Part 20

But we must return to Bunyan. The Pilgrim’s Progress undoubtedly is not a perfect allegory. The types are often inconsistent with each other; and sometimes the allegorical disguise is altogether thrown off. The river, for example, is emblematic of death; and we are told that every human being must pass through the river. But Faithful does not pass through it. He is martyred, not in shadow, but in reality, at Vanity Fair Hopeful talks to Christian about Esau’s birthright and about his own convictions of sin as Bunyan might have talked with one of his own congregation. The damsels at the House Beautiful catechize Christiana’s {258}boys, as any good ladies might catechize any boys at a Sunday School. But we do not believe that any man, whatever might be his genius, and whatever his good luck, could long continue a figurative history without falling into many inconsistencies. We are sure that inconsistencies, scarcely less gross than the worst into which Bunyan has fallen, may be found in the shortest and most elaborate allegories of the Spectator and the Rambler. The Tale of a Tub and the History of John Bull swarm with similar errors, if the name of error can be properly applied to that which is unavoidable. It is not easy to make a simile go on all-fours. But we believe that no human ingenuity could produce such a centipede as a long allegory in which the correspondence between the outward sign and the thing signified should be exactly preserved. Certainly no writer, ancient or modern, has yet achieved the adventure. The best thing, on the whole, that an allego-rist can do, is to present to his readers a succession of analogies, each of which may separately be striking and happy, without looking very nicely to see whether they harmonize with each other. This Bunyan has done; and, though a minute scrutiny may detect inconsistencies in every page of his Tale, the general effect which the Tale produces on all persons, learned and unlearned, proves that he has done well. The passages which it is most difficult to defend are those in which he altogether drops the allegory, and puts into the mouth of his pilgrims religious ejaculations and disquisitions, better suited to his own pulpit at Bedford or Reading than to the Enchanted Ground or to the Interpreter’s Garden. Yet even these passages, though we will not undertake to defend them against the objections of critics, we feel that we could ill spare. We {259}feel that the story owes much of its charm to these occasional glimpses of solemn and effecting subjects, which will not be hidden, which force themselves through the veil, and appear before us in their native aspect. The effect is not unlike that which is said to have been produced on the ancient stage, when the eyes of the actor were seen flaming through his mask, and giving life and expression to what would else have been an inanimate and uninteresting disguise.

It is very amusing and very instructive to compare the Pilgrim’s Progress with the Grace Abounding. The latter work is indeed one of the most remarkable pieces of autobiography in the world. It is a full and open confession of the fancies which passed through the mind of an illiterate man, whose affections were warm, whose nerves were irritable, whose imagination was ungovernable, and who was under the influence of the strongest religious excitement. In whatever age Bunyan had lived, the history of his feelings would, in all probability, have been very curious. But the time in which his lot was cast was the time of a great stirring of the human mind. A tremendous burst of public feeling, produced by the tyranny of the hierarchy, menaced the old ecclesiastical institutions with destruction. To the gloomy regularity of one intolerant Church had succeeded the license of innumerable sects, drunk with the sweet and heady must of their new liberty. Fanaticism, engendered by persecution, and destined to engender persecution in turn, spread rapidly through society. Even the strongest and most commanding minds were not proof against this strange taint. Any time might have produced George Fox and James Naylor. But to one time alone belong the frantic delusions of such a statesman {260}as Vane, and the hysterical tears of such a soldier as Cromwell.

