Chapter 4

Robespierre had now risen to be one of the foremost men in France. To borrow the figure of an older chief of French faction, from trifling among the violins in the orchestra, he had ascended to the stage itself, and had a right to perform leading parts. Disqualified for sitting in the Assembly, he wielded greater power than ever in the Club. The Constituent had been full of his enemies. 'Alone with my own soul,' he once cried to the Jacobins, 'how could I have borne struggles that were beyond any human strength, if I had not raised my spirit to God?' This isolation marked him with a kind of theocratic distinction. These communings with the unseen powers gave a certain indefinable prerogative to a man, even among the children of the century of Voltaire. Condorcet, the youngest of the intimates and disciples of Voltaire, of D'Alembert, of Turgot, was the first to sound bitter warning that Robespierre was at heart a priest. The suggestion was more than a gibe. Robespierre had the typic sacerdotal temperament, its sense of personal importance, its thin unction, its private leanings to the stake and the cord; and he had one of those deplorable natures that seem as if they had never in their lives known the careless joys of a springtime. By and by, from mere priest he developed into the deadlier carnivore, the Inquisitor.

The absence of advantages of bodily presence has never been fatal to the pretensions of the pontiff. Robespierre was only a couple of inches above five feet in height, but the Grand Monarch himself was hardly more. His eyes were small and weak, and he usually wore spectacles; his face was pitted by the marks of small-pox; his complexion was dull and sometimes livid; the tones of his voice were dry and shrill; and he spoke with the vulgar accent of his province. Such is the accepted tradition, and there is no reason to dissent from it. It is fair, however, to remember that Robespierre's enemies had command of his historic reputation at its source, and this is always a great advantage for faction, if not for truth. So Robespierre's voice and person may have been maligned, just as Aristophanes may have been a calumniator when he accused Cleon of having an intolerably loud voice and smelling of the tanyard. What is certain is that Robespierre was a master of effective oratory adapted for a violent popular audience, to impress, to persuade, and to command. The Convention would have yawned, if it had not trembled under him, but the Jacobin Club never found him tedious. Robespierre's style had no richness either of feeling or of phrase; no fervid originality, no happy violences. If we turn from a page of Rousseau to a page of Robespierre, we feel that the disciple has none of the thrilling sonorousness of the master; the glow and the ardour have become metallic; the long-drawn plangency is parodied by shrill notes of splenetic complaint. The rhythm has no broad wings; the phrases have no quality of radiance; the oratorical glimpses never lift the spirit into new worlds. We are never conscious of those great pulses of strong emotion that shake and vibrate through the nobly-measured periods of Cicero or Bossuet or Burke. Robespierre could not rival the vivid and highly-coloured declamation of Vergniaud; his speeches were never heated with the ardent passion that poured like a torrent of fire through some of the orations of Isnard; nor, above all, had he any mastery of that dialect of the Titans, by which Danton convulsed an audience with fear, with amazement, or with the spirit of defiant endeavour. The absence of these intenser qualities did not make Robespierre's speeches less effective for their own purpose. On the contrary, when the air has become torrid, and passionate utterance is cheap, then severity in form is very likely to pass for good sense in substance. That Robespierre had decent fluency, copiousness, and finish, need hardly be said. The French have an artistic sense; they have never accepted our own whimsical doctrine, that a man's politics must be sagacious, if his speaking is only clumsy enough. Robespierre more than once showed himself ready with a forcible reply on critical occasions: this only makes him an illustration the more of the good oratorical rule, that he is most likely to come well out of the emergency of an improvisation, who is usually most careful to prepare. Robespierre was as solicitous about the correctness of his speech, as he was about the neatness of his clothes; he no more grudged the pains given to the polishing of his discourses than he grudged the time given every day to the powdering of his hair.

Nothing was more remarkable than his dexterity in presenting his case. James Mill used to point out to his son among other skilful arts of Demosthenes, these two: first, that he said everything important to his purpose at the exact moment when he had brought the minds of his hearers into the state most fitted to receive it; second, that he insinuated gradually and indirectly into their minds ideas which would have roused opposition if they had been expressed more directly. Mr. Mill once called the attention of the present writer to exactly the same kind of rhetorical skill in the speeches of Robespierre. The reader may do well to turn, for excellent specimens of this, to the speech of January 11, 1792, against the war, or that of May 1794 against atheism. The logic is stringent, but the premises are arbitrary. Robespierre is as one who should iterate indisputable propositions of abstract geometry and mechanics, while men are craving an architect who shall bridge the gulf of waters. Exuberance of high words no longer conceals the sterility of his ideas and the shallowness of his method. We should say of his speeches, as of so much of the speaking and writing of the time, that it is transparent and smooth, but there is none of that quality which the critics of painting call Texture.

