Part 9
There was a boy about fourteen years of age who would daily menace his widowed mother with denouncing her to the "office." He terrorised the poor woman to such an extent that she allowed him to do whatever he wanted. He never went to school, he smoked, he drank, he boxed, he went to all the moving picture shows, and all this money he obtained from his mother on the threat to tell the "office." The great sin the woman had committed was that she had remarried, a young man, and the groom had decamped with two hundred and fifty dollars that she had saved up in the seven or eight years widowhood and beggary. The whole affair was a secret to the institution, as the woman feared her two dollars weekly pension would be discontinued should they learn of the marriage.
I happened to visit the home one morning. The boy was pacing the room, almost naked, a cigarette hanging from the corner of his lower lip, his face enraged, his eyes red, and as he paced the room he cursed the mother, who was standing at the stove preparing the food. And the language he used! I heard all the curses of the Bowery as I stood near the door.
"I'll fix you up, you old rag--cough up or I'll smash your ivory."
When I knocked at the door he greeted me with "What d'hell d'you want?"
He had his mouth set for another greeting of the same sort when I gently but firmly pushed his insolent face back and entered.
The woman knew me and the boy probably guessed my occupation, for he proceeded to coerce his mother, motioning and making faces, as though to say: "Yes, or I will tell!" The mother ignored his threats so he casually remarked: "Mrs. Carson!"
The woman made a sign that she would yield and the boy dressed in a hurry.
I busied myself with my notebook all the time, just throwing out a question once in a while. When the boy was all dressed up he beckoned to the mother to follow him into the other room. She did so. I heard a suppressed curse and a deep sigh. The boy came out first. As he passed my chair I stood up and seizing his wrists I asked: "Why don't you go to school?"
No answer.
"Why don't you go to work?"
No answer.
"How dare you insult your mother the way you do, you scoundrel?"
Instead of answering me he turned to his mother.
"You squeaked--ha? That's what you did! You old piece of rot."
Thus spoke a son to his mother. I felt the blood rushing to my head and I struck the blaspheming mouth. He tried to fight back and even took the pose, but I was too much for him. I pinned his arms.
The mother had not moved. If anything she was rather satisfied that the boy got his due. Again the boy twisted around, and looking daggers at his mother he said:
"You'll tell tales? Ha? and let this big stiff hit me? And you'll stay there like a lamp post? Ha! that's what you'll do? I'll croak you, I'll put you right--wait!"
"Do you know," he turned to me, "that--"
"George, George," the mother yelled and covered the boy's mouth with her open palm.
"I know it all," I interrupted. "I know that your mother's name is Mrs. Carson."
The poor mother looked as though she had been struck with an iron bar over the head.
"And now, my boy, give back the money you forced from your mother a while ago." From his pocket the mother took out a dollar and some cents. I compelled the boy to go to school, menacing him with everything I thought would scare him, and obtained from him the promise that he would go the next morning. But when I turned to go, I saw the mother shivering as though in the clutches of fever. She motioned me not to go, then sat down and wept. Of course I knew the reason for her tears. She was afraid her pension would be cut off. She had lied to the institution. She had not told them of her unfortunate remarriage. She was afraid of her son. Why? Because, fearing that the investigator might question her son she had been compelled to lie to the boy and teach him to lie, and he grew up with the knowledge that he could obtain anything he wanted from his mother with the threat of telling the truth. The child grew up a blackmailer. The system of organised charity made him one.
And how many, how many similar occurrences have led to similar results? How many men in stripes could trace their downfall to the "question room" of the Investigator!
As to this particular boy--he went to school for a few weeks but his street habits corrupted the other children, and he was expelled. For a time he sold newspapers on the streets, then he gradually sank lower and lower and was later on sent to a reformatory to expiate a minor offence and from there he will be discharged a graduated criminal.
Webster says: "A university is an assemblage of colleges established in any place, with professors for instructing students in the sciences and other branches of learning, and where degrees are conferred. A university is properly a universal school, in which are taught all branches of learning, or the four faculties of theology, medicine, law, and the science and arts."
I know universities where the students are not instructed in the sciences and other branches of learning, and where degrees of a different kind are conferred on the students; a university where other objects than theology, medicine, law and the sciences and arts are taught.
Burglary, blackmailing, safe-blowing, murder and other applied sciences and arts are taught there.
The professors are incomparably superior to the ones in the colleges; they are men with great experience and they impart their knowledge to their pupils without charging fees. They do it for love.
In the underworld the Reformatory is called "the university." And one who knew, one day remarked to me: "If they (meaning the good citizens) had wanted to create a school where crime should be taught they could not have done better than by fixing up a Reformatory. They get a real training there, pass through a sound apprenticeship and are masters of their particular branch when they come out."