The history of Bunyan is the history of a most excitable mind in an age of excitement. By most of his biographers he has been treated with gross injustice. They have understood in a popular sense all those strong terms of self-condemnation which he employed in a theological sense. They have, therefore, represented him as an abandoned wretch reclaimed by means almost miraculous, or, to use their favourite metaphor, “as a brand plucked from the burning.” Mr. Ivimey calls him the depraved Bunyan and the wicked tinker of Elstow. Surely Mr. Ivimey ought to have been too familiar with the bitter accusations which the most pious people are in the habit, of bringing against themselves, to understand literally all the strong expressions which are to be found in the Grace Abounding. It is quite clear, as Mr. Southey most justly remarks, that Bunyan never was a vicious man. He married very early; and he solemnly declares that he was strictly faithful to his wife. He does not appear to have been a drunkard. He owns, indeed, that, when a boy, he never spoke without an oath. But a single admonition cured him of this bad habit for life; and the cure must have been wrought early; for at eighteen he was in the army of the Parliament; and, if he had carried the vice of profaneness into that service, he would doubtless have received something more than an admonition from Serjeant Bind-their-kings-in-chains, or Captain Hew-Agag-in-pieces-before-the-Lord. Bell-ringing and playing at hockey on Sundays seem to have been the worst vices of this depraved tinker. They would have passed for virtues with Archbishop Laud. It is quite clear that, from a very early age, Bunyan was a man of a {261}strict life and of a tender conscience. “He had been,” says Mr. Southey, “a blackguard.” Even this we think too hard a censure. Bunyan was not, we admit, so fine a gentleman as Lord Digby; but he was a blackguard no otherwise than as every labouring man that ever lived has been a blackguard. Indeed Mr. Southey acknowledges this. “Such he might have been expected to be by his birth, breeding, and vocation. Scarcely indeed, by possibility, could he have been otherwise.” A man whose manners and sentiments are decidedly below those of his class deserves to be called a blackguard. But it is surely unfair to apply so strong a word of reproach to one who is only what the great mass of every community must inevitably be.

Those horrible internal conflicts which Bunyan has described with so much power of language prove, not that he was a worse man than his neighbours, but that his mind was constantly occupied by religious considerations, that his fervour exceeded his knowledge, and that his imagination exercised despotic power over his body and mind. He heard voices from heaven. He saw strange visions of distant hills, pleasant and sunny as his own Delectable Mountains. From those abodes he was shut out, and placed in a dark and horrible wilderness, where he wandered through ice and snow, striving to make his way into the happy region of light. At one time he was seized with an inclination to work miracles. At another time he thought himself actually possessed by the devil. He could distinguish the blasphemous whispers. He felt his infernal enemy pulling at his clothes behind him. He spurned with his feet and struck with his hands at the destroyer. Sometimes he was tempted to sell his part in the salvation {262}of mankind. Sometimes a violent impulse urged him to start up from his food, to fall on his knees, and to break forth into prayer. At length he fancied that he had committed the unpardonable sin. His agony convulsed his robust frame. He was, he says, as if his breastbone would split; and this he took for a sign that he was destined to burst asunder like Judas. The agitation of his nerves made all his movements tremulous; and this trembling, he supposed, was a visible mark of his reprobation, like that which had been set on Cain. At one time, indeed, an encouraging voice seemed to rush in at the window, like the noise of wind, but very pleasant, and commanded, as he says, a great calm in his soul. At another time, a word of comfort “was spoke loud unto him; it showed a great word; it seemed to be writ in great letters.” But these intervals of ease were short: His state, during two years and a half, was generally the most horrible that the human mind can imagine. “I walked,” says he, with his own peculiar eloquence, “to a neighbouring town; and sat down upon a settle in the street, and fell into a very deep pause about the most fearful state my sin had brought me to; and, after long musing, I lifted up my head; but methought I saw as if the sun that shineth in the heavens did grudge to give me light; and as if the very stones in the street, and tiles upon the houses, did band themselves against me. Methought that they all combined together to banish me out of the world. I was abhorred of them, and unfit to dwell among them, because I had sinned against the Saviour. Oh, how happy now was every creature over I! for they stood fast, and kept their station. But I was gone and lost.” Scarcely any madhouse could produce an instance of delusion so strong, or of misery so acute. {263}It was through this Valley of the Shadow of Death, overhung by darkness, peopled with devils, resounding with blasphemy and lamentation, and passing amidst quagmires, snares, and pitfalls, close by the very mouth of hell, that Bunyan journeyed to that bright and fruitful land of Beulah, in which he sojourned during the latter period of his pilgrimage. The only trace which his cruel sufferings and temptations seem to have left behind them was an affectionate compassion for those who were still in the state in which he had once been. Religion has scarcely ever worn a form so calm and soothing as in his allegory. The feeling which predominates through the whole book is a feeling of tenderness for weak, timid, and harassed minds. The character of Mr. Fearing, of Mr. Feeble-Mind, of Mr. Despondency and his daughter Miss Muchafraid, the account of poor Littlefaith who was robbed by the three thieves, of his spending money, the description of Christian’s terror in the dungeons of Giant Despair and in his passage through the river, all clearly show how strong a sympathy Runyan felt, after his own mind had become clear and cheerful, for persons afflicted with religious melancholy.

