her women that she had swooned, and they came and lifted her to the bed.... She suffered horribly all night, Nencia said, twisting herself like a heretic at the stake, but without a word escaping her. The Duke watched by her, and toward daylight sent for the chaplain; but by this she was unconscious and, her teeth being locked, our Lord’s body could not be passed through them.

* * * * *

“The Duke announced to his relations that his lady had died after partaking too freely of spiced wine and an omelet of carp’s roe, at a supper she had prepared in honor of his return; and the next year he brought home a new Duchess, who gave him a son and five daughters....”

V

The sky had turned to a steel gray, against which the villa stood out sallow and inscrutable. A wind strayed through the gardens, loosening here and there a yellow leaf from the sycamores; and the hills across the valley were purple as thunder-clouds.

* * * * *

“And the statue--?” I asked.

“Ah, the statue. Well, sir, this is what my grandmother told me, here on this very bench where we’re sitting. The poor child, who worshipped the Duchess as a girl of her years will worship a beautiful kind mistress, spent a night of horror, you may fancy, shut out from her lady’s room, hearing the cries that came from it, and seeing, as she crouched in her corner, the women rush to and fro with wild looks, the Duke’s lean face in the door, and the chaplain skulking in the antechamber with his eyes on his breviary. No one minded her that night or the next morning; and toward dusk, when it became known the Duchess was no more, the poor girl felt the pious wish to say a prayer for her dead mistress. She crept to the chapel and stole in unobserved. The place was empty and dim, but as she advanced she heard a low moaning, and coming in front of the statue she saw that its face, the day before so sweet and smiling, had the look on it that you know--and the moaning seemed to come from its lips. My grandmother turned cold, but something, she said afterward, kept her from calling or shrieking out, and she turned and ran from the place. In the passage she fell in a swoon; and when she came to her senses, in her own chamber, she heard that the Duke had locked the chapel door and forbidden any to set foot there.... The place was never opened again till the Duke died, some ten years later; and then it was that the other servants, going in with the new heir, saw for the first time the horror that my grandmother had kept in her bosom....”

“And the crypt?” I asked. “Has it never been opened?”

“Heaven forbid, sir!” cried the old man, crossing himself. “Was it not the Duchess’s express wish that the relics should not be disturbed?”

THE ANGEL AT THE GRAVE

The House stood a few yards back from the elm-shaded village street, in that semi-publicity sometimes cited as a democratic protest against old-world standards of domestic exclusiveness. This candid exposure to the public eye is more probably a result of the gregariousness which, in the New England bosom, oddly coexists with a shrinking from direct social contact; most of the inmates of such houses preferring that furtive intercourse which is the result of observations through shuttered windows and a categorical acquaintance with the neighboring clothes-lines. The House, however, faced its public with a difference. For sixty years it had written itself with a capital letter, had self-consciously squared itself in the eye of an admiring nation. The most searching inroads of village intimacy hardly counted in a household that opened on the universe; and a lady whose door-bell was at any moment liable to be rung by visitors from London or Vienna was not likely to flutter up-stairs when she observed a neighbor “stepping over.”

The solitary inmate of the Anson House owed this induration of the social texture to the most conspicuous accident in her annals: the fact that she was the only granddaughter of the great Orestes Anson. She had been born, as it were, into a museum, and cradled in a glass case with a label; the first foundations of her consciousness being built on the rock of her grandfather’s celebrity. To a little girl who acquires her earliest knowledge of literature through a _Reader_ embellished with fragments of her ancestor’s prose, that personage necessarily fills an heroic space in the foreground of life. To communicate with one’s past through the impressive medium of print, to have, as it were, a footing in every library in the country, and an acknowledged kinship with that world-diffused clan, the descendants of the great, was to be pledged to a standard of manners that amazingly simplified the lesser relations of life. The village street on which Paulina Anson’s youth looked out led to all the capitals of Europe; and over the roads of intercommunication unseen caravans bore back to the elm-shaded House the tribute of an admiring world.

Fate seemed to have taken a direct share in fitting Paulina for her part as the custodian of this historic dwelling. It had long been secretly regarded as a “visitation” by the great man’s family that he had left no son and that his daughters were not “intellectual.” The ladies themselves were the first to lament their deficiency, to own that nature had denied them the gift of making the most of their opportunities. A profound veneration for their parent and an unswerving faith in his doctrines had not amended their congenital incapacity to understand what he had written. Laura, who had her moments of mute rebellion against destiny, had sometimes thought how much easier it would have been if their progenitor had been a poet; for she could recite, with feeling, portions of _The Culprit Fay_ and of the poems of Mrs. Hemans; and Phoebe, who was more conspicuous for memory than imagination, kept an album filled with “selections.” But the great man was a philosopher; and to both daughters respiration was difficult on the cloudy heights of metaphysic. The situation would have been intolerable but for the fact that, while Phoebe and Laura were still at school, their father’s fame had passed from the open ground of conjecture to the chill privacy of certitude. Dr. Anson had in fact achieved one of those anticipated immortalities not uncommon at a time when people were apt to base their literary judgments on their emotions, and when to affect plain food and despise England went a long way toward establishing a man’s intellectual pre-eminence. Thus, when the daughters were called on to strike a filial attitude about their parent’s pedestal, there was little to do but to pose gracefully and point upward; and there are spines to which the immobility of worship is not a strain. A legend had by this time crystallized about the great Orestes, and it was of more immediate interest to the public to hear what brand of tea he drank, and whether he took off his boots in the hall, than to rouse the drowsy echo of his dialectic. A great man never draws so near his public as when it has become unnecessary to read his books and is still interesting to know what he eats for breakfast.