CLIPPING WINGS OF LITTLE BIRDS
"And where does she go every day?"
"In town."
"Does she stay out late at night?"
"I don't know."
"Do men come often to the house?"
"Sometimes."
"Is she sometimes drunk? I mean, does she use whisky? Is there whisky in the house?"
"Not that I know of."
"Does she smoke cigarettes?"
"No."
"Is she visiting the moving picture houses?"
"No--never."
To whom are these questions put? To the children of the poor. The "she" referred to is the mother, and the child is often not older than eight years, and sometimes younger. And who puts the questions? The investigators, of course.
On the information of a neighbour that Mrs. S. "eats meat every day and goes to the moving pictures," a widow's pension was cut off and she was submitted to the test.
A few days later, when the mattress and broken chairs were on the street the woman was in the office crying, tearing her hair and beating her heart. She begged the Manager, she begged the investigator--"Pity--pity--have pity on me and my children." But they turned a deaf ear. When the poor woman got beyond control the janitor was called to help and he made it short. He put her out.
For more than an hour she sat outside on the steps. Then suddenly she got up and disappeared. A half hour after she was back again, but not alone. She had brought her three children--a little boy of five and two girls, one seven and the other nine years old. She wanted to go in, but the janitor, acting on the orders given, did not let her pass the door. When she once had put her foot between sill and door he simply beat her off. Her screams and cries could have melted a heart of stone, but not that of a janitor of a charity institution. They are picked men, of a special brand.
I spoke to the investigator and tried to convince her that the test had gone far enough, but she was not satisfied.
"That woman," she said, "is acting--acting her part. I am not going to be taken in. No, she would not fool me."
Then suddenly she ran out and through the open door I saw how she literally tore away the three children from their mother's hands and when the mother wanted to follow her little ones the door was slammed and caught the fingers of the unfortunate woman. She screamed, the children screeched and all the other applicants ran to the door, wailing, crying--but the investigator ordered them all away. Only the janitor finally took pity and brought a wet towel to wrap around the injured hand. However, she was not let in. The investigator dragged the three little ones away to her room.
I don't know why I was under the impression of seeing a wolf carrying away three little chicks to his den.
She brought them to her room and when she saw me coming she slammed the door and remained alone with them. From outside I heard the children crying and the questioning intonation of their torturer. She changed her tactics every minute. First she was sweet and promising, then loud and menacing, then again persuading, convincing, suddenly threatening, intimidating--a real Scarpia in petticoats.
Meanwhile the mother stood outside, a wet towel on her arm, crying and beating with her head the heavy closed door. It was the hour when the "committee" was going home. An automobile stopped at the door and the Manager majestically descended the broad stone steps, seated himself comfortably on the cushioned seat, buttoned his coat and beckoned to the driver. A few seconds later he was enveloped in a cloud of dust.
After all, why not speak simply? From where all that money? Even if it is only from the salary, does it not prove that he is getting too much? Isn't that money destined to pay for other things than gasoline, and a liveried chauffeur? Has any one of those that bequeathed a certain amount of money to an institution written in his will that a proportion of the money shall go for gasoline, liveried chauffeurs and high salaries? Of course, a certain amount of money is necessary for expenses, but is there no reason to feel that there is "something rotten in Denmark" when A Little Mothers' Association gives out a report that around eighty per cent. of the total amount of money was spent on office work, salaries and investigators and only twenty per cent. went to the poor? The reason they give is that they prefer to spend fifty dollars on investigating before giving five dollars, for fear of giving to the undeserving, and that the large amount of money spent on salaries, etc., shows the good and thorough work of the institution. Then why not be consistent and spend the whole amount the same way? It will show still better work, greater efficiency. Why not put up a sign: "This institution is founded with the object not to give charity," or call it "The Society to Prevent Pauperisation of the Poor." But this does not pay. No fool will give money for such a purpose. I foresee a day when the poor will protest that their names and qualifications should not be used to obtain money under false pretences--a day when the poor will elect from _whom_ they want to receive charity.
But to come back to the wolf. After a quarter of an hour another young woman, usually at work at the desk, quit her chair and went into the room. She was all excited, as one might be before the curtain rises on the scene when the villain is killed. She moved around on her chair, bit her nails, squeezed her fingers, broke nibs--the wolf smelling a rabbit. She at last could not resist temptation, so she entered the room. And then I heard both their voices. Another investigator appeared. She was the oldest in the place, and reputed to be a marvel. (She afterwards obtained a position in the Juvenile Court--"the right place for the right woman.")
"What's the matter in there?" she asked the office boy.
"Clipping wings of little birds," he answered laconically.
It was the first time I had ever heard a sentence which so well characterised the work.