Mr. Southey, who has no love for the Calvinists, admits that, if Calvinism had never worn a blacker appearance than in Bunyan’s works, it would never have become a term of reproach. In fact, those works of Bunyan with which we are acquainted are by no means more Calvinistic than the articles and homilies of the Church of England. The moderation of his opinions on the subject of predestination gave offence to some zealous persons. We have seen an absurd allegory, the heroine of which is named Hephzibah, written by some raving supralapsarian preacher {264}who was dissatisfied with the mild theology of the Pilgrim’s Progress. In this foolish hook, if we recollect rightly, the Interpreter is called the Enlightener, and the House Beautiful is Castle Strength. Mr. Southey tells us that the Catholics had also their Pilgrim’s Progress, without a Giant Pope, in which the Interpeter is the Director, and the House Beautiful Grace’s Hall. It is surely a remarkable proof of the power of Bunyan’s genius, that two religious parties, both of which regarded his opinions as heterodox, should have had recourse to him for assistance.

There are, we think, some characters and scenes in the Pilgrim’s Progress, which can be fully comprehended and enjoyed only by persons familiar with the history of the times through which Bunyan lived. The character of Mr. Greatheart, the guide, is an example. His fighting is, of course, allegorical; but the allegory is not strictly preserved. He delivers a sermon on imputed righteousness to his companions; and, soon after, he gives battle to Giant Grim, who had taken upon him to back the lions. He expounds the fifty-third chapter of Isaiah to the household and guests of Gaius; and then he sallies out to attack Slaygood, who was of the nature of flesh-eaters, in his den. These are inconsistencies; but they are inconsistencies which add, we think, to the interest of the narrative. We have not the least doubt that Bunyan had in view some stout old Greatheart of Naseby and Worcester, who prayed with his men before he drilled them, who knew the spiritual state of every dragoon in his troop, and who, with the praises of God in his mouth, and a two-edged sword in his hand, had turned to flight, on many fields of battle, the swearing, drunken bravoes of Rupert and Lunsford. {265} Every age produces such men as By-ends. But the middle of the seventeenth century was eminently prolific of such men. Mr. Southey thinks that the satire was aimed at some particular individual; and this seems by no means improbable. At all events, Bunyan must have known many of those hypocrites who followed religion only when religion walked in silver slippers, when the sun shone, and when the people applauded. Indeed he might have easily found all the kindred of By-ends among the public men of his time. He might have found among the peers my Lord Turnabout, my Lord Time-server, and my Lord Fair-speech; in the House of Commons, Mr. Smooth-man, Mr. Anything, and Mr. Facing-both-ways; nor would “the parson of the parish, Mr. Two-tongues,” have been wanting. The town of Bedford probably contained more than one politician who, after contriving to raise an estate by seeking the Lord during the reign of the saints, contrived to keep what he had got by persecuting the saints during the reign of the strumpets, and more than one priest who, during repeated changes in the discipline and doctrines of the church, had remained constant to nothing but his benefice.