His listeners, however, in the old refectory of the Convent of the Jacobins took little heed of these things; the matter was too absorbing, the issue too vital. A hundred years before, the hunted Covenanters of the Western Lowlands, with Claverhouse's dragoons a few miles off, exulted in the endless exhortations and expositions of their hill preachers: they relished nothing so keenly as three hours of Mucklewrath, followed by three hours more of Peter Poundtext. We now find the jargon of the Mucklewraths and the Poundtexts of the Solemn League and Covenant, dead as it is, still not devoid of the picturesque and the impressive. If we cannot say the same of the great preacher of the Declaration of the Rights of Man, the reason is partly that time has not yet softened the tones, and partly that there is no one in all the world with whom it is so difficult to sympathise, as with the narrower fanatics of our own particular faith.

We have still to mark the trait that above everything else gave to Robespierre the trust and confidence of Paris. As men listened to him, they had full faith in the integrity of the speaker. And Robespierre in one way deserved this confidence. He was eminently the possessor of a conscience. When the strain of circumstance in the last few months of his life pressed him towards wrong, at least before doing wrong he was forced to lie to his own conscience. This is a kind of honesty, as the world goes. In the Salon of 1791 an artist exhibited Robespierre's portrait, simply inscribing it, _The Incorruptible_. Throngs passed before it every day, and ratified the honourable designation by eager murmurs of approval. The democratic journals were loud in panegyric on the unsleeping sentinel of liberty. They loved to speak of him as the modern Fabricius, and delighted to recall the words of Pyrrhus, that it is easier to turn the sun from its course, than to turn Fabricius from the path of honour. Patriotic parents eagerly besought him to be sponsor for their children. Ladies of wealth, including at least one countrywoman of our own, vainly entreated him to accept their purses, for women are quick to recognise the temperament of the priest, and recognising they adore. A rich widow of Nantes besought him with pertinacious tenderness to accept not only her purse but her hand. Mirabeau's sister hailed him as an eagle floating through the blue heavens.

Robespierre's life was frugal and simple, as must always be seemly in the spokesman of the dumb multitude whose lives are very hard. He had a single room in the house of Duplay, at the extreme west end of the long Rue Saint Honoré, half a mile from the Jacobin Club, and less than that from the Riding School of the Tuileries, where the Constituent and Legislative Assemblies held session. His room, which served him for bed-chamber as well as for the uses of the day, was scantily furnished, and he shared the homely fare of his host. Duplay was a carpenter, a sworn follower of Robespierre, and the whole family cherished their guest as if he had been a son and a brother. Between him and the eldest daughter of the house there grew up a more tender sentiment, and Robespierre looked forward to the joys of the hearth, so soon as his country should be delivered from the oppressors without and the traitors within.

Eagerly as Robespierre delighted in his popularity, he intended it to be a force and not a decoration. An occasion of testing his influence arose in the winter of 1791. The situation had become more and more difficult. The court was more disloyal and more perverse, as its hopes that the nightmare would come to an end became fainter. In the summer of 1791, the German Emperor, the King of Prussia, and minor champions of retrograde causes issued the famous Declaration of Pilnitz. The menace of intervention was the one element needed to make the position of the monarchy desperate. It roused France to fever heat. For along with the foreign kings were the French princes of the blood and the French nobles. In the spring of 1792, the Assembly forced the King to declare war against Austria. Robespierre, in spite of the strong tide of warlike feeling, led the Jacobin opposition to the war. This is one of the most sagacious acts of his career, for the hazards of the conflict were terrible. If the foreigners and the emigrant nobles were victorious, all that the Revolution had won would be instantly and irretrievably lost. If, on the other hand, the French armies were victorious, one of two disasters might follow. Either the troops might become a weapon in the hands of the court and the reactionary party, for the suppression of all the progressive parties alike; or else their general might make himself supreme. Robespierre divined, what the Girondins did not, that Narbonne and the court, in accepting the cry for war, were secretly designing, first, to crush the faction of emigrant nobles, then to make the King popular at home, and thus finally to construct a strong royalist army. The Constitutional party in the Legislative Assembly had the same ideas as Narbonne. The Girondins sought war; first, from a genuine, if not a profoundly wise, enthusiasm for liberty, which they would fain have spread all over the world; and next, because they thought that war would increase their popularity, and give them decisive control of the situation.

