Part 16
Beauty is the safest stimulant, the surest tonic, the most precious inspiration; natural beauty first of all, and the beauty of the arts closely following, twinlike handmaids to Aphrodite. But to perceive this the mentally blind are as incapable as the physically blind; and such, mental cecity is as general in these days as myopy is common in the schoolrooms of this generation.
Every year all cities, and even all towns, are severed farther and farther from the country; every year the electric wires multiply for telegraph and telephone; the tramways and railways increase, the sickening grinding noises common to these methods of locomotion fill the air, and the extraordinary ugliness, which seems attached like a doom to any modern invention, is multiplied on all sides. That, in an age which considers itself educated, such hideous constructions as the great wheels of Chicago and of Earl's Court should attract sane persons as a diversion will alone prove how completely the instinct of correct taste, with its accompanying abhorrence of deformity, has become extinct in all modern crowds.
With the ever-increasing use of steam, the beauty of the sky yearly grows dimmer and more veiled. That a race with any pretensions to education and perception can live contentedly under such a sky as that of London would appear an incredible fact, did we not know that it is an indisputable one. Whoever revisits Paris after a few seasons' absence finds the brilliancy of its life more and more dimmed with every decade by the sullying of the atmosphere through the increase of factories, railways and other works, and the invasion by the town of its once beautiful girdle of wood, orchard, and garden. Every year national life everywhere grows less varied, less picturesque, more unlovely, and every year finds the people more contented to dwell with no other horizon than a bank of smoke.
It was monstrous that the selection of the glades and pastures of the New Forest, for military manoeuvres, should ever have been permitted by the British War Office. But the mere fact that it _was_ monstrous, that it was an offence to history and nature, that it disturbed and distressed wild life, that it wounded and outraged the feelings of residents and the sentiments of artists, was a reason all-sufficient to make the modern temper brutally enamoured of the idea. Merely because the despatch of the battalions and field batteries thither was a vandalism, and caused pain to more aesthetic minds, military manoeuvres in the New Forest became all at once a project to be insisted on and carried out at all costs. The same outrage is now being done to Stonehenge.
The modern temper cannot respect, cannot appreciate, cannot love, but it can hate; and its hatred shows itself in damage and destruction everywhere, whether it set fire to the noble old house of the Hanseatic League at Antwerp, pull down the water towers of Dieppe, plant the jerry-builder before the Lateran, drag a railway train up to Murren, or trample down with ill-shod boy-soldiers the thyme and the bracken of the Conqueor's woods and the turf which the Druids trod.
The modern temper resembles those children in Victor Hugo's romance who, being left alone with the beautiful and ancient _Horae_, find no prank so delightful as to tear from end to end the illuminated text of the book and its perfect miniatures, clapping their hands as each fair thing perishes. Nor is there any indication of the advent of anyone who will take the book of the world from the destroying hands, and save what still remains of its beauty.
There is, on the contrary, every sign that the future will see a still greater domination of that rude, cold, and cruel temper which takes pleasure in innovation and obliteration, and sneers, with contemptuous conceit, at those who are pained by such acts of desecration. It is the same sneer, the same leering and self-satisfied snigger, with which it views the expression and evidence of pity for, and solidarity with, what it is pleased to call the lower animals.
The Langdale Pikes are being pierced and blasted for iron foundries and slate quarries. The great forest of La Haye near Nancy is being destroyed by military fortifications, and by foundries and by factories. All the valley of the Meuse and the Moselle is sullied with factory smoke and blasting powder. The Bay of Amalfi and the shore of Posilippo are defiled by cannon foundries. The Isle of St Elena at Venice is laid waste to serve as a railway factory. All the Ardennes are scorched and soiled, and sickened with stench of smoke and suffocating slag. The Peak Country and the Derwent vales are being scarred and charred for railway lines, mines, and factories. Amsterdam, so late the Venice of the North, is becoming an unmeaning mass of modern insignificance and ugliness; what has been done to the Venice of the South is such outrage that it might wake Tiziano from under his weight of marble in the Frari Church, and call the Veronese from his grave.
To destroy Trinity Hospital in London, and place a brewery in its place is a joy and glory to the modern municipal soul. The Hotel Dessin in Calais, made sacred to the name of Laurence Sterne, was a pleasant place with an arched entrance and a large courtyard, round whose sides the buildings were grouped; it had vines and greenery of all kinds, and over the archway were little dormer windows. Behind it stretched fair gardens of great extent, and beyond these was a theatre belonging to the hotel. Of late years it had served as a museum for the town, and was thus preserved intact; now it has been pulled down and razed to the ground, and a huge commercial school built in its place. The funicular railways are ruining the whole of the Swiss Alps; the greed of a few speculators and the irreverent folly of the multitude combine to scar the sides of the great mountains and gather on their summits troops of gaping sightseers, to whom the solemnity of the Gletsch Alp or the virginity of the Jungfrau are of no account.