One of the most remarkable passages in the Pilgrim’s Progress is that in which the proceedings against Faithful are described. It is impossible to doubt that Bunyan intended to satirise the mode in whieh state trials were conducted under Charles the Second. The license given to the witnesses for the prosecution, the shameless partiality and ferocious insolence of the judge, the precipitancy and the blind rancour of the jury, remind us of those odious mummeries which, from the Restoration to the Revolution, were merely forms preliminary to hanging, drawing, and quartering. {266}Lord Hategood performs the office of counsel for the prisoners as well as Scroggs himself could have performed it.

“_Judge. Thou runagate, heretic, and traitor, hast thou heard what these honest gentlemen have witnessed against thee?

“Faithful. May I speak a few words in my own defence?

“Judge. Sirrah, sirrah! thou deservest to live no longer, but to be slain immediately upon the place; yet, that all men may see our gentleness to thee, let us hear what thou, vile runagate, hast to say._”

No person who knows the state trials can be at a loss for parallel cases. Indeed, write what Bunyan would, the baseness and cruelty of the lawyers of those times “sinned up to it still,” and even went beyond it. The imaginary trial of Faithful, before a jury composed of personified vices, was just and merciful, when compared with the real trial of Alice Lisle before that tribunal where all the vices sat in the person of Jefferies.

The style of Bunyan is delightful to every reader, and invaluable as a study to every person who wishes to obtain a wide command over the English language. The vocabulary is the vocabulary of the common people. There is not an expression, if we except a few technical terms of theology, which would puzzle the rudest peasant. We have observed several pages which do not contain a single word of more than two syllables. Yet no writer has said more exactly what he meant to say. For magnificence, for pathos, for vehement exhortation, for subtle disquisition, for every purpose of the poet, the orator, and the divine, this homely dialect, the dialect of plain working men, was perfectly sufficient. There is no book in our literature on which we would so readily stake the fame of {267}the old unpolluted English language, no book which shows so well how rich that language is in its own proper wealth, and how little it has been improved by all that it has borrowed.

Cowper said, forty or fifty years ago, that he dared not name John Bunyan in his verse, for fear of moving a sneer. To our refined forefathers, we suppose, Lord Roscommon’s Essay on Translated Verse, and the Duke of Buckinghamshire’s Essay on Poetry, appeared to be compositions infinitely superior to the allegory of the preaching tinker. We live in better times; and we are not afraid to say, that, though there were many clever men in England during the latter half of the seventeenth century, there were only two minds which possessed the imaginative faculty in a very eminent degree. One of those minds produced the Paradise Lost, the other the Pilgrim’s Progress.

SADLER’S REFUTATION REFUTED. (1)

(_Edinburg Review_, January 1831.)

We {268}have, in violation of our usual practice, transcribed Mr. Sadler’s title-page from top to bottom, motto and all. The parallel implied between the Essay on the Human Understanding and the Essay on Superfecundity is exquisitely laughable. We can match it, however, with mottoes as ludicrous. We remember to have heard of a dramatic piece, entitled “News from Camperdown,” written soon after Lord Duncan’s victory, by a man once as much in his own good graces as Mr. Sadler is, and now as much forgotten as Mr. Sadler will soon be, Robert Heron. His piece was brought upon the stage, and damned, “as it is phrased,” in the second act; but the author, thinking that it had been unfairly and unjustly “run down,” published it, in order to put his critics to shame, with this motto from Swift:--“When a true genius appears in the

(1) _A Refutation of an Article in the Edinburgh Review (No. CII.) entitled, “Sadler’s Law of Population, and Disproof of Human Superfecundity;” containing also Additional Proofs of the Principle enunciated in that Treatise, founded on the Censuses of different Countries recently published_. By Michael Thomas Sadler, M.P. 8vo. London: 1830.

