Critiques and Addresses

Chapter 25

Chapter 254,057 wordsPublic domain

"The particular bulk, number, figure, and motion of the parts of fire and snow are really in them, whether anyone's senses perceive them or not, and therefore they may be called real qualities, because they really exist in those bodies; but light, heat, whiteness, or coldness, are no more really in them, than sickness, or pain, is in manna. Take away the sensation of them; let not the eyes see light or colours, nor the ears hear sounds; let the palate not taste, nor the nose smell; and all colours, tastes, odours and sounds, as they are such particular ideas, vanish and cease, and are reduced to their causes, i.e. bulk, figure, and motion of parts.

"18. A piece of manna of sensible bulk is able to produce in us the idea of a round or square figure; and, by being removed from one place to another, the idea of motion. This idea of motion represents it as it really is in the manna moving; a circle and square are the same, whether in idea or existence, in the mind or in the manna; and thus both motion and figure are really in the manna, whether we take notice of them or no: this everybody is ready to agree to."

So far as primary qualities are concerned, then, Locke is as thoroughgoing a realist as St. Anselm. In Berkeley, on the other hand, we have as complete a representative of the nominalists and conceptualists--an intellectual descendant of Roscellinus and of Abelard. And by a curious irony of fate, it is the nominalist who is, this time, the champion of orthodoxy, and the realist that of heresy.

Once more let us try to work out Berkeley's principles for ourselves, and inquire what foundation there is for the assertion that extension, form, solidity, and the other "primary qualities," have an existence apart from mind. And for this purpose let us recur to our experiment with the pin.

It has been seen that when the finger is pricked with a pin, a state of consciousness arises which we call pain; and it is admitted that this pain is not a something which inheres in the pin, but a something which exists only in the mind, and has no similitude elsewhere.

But a little attention will show that this state of consciousness is accompanied by another, which can by no effort be got rid of. I not only have the feeling, but the feeling is localized. I am just as certain that the pain is in my finger, as I am that I have it at all. Nor will any effort of the imagination enable me to believe that the pain is not in my finger.

And yet nothing is more certain than that it is not, and cannot be, in the spot in which I feel it, nor within a couple of feet of that spot. For the skin of the finger is connected by a bundle of fine nervous fibres, which run up the whole length of the arm, with the spinal marrow and brain, and we know that the feeling of pain caused by the prick of a pin is dependent on the integrity of those fibres. After they have been cut through close to the spinal cord, no pain will be felt, whatever injury is done to the finger; and if the ends which remain in connection with the cord be pricked, the pain which arises will appear to have its seat in the finger just as distinctly as before. Nay, if the whole arm be cut off, the pain which arises from pricking the nerve stump will appear to be seated in the fingers, just as if they were still connected with the body.

It is perfectly obvious, therefore, that the localization of the pain at the surface of the body is an act of the mind. It is an _extradition_ of that consciousness, which has its seat in the brain, to a definite point of the body--which takes place without our volition, and may give rise to ideas which are contrary to fact. We might call this extradition of consciousness a reflex feeling, just as we speak of a movement which is excited apart from, or contrary to, our volition, as a reflex motion. Locality is no more in the pin than pain is; of the former, as of the latter, it is true that "its being is to be perceived," and that its existence apart from a thinking mind is not conceivable.

The foregoing reasoning will be in no way affected, if, instead of pricking the finger, the point of the pin rests gently against it, so as to give rise merely to a tactile sensation. The tactile sensation is referred outwards to the point touched, and seems to exist there. But it is certain that it is not and cannot be there really, because the brain is the sole seat of consciousness; and, further, because evidence, as strong as that in favour of the sensation being in the finger, can be brought forward in support of propositions which are manifestly absurd.

For example, the hairs and nails are utterly devoid of sensibility, as everyone knows. Nevertheless, if the ends of the nails or hairs are touched, ever so lightly, we feel that they are touched, and the sensation seems to be situated in the nails or hairs. Nay more, if a walking-stick a yard long is held firmly by the handle and the other end is touched, the tactile sensation, which is a state of our own consciousness, is unhesitatingly referred to the end of the stick; and yet no one will say that it _is_ there.

Let us now suppose that, instead of one pin's point resting against the end of my finger, there are two. Each of these can be known to me, as we have seen, only as a state of a thinking mind, referred outwards, or localized. But the existence of these two states, somehow or other, generates in my mind a host of new ideas, which did not make their appearance when only one state was present.