The old "maman" hardly had patience to throw off her coat when she rushed into the fray. After a short lull during which the three conferred probably, the old cove took charge of one of the little ones, and went into another room.
The whole thing lasted more than an hour and was given up as unsuccessful. The children were thrust out to the mother. She was ordered to come to-morrow.
The three women seated themselves together and the younger one, thinking of the great exploits of the police detectives, Sherlock Holmes stories, remarked:
"A regular third degree."
The janitor, very interested in charity affairs, asked: "Did you sweat them?"
The old "maman" thought deeply for a few moments then she exclaimed with feeling:
"Come to think of it, they refused my candy! Isn't that a sign that they had enough of it, that they get candy every day?"
"Of course," joined the two, "it certainly is so--children to refuse candy! Who ever heard of it?"
"When are they coming to-morrow?"
"In the morning."
"Well, I will try to help you in this affair. I don't think they are deserving."
As she went to write her report she kept on saying:
"A nice bunch--a nice bunch."
Presently the office boy approached, chewing gum.
"Confessed, condemned to the electric chair?" he asked.
THE ORPHAN HOME
I was ushered into the private room of the superintendent of the Orphan Home. After a few moments' introductory talk he brought me down to the kitchen--a large, spacious room with all the modern cooking paraphernalia. The cook presided over the stove, on which were a dozen pots. Three pale little girls were peeling potatoes.
From there we went to the dressmaking room, where half a dozen girls under the supervision of an expert were making dresses, shirts, sheets and all the other linen of the house. Though it was a beautiful spring day they had to use gas light, the room was so dark. The superintendent noticing my gaze fixed on the burning light, explained:
"It is not too dark here, but you can't make them understand that artificial light is bad for the eyes. It's a pity to waste money on gas, but you can't do everything just right."
From the dressmaking room he led me to the dining room, which was a very large, light room, with one big white marble table in the centre. Little girls were busy setting the table for the noon meal. Soon the bell rang and a hundred pair of tripping feet followed the call to lunch. In a few moments they were all sitting around the table. A big cauldron of soup was brought and the bowls filled with the steaming food. A hundred little mouths munched and chattered and whispered, the older girls supervising the younger ones, the stronger ones often getting the slice of bread belonging to the weaker.
One of the "old ones" approached the superintendent and told him: "Clara Morris does not eat."
"Why?" he asked.
"She cries, sir," the girl answered.
"Bring her to my office," he ordered.
Then he turned to me and explained: "The new ones don't assimilate readily. There is especial difficulty in the matter of food. Their taste has been spoiled with spicy food and they can't eat the simple, wholesome food we give them here. The first few days they don't eat at all, but when they get good and hungry they fall to it like the rest. And they eat--oh! they eat. If you could see the bills for food for a month you would gasp. A fortune is spent. The fruit bill alone is above three hundred dollars a month. They get all the fruits of the season, but they would prefer pickles and sour tomatoes. I tell you for some of them it's lucky their parents died. I shudder to think what would have become of them." As he was speaking the office girl called him to the telephone. I went straight to the child who refused to eat and asked her why she refused the food. It was the child of an applicant and she knew me.
"I can't eat it--it tastes bad. See for yourself."
I took a spoonful of the supposed lentil soup and tasted. It smelt and tasted like dishwater. Of lentils it had only the colour and the name. Then I tasted the meat and the pudding, and understood why they had to be hungry for a few days before they could touch it. I looked at the faces of the children. All ghastly pale, with bent shoulders and fallen-in chests and toothpick legs--only the eyes were living, the feverish, longing eyes of the people of woe.
The children ate the bread, some chewed a bone, alternating with a bite from a quarter of an apple, the fruit of the season, and as an extra treat, because I was there, two dates were given to each. Once in a while a little tragedy would happen. A big one would take away a slice of bread from a small one, and the protests of the robbed were stilled with threats and pinches.
"When is your happiest time here?" I asked one of the girls.
"Every six weeks," she answered.
"Why so?"
"Because then I am in the kitchen for two days and can eat as much as I want."
Soon the superintendent came again, and as he insisted on my visiting the classes while at work he invited me to lunch with his family. I was introduced to the lady of the house--who in turn introduced me to their daughter, a young Miss of twenty, with round, healthy body and rosy cheeks and stupid eyes. Mr. Marcel talked all the time, explaining to me how ungrateful the children of the poor are. I was seated directly opposite him at table and had an opportunity of studying him at close range. For the first time I remarked his gluttonous lips and round, protruding belly. He followed every plate with his eyes and ceremoniously pushed his sleeves back before he carved, as though officiating at a holy rite. The more he ate the more he wanted, and seeing such a luncheon and the fruit at the table I quite believed that "The fruit bill alone was three hundred dollars a month."
I turned to the girl and asked:
"How do you like living here?"