Zermatt, so late a virgin stronghold of the Higher Alps, is now a mere cockney excursion, and sixty thousand trippers invade its solitude with every summer, plodding like camels in a string, vexing the air with inane noises, offending the mountain stillness with songs to which the bray of mules were music, insulting the crystal clearness of the heavens with the intrusion of their own ludicrous, blatant and imbecile personalities, incapable even of being silent and ashamed. The island of Naxos, whose mere name brings before us so many classic memories in all their loveliness and glory, is being broken up into chips by the emery-workers, and is to be mined for aluminium.
The finest torrent in Scotland is about to be diverted from its course and used for aluminium works. The glory of its waters is to be known no more, merely that some engineers and manufacturers may fill their pockets to the public loss; that some promoters and shareholders, possessing large parliamentary influence, may add to their fortunes. To speak of civilisation, which is a term implying culture, in the same breath with a nation capable of such an action is ludicrous.
The fumes of these aluminium works will, when they are in full blast, emit hydrofluoric acid gas which will destroy all the vegetation on Loch Ness for miles. Yet such is the apathy and want of conscience in modern generations that the annihilation of the Falls of Foyers appears scarcely to meet with any general indignation.
There is no modern mania so dangerous as the present one for meddling with water; no injury more conspicuous and irrevocable than the perpetual interference with lake and stream and torrent.
The lakes of Maggiore, of Como, of Garda, are all being defiled by factories and steam-engines; and even such a writer as De Voguee can look contentedly forward to a time when such erections will disfigure both banks of the Rhone.
The isles of Lake Leman serve for commercial and communal purposes. Thirlmere and Loch Katrine have been violated, and all the other English and Scotch lakes will be similarly ravaged. Fucina has been dried up as a speculation, and Trasimene is threatened. The Rhone is already dammed up, and tapped, and tortured, until all its rich alluvial deposits are lost to the soil of Provence.
It would be easy to fill folios with the bare enumeration of places and memories, of sites and scenes of which the destruction has been accomplished within the last few years. To get money for the preservation of anything is well-nigh impossible; but millions flow like water when there is any scheme of destruction. In an age which prates more than any other of its pride in education, the violation of every law of taste, of every tie of association, of every rule of beauty, is always greedily welcomed with a barbaric shout of triumph.
Lath and plaster circuses or theatres are erected by the Mausoleum of Hadrian, and the miserable caged monkeys of a menagerie pull each other's tails where Raffaele's pavillion stood amidst the nightingale-filled ilex groves.
Frederic Harrison, in his admirable studies of Paris, cannot hide from himself or his readers the loss to art and history which the Haussmannising of the city began, the insanity of the Commune continued, and the barbarism of the present Republic confirms. The ruin of Rome since the Italian occupation is ten times worse and more offensive than even such ruin as would have been entailed by a siege, for it is more vulgar; shell and shot would have destroyed indeed, but they would not have imbecilely and impudently reconstructed. The same sad change awaits, if it has not already overtaken, every city of Europe, and alas! even of Asia. The smoke fiend has entered Jerusalem, and the shriek of the engines has scared the wild dove from her nest in the palm and pomegranate. The Mount of Olives is 'a thing to be done,' and the 'scorcher,' sweating and grinning, drives his wheel through the rose-thickets of Damascus.
Factory chimneys stand as thick in Bombay as in Birmingham, and black trails of foul vapour float over Indus and Ganges; soon their curse will reach the Euphrates. I believe I am correct in saying that the smoke from the funnel of a great steamer or a large factory can be traced for forty-five miles in its passage through the air. Imagine the effect on atmosphere of the continual crossing and re-crossing on ocean routes of tens of thousands of such steamships yearly, of the perpetual belching of such fumes from the innumerable factory shafts annually increased in every part of what is called the civilised world. To India, from England alone, the export of machines and other material for factory erection has been at the enormous rate of L70,000 monthly!
Only let us consider what this means, what destruction of pure light and of fine atmosphere this involves for Hindostan.
The snow-white marbles of the temples, the ivory doors, the silver gates, the rosy clouds, the lotus-laden waters, the golden dawns, the magnolia woods, the camellia groves, the feathered flocks in the bamboo aisles, will all vanish that the smoke fiend may reign alone and the traders who live by him grow rich. The 'light of Asia' is forced to grow foul and dark and sickly, and its radiant suns to be shrouded in pestilent fog in order that the British Gradgrind may put by his 200 per cent. and fold his hands complacently on his rotund belly.
Is the end worth the means?
Is modern trade in truth such a godhead descended on earth that all the loveliness of earth and air, of sky and water should be sacrificed to its demands?