“Before anything came out against my Essay, I was told I must prepare myself for a storm coming against it, it being resolved by some men that it was necessary that book of mine should, as it is phrased, be run down.”--_John Locke_.

{269}world, you may know him by this mark--that the dunces are all in confederacy against him.” We remember another anecdote, which may perhaps be acceptable to so zealous a churchman as Mr. Sadler. A certain Antinomian preacher, the oracle of a barn, in a county of which we do not think it proper to mention the name, finding that divinity was not by itself a sufficiently lucrative profession, resolved to combine with it that of dog-stealing. He was, by ill-fortune, detected in several offences of this description, and was in consequence brought before two justices, who, in virtue of the powers given them by an act of parliament, sentenced him to a whipping for each theft. The degrading punishment inflicted on the pastor naturally thinned the flock; and the poor man was in danger of wanting bread. He accordingly put forth a handbill, solemnly protesting his innocence, describing his sufferings, and appealing to the Christian charity of the public; and to his pathetic address he prefixed this most appropriate text: “Thrice was I beaten with rods.--_St. Paul’s Epistle to the Corinthians_.” He did not perceive that, though St. Paul had been scourged, no number of whippings, however severe, will of themselves entitle a man to be considered as an apostle. Mr. Sadler seems to us to have fallen into a somewhat similar error. He should remember that, though Locke may have been laughed at, so has Sir Claudius Hunter; and that it takes something more than the laughter of all the world to make a Locke.

The body of this pamphlet by no means justifies the parallel so modestly insinuated on the title-page. Yet we must own that, though Mr. Sadler has not risen to the level of Locke, he has done what was almost as difficult, if not as honourable--he has fallen below his {270}own. He is at best a bad writer. His arrangement is an elaborate confusion. His style has been constructed, with great care, in such a manner as to produce the least possible effect by means of the greatest possible number of words. Aspiring to the exalted character of a Christian philosopher, he can never preserve through a single paragraph either the calmness of a philosopher or the meekness of a Christian. His ill-nature would make a very little wit formidable. But, happily, his efforts to wound resemble those of a juggler’s snake. The bags of poison are full, but the fang is wanting. In this foolish pamphlet, all the unpleasant peculiarities of his style and temper are brought out in the strongest manner. He is from the beginning to the end in a paroxysm of rage, and would certainly do us some mischief if he knew how. We will give a single instance for the present. Others will present themselves as we proceed. We laughed at some doggerel verses which he cited, and which we, never having seen them before, suspected to be his own. We are now sure that, if the principle on which Solomon decided a famous case of filiation were correct, there can be no doubt as to the justice of our suspicion. Mr. Sadler, who, whatever elements of the poetical character he may lack, possesses the poetical irritability in an abundance which might have sufficed for Homer himself, resolved to retaliate on the person, who, as he supposed, had reviewed him. He has, accordingly, ransacked some collection of college verses, in the hope of finding, among the performances of his supposed antagonist, something as bad as his own. And we must in fairness admit that he has succeeded pretty well. We must admit that the gentleman in question sometimes put into his exercises, at seventeen. {271}almost as great nonsense as Mr. Sadler is in the habit of putting into his books at sixty.

Mr. Sadler complains that we have devoted whole pages to mere abuse of him. We deny the charge. We have, indeed, characterised, in terms of just reprehension, that spirit which shows itself in every part of his prolix work. Those terms of reprehension we are by no means inclined to retract; and we conceive that we might have used much stronger expressions, without the least offence either to truth or to decorum. There is a limit prescribed to us by our sense of what is due to ourselves. But we think that no indulgence is due to Mr. Sadler. A writer who distinctly announces that he has not conformed to the candour of the age--who makes it his boast that he expresses himself throughout with the greatest plainness and freedom--and whose constant practice proves that by plainness and freedom he means coarseness and rancour--has no right to expect that others shall remember courtesies which he has forgotten, or shall respect one who has ceased to respect himself.