"It's nice."
"She is practically born here," the mother explained.
"Then you went to school here," I asked.
"Oh, no--no--" all three, father, mother and daughter protested in chorus. "We would not place our child with _them_," the mother said indignantly, while the father, who was so shocked that he stopped eating his pudding, said:
"One is willing to sacrifice his own life, but one has no right to do so with one's child."
After luncheon Mr. Marcel delivered himself of the following lecture.
"That's the big mistake of the people outside. They don't seem to realise that in an orphan home you have the scum of the population. The very fact that their parents died young and poor is a proof of the bad root they grow from. Most of the time the father or mother or both have been drunkards, sick and idle. Idleness is a disease and an hereditary one. Why are they poor? because they are degenerates. A healthy man is never poor. Why are they sick? Because they are careless and dirty. Why do they die young if it is not because they are degenerates and careless and dirty? We get their children. They all have bad habits, bad characters, are insolent and indolent, and they all long for the street, the free street. This desire for the free street is terrible. We have here a splendid garden--have a look through the window, sir--a splendid garden is it not? It's my greatest pleasure! They want the gutter. We have a tremendous work to do, and I am happy to be partially successful. We break them of their evil habits, curb their insolence and teach them order and submission, order and submission, order and submission," he repeated.
The heavy meal soon told on the gentleman and his speech lost its clarity and his tongue stuck in his mouth. He was soon dozing in his chair and I was saved from the awkward position by Mrs. Marcel who gave me the freedom of the place, while explaining that Mr. Marcel was working very hard and was always tired at that hour.
I went down to the garden. There wasn't a child there. One of the teachers sat on a bench reading a paper.
"Excuse me, madame, but why don't the children use the garden?"
"They are not allowed, sir."
I soon saw them pass out from the refectory to the classroom, like little mourners coming from the cemetery where their parents were buried. There are one hundred children, all girls, between the ages of seven and fourteen. _In five hours' time I did not hear one laugh, did not see one smile._ All have but one hope. To reach the age of fourteen and then be placed. It matters not where nor to what work! The main thing is to get out of the "box" as the children call it. But only six out of ten reach the age of fourteen. The hospital is the anteroom of the grave.
When I spoke of the great proportion of sick among the children and of the pallor of all, the superintendent explained:
"You must not forget that these are not normal children. They are the offspring of degenerates--of the poor."
In all the world, in all the charitable institutions, poverty is a crime. Thus are the children, the orphans, treated like little would-be criminals and every move is regarded with suspicion. Not half of the money given for their food is spent on food and not a half that is given for their clothing is spent for them. The whole institution is a shame and the man who thought he was performing a good deed when he left a bequest to shelter the children of the poor is cursed instead of being blessed.
And the devil sits on the stove and says: "This is the best place that man ever built for me."
This was a model Orphan Home. I have since visited other places and found everywhere the same situation, with little variations. The conditions in a Paris house are no better than those in Chicago, and the children are not more unhappy in Montreal than in Berlin. The children of the poor, the orphans, are everywhere little criminals that Mr. Levy, Monsieur Albert, Mr. Marcel or Herr Grun has to "tame and teach submission." The wish of all the children is to get rid in some way of the "box." (This word is used by all the orphans all over the world to designate their home. It is characteristic and shows how suffering is international and conveys to all the same designation of a certain evil.) The girls by getting married or becoming servants. Oh! They don't intend to stay married to the man the institution procures for them. Generally it is an old widower who applies for one, to "make happy a poor orphan." She will not stay with him and her vow is worth nothing--is a subterfuge to escape. And if she goes as a servant it is also only to get out into the world where she will soon fall a victim to the first snare, on account of her inexperience and broken spirit, and her fear of returning to the "box."
Never has the orphan house been described as well as Marguerite Audoux has done it in her "Marie Claire." There, too, you see what the children miss--bread and love--and that what they most want is freedom. The day one of the girls goes away all the others are sad--sad to live between those four walls. The friendship of the cook is one's greatest asset. One can get an extra piece of meat or an apple or a slice of bread. All the while tens of thousands of dollars are given, gardens are made where the children must not enter and food is prepared which the children do not eat. Holidays are celebrated and the children are tortured to learn some platitude which they must recite to please the ladies and gentlemen who come to honour the house with their presence. But down in their souls the children hate the whole game. They are not fooled--they know. And one girl confided to me the following:
"There are busts in clay and marble and paintings of all that have started and contributed to this institution. In the centre hall is a white stone plate with the names engraved in gold. Well, every morning I walk up to each and every one and tell him my opinion of his deed. I can hardly keep my fist back from the bust of the one who founded this 'box.' And to the plate, that plate with names engraved in gold--morning and night I say, 'Damn you all.' It's my prayer."