We hear _ad nauseam_ of the gains of modern life, of what is called civilisation: does no one count its losses? It might be well to do so. It might act as a corrective to the inane self-worship which is at once the most ill-founded and the most irritating feature of the age. Perhaps other ages have in turn adored themselves in like manner, but there is not in history any record of it. Its prophets, heroes, sages, each age has either admired or execrated; but I do not think any age has so admired itself as the present age, which has its prototype in William of Germany standing between two sand banks and thinking himself greater than Alexander because his engineers have succeeded in cutting for him a ditch longer than usual.
The modern world is at this moment ruled by two enemies of all beauty: these are commerce and militarism. What the one does not destroy, the other tramples under foot. In earlier times war, terrible always, was beautiful, like its goddess Bellona, in its savage splendour. Its camps, its troops, its standards, its panoply, were all full of colour and of pomp. Even so late as the Napoleonic wars its awfulness was blended with beauty. Now the passage of an army is like the course of so many dirty luggage trains filled with bales of wool or hampers of fish. Its monstrous maw licks up all loveliness as all life which it finds in its way. Its frightful steel cylinders belch death on every gracious and happy thing. It is unenlivened by pageantry, as it is unredeemed by courtesy. Bellona is no more a goddess, but a hag.
Socialism, which has the future of the world in its hands, will probably be unable to abolish war, and will certainly not care for beauty or seek to preserve it. The reconstruction of society which Socialism contemplates will not be a state of things in which the interests of either nature or art will be cherished. Collectivism must of necessity be colourless; equality can afford none of those heights and depths, those lights and shades, which are the essential charm of life as of landscape. When all the arable earth is one huge allotment-ground, a Corot will find no subject for his canvas, not even in his dreams, for his dreams will be dead of inanition.
There can be, I think, no hope that this loss of beauty will not be greater and greater with every year. The tendency, continually increasing in the modern character, is to regard beauty and nature with cynical indifference, stirred, when stirred at all, into active insolence; such insolence as was expressed in the joke of the Chicago citizen who called the plank-walks of his city 'the reafforesting of our town.' It is a temper not merely brutal, but with a leer in it which is more offensive than its brutality.
The great beauty which animal and bird life lends to the earth is doomed to lessen and disappear. The automatic vehicle will render the horse useless; and he will be considered too costly, and too slow, to be kept even as a gambling toy. The dog will have no place in a world which has no gratitude for such simple sincerity and faithful friendliness as he offers. When wool, and horn, and leather, and meat foods have been replaced by chemical inventions, cattle and sheep will have no more tolerance than the wild buffalo has had in the United States. What are now classed as big game will be exterminated in Asia and Africa, and already in Europe we are told that the pleasure it affords to people to kill them is the sole reason why stags, foxes, and gamebirds are allowed to exist and multiply under artificial protection. All the charm which the races of 'fur and feather' lend to the earth will be lost for ever; for a type destroyed can never be recalled.
Every invention of what is called science takes the human race farther and farther from nature, nearer and nearer to an artificial, unnatural and dependent state. One seems to hear the laugh of Goethe's Mephistopheles behind the hiss of steam; and in the tinkle of the electric bell there lurks the chuckle of glee with which the Tempter sees the human fools take as a boon and a triumph the fatal gifts he has given.
What shall it profit a man if he gain the whole world and lose his own soul? What shall it profit the world to put a girdle about its loins in forty minutes when it shall have become a desert of stone, a wilderness of streets, a treeless waste, a songless city, where man shall have destroyed all life except his own, and can hear no echo of his heart's pulsation save in the throb of an iron piston.
The engine tearing through the disembowelled mountain, the iron and steel houses towering against a polluted sky, the huge cylinders generating electricity and gas, the network of wires cutting across the poisoned air, the overgrown cities spreading like scurvy, devouring every green thing like locusts; haste instead of leisure, Neurasthenia instead of health, mania instead of sanity, egotism and terror instead of courage and generosity, these are the gifts which the modern mind creates for the world. It can chemically imitate every kind of food and drink, it can artificially produce every form of disease and suffering, it can carry death in a needle and annihilation in an odour, it can cross an ocean in five days, it can imprison the human voice in a box, it can make a dead man speak from a paper cylinder, it can transmit thoughts over hundreds of miles of wire, it can turn a handle and discharge scores of death-dealing tubes at one moment as easily as a child can play a tune on a barrel organ, it can pack death and horror up in a small tin case which has served for sardines or potted herrings, and leave it on a window-sill, and cause by it towers to fall, and palaces to crumble, and flames to upleap to heaven, and living men to change to calcined corpses; all this it can do, and much more. But it cannot give back to the earth, or to the soul, 'the sweet wild freshness of morning.' And when all is said of its great inventions and their marvels and mysteries, are they more marvellous or more mysterious than the changes of chrysalis and caterpillar and butterfly, or the rise of the giant oak from the tiny acorn, or the flight of swallow and nightingale over ocean and continent?