For example, I get the ideas of co-existence, of number, of distance, and of relative place or direction. But all these ideas are ideas of relations, and imply the existence of something which perceives those relations. If a tactile sensation is a state of the mind, and if the localization of that sensation is an act of the mind, how is it conceivable that a relation between two localized sensations should exist apart from the mind? It is, I confess, quite as easy for me to imagine that redness may exist apart from a visual sense, as it is to suppose that co-existence, number, and distance can have any existence apart from the mind of which they are ideas.

Thus it seems clear that the existence of some, at any rate, of Locke's primary qualities of matter, such as number and extension, apart from mind, is as utterly unthinkable as the existence of colour and sound under like circumstances.

Will the others--namely, figure, motion and rest, and solidity--withstand a similar criticism? I think not. For all these, like the foregoing, are perceptions by the mind of the relations of two or more sensations to one another. If distance and place are inconceivable, in the absence of the mind, of which they are ideas, the independent existence of figure, which is the limitation of distance, and of motion, which is change of place, must be equally inconceivable. Solidity requires more particular consideration, as it is a term applied to two very different things, the one of which is solidity of form, or geometrical solidity; while the other is solidity of substance, or mechanical solidity.

If those motor nerves of a man by which volitions are converted into motion were all paralysed, and if sensation remained only in the palm of his hand (which is a conceivable case), he would still be able to attain to clear notions of extension, figure, number, and motion, by attending to the states of consciousness which might be aroused by the contact of bodies with the sensory surface of the palm. But it does not appear that such a person could arrive at any conception of geometrical solidity. For that which does not come in contact with the sensory surface is non-existent for the sense of touch; and a solid body, impressed upon the palm of the hand, gives rise only to the notion of the extension of that particular part of the solid which is in contact with the skin.

Nor is it possible that the idea of outness (in the sense of discontinuity with the sentient body) could be attained by such a person; for, as we have seen, every tactile sensation is referred to a point either of the natural sensory surface itself, or of some solid in continuity with that surface. Hence it would appear that the conception of the difference between the Ego and the non-Ego could not be attained by a man thus situated. His feelings would be his universe, and his tactile sensations his "moenia mundi." Time would exist for him as for us, but space would have only two dimensions.

But now remove the paralysis from the motor apparatus, and give the palm of the hand of our imaginary man perfect freedom to move, so as to be able to glide in all directions over the bodies with which it is in contact. Then with the consciousness of that mobility, the notion of space of three dimensions--which is "_Raum_" or "room" to move with perfect freedom--is at once given. But the notion that the tactile surface itself moves, cannot be given by touch alone, which is competent to testify only to the fact of change of place, not to its cause. The idea of the motion of the tactile surface could not, in fact, be attained, unless the idea of change of place were accompanied by some state of consciousness, which does not exist when the tactile surface is immoveable. This state of consciousness is what is termed the muscular sense, and its existence is very easily demonstrable.

Suppose the back of my hand to rest upon a table, and a sovereign to rest upon the upturned palm, I at once acquire a notion of extension, and of the limit of that extension. The impression made by the circular piece of gold is quite different from that which would be made by a triangular, or a square, piece of the same size, and thereby I arrive at the notion of figure. Moreover, if the sovereign slides over the palm, I acquire a distinct conception of change of place or motion, and of the direction of that motion. For as the sovereign slides, it affects new nerve-endings, and gives rise to new states of consciousness. Each of them is definitely and separately localized by a reflex act of the mind, which, at the same time, becomes aware of the difference between two successive localizations; and therefore of change of place, which is motion.

If, while the sovereign lies on the hand, the latter being kept quite steady, the fore-arm is gradually and slowly raised; the tactile sensations, with all their accompaniments, remain exactly as they were. But, at the same time, something new is introduced; namely, the sense of effort. If I try to discover where this sense of effort seems to be, I find myself somewhat perplexed at first; but, if I hold the fore-arm in position long enough, I become aware of an obscure sense of fatigue, which is apparently seated either in the muscles of the arm, or in the integument directly over them. The fatigue seems to be related to the sense of effort, in much the same way as the pain which supervenes upon the original sense of contact, when a pin is slowly pressed against the skin, is related to touch.

A little attention will show that this sense of effort accompanies every muscular contraction by which the limbs, or other parts of the body, are moved. By its agency the fact of their movement is known; while the direction of the motion is given by the accompanying tactile sensations. And, in consequence of the incessant association of the muscular and the tactile sensations, they become so fused together that they are often confounded tinder the same name.