The first effect of the war declared in April 1792 was to shake down the throne. Operations had no sooner begun than the King became an object of bitter and amply warranted suspicion. Neither the leaders nor the people had forgotten his flight a year before to place himself at the head of the foreign invaders, nor the letter that he had left behind him for the National Assembly, protesting against all that had been done. They were again reminded of what short shrift they might expect if the King's friends should come back. The Duke of Brunswick at the head of the foreign army set out on his march, and issued his famous proclamation to the inhabitants of France. He demanded immediate and unconditional submission; he threatened with fire and sword every town, village, or hamlet, that should dare to defend itself; and finally, he swore that if the smallest violence or insult were done to the King or his family, the city of Paris should be handed over to military execution and absolute destruction. This insensate document bears marks in every line of the implacable hate and burning thirst for revenge that consumed the aristocratic refugees. Only civil war can awaken such rage as Brunswick's manifesto betrayed. It was drawn up by the French nobles at Coblenz. He merely signed it. The reply to it was the memorable insurrection of the Tenth of August 1792. The King was thrown into prison, and the Legislative Assembly made way for the National Convention.

Robespierre's part in the great rising of August was only secondary. Only a few weeks before he had started a journal and written articles in a constitutional sense. M. d'Héricault believes a story that Robespierre's aim in this had been to have himself accepted as tutor for the young Dauphin. It is impossible to prove a negative, but we find great difficulty in believing that such a post could ever have been an object of Robespierre's ambition. Now and always he showed a rather singular preference for the substance of power over its glitter. He was vain and an egoist, but in spite of this, and in spite of his passion for empty phrases, he was not without a sense of reality.

The insurrection of the 10th of August, however, was the idea, not of Robespierre, but of a more commanding personage, who now became one of the foremost of the Jacobin chiefs. De Maistre, that ardent champion of reaction, found a striking argument for the presence of the divine hand in the Revolution, in the intense mediocrity of the revolutionary leaders. How could such men, he asked, have achieved such results, if they had not been instruments of the directing will of heaven? Danton at any rate is above this caustic criticism. Danton was of the Herculean type of a Luther, though without Luther's deep vision of spiritual things; or a Chatham, though without Chatham's august majesty of life; or a Cromwell, though without Cromwell's calm steadfastness of patriotic purpose. His visage and port seemed to declare his character: dark overhanging brows; eyes that had the gleam of lightning; a savage mouth; an immense head; the voice of a Stentor. Madame Roland pictured him as a fiercer Sardanapalus. Artists called him Jove the Thunderer. His enemies saw in him the Satan of the Paradise Lost. He was no moral regenerator; the difference between him and Robespierre is typified in Danton's version of an old saying, that he who hates vices hates men. He was not free from that careless life-contemning desperation, which sometimes belongs to forcible natures. Danton cannot be called noble, because nobility implies a purity, an elevation, and a kind of seriousness which were not his. He was too heedless of his good name, and too blind to the truth that though right and wrong may be near neighbours, yet the line that separates them is of an awful sacredness. If Robespierre passed for a hypocrite by reason of his scruple, Danton seemed a desperado by his airs of 'immoral thoughtlessness.' But the world forgives much to a royal size, and Danton was one of the men who strike deep notes. He had that largeness of motive, fulness of nature, and capaciousness of mind, which will always redeem a multitude of infirmities.

Though the author of some of the most tremendous and far-sounding phrases of an epoch that was only too rich in them, yet phrases had no empire over him; he was their master, not their dupe. Of all the men who succeeded Mirabeau as directors of the unchained forces, we feel that Danton alone was in his true element. Action, which poisoned the blood of such men as Robespierre, and drove such men as Vergniaud out of their senses with exaltation, was to Danton his native sphere. When France was for a moment discouraged, it was he who nerved her to new effort by the electrifying cry, '_We must dare, and again dare, and without end dare!_' If his rivals or his friends seemed too intent on trifles, too apt to confound side issues with the central aim of the battle, Danton was ever ready to urge them to take a juster measure:--'_When the edifice is all ablaze, I take little heed of the knaves who are pilfering the household goods; I rush to put out the flames._' When base egoism was compromising a cause more priceless than the personality of any man, it was Danton who made them ashamed by the soul-inspiring exclamation, '_Let my name be blotted out and my memory perish, if only France may be free._' The Girondins denounced the popular clubs of Paris as hives of lawlessness and outrage. Danton warned them that it were wiser to go to these seething societies and to guide them, than to waste breath in futile denunciation. 'A nation in revolution,' he cried to them, in a superb figure, 'is like the bronze boiling and foaming and purifying itself in the cauldron. Not yet is the statue of Liberty cast. Fiercely boils the metal; have an eye on the furnace, or the flame will surely scorch you.' If there was murderous work below the hatches, that was all the more reason why the steersman should keep his hand strong and ready on the wheel, with an eye quick for each new drift in the hurricane, and each new set in the raging currents. This is ever the figure under which one conceives Danton--a Titanic shape doing battle with the fury of the seas, yielding while flood upon flood sweeps wildly over him, and then with unshaken foothold and undaunted front once more surveying the waste of waters, and striving with dexterous energy to force the straining vessel over the waters of the bar.