Man has created for himself in the iron beast a greater tyrant than any Nero or Caligula. And what is the human child of the iron beast, what is the typical, notable, most conspicuous creation of the iron beast's epoch?
It is the Cad, vomited forth from every city and town in hundreds, thousands, millions, with every holy day and holy-day. The chief creation of modern life is the Cad; he is an exclusively modern manufacture, and it may safely be said that the poorest slave in Hellas, the meanest fellah in Egypt, the humblest pariah in Asia was a gentleman beside him. The Cad is the entire epitome, the complete blossom and fruit in one, of what we are told is an age of culture. Behold him in the velodrome as he yells insanely after his kind as they tear along on their tandem machines in a match, and then ask yourself candidly, O my reader, if any age before this in all the centuries of earth ever produced any creature so utterly low and loathsome, so physically, mentally, individually, and collectively hideous? The helot of Greece, the gladiator of Rome, the swash-buckler of Mediaeval Europe, nay, the mere pimp and pander of Elizabethan England, of the France of the Valois, of the Spain of Velasquez, were dignity, purity, courage in person beside the Cad of this breaking dawn of the twentieth century; the Cad rushing on with his shrill scream of laughter as he knocks down the feeble woman or the yearling child, and making life and death and all eternity seem ridiculous by the mere existence of his own intolerable fatuity and bestiality.
XI
THE QUALITY OF MERCY
Whatever we may think of the artistic and critical influence of Mr Ruskin on his age, we cannot but view with admiration and reverence much of his moral teaching, and there are in his writings innumerable isolated words of wisdom which would be well printed in letters of gold wherever men and women congregate and youth is educated. Amongst these is one which could not be too often reproduced before the eyes of an indifferent, egotistic, and cynical generation. It is this: 'Whosoever is not actively kind, is cruel.' It is an absolute truth, but one which is very little heeded.
I will not here speak of the three crystallised and applauded forms of cruelty, war, sport, and scientific experiment. I wish to speak only of what is by scientists termed 'lay' cruelty, but which I would myself call general and scarcely conscious cruelty--the ill-treatment of all sentient creatures not human, by human creatures, due to the apathy, egotism, and unkindness of the latter. It is to this form of cruelty that Mr Ruskin alludes in the sentence previously quoted.
The cruelty of earlier times had its chief cause in violence; the cruelty of modern times has its chief cause in cowardice and selfishness. The character of the cruelty has altered, but its prevalence remains equally widespread and its motive is more contemptible. The modern world regards the pillory and the stocks as barbarous; but it allows the railway signalman to be riveted to his post for eighteen consecutive hours, and sees no harm in it. The human race was then ruder, no doubt, but more generous; more violent in some ways, but more magnanimous. Remember the familiar story of the Roman who wrung the neck of the dove which took refuge in his bosom from the pursuing bird of prey, and was stoned by his fellow-citizens. In the modern world there would be no movement of indignation against such an act; gentlewomen and men see the necks wrung of the wounded birds in the shooting enclosures from Hurlingham to Monte Carlo without the slightest emotion of pity or effort at censure.
Not long ago I spoke of this to a young and beautiful Englishwoman of the great world, and she answered, 'Yes, it is useless to attempt to move them to any feeling for animals. You can get them to do something for people, because they think it does them good with the masses, keeps off revolution, and helps in canvassing. But for cruelty they do not care in the least.' She spoke in simplicity, with no intention of sarcasm, but she could not have uttered a greater truth, or a more cutting satire.
There are exceptions, doubtless, but they are not numerous enough to leaven the great mass of indifferent and selfish people. Animals find but few friends. Alas! they have no votes!
There is, perhaps, one thing still more nauseating than the world's apathy, and that is its self-praise; its admiration of its own charities, so miserably insignificant beside the extravagance of its own pleasures. When we think how little is done by those who could do so much to influence even their own households to justice and tenderness, one cannot wonder that the populace is unmoved by the occasional invitation to them from a higher world to display those virtues which the rich prefer rather to inculcate than to practise.
Last year in England, in a nobleman's house, a footman beat a small dog, which ran into the offices, with a red-hot poker, and piled burning coals on it until it died in indescribable agony. I wrote and asked the nobleman in question if he had dismissed this monster from his service, the man having been only punished by the Bench with a slight fine; the nobleman answered me so evasively that it was easy to read between the lines and see that he had retained the footman in his service. This act on the part of the servant was an extreme case of hideous cruelty, but his employer's condonation is by no means an extreme case; it is, indeed, a very common sample of a master's indifference, of that indifference which is practically connivance. People abandon their stables to their coachmen, their dogs to their keepers; even the animals they call pets are frequently allowed to suffer from servants, or children, and are bullied, neglected, and teased with impunity.