If freedom to move in all directions is the very essence of that conception of space of three dimensions which we obtain by the sense of touch; and if that freedom to move is really another name for the feeling of unopposed effort, accompanied by that of change of place, it is surely impossible to conceive of such space as having existence apart from that which is conscious of effort.

But it may be said that we derive our conception of space of three dimensions not only from touch, but from vision; that if we do not feel things actually outside us, at any rate we see them. And it was exactly this difficulty which presented itself to Berkeley at the outset of his speculations. He met it, with characteristic boldness, by denying that we do see things outside us; and, with no less characteristic ingenuity, by devising that "New Theory of Vision" which has met with wider acceptance than any of his views, though it has been the subject of continual controversies.[1]

[Footnote 1: I have not specifically alluded to the writings of Bailey, Mill, Abbott, and others, on this vexed question, not because I have failed to study them carefully, but because this is not a convenient occasion for controversial discussion. Those who are acquainted with the subject, however, will observe that the view I have taken agrees substantially with that of Mr. Barley.]

In the "Principles of Human Knowledge," Berkeley himself tells us how he was led to those views which he published in the "Essay towards the New Theory of Vision."

"It will be objected that we see things actually without, or at a distance from us, and which consequently do not exist in the mind; it being absurd that those things which are seen at the distance of several miles, should be as near to us as our own thoughts. In answer to this, I desire it may be considered that in a dream we do oft perceive things as existing at a great distance off, and yet, for all that, those things are acknowledged to have their existence only in the mind.

"But for the fuller clearing of this point, it may be worth while to consider how it is that we perceive distance and things placed at a distance by sight. For that we should in truth see external space and bodies actually existing in it, some nearer, others further off, seems to carry with it some opposition to what hath been said of their existing nowhere without the mind. The consideration of this difficulty it was that gave birth to my 'Essay towards the New Theory of Vision,' which was published not long since, wherein it is shown that distance, or outness, is neither immediately of itself perceived by sight, nor yet apprehended, or judged of, by lines and angles or anything that hath any necessary connection with it; but that it is only suggested to our thoughts by certain visible ideas and sensations attending vision, which, in their own nature, have no manner of similitude or relation either with distance, or with things placed at a distance; but by a connection taught us by experience, they come to signify and suggest them to us, after the same manner that words of any language suggest the ideas they are made to stand for; insomuch that a man born blind and afterwards made to see, would not, at first sight, think the things he saw to be without his mind or at any distance from him."

The key-note of the Essay to which Berkeley refers in this passage is to be found in an italicized paragraph of section 127:--

"_The extensions; figures, and motions perceived by sight are specifically distinct from the ideas of touch called by the same names; nor is there any such thing as an idea, or kind of idea, common to both senses_."

It will be observed that this proposition expressly declares that extension, figure, and motion, and consequently distance, are immediately perceived by sight as well as by touch; but that visual distance, extension, figure, and motion, are totally different in quality from the ideas of the same name obtained through the sense of touch. And other passages leave no doubt that such was Berkeley's meaning. Thus in the 112th section of the same Essay, he carefully defines the two kinds of distance, one visual, the other tangible:--

"By the distance between any two points nothing more is meant than the number of intermediate points. If the given points are visible, the distance between them is marked out by the number of interjacent visible points; if they are tangible, the distance between, them is a line consisting of tangible points."

Again, there are two sorts of magnitude or extension:--

"It has been shown that there are two sorts of objects apprehended by sight, each whereof has its distinct magnitude or extension: the one properly tangible, _i.e._ to be perceived and measured by touch, and not immediately falling under the sense of seeing; the other properly and immediately visible, by mediation of which the former is brought into view."--§ 55.

But how are we to reconcile these passages with others which will be perfectly familiar to every reader of the "New Theory of Vision "? As, for example:--

"It is, I think, agreed by all, that distance of itself, and immediately, cannot be seen."--§ 2.

"Space or distance, we have shown, is no otherwise the object of sight than of hearing."--§ 130.

"Distance is in its own nature imperceptible, and yet it is perceived by sight. It remains, therefore, that it is brought into view by means of some other idea, that is itself immediately perceived in the act of vision."--§ 11.

"Distance or external space."--§ 155.

The explanation is quite simple, and lies in the fact that Berkeley uses the word "distance" in three senses. Sometimes he employs it to denote visible distance, and then he restricts it to distance in two dimensions, or simple extension. Sometimes he means tangible distance in two dimensions; but most commonly he intends to signify tangible distance in the third dimension. And it is in this sense that he employs "distance" as the equivalent of "space." Distance in two dimensions is, for Berkeley, not space, but extension. By taking a pencil and interpolating the words "visible" and "tangible" before "distance" wherever the context renders them necessary, Berkeley's statements may be made perfectly consistent; though he has not always extricated himself from the entanglement caused by his own loose phraseology, which rises to a climax in the last ten sections of the "Theory of Vision," in which he endeavours to prove that a pure intelligence able to see, but devoid of the sense of touch, could have no idea of a plane figure. Thus he says in section 156:--

"All that is properly perceived by the visual faculty amounts to no more than colours with their variations and different proportions of light and shade; but the perpetual mutability and fleetingness of those immediate objects of sight render them incapable of being managed after the manner of geometrical figures, nor is it in any degree useful that they should. It is true there be divers of them perceived at once, and more of some and less of others; but accurately to compute their magnitude, and assign precise determinate proportions between things so variable and inconstant, if we suppose it possible to be done, must yet be a very trifling and insignificant labour."

If, by this, Berkeley means that by vision alone, a straight line cannot be distinguished from a curved one, a circle from a square, a long line from a short one, a large angle from a small one, his position is surely absurd in itself and contradictory to his own previously cited admissions; if he only means, on the other hand, that his pure spirit could not get very far on in his geometry, it may be true or not; but it is in contradiction with his previous assertion, that such a pure spirit could never attain to know as much as the first elements of plane geometry.

Another source of confusion, which arises out of Berkeley's insufficient exactness in the use of language, is to be found in what he says about solidity, in discussing Molyneux's problem, whether a man born blind and having learned to distinguish between a cube and a sphere, could, on receiving his sight, tell the one from the other by vision. Berkeley agrees with Locke that he could not, and adds the following reflection:--

"Cube, sphere, table, are words he has known applied to things perceivable by touch, but to things perfectly intangible he never knew them applied. Those words in their wonted application always marked out to his mind bodies or solid things which were perceived by the resistance they gave. But there is no solidity, no resistance or protrusion perceived by sight."

Here "solidity" means resistance to pressure, which is apprehended by the muscular sense; but when in section 154 Berkeley says of his pure intelligence--

"It is certain that the aforesaid intelligence could have no idea of a solid or quantity of three dimensions, which follows from its not having any idea of distance "--

he refers to that notion of solidity which may be obtained by the tactile sense, without the addition of any notion of resistance in the solid object; as, for example, when the finger passes lightly over the surface of a billiard ball.

Yet another source of difficulty in clearly understanding Berkeley arises out of his use of the word "outness." In speaking of touch he seems to employ it indifferently, both for the localization of a tactile sensation in the sensory surface, which we really obtain through touch; and for the notion of corporeal separation, which is attained by the association of muscular and tactile sensations. In speaking of sight, on the other hand, Berkeley employs "outness" to denote corporeal separation.

When due allowance is made for the occasional looseness and ambiguity of Berkeley's terminology, and the accessories are weeded out of the essential parts of his famous Essay, his views may, I believe, be fairly and accurately summed up in the following propositions:--

1. The sense of touch gives rise to ideas of extension, figure, magnitude, and motion.

2. The sense of touch gives rise to the idea of "outness," in the sense of localization.

3. The sense of touch gives rise to the idea of resistance, and thence to that of solidity, in the sense of impenetrability.

4. The sense of touch gives rise to the idea of "outness," in the sense of distance in the third dimension, and thence to that of space, or geometrical solidity.

5. The sense of sight gives rise to ideas of extension, of figure, magnitude, and motion.

6. The sense of sight does not give rise to the idea of "outness," in the sense of distance in the third dimension, nor to that of geometrical solidity, no visual idea appearing to be without the mind, or at any distance off (§§ 43, 50).

7. The sense of sight does not give rise to the idea of mechanical solidity.

8. There is no likeness whatever between the tactile ideas called extension, figure, magnitude, and motion, and the visual ideas which go by the same names; nor are any ideas common to the two senses.

9. When we think we see objects at a distance, what really happens is that the visual picture suggests that the object seen has tangible distance; we confound the strong belief in the tangible distance of the object with actual sight of its distance.

10. Visual ideas, therefore, constitute a kind of language, by which we are informed of the tactile ideas which will, or may, arise in us.