La Fayette had called the huge giant of popular force from its squalid lurking-places, and now he trembled before its presence, and fled from it shrieking, with averted hands. Marat thrust swords into the giant's half-unwilling grasp, and plied him with bloody incitement to slay hip and thigh, and so filled the land with a horror that has not faded from out of men's minds to this day. Danton instantly discerned that the problem was to preserve revolutionary energy, and still to persuade the insurgent forces to retire once more within their boundaries. Robespierre discerned this too, but he was paralysed and bewildered by his own principles, as the convinced doctrinaire is so apt to be amid the perplexities of practice. The teaching of Rousseau was ever pouring like thin smoke among his ideas, and clouding his view of actual conditions. The Tenth of August produced a considerable change in Robespierre's point of view. It awoke him to the precipitous steepness of the slope down which the revolutionary car was rushing headlong. His faith in the infallibility of the people suffered no shock, but he was in a moment alive to the need of walking warily, and his whole march from now until the end, twenty-three months later, became timorous, cunning, and oblique. His intelligence seemed to move in subterranean tunnels, with the gleam of an equivocal premiss at one end, and the mist of a vague conclusion at the other.

The enthusiastic pedant, with his narrow understanding, his thin purism, and his idyllic sentimentalism, found that the summoning archangel of his paradise proved to be a ruffian with a pike. The shock must have been tremendous. Robespierre did not quail nor retreat; he only revised his notion of the situation. A curious interview once took place between him and Marat. Robespierre began by assuring the Friend of the People that he quite understood the atrocious demands for blood with which the columns of Marat's newspaper were filled, to be merely useful exaggerations of his real designs. Marat repelled the disparaging imputation of clemency and common sense, and talked in his familiar vein of poniarding brigands, burning despots alive in their palaces, and impaling the traitors of the Assembly on their own benches. 'Robespierre,' says Marat, 'listened to me with affright; he turned pale and said nothing. The interview confirmed the opinion I had always had of him, that he united the integrity of a thoroughly honest man and the zeal of a good patriot, with the enlightenment of a wise senator, but that he was without either the views or the audacity of a real statesman.' The picture is instructive, for it shows us Robespierre's invariable habit of leaving violence and iniquity unrebuked; of conciliating the practitioners of violence and iniquity; and of contenting himself with an inward hope of turning the world into a right course by fine words. He had no audacity in Marat's sense, but he was no coward. He knew, as all these men knew, that almost from hour to hour he carried his life in his hand, yet he declined to seek shelter in the obscurity which saved such men as Sieyès. But if he had courage, he had not the initiative of a man of action. He invented none of the ideas or methods of the Revolution, not even the Reign of Terror, but he was very dexterous in accepting or appropriating what more audacious spirits than himself had devised and enforced. The pedant, cursed with the ambition to be a ruler of men, is a curious study. He would be glad not to go too far, and yet his chief dread is lest he be left behind. His consciousness of pure aims allows him to become an accomplice in the worst crimes. Suspecting himself at bottom to be a theorist, he hastens to clear his character as man of practice by conniving at an enormity. Thus, in September 1792, a band of miscreants committed the grievous massacres in the prisons of Paris. Robespierre, though the best evidence goes to show that he not only did not abet the prison murders, but in his heart deplored them, yet after the event did not scruple to justify what had been done. This was the beginning of a long course of compliance with sanguinary misdeeds, for which Robespierre has been as hotly execrated as if he prompted them. We do not, for the moment, measure the relative degrees of guilt that attached to mere compliance on the one hand, and cruel origination on the other. But his position in the Revolution is not rightly understood, unless we recognise him as being in almost every case an accessory